The Book of Will – Preserving the Bard’s Work

The Book of Will – A Review

Playing through July 28 at the Shakespeare Theatre of New Jersey is The Book of Will. Lauren Gunderson wrote this play around 2017 in order to honor Shakespeare for “igniting her ambitions as a playwright.”

This is the first time the play is running at the Madison theater. Bonnie Monte directs this entertaining and historically informative play. It is based on true events as researched by Playwright Gunderson. At a recent audience symposium, Ms. Monte noted that events and circumstances in the play have historic research backing them up. However, the dialog would be something that was written for the play’s purposes and would not necessarily be based on exact information.

The Book of Will is about the search, collection, and printing of Shakespeare’s plays. It begins in 1619, three years after William Shakespeare’s death. It concludes in 1623 with the publication of the completed volume of Shakespeare’s works.

The production does a fine job of showing that this task was no small event. Methods of recording and printing were much different in the 17th Century from current day.

During the play, I recalled my days in college studying English Literature. One of the requirements was to take a course on Shakespeare. I remember going to the bookstore to purchase the textbook. It was a huge book, the largest I owned. It was an anthology of the complete works of Shakespeare. I felt like I owned the world. Because of attending The Book of Will, I realized what happened to make that book be available to me. The play is indeed a tribute to all who toiled so diligently in a time period where preserving written words was not an easy task. I thank them for the work they did.

How It Begins

The play opens with an actor taking center stage and doing a funny interpretation of a scene from Hamlet. It is overheard by people who have been a part of the acting troupe at the Globe theater, performing the true Works of Shakespeare.

As the scene shifts to the Globe Tap House, three members of Shakespeare’s acting troupe, the King’s Men, take center stage. These three are good friends and they enjoyed their friendship with William Shakespeare. John Heminges (Anthony Marble), Henry Condell (Michael Stewart Allen) and Richard Burbage (Brent Harris) get talking about plays they were in. Familiar lines are recited as they denounce a fake version of Hamlet. Alice (Carolyne Leys) John’s daughter, serves them ale.

The next day, the friends learn that Richard Burbage died in his sleep. They meet again at the Globe Tap House and all drink to his memory. However, as they talk, they realize that their departed friend was probably the only person who knew all of Shakespeare’s plays from memory. Sadly, they acknowledge that with no real record of the plays, Shakespeare’s life’s work may be lost forever.

They voice concerns that people are starting to plagiarize and misrepresent the work of their beloved friend, Shakespeare. They decide to make it their mission to find copies of his plays including his side notes. After they find everything, their plan includes sending out to a printer then accumulating the final work into one large volume. 

The Task is Not an Easy One

The first stop is to see Ed Knight (Patrick Toon), the Globe “stage manager,”and ask for every manuscript he has. Ed only has five of Shakespeare’s plays. They learn that the rest were lost when the original Globe Theatre burned down in 1613.

So the task becomes collecting as many manuscripts, prompt books, and actor side notes (cue cards) as they can.

Now that sounds easy, but it wasn’t so easy back then. Writing by hand on parchment didn’t always work out well.

Carolyne Leys as Alice Heminges, Victoria Mack as Rebecca Heminges, Amy Hutchins as Elizabeth Condell, Anthony Marble as John Heminges, Michael Stewart Allen as Henry Condell Photo by Avery Brunkus

As they’re doing that, they realize they have to appoint people to actually go through and edit and make sure everything matches what they remember saying and performing.

Finally they have to locate a printer that will take on the job. They do find the person who is willing to do it, but of course there’s circumstances that make that difficult too.

Guttenberg invented the printing press in 1440. However, the use of the process was not highly encouraged in England. According to notes provided by Shakespeare Theatre of NJ in their Know the Show Guide for this show , “All print shops and book sellers were required to clear their work with government censors, leaving British publishing effectively stunted.” The cost to print was high so plays were rarely printed. Thus the need to come up with money to fund the project becomes a source of great concern that must be solved.

How It Ends

The second act goes into more details about how the process takes place. Along the way, life shows some difficult moments. Several people die, including loving family members. All feel the grief.

Eventually, the project does reach completion. It is a wonderful moment in the show when all the pieces are put together and the large volume is presented to Anne Hathaway (Victoria Mack), Shakespeare’s wife. 

Jack Steiner as Ralph Crane, Isaac Hickox Young as Isaac Jaggard, Michael Stewart Allen as Henry Condell, Anthony Marble as John Heminges, Patrick Toon as Marcus Photo by Avery Brunku

The final scene shows the friends and and going through the book and you hear a number of the very famous plays mentioned as they come across them. This well done scene is a magical moment in the play.

Captivating Moments

Outstanding in the play is the love we see from Shakespeare’s friends to complete their project. This love is shown in many different ways. The acting from this very fine cast brings the story to life.

Parts of the play are funny and parts are reflective.

One of the funniest parts comes from the character Ben Johnson (Pearce Bunting). Johnson was Poet Laureate of England who enjoyed his drinks. At first, he creates some problems with the project. So, the friends decide to create some unity with him. They ask him to write an Introduction to the volume in progress. The scenes where they approach him and his finished product are cleverly written and funny.

A well designed set adds much to the story. The depiction of the Globe Pub helps the audience feel like they are back in the 1600’s. Additionally, there are interesting displays authentic to the time of how paper looked after it was printed.

There is much to like about this show.

Go to See The Book of Will

The Book of Will runs through July 28, 2024. Times include Tuesdays, Wednesdays, and select Sundays at 7:30 p.m., Thursdays – Saturdays at 8:00 p.m. Saturdays, Sundays, and select Wednesdays at 2:00 p.m.

Performances are at the F.M. Kirby Shakespeare Theatre on the campus of Drew University: 36 Madison Avenue, Madison, NJ 07940. Parking is free and convenient.

For tickets or more information, visit the Theatre’s website at ShakespeareNJ.org or call 973-408-5600

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‘Still’ at Premiere Stages – a Powerful, Well Crafted Play

‘Still’ – A new play by Benjamin V. Marshall

The new season of Premiere Stages at Kean University opens with with a powerful production of Benjamin V. Marshall’s play Still. This play is the true story of William Still, a man who ran an abolitionist office in Philadelphia. Kept under wraps but shown in this play is the work he does as an African American leader in the Underground Railroad. It is said that he helped over 600 slaves escape to freedom. The intensity of all that these pieces of Still’s life entails is brought out through fine theatrical crafting including the use of well written dialog and strong theatrical components.

This play was a recipient of the 2023/24 Liberty Live Commission. According to information about the program on their website, Premiere Stages accepts proposals from New Jersey playwrights for plays that explore compelling stories about a historical event or events. The proposed script must explore a topic from New Jersey history.

Still fits all these categories and descriptions very well as the it is based on true events in 1850s New Jersey.

How the Story is Told

The play opens as a griot dressed in well adorned garb enters center stage and begins the story. This use of the African tribal storytellers occurs three times in the play. It provides a very clever connection to the way stories were preserved in the past through oral traditions and the more updated method of writing them down that William Still uses throughout the play to preserve stories.

We meet the two main characters who are William Still (Carl Hendrick Louis) and Peter Friedman (Brian D. Coats). Peter enters Still’s office a bit hesitantly and begins a conversation with him.

The first meeting between Still and Friedman – Photo by Mike Peters

He explains that he is looking for his family. This is no easy task to accomplish as Peter, who is now a free man, had been a slave. Part of his family left him on the plantation when they fled to the north for freedom. There isn’t much to go on but William and Peter talk over many incidents that Peter recalls to create a search. Theater crafting is on fine display in these sections of the play as well written dialog is expertly performed by actors Hendricks and Coates.

It is critical to notes that as they talk, William writes to record what Peter tells him in a journal style book. This journal become a major source of information after the Civil War because he documented the stories of formerly enslaved Africans who gained their freedom by escaping bondage.

When the first act comes to a close, there is a very beautiful moment between the two and they discover an important relationship they have. This revelation leads to the second act where more about Peter’s family comes out.

The Use of Silhouettes

An example of the use of silhouettes in Still – photo by Mike Peters

An additional powerful theatrical touch is employed by the use of silhouettes showing characters acting and speaking to add to the storytelling. Playwright Marshall describes this method in his Notes as a technique that evokes “the period of the 1850s and earlier eras. Kara Walker, the contemporary artist, is known for her use of silhouettes to comment on racial injustices of the past.” Mr. Marshall explains that the silhouettes allow violence and brutality to be used without crossing the line into exploitation. Rather than just speaking the story between two characters, this technique allows a cast member to depict a character and give the words from that person being represented. And there are some very rough moments described in these stories of tragic events endured by slaves.

A Family Reunites and One of Them Provides Historic Information

The second act shows scenes that take place in Burlington County, New Jersey, where the Still family home is. It would spoil all the surprises that play discloses to tell more than that. However, it can be said that it is a very joyous conclusion with an outstanding scene at the end. The importance of family bonds and the love shared is one of the most important themes of this play.

Another important point to be noted is that William Stills recognized the value of keeping written records of the people he met and helped both as a part of the Underground Railroad and from his office in Philadelphia. He helped hundreds of people escape slavery. His note taking and recording of their stories led to his self-published book The Underground Railroad (1872). The book remains one of the most important documents of what slaves went through to escape to freedom. From oral history shown in the beginning of the show by griots to hand written notes taken for publication in books, a full circle of the importance of preserving historic information is an important message this play conveys.

Director and Cast

Still is directed by Marshall Jones III. His direction brings this true story through some tumultuous moments and leads it to a satisfying conclusion.

In addition to Brian D. Coates and Carl Hendrik Louis previously mentioned, the play features the following actors: Ashley Nicole Baptiste, D. Malik Beckford, Perri Gaffney (Charity), and Nafeesa Monroe. This cast does an outstanding job of developing their characters as they play several roles.

To Attend the Show

Still runs July 11-July 28 in the Bauer Boucher Theatre Center on the Kean University main campus in Union, N.J. The performance schedule is Thursday, July 11 at 7:30pm, Thursdays, July 18 and 25 at 1:30pm, Fridays at 8pm, Saturdays at 3pm & 8pm and Sundays at 3pm.

To make reservations, please call the box office at 908-737-7469 or visit Premiere Stages at premierestagesatkean.com .

To Learn More about Still

Still is a well produced play which has historic and cultural value. I encourage you to go to see it. Before going, or even after you have seen it, take some time to learn more about this amazing piece of history. Here are a few suggestions:

Take a look at a video created by Discover Jersey Arts on YouTube and posted here. You will hear important background information about the show from Benjamin V. Marshall, the playwright. Director Marshall Jones III provides insights into the theatricality of the play. Also shown are actors Carl Hendrick Louis (William Still) and Brian D. Coates (Peter Friedman) who provide character insights along with a few scenes from rehearsals.

Visit the Premiere Stages lobby and look at the information boards there. You will read about William Still, The Underground Railroad, and a timeline of events of the era.

One lobby information board – Photo by K. Nowosad

Audience members are invited to engage more deeply with Mr. Marshall’s play in Premiere’s free Community Connections following select matinee (3pm) performances. Three historical institutions will lead talkbacks: the Dr. James Still Historic Office Site and Education Center (Saturday, July 20) and the New Jersey Historical Commission with Liberty Hall Museum
(Sunday, July 21).

Theater goers can learn more about the creative process with featured post-show speakers Playwright Benjamin V. Marshall and DirectorMarshall Jones III (Sunday, July 11) and the cast of Still (Saturday, July 27).

Dates and speakers are subject to change; please call 908-737-4077 or visit
premierestagesatkean.com for an updated schedule of post-show events and speakers.

Final Notes

The professional design team includes Set Designer David M. Barber, Costume Designer Ali Turns, Lighting Designer Zack Gage, Projection Designer Taj Rauch.

Additional design team include Sound Designers David Wright and Nicole Schwarz, Hair and
Make-up Designer Rachelle Dorce, and Mask Designer Marlon Campbell.

Casting is by Stephanie Klapper, CSA. Dale Smallwood is the Production Stage
Manager.

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‘Beautiful: The Carole King Musical’ is at Paper Mill Playhouse

The Paper Mill Playhouse closes their 85th Season with a crowd pleasing show. Beautiful: The Carole King Musical is pure enjoyment for audiences of all ages from the suggested 11 years old.

As the name indicates, this musical is about the legendary song writer, singer, and musician Carole King. It ran on Broadway from 2013 – 2019. It won Tony Awards and numerous other theater awards.

The book for the show is by Douglas McGrath . Words and Music are by Gerry Goffin, Carole King, Barry Mann and Cynthia Weil; all of whom are characters in the show.

The production at Paper Mill Playhouse is directed by Casey Hushion. Music Direction is by Wendy Bobbitt Cavett and Choreography is by Jennifer Werner.

The Paper Mill’s production of this show is first rate. Their large stage gives ample room for the entertaining musical numbers. The cast is fabulous with their acting and singing. Costumes are authentic to the era and fun to see. And the music is all beautifully played by the live orchestra.

This musical is a tribute to the women songwriters like King and her friend Cynthia Weil who were pioneers in the industry. They paved the way for generations of women songwriters who followed.

Part of the fun of this show is seeing how thinking in the music industry changed, grew, and progressed. You see what used to work and how it changed as the artists and types of music developed more and more.

Maybe one of the best parts of this show is knowing that it is based on a true story. If you are a fan of the Carole King catalog of songs, you will feel right at home. If you are not familiar with this music, you are in for a great time getting to know it.

But now, let’s focus on some of the major moments that make up the show.

How it Begins

The show opens as Carole (Kyra Kennedy) is trying to convince her mother (Suzanne Grodner) to let her go to Times Square area from their home in Queens. She has written a song and wants to try to sell it. The problem: Carole is only 16 but quite advanced for her age.

Eventually her mother, Genie Klein, gives in and Carole is on her way to the legendary Brill Building to meet with Don “Donnie” Kirshner (Bryan Fenkart).

People who enjoy learning about old systems in the music industry will relish seeing the scenes about the Brill Building. This unique office building held many music offices and studios. A large number of well known American pop songs came out of the building. In the first part of the show, we see how Brill Building songwriters would write songs which would be given to various artists and singing groups. This photo gives a good representation of how this is played in the show.

Clips of songs like Neil Sedaka’s “Oh Carol” (written for Carole King who he briefly dated), “Yakety Yak,” and “Love Potent #9” play in the “1650 Broadway Medley.”

Carole’s first meeting with Don goes pretty well and he likes what he hears. So Carole is on her way as “It Might as Well Rain Until September” gains her entrance in.

Carole Meets Gerry

Since Carole is only 16, she is still in school. She was very smart and skipped two grades so she was only around 16 when she entered Queens College. Here she meets Gerry Goffin (Marrick Smith). Gerry is a gifted lyrics writer but not the best with writing melodies. When he meets Carole and hears her talent, they start to work and write together. They realize they would make a great team. Eventually both drop out of college when Carole gets pregnant and they marry. They work during the day and write songs at night.

In the meantime, another two writers meet at the Brill Building and become a songwriting team. Cynthia Weil (Samantha Massell) and Barry Mann (Jacob Ben-Shmuel) become friends with Carols and Gerry . They develop a high spirited rivalry to see which group can get that next big song.

Finally, that Big Hit Song Comes

The stress of the new family and long work days is tiring. Carole and Gerry realize they need to write a song that will be a hit. And that big hit comes with “Will You Love Me Tomorrow.” The Shirelles, a girl group hailing from Passaic, NJ. record it. It hits #1 on the charts and so Carole and Gerry were on their way.

As the show continues, we see them writing more hits and we also applaud for Weil and Mann as they chart with their songs. However, Carole’s and Gerry’s marriage runs into trouble as he has an affair. Their move to the suburbs of West Orange, NJ isn’t a happy one as portrayed in the song “Pleasant Valley Sunday.” Of course, the name for this song comes from Pleasant Valley Way where they lived and it is not too far from the Paper Mill Playhouse.

The musical brings in the next phases of Carole King’s life as she moves from the east coast out to California. She eventually becomes a performer and the show ends with her triumphant concert at Carnegie Hall.

A Lot of Music to Enjoy

One of the best parts of this show is the music. So many of the songs have become classics. A full orchestra provides outstanding music. Kyra Kennedy sings with a full and robust voice in her role as Carole King.

You may have songs you will wait to hear performed by this wonderful cast. “Will You Love Me Tomorrow” is one of the big favorites along with “On Broadway.” The second act opens with “Chains’ which was later recorded by the Beatles and the heartache of “It’s Too Late” is heard towards the end of the show. We also see how the woman who was the babysitter for the Goffin children, Little Eva, gets her own record with the “The Locomotion,” a very enjoyable song and dance number.

Beautiful: The Carole King Musical Prologues

To learn more about Carole King’s background and her musical work, watch Beautiful: The Carole King Musical Prologues on YouTube. This Audience Enrichment piece comes from the Paper Mill’s Education Department.

Hosted by Lorna Jordan, you will see photos of Carole King growing up with her family in Queens, NY. There is also a collection of pictures of the music writers of the time.

This well done 13 minute piece gives you deeper insights to the music business then and now.

To See Beautiful: The Carole King Musical

To get tickets for this show, visit the Paper Mill Playhouse website. The direct link to more information about the show and ticket purchases, you can use this link: https://my.papermill.org/overview/beautiful .

The show runs 2 hours 30 minutes and that includes one 15 minute intermission.

The final performance is on July 3, 2024 at 7:30 p.m.

NOTE: Photos in this article are provided courtesy of the Paper Mill Playhouse with credit to Jeremy Daniels.

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