Titus Andronicus – Revenge is Served

A scene from Titus Andronicus – Photo credit Carol Rosegg

Review – Titus Andronicus – A Red Bull Theater Production

It is said that Titus Andronicus is Shakespeare’s bloodiest and goriest play. There are schools of thought that this was his first tragedy and one that is not based on historic precedents or sources. Instead, it is an original play with a double revenge narrative. One can picture an audience in the late 1500’s coming to the theater to see this play and how they might be entertained by all of this. Remarkably, elements of what make up the story are still very much in our world today. It is just that we might represent it differently than Shakespeare did in his writing.

Under the direction of Jesse Berger, Titus Andronicus is a Red Bull Theater production. The venue for the play is the Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre. This provides a space ideal for this play. Not only is it a convenient location, but I would rank it as one of the best Off-Broadway houses in the City.

This is a powerful play to see. There are three major elements of the staging that bring this play to the high level that is it. One is the set and use of the theater space. The second is the cast, who create characters well placed in the action. Finally are the technical elements that at times rock the entire room.

A Story of the Aftermath of Battle

The play opens with the triumphant return to Rome of Titus Andronicus. There is a lot of loud noise that comes with this return and cheers from crowds are heard. At the time, he is considered to be Rome’s greatest general and the head of a noble family. Patrick Page masterfully plays the part assuming the role of the conquering hero with ease and strength.

His armies overcame the Goths. As part of his victory, Titus brings the defeated queen Tamora and her family to Rome as spoils of battle. Quietly accompanying them is Tamora’s lover, Aaron the Moor. Titus slays one of her sons and she vows revenge. This action sets a series of very gruesome events into play.

Although he nominated as Emperor, Titus turns it down and instead nominates Saturninus. He turns out to be a somewhat amusing character as the audience laughs at many of his proclamations and ideas. Saturninus offers to marry Titus’ daughter, Lavinia but he has a yen for Tamara and makes her Empress. Tamora’s sons seek revenge by raping and mutilating Lavinia. Titus vows revenge for this and in one of the most grotesque parts of the play, he carries out an action so heinous that one can be sickened by it.

The play is filled with violence and revenge in many formats. But in a weird way, there are moments that are funny and the audience laughs.

A Set and Technical Elements That Add to the Play’s Intensity

There is a warning included on an insert to the Playbill that states “This production of Titus Andronicus contains graphic and sexual violence. blood, loud noises, firearms, and fog/haze effects.” Take the warning seriously if things like this bother you. However, the integration of these aspects as well as other things in the play are very well done.

Upon entering the theater, there is a calm atmosphere as the set on stage is so basic. There are columns and the lighting is so well mixed into them that one does not have a sense of all that is to come. It has a certain elegance to it. Designed by Beowulf Boritt, this sparse look allows the cast to move freely around the stage. The direct and indirect lighting designed by Jiyoun Chang brings relevance to actions taking place.

The entire area of the theater is used to tell the story. There are times that a character says their lines from the front of the balcony. At other times, the actors come through the aisles in the audience bringing excitement with them. As an audience member, you might feel like you are a part of the crowds in Rome.

Concerns with seeing a lot of blood? Well, you won’t see how the blood comes to be because actors are positioned in such a way to look like they are being attacked but are turned from audience view. However, a few seconds later, as they turn back, you will see an ample amount of what appears to be blood. Mutilations are well covered as well. Gory, yes, but well handled in their staging.

A very clever use of the stage is a piece cut out and lifted at several points. It represents an underground area where bodies are put. We never see anything beyond the top level but the idea is there.

Cast

In addition to lead Patrick Page, the cast includes:

  • Jesse Aaronson
  • Matthew Amendt
  • Blair Baker
  • McKinley Belcher III
  • Francesca Faridan
  • Enid Graham
  • Amy Jo Jackson
  • Adam Langdon
  • Anthony Michael Lopez
  • Anthony Michael Martinez
  • Howard W. Overshown
  • Olivia Reis,
  • Zack Lopez Roa.

The cast turns in superb performances throughout the play. The wording and delivery are easy to understand in a more modern format. Clothing has a modern look.

Go To See Titus Andronicus

This is a very unique play to go to see and I highly recommend it. There are surprises throughout the entire production. Be sure to watch for some of the correlations to current times. After all, war is war, no matter when it takes place.

Running Time: Approximately two hours and 5 minutes, including an intermission.

This play is a limited run through Sunday, April 19, 2026, at at Pershing Square Signature Center, 480 West 42nd Street, NYC. Buy tickets through the Red Bull Theater website.

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Disney’s ‘Frozen’ at Paper Mill Playhouse is Outstanding Holiday Entertainment

Hazel Vogel (Young Elsa)and Anjali Roa (Young Anna) – Photo credit – Evan Zimmerman for Murphy Made

Special note: This article was previously posted on another site on 12/08/2025 that I used when this site had server issues. The issues are resolved. It was also published on New Jersey Stage.

Paige Price directs this production of Frozen which is outstanding entertainment for the whole family to see. The heartwarming story of the Princesses Elsa and Anna comes to life with amazing staging. The live orchestra provides beautiful music which fills the theater with delightful sounds. A strong cast brings the characters to life.

It does not matter what age you are, there is something for everyone to enjoy seeing Frozen.

The musical Frozen is an adaptation from the Disney film of the same name. Music and lyrics are by Kristen Anderson-Lopez and Robert Lopez and the book is by Jennifer Lee.

The story begins as Elsa and her sister Anna are young. They love being together and they build a snowman, Olaf, which appears later in the show. However, when Elsa’s mysterious power comes out and injures Anna, she is kept away from her. Anna does not understand why she cannot be with her sister. Their parents, who are the King and Queen, give Elsa a pair of gloves to help her learn how to control her powers. Unfortunately, they pair are killed in an accident at sea before they get can get a solution to the problem with Elsa’s powers.

These mysterious powers that the royal family are kept hidden from the people of their kingdom, Arendelle. There are several people who understand the powers and they come through to help. But other than that, all is quiet.

Eventually, Elsa takes the crown of Queen. Anna is happy to see her. But the mysterious powers prevent Elsa from being close with her again. As summer no longer comes and winter stays in place, a search for solving that problem takes place.

There is a happy ending and the kingdom returns to its splendor.

Superb Staging

Superb staging helps unfold the story in a most enjoyable way. Scenery is designed with emphasis on color evoking emotions. A powerful moment of staging occurs when the parents, Queen Iduna and King Agnarr, encounter a storm at sea. They are lost in the storm due to the excessive movement of the waves.

The coronation of Queen Elsa also is beautifully done. The replica of what might have been a cathedral for the coronation gives authenticity to the moment.

Shifts between scenes at the kingdom and the outside country are seamlessly accomplished. Additional lighting touches add a festive air to the show as holiday trees adorn the sides of the stage.

Memorable Music

A full orchestra plays the music for the show. The score is comprised of over 20 songs including one that is a popular favorite, “Let it Go.” Beautifully sung by Mary Kate Morrissey, it is a stirring moment in the show as Elsa realizes she has to let go of her hesitations and be who she truly is.

“Hygge” and “Colder by the Moment” provide some important moments in the story. “Love is an Open Door” from Anna and Hans is another memorable song.

A Variety of Characters Played by the Cast

A number of different characters come into the story. There are good ones and those who are selfishly looking for their own gains. But as the tale progresses, the importance of family love and being true to one’s self are examined. It ends on a positive note as truth and understanding are revealed.

The outstanding cast for Frozen at Paper Mill Playhouse stars Mary Kate Morrissey as Elsa, Samantha Williams as Anna, Daniel Yearwood as Kristoff, and Sam Gravitte as Hans. The cast also includes Todd Buonopane as Olaf, Mark Price as Lord Weselton, and Thomas Whitcomb as Sven. The two young princesses are played by Anjali Roa as Young Anna and Hazel Vogel as Young Elsa.

The ensemble features: Sherz Aletaha, Jasmine Bassham, Badia Farha, Maggie Gidden, Erin Gonzales, Beau Harmon, Dakota Hoar, Fiona Claire Huber, Albert Jennings, Ryan Lambert, Liesl Landegger, Carina-Kay Louchiey, Nathan Lucrezio, Happy McPartlin, Greg Mills, Kevin Ivey Morrison, Evelyn Peterson, Hugo Pizano Orozco, Leah Platt, Ethan Saviet, Graham Stevens, and Matthew Varvar.

Accessibility Performances and Q & A with the Cast

Audio-Described Performances are scheduled for Sunday, December 21, at 1:30pm and Saturday, December 27 at 1:30 pm.

Open-Captioned & ASL-Interpreted Performances are scheduled for Saturday, December 27, at 1:30 pm and Sunday, December 28, at 7:00 pm.

 An Autism-Friendly Performance is scheduled for Saturday, December 13, at 1:30pm.

Q&A with the cast is scheduled for Saturday, December 20th after the matinee performance and Saturday, December 27th after the matinee performance

To Attend Frozen at Paper Mill Playhouse

The running time for this show is 2 hours and 20 minutes, including one intermission.

Suggested Age Range is 4+ (Children under 4 are not permitted in the theater).

For more information or to purchase tickets for Frozen at Paper Mill Playhouse, visit their official website at https://papermill.org/

Before You Go Inside

The Paper Mill Playhouse continues to do a fine job of providing a variety of ways to feel a part of the show. Similar to what they did with Bull Durham, there are outside concession stands selling food, drinks, and a few souvenirs. The main entrance area is beautifully decorated for the season.

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‘Mary Shelley’s Frankenstein’ at NJ’s Shakespeare Theatre is Intense with Superb Staging

Sean-Michael Wilkinson as Victor Frankensstein Photo – Avery Brunkus

A Review of Mary Shelley’s Frankenstein

Now running at the Shakespeare Theatre of New Jersey (STNJ) is a stunning production of Mary Shelley’s Frankenstein. The play comes from author Mary Shelley’s original 1818 book of Frankenstein. This version of the play is written by David Catlin. It plays now through November 16th at the F.M. Kirby Shakespeare Theatre on the campus of Drew University in Madison, New Jersey.

In many ways this show is a perfect selection for the Halloween season. However, it is more than a scary story as it probes the mysteries of what makes a life worth living.

STNJ Artistic Director Brian B. Crowe directs the production. Press notes provide a quote from Director Crowe which gives a good description of the play:

Part gothic horror, part psychological examination of morality, this adaptation brings Shelley’s masterpiece to life and infuses it with the complex world of its brilliant author. Audiences can expect all the chills and thrills that are the hallmark of Shelley’s grotesque tale, as well as several electrifying surprises along the way.

The play centers around the creation of the Creature by Victor Frankenstein. It you are a fan of the original 1931 movie where Boris Karloff played this role, then you will need to adjust your recognition of what it looks like. There are no bolts or square head. Instead there is a figure who looks like a man but has distortions. This resemblance allows the audience to delve deeper into the psyche of that figure. With it comes questions of morality and just how far can or should a person go to create a life.

How the Story is Told

The play is actually a story within a story. It begins on a rainy June evening in 1816 at the Villa Diodati at Lake Geneva, Switzerland., A group gathers and a challenge by Lord Byron for a horror story competition starts. Eventually, Mary Shelley’s story prevails over all other competitors. So the play goes into the story we now call Frankenstein.

It is important to note that with this being a story told, the actors all play two roles. So at the competition gathering, Mary Wollstonecraft Shelley (Amber Friendly) is telling the story. However, the same actress plays Elizabeth when Mary tells her story.

Dr. John Polidori (Neil Redfield) appears as Henry, the very good friend of Victor Frankenstein (Sean-Michael Williamson). But before he appears in the story, Williamson plays the part of Percy Bysshe Shelley.

On that rainy night, a character named Claire Clairmont (Brooke Turner) listens to Mary describe her tale. She later plays Mother in Mary’s story.

The final member of the group hearing the tale is Lord Byron (Jay Wade). He takes on the role of The Creature in the strange tale being told.

The Story Mary Shelley Tells on that Rainy Evening

Victor (Sean-Michael Wilkinson) with his creation (Jay Wade) Photo – Avery Brunkus

When Victor Frankenstein studies about life, he decides to create one on his own. He digs up corpses and assembles what resembles a man. Through the use of electricity from a severe thunder and lighting storm, he brings the creature to life. The creature escapes and Frankenstein sets out to find him.

The play does an excellent job of probing into the psyche of the Creature. He realizes he is alone and he craves human contact. Eventually he comes to a home where a family lives. He makes a connection with a blind musician but it is short lived. The creature tries to find Frankenstein.

When he finds him, he asks for him to make a female companion for him. Frankenstein attempts it, but he is now questioning the validity of what he has done with these creations. He destroys the female rather than setting it out in the world. When the mate does not come about, the Creature attempts to hurt Frankenstein which he does when he kills Henry.

The sensitivity of the feelings the Creature displays are quite amazing. The thought that he will not be able to have a life with love and companionship but only rejection cause great despair.

All the actors in this play turn in great performances. But a special round of applause goes out to Jay Wade for his superb portrayal of the Creature.

A dark moment in the show Photo – Avery Brunkus

Staging Enhanced by Special Effects

There are many fine moments in this play that are greatly enhanced by the staging and special effects. The sounds of the thunder and lighting add that frightening feeling to the action taking place. The search for the Creation and the death scenes are well handled due to the work of the creatives in this show. This includes set designer Sarah Beth Hall; costume designer Yao Chen; and lighting designer Andrew Hungerford. Serving as sound designer is Ariana Cardoza; intimacy and fight director Rocio Mendez; and vocal and dialect coach is Julie Foh. Jackie Mariani is the production stage manager, with Alayna Domboski and Keys Newell rounding out the stage management team.

To Go to the Show

Mary Shelley’s Frankenstein runs approximately 2 hours with one intermission.

Content Advisories from STNJ: the play explores themes of creation, loss, and humanity, with moments of horror and stylized violence. Haze will also be used during the performance. Recommended for audiences ages 12+.

Tickets are available at ShakespeareNJ.org or by calling 973-408-5600.

For more information and to purchase tickets, visit ShakespeareNJ.org.

Special Events for Mary Shelley’s Frankenstein

  • Symposium Series #1 — Tuesday, October 28th following performance: Engage with the cast during a lively post-show chat.
  • Know-the-Show Series— Thursday, October 30th starting at 6:45 p.m.: Learn about the playwright and the production from the Artistic Team prior to the show.
  • The performance on October 30th will also include Closed-Captioning for patrons who require those services.
  • The Monster Mash — Friday, October 31st starting at 6:30 p.m.: A spooky, festive pre-show event! Fun prizes and yummy nibbles included.
  • Symposium Series #2 — Saturday, November 1st following matinee performanceEngage with the cast during a lively post-show chat.
  • Sensory Seminar— Thursday, November 6th starting at 6:30 p.m.: Get a hands-on experience at the Theatre, designed for Blind/low-vision patrons.
  • The performance on November 6th will also include Audio Description for patrons who require those services.
  • Hobnob & Hang — Friday, November 7th following performance: Mix and mingle with fellow theatre lovers after the show!
  • Symposium Series #3— Saturday, November 8th following matinee performance: Engage with the cast during a lively post-show chat.
  • Storefront To Stage — Friday, November 14th starting at 6:30 p.m.: Connect with your local businesses before the show and during intermission.

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