A Night of Chekhov – 3 Short Plays

Review – A Night of Chekhov

When one thinks of Anton Chekhov as a playwright, thoughts of The Cherry Orchard, The Seagull, and Uncle Vanya usually come to mind. However, there are also some short plays that Chekhov wrote which are rarely produced. These include Swan Song, The Proposal, and The Bear.

A New York City theater company, Duse Productions, is presenting a program which includes these short plays. Dedicated to the clear staging of classic works, Duse Productions lives up to their mission in this program titled A Night of Chekhov. It is playing now through June 28 at the Actors Temple Theatre in New York City’s theater district.

Billing for the show highlights that it is “A Swift 90-Minute Journey Through Anton Chekhov’s Rarely Produced Short Plays Swan SongThe Proposal, and The Bear.” The program runs approximately 90 minutes and includes one intermission. Under the direction of Sanio Kurtesevic, the cast for all three plays includes Luna Vintner, Jacob Goldbas, and Damian Cruces.

The result is a unique approach to theater where each of the three short plays keeps their own segment and ideas. There is no connection between the three except for the fact that Chekhov wrote them.

Times listed in the program are 25 – 30 minutes for each play.

The Three Plays

Upon entering the Actor’s Temple Theater, be sure to obtain the printed stage mag. This well developed program will help you better understand each of the three plays because a brief description is included. It also states that the 3 short plays are translated word for word from the 1887 – 1889 original Russian texts specifically for this performance.

Swan Song

As the production begins, the first play is Swan Song. An actor approaches the stage from the back of the venue up the center aisle carrying only a lantern to light the way. She is emoting sounds which indicate a strain is happening inside. Most of the venue’s lights are shut off.

Onstage, another actor enters also carrying a lantern but again no additional lighting. There is a concept for certain carried out here, but the lack of lighting makes it difficult to really make out who is who onstage. There is a poignant feeling from the emoting that the actors do; the sound is not pleasant.

The basis of the play is about an aging actor waking up in an empty theater after his farewell performance. He then finds himself face to face with his own legacy. The second actor mentioned above is an elder prompter who with the aging actor, discuss a final reckoning with time, talent, and other things unsaid. It is said that this play represents “Chekhov at his most intimate.” And it does feel as if we are looking inside at the souls of these people of the theater as they strive to gain an understanding of what their lives are about and have been about.

An Enjoyable Pause

There is a brief break between this first play and the second one to change the scenery. A Tchaikovsky masterpiece, Waltz of the Flowers, plays as the change takes place. The music adds to a moment of relaxation in the program.

Back to the Plays – The Proposal

Defined in the program as a masterclass in comic escalation, this play has many funny moments. One of these moments is the exaggerations of the actors in carrying out first the mission of making a proposal. Next, the desire of the woman to not accept is humorous as well. When the woman realizes it is a proposal, she changes her tune quickly. It’s funny to watch as she seems to be losing out on what might be her only chance for a marriage not because of her, but because of the misunderstandings.

L to R: Damian Cruces, Luna Vintner, Jacob Goldbas – Photo credit Hayden Jones

The Bear

The Bear is very well developed and again, very well acted. It involves a creditor descending on a recently widowed woman. He demands payment for debts and he refuses to leave. She does not allow him to bully her. So the standoff becomes intense because he does not understand the strength and determination of this woman. There are some interesting surprises in this play but good acting again allows the play to make its point. Of the three, The Bear stands out as a more polished piece.

Go to See A Night of Chekhov

There is something a special about a show that has three unrelated pieces. It does give an opportunity to look more fully into Playwright Chekhov’s writing and imagination. The variety of this program is something audiences can enjoy.

Performances of A Night of Chekhov are on Thursdays at 8:00 PM, Saturdays at 3:00 PM and 8:00 PM, and Sundays at 3:00 PM. 

Tickets range from $60 to $90 and are available here on Telecharge or by calling Telecharge at 212-239-6200.

Tickets may also be purchased at the Actor’s Temple Theater’s Box Office. This venue is located at 339 W. 47th Street, New York City.

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‘Private Lives’ Brings Comedy and Passion to Shakespeare Theatre of New Jersey

Fiona Robberson as Sibyl Chase, Britt Michael Gordon as Elyot Chase, Ashley lanchet as
Amanda Prynne, and Clark Carmichael as Victor Prynne. Photo by Avery Brunkus.

Private Lives: A Review

The Shakespeare Theatre of New Jersey (STNJ) opens its 2026 season with Private Lives by Noël Coward. The play is a comedy filled with many funny moments as two couples seek to enjoy loving relationships on their honeymoons. Complications occur as the story develops the characters through witty dialog, passionate moments, and physical comedy. STNJ is in top form with their presentation of this play.

The play premiered in 1930 when there were many events resulting in a negative hold on the world. Playwright Coward took his ability to write plays that included laughter as a necessary skill. To explain why he valued the humor of his work, he once said, “Grab it while you can. Grab every last scrap of happiness while you can.” According to the show’s director Michael Stewart Allen, “The characters in the play are doing just that.” There is no doubt that they are seeking that happiness. How it occurs is worth considering. Director Allen addresses that concept:

Private Lives is an outrageously funny play but, while the audience is laughing, the play invites  them to feel as well. It is like some beautiful confection that looks delicious but when you take a bite you truly realize the complexity of all the flavors in the dish.

Private Lives is a fine choice with which to open the new season. Not only does this play provide laughs, but it is also beautifully staged and carried out by a superb cast. Additionally, it does bring with it a complexity of life. Some of the action in the play will cause moments of pause to do reflection.

The Story Begins with a Wild Coincidence

Four characters make up the cast with one additional player (Louise – Nicole Lawrie) brought in towards the final part.

Sibyl Chase (Fiona Robberson) is honeymooning with Elyot Chase (Britt Michael Gordon). Sibyl is very happy to be married. However, she is curious about her new husband’s former wife, Amanda. Although Elyot has been divorced for five years, the air of concern of lingering feelings for Amanda is on Sibyl’s mind. Yet, they appear to be a couple well suited for each other particularly since Elyot does not give any reason for the concerns Sibyl has.

Amanda Prynne (Ashley Blanchet) is also on a honeymoon following her recent marriage to Victor Prynne (Clark Carmichael). Amanda is called Mandy by Victor which is a good idea to block out memories of a previous love affair.

So what are the chances that two couples .might end up at the same French hotel on their honeymoon? Probably it happens quite often. But what rarely happens is that the two couples each have one person who has been married to the other’s partner. And to add to that humor, they have rooms next to each other where they are sharing places on the terrace.

Britt Michael Gordon as Elyot Chase and Ashley Blanchet as Amanda Prynne. Photo by Avery Brunkus.

As Amanda and Elyot discover what has happened, both of them retreat to their respective new spouses asking them to leave the hotel immediately with them. Sibyl and Victor see no need for this. Each leaves to go to dine alone. This allows Amanda and Elyot to acknowledge the love they still have for each other. They depart the hotel together.

You will note in your program that there is a 5 minute pause as this is the close of Act I. A scenery change takes place. Be sure to watch this as it is handled in a most humorous manner.

Can Love be Rekindled?

A few days pass and Amanda and Elyot have fallen into the routines that led to their divorce. They love each other passionately but they cannot live with each other. This is where Blanchet’s depiction of Amanda really shines. She looks like a lovely, soft, feminine woman. But don’t get her mad because if you do, you might get a record smashed over your head like Elyot experiences. There are a lot of scenes like pillow fights and other more aggressive behavior seen at this point in the play. How do we feel about hitting a woman? How do we feel about a woman hitting or breaking a record over a man’s head? Is this passion when a couple can’t live without each other but cannot live with each other?

Both couples seek to answer these questions. No spoilers here – you need to find out for yourself. The final part of the play may surprise you, but maybe not.

Let’s just suffice it to say that you will have an enjoyable time seeing this show which has some delightful moments in it.

Additional Information about the Show

Private Lives runs May 16 through June 7 at the F.M. Kirby Shakespeare Theatre on the campus of Drew University.

For tickets, patrons can call the Box Office at (973) 408-5600 or visit ShakespeareNJ.org.

Prices range from $45 to $85. The Theatre offers a variety of other cost-saving opportunities, including $25 student tickets with a valid student ID and a limited number of Pay What You Will tickets for every performance on a first-come, first-serve basis.

STNJ also has a $35 under 35 ticket option, which offers $35 tickets for patrons aged 35 and under, with valid ID.

Other discounts are available including subscription discounts; and 10% discounts for members of Seniors, PBS/Thirteen, Active Military, Madison Loyalty Club card holders, and AAA members. STNJ also honors the Family First Discovery Pass for families receiving benefits through SNAP, WIC, or Work First New Jersey.

Special Events for Private Lives

Symposium Series #1: Tuesday, May 26th following performance – A lively post-show chat with the cast and artistic team.

Know-the-Show Series & Closed Captioning: Thursday, May 28th starting at 6:45 p.m. – A pre-show talk with the artistic team about the playwright and work Closed Captioning provided at this performance by Globetitles.

Hobnob & Hang: Friday, May 29th following the performance – A chance to mix and mingle with fellow theatre lovers after the show; bites and cash bar available.

Symposium Series #2: Saturday, May 20th following matinee performance – A lively post-show chat with the cast and artistic team.

Sensory Seminar & Audio Described Performance: Wednesday, June 3rd starting at 1:15 p.m. A pre-show experience for Blind/low-vision patrons. Audio Description provided at this performance.

Patisserie on the Patio: Friday, June 5th starting at 6:30 p.m. A pre-show gathering open to patrons; bites and cash bar available.

Backstage Tour: Saturday, June 6th starting at 11:30 a.m. A peek behind-the-scenes of the production at the F.M. Kirby Shakespeare Theatre.

Symposium Series #3: Saturday, June 6th following matinee performance – A lively post-show chat with the cast and artistic team

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‘My Lord, What a Night’ – A Fascinating Story of Concern and Compassion

Rashidra Scott and Anthony Cochrane – Photo by T. Charles Erickson

My Lord, What a Night – Review

They were an unlikely pairing of two people to become life long friends. When they met in 1937, Albert Einstein was a world renowned physicist who made his mark in the world with his theory of relativity. Marian Anderson was regarded as one of the greatest opera voices of all time. Yet despite her talent, racism and segregation kept her from wide notoriety. What started as s simple act of hospitality was the beginning of a lifetime friendship for the two. It also set the stage for the events that led to the groundbreaking concert given by Anderson on the steps of the Lincoln Memorial in April, 1939.

This is the basis of the play My Lord, What a Night currently running at George Street Playhouse through May 17, 2026. Written by Deborah Brevoort, My Lord What a Night is a beautifully crafted show that tells an amazing story resulting in excellent theater.

My Lord, What a Night is a play that deals with actual historic events and is based on a true story. It was commissioned by Premiere Stages at Kean in partnership with Kean University’s Liberty Hall Museum through the Liberty Live Program. This program has a commission directive for playwrights’ intent on telling little-known stories about New Jersey. My Lord, What a Night was developed and presented in their 2015 – 2016 Program selections. The photo below comes from that presentation.

Photo Credit to the Liberty Live Program – Premiere Stages at Kean

Sheldon Epps directs this play at George Street Playhouse that uses an interesting detailed set built to resemble Einstein’s home library in Princeton, NJ. A superb cast delivers well written dialog allowing the show to move at a comfortable pace. Staged intrusions by the press looking to cover Anderson’s visit to Einstein’s home are powerful giving rise to the discomfort Anderson feels. All of this adds up to an excellent theatrical program.

A Story of Friendship Guided by Concern and Compassion

Einstein (Anthony Cochrane) was a long time fan of Marian Anderson (Rashidra Scott). He attended her concert given at Princeton University. The year is 1937. The two meet backstage after the concert. Anderson is on her way to spend the night at the Nassau Inn where she has a reservation. She is denied accommodations because of the Inn’s stated “whites only” policy. Einstein invites her to stay at his Princeton home for the night. Once at Einstein’s home, two more people arrive. Abraham Flexner (Mitch Greenberg) and Mary Church Terrell (Gayle Samuels). Flexner comes through the back door because there is a lot of press assembled on the front lawn of Einstein’s home and he does not want to be seen

The cast of My Lord, What a Night gathers at Einstein’s home. Photo – T. Charles Erickson

After checking in with her manager, Anderson announces that she will not be speaking with the press. There are varying degrees of acceptance of this decision because the two newcomers each have their own agenda. Their agendas directly involve Anderson.

Terrell is a well known activist who advocated for suffrage and civil rights. She is an accomplished, strong woman of the day. She comes to petition Anderson to speak to the press to publicize injustices being done to Blacks.

Flexner’s mission is to convince Einstein to allow him to take Anderson from his home and bring her to a place where a Black woman would be welcome to stay. Flexner was the founder of the Institute for Advanced Study at Princeton where Einstein works. His concern is that the negative publicity from this event at Einstein’s home will lead to funding being cut for the Institute.

At this point in time, Einstein is known for his activism. He is deeply concerned about the Nazi takeover in Germany where he came from. This concern deepens as the play goes on because he has learned that the atom has been split. He already realizes the ramifications of this and he wants to get to speak to the President.

Anderson has her own career aspirations in mind and does not want to do anything that will harm that. However, it is not as one sided as it might sound. She realizes the importance of music as a means of breaking the stereotyping of African American people. Music is the most important thing in her life. So she chooses not to speak with the press.

The majority of the play deals with these agendas playing out and how they are resolved. The play forwards to 2 years later in 1939 when Anderson comes back to visit Einstein.

A Stunning Ending

The play does a good job of showing what leads up to Marian Anderson’s famous concert on the steps of the Lincoln Memorial. The scene on stage now has a light background curtain which serves as a projection screen showing the Lincoln Memorial in the background. Anderson comes on stage in front of it allowing the audience to feel as if they are at the concert.

Rashidra Scott uses her lovely singing voice to portray Marian Anderson singing a part of “My Country, Tis of Thee.” We hear how she changed a few words. The line of the traditional version is “of thee I sing.” She sings “to thee we sing.” A bold move indeed for a rather quiet person who had been denied the right to sing at Washington D.C.’s Constitution Hall because of the color of her skin. Instead, she provides a declaration that all have rights in this country. It is a very poignant moment in the play.

Choose Your Price Events

Six performances of My Lord, What a Night are being offered as “Choose Your Price” events. These performances will be on Wednesday May 6 at 1pm; Friday May 8 at 7:30pm; Saturday May 9 at 7:30pm; Sunday May 10 at 7pm; Tuesday May 12 at 7pm; and Wednesday May 13 at 2pm.

For these performances, anyone may purchase tickets at a price of their choosing, starting at $10 (all fees included). The initiative is designed to reduce barriers to attending live theater and welcome new audiences from across the region.

“Choose Your Price” tickets begin at $10 and are available at www.georgestreetplayhouse.org/events/detail/choose-your-price.

About My Lord, What a Night

This is one of the best plays I have attended this year. I highly recommend it for audiences of all ages.

This play runs approximately 90 minutes with one 15 minute intermission. For tickets, visit the George Street Playhouse website devoted to tickets for this show.

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