‘The Fallen’ – A Powerful Look at Life in 1800s Colorado

Chelsea Clark and Jessica Luhmann in The Fallen Photo credit Chris Bentley

In the mid 1800’s, there was a line between the rights of men and women. This concept is at the base of a new show, The Fallen. This production comes from Manhattan Repertory Theatre. The Fallen started as a one-act play at the Looking Glass Theater where it was voted the audience favorite. It was later developed into a full play with readings at Abingdon Theatre. It’s arrival in New York is designated as Off-Broadway running now through October 25.

Written by Rita Lewis, The Fallen is a Western drama about two families, Adams and Nash, who live in the Colorado Territory in 1867. The events in the story unfold over seventeen years bringing the final scene to 1884.

Director Ken Wolf works with an outstanding group of actors who make up the cast. Simplistic but effective stage techniques are used to help tell the story. But be warned: the story depicts domestic violence, implied rape and gun use.

“The Fallen is a powerful Western about ordinary people finding extraordinary courage when the trail gets rough. It’s filled with love, loss, danger, redemption, and some wonderful surprises. Rita Lewis creates characters that we quickly care about, and I think audiences are in for one heck of an emotional ride,” says Director Ken Wolf.

An Intense and Powerful Story

The Fallen opens with Joseph Adams’ trial ending with a hung jury. Joseph was charged with killing his wife. The circumstances of why he killed her are revealed towards the end of the play and they give credence as to why the jury could not complete a verdict. When he returns home, his daughter, Sarah, is concerned about her father’s safety.

The second family is made up of Lily Nash, Preacher Henry Nash, and Abigail Nash. Being a man of God, Henry keeps a strong hold on his daughter. He is not pleased to see her go to a dance especially when she ends up pregnant from a boy she meets there. It is implied that a rape takes place resulting in a pregnancy. The disgrace to this family is more than anyone can handle and so Abigail works out a way for Lily to go to a convent a number of miles away.

While traveling, Lily meets Joseph who helps her out. His kindness is something Lily needs very much at that point.

Years later, Lily returns to her mother, Abigail, who misses her daughter tremendously. Through a series of events,Lily’s son Lucas is reunited with the family. Lily made the most of her life and she is so successful she is now able to take care of her mother.

There are difficult moments in the story and yet the people who have experienced the worse overcome them. The concerns with what will people say about me/us are prevalent. But despite it all, there is a satisfying ending.

Characters Created by a Dynamic Cast

Ken Wolf skillfully provides direction to help his cast create strong characters who make the story come alive. The intense development of the characters adds much to the storyline.

Gabriella Russo and John Sarno in a scene from The Fallen – Photo Credit Chris Bentley

Playing the role of Joseph Adams is John Sarno. Joseph is a compassionate man who tries to help people and so it is difficult to understand why he killed his wife. The kindness and assistance he provides to Lily Nash is instrumental in her being able to make it to a new life. Lily is played by Jessica Luhmann. Her character is one of the main interests in the play and she handles the role very well. Lily is young and very much taken advantage of by Will played by Nathan Cusson. Will has a smaller part in the play and his attempts at charming Lily at first seem sweet, but his aggressive behavior towards her is leads to a crucial development in the story.

When Lily discovers she is pregnant, her father, Preacher Henry Nash, is upset with her. Max Avery-Lichtenstein turns in a strong performance in his role as Henry. He is a God respecting man who expects everyone else to be the same. But his inability to be kind to the women in his life tells another story. Chelsea Clark gives one of the most emotional performances in the show as Abigail Nash. She is a good woman saddled with an unkind husband. But she loves her daughter Lily with all her heart and she does everything she can to see that Lily can get a new life.

Gabriella Russo plays Sarah Adams, Joseph’s daughter. The role of his daughter brings in challenges that Sarah has to deal with. The disrespect of the town’s people towards her father is a heartache to her. She is a stable character who makes sure her father is still welcome in his own home. Cameron Parker gives the character Lucas a youthful but gentle energy as he represents next generation of the Nash family. We only see him a brief time towards the end of the play, but his arrival is a happy moment used to end the show.

Simple but Effective Stage Techniques

The characters and story line dominate The Fallen. So it makes sense that the stage has a good but simple set representing the West at the time in which the play is set. Both families are hard working but do not have much wealth. However simplistic their homes are, they are functional, clean, and well taken care of. A very clever use of two doors next to each other is very useful for showing the in and out portion of a home. Scenes where travel happens allow you to feel like you are out on a quiet area of land allowing the imagination to picture what it might have been like. There is a stillness to a few parts of the play that is quite wonderful to experience.

Good use is made of all the space inside the Chain Theatre. Characters frequently come up and down the aisles giving the audience some inclusive, but non-invasive moments.

Go to See The Fallen

This production of The Fallen is well worth going to see. It will take you back to a time and place not frequently seen in live theater. With a well written story and strong acting, you can’t go wrong.

Performances of The Fallen continue on Friday October 16 at 7pm, Saturday October 17 at 7 pm, Sun October 18 at 3 pm, Wednesday October 21 at 7 pm, Thursday October 22 at 7 pm, Friday October 23 at 7 pm, Saturday October 24 at 7 pm, and Sunday October 25 at 3 pm. Shows are at New York City’s Chain Theatre, 312 W. 36th Street, 4th Floor, NYC.

For more information about the show or tickets, go to the Manhattan Repertory Theatre website.

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‘Who’s Afraid of Virginia Woolf?’ at The Shakespeare Theatre of NJ

Antoinette LaVecchia as Martha, Andrew Borba as George, Abby Burris as Honey, and Michael
Underhill as Nick. Photo by Avery Brunkus.

Who’s Afraid of Virginia Woolf, written by Edward Albee, is a well respected play of the American theater.It has the ability to convey a dark but deeply human look at marriage, illusion, disappointment, and desire.

Performances are at The Shakespeare Theatre of New Jersey (STNJ) now though September 27th. It runs for 3 hours and 10 minutes with two 10 minute intermissions.

Press notes describe it in this way: “Over the course of one unforgettable evening, George and Martha invite a younger couple into their home for what begins as a friendly late-night drink and spirals into a devastating battle of wit, truth, and emotional reckoning.”

“This play is one of the most ferocious battles of love, wit, and creative power ever put on stage,” said director Nisi Sturgis. “It is funny in every sense of the word — hilarious and peculiar. Thrilling as a car crash, its magnetism doesn’t let us look away as it explodes the facade to reveal raw truth.”

The cast includes Antoinette LaVecchia as Martha. Andrew Borba plays the role of George. Abby Burris plays the role of Honey and Michael Underhill portrays Nick.

While You Are At the Theatre

Stop off at the lobby bar where you will find two Specialty Cocktails. You can raise a glass to Truth or Illusions which are the colorful named drinks inspired by the deliciously blurred line between the reality and fantasy in the show. I sampled Truth and I became a believer. Quite delicious.

You also might want to visit the gallery just off the lobby to see “Layers and Illusions” by Amy Putman. This New Jersey based mixed-media artist does work that incorporates collage, textile, and assemblage to explore social consciousness, identity, and human connection through visual storytelling.

Special Events Include the Following:

Hobnob & Hang: Friday, September 18th following the performance. A chance to mix and mingle after the show. Complimentary bites and cash bar available.

Symposium Series #2: Saturday, September 19th following matinee performance. A lively post-show chat with the cast and artistic team.

Faculty Club Happy Hour: Friday, September 25th starting at 6:30 p.m. Rub shoulders at a 1960’s-themed pre-show soirée. Complimentary bites and cash bar available.

Symposium Series #3: Saturday, September 26th following matinee performance. A lively post-show chat with the cast and artistic team.

Performance Details

Who’s Afraid of Virginia Woolf runs at the STNJ now though September 27, 2026 on Tuesdays through Sundays at 7:30 p.m. and Saturdays, Sundays, and select Wednesdays at 2:00 p.m. Their location is the F.M. Kirby Shakespeare Theatre, 36 Madison Ave,, Madison, NJ on the campus of Drew University.

Tickets are available at ShakespeareNJ.org or by calling 973-408-5600.

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‘Flawless’ Will Get You Questioning AI

Michael Frederic and Ellen Adair. Premiere Stages’ 2026 production of Flawless by John J. Wooten. Photo by Mike Peters.F

Flawless at Premiere Stages at Kean – Highly Recommended

Premiere Stages’ production of John J. Wooten’s play Flawless is now running at Kean University’s Bauer Boucher Theatre Center in Union, NJ. The play is about how Artificial Intelligence (AI) takes over two playwrights. In a word, it is scary! Not the type of scary we think of like we might see at Halloween. But it is scary because there are elements of what could happen as AI continues its descent on the world.

Joe Brancato does outstanding work directing this production. He brings together Mr. Wooten’s well written story and enhances it with powerful staging effects. There are three actors in the show who intersect both with the story and the visual effects.

Flawless had its world premiere at Penguin Rep. Now it is being produced in partnership with Penguin Rep and Shadowland Stages in Ellenville, NY. It will run at Shadowland Stages an additional three weeks in October with the same company. 

A Futuristic Fictional Story

In his role as a playwright, Premiere Stages’ Producing Artistic Director John Wooten has identified a topic that is still fairly new to the live stage. If you are like I am, I always assumed that AI would not be able to worm its way into live theater. But Mr. Wooten identifies paths which would make this possible. Perhaps we won’t have actors being replaced by AI, but we can have stories created through AI platforms. And that is exactly what this story focuses on.

Tess (Ellen Adair) is a unique character in that she is an award winning playwright who also has developed an AI software platform called Percy. She uses the software to write by using effective prompts for playwriting. Flawless brings her together with her former teacher and sometime romantic partner, Frank (Michael Frederic). Frank is a seasoned writer but down on his luck with selling his ideas. He has had to resort to doing adjunct work teaching theater at a college to pay his bills.

Frank would like to collaborate with Tess on writing a new play. He has an idea but needs to work it out. When Tess tells Frank about the Percy platform, conflict occurs between the two former colleagues. But strangely, a figure appears on stage representing the AI platform that Tess developed. The figure is called Percy (Alexander Rios).

As the story continues Frank is faced with whether or not he should join Tess is using the new platform. Success is all but guaranteed. He decides to remain with what he has been saving over the years and tells Tess where he has stored his ideas on his own computer.Without giving away the ending, just note that this strategy backfires on him in an ending that is certain to give you a very strange and somewhat frightening feeling.

Powerful Staging

The Creative Team for this show does an outstanding job with inserting visuals, sounds, and background scenes that enhance the drama taking place.

Michael Frederic and Ellen Adair. Premiere Stages’ 2026 production of Flawless by John J. Wooten. Photo by Mike Peters.
 

Sounds of computer programs coming alive create foreboding sounds. Scenes like the one shown above indicate what is taking place on the laptop that Tess is using. Although it is only a platform, Percy has taken on a human persona. Tess has established him as an AI storyteller with human looks but not human feelings. However, one questions how legit Percy’s insights really are.

Background visuals allow the audience to feel like they are either inside of a computer or watching a very large screen. Unidentified code flashes through making the effects very realistic.

The Intersection of AI and Humans is Startling

As dynamic as the staging and special effects are, nothing prepares you for when the actor, Alexander Rios playing Percy appears. This is a very clever creative staging technique used to demonstrate how real an AI figure might appear to be. His presence is powerful.

Ellen Adair and Alexander Rios. Premiere Stages’ 2026 production of Flawless by John J. Wooten. Photo by Mike Peters.

And the power of that presence takes over the action as it unfolds to a very unexpected ending. Not only is Percy there, but the staging effects light up all the elements.

It would be fair to say that the ending of Flawless identifies mankind’s biggest concerns with AI. This concern is that AI will take us over and we won’t be able to control it. And if that doesn’t scare you, then nothing this Halloween will!

Go to See Flawless

I highly recommend going to see Flawless. As school begins, more news videos and articles are appearing about Artificial Intelligence making this a very timely topic and show to see.

Flawles runs September 3 – 20 in the Bauer Boucher Theatre Center on the Kean University main campus in Union, N.J. The performance schedule is Thursdays at 7:30pm, Fridays at 7:30pm, Saturdays at 3:00pm & 7:30pm and Sundays at 3:00pm. A 3:00pm matinee has been added on Friday, September 18. There is no performance the evening of Saturday, September 19.

To purchase tickets, call the box office at 908-737-7469 or visit Premiere Stages online at premierestagesatkean.com.

Learn More about AI and the Show Flawless

Premiere Stages provides several ways you can learn more about AI. While visiting the theater, go to the lobby and read the well developed information boards. Here are two examples of what you will see:

Photo – K. Nowosad
Photo – K. Nowosad

Additionally, the theater provides a Talkback series following select 3:00 pm performances. Guest speakers and dates are subject to change.

Sunday, September 6 – The cast of Flawless

Sunday, September 13 – Bethany Crystal, BuildFirst.AI

Saturday, September 19 – Grace Wang, Director, NJIT’s Center for AI Research

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