‘Walden’ at Premiere Stages Merges Reality with a Questionable Future

Photo taken by K. Nowosad at the entrance to Bauer Boucher Theatre Center – Premiere Stages at Kean

Walden – a Play by Amy Berryman

Climate Change is a frequent topic of concern these days. It holds a questionable future for the earth. There are many opinions on courses of action to take including leaving the earth and starting anew. It’s a terrifying subject and one that looms large over us. This is what the play Walden is about.

Written by Amy Berryman, Walden was a finalist of the Premiere Stages’ 2019 Play Festival and had a developmental workshop in June 2019. From there, it had its world premiere on London’s West End in May 2021. Walden then premiered Off-Broadway in 2024 in a Second Stage Theater production. Now, it returns to Premiere Stages for its New Jersey Premiere.

Walden could be classified as Science Fiction because it is fiction based on imagined scientific advances. It also involves major social and environmental changes. But if you are not a sci-fi fan, no worries. There is a lot of reality in the play as it uses real concepts and changes happening on earth right now. The situations and some solutions mix the reality with what could happen.

Overall, Walden is a gem of a play to see. It tells a powerful story that unfolds with strong characterizations. The staging is very well done as it invites its audience to come into a world in the not so distant future.

Allison Altman, Erin Germaine Mahoney and Anthony Vaughn Merchant. Premiere Stages’ 2025 production of WALDEN. Photo by Mike Peters. 

A Story of an Uncertain Present and Future

Charlotte Cohn directs Walden. It features two camps of thought to deal with Earth’s climate crisis. One group is Earth Advocates (EAs) who believe in trying to find a better way to live on Earth and deal with the harsh changes. The other are those who see colonization and going to live on another planet as the best solution.

One family is deeply involved with the crisis. Their story becomes the focus of the play. It unfolds with strong characters asserting which side they are on. The important character development they go through gives the story unique twists and turns.

The story takes place in a rustic cabin located many miles from a city in an area considered safe enough that people do not have to use masks outside. Stella (Allison Altman) and her live-in boyfriend Bryan (Anthony Vaughn Merchant) live here. They are Earth Advocates. Their lifestyle is different from the way most people live today. Bryan grows their food as Stella attempts to keep somewhat in touch with the outside world through technology fueled by their generator.

As the play opens, Stella is busy looking at a device to hear more about the tsunami that has taken a multitude of lives on the East Coast. Bryan, who does not do any screens, accepts her information. Stella’s explanation of what has happened immediately signals that this type of extreme weather is a regular event. Stella is waiting for her estranged twin sister, Cassie (Erin Germaine Mahoney), to arrive for a visit.

Cassie is on the opposite side from the EA’s. She works for NASA and is an astronaut. She is returning from a successful project on the moon where she managed to grow plants basically from nothing. The results of her experiment have landed her a spot on a mission that will begin colonies on another planet. However, she will never return to Earth.

Strong Characterizations Guide the Story to a Conclusion

It is important to note that Stella and Cassie are twin daughters of a father who was a NASA astronaut. He taught them to be dedicated to science and both did that. Stella and Cassie both became a part of NASA. However, at some point, Stella washed out of the program. She feels like a failure in many ways and it weakens her especially with Cassie being so successful.

As the two sisters visit, their points of view are exchanged. They are cautious at first but problems arise through their visit. Cassie appears to be vulnerable and Stella appears to gain strength.

Bryan is more certain of who he is and his beliefs. He becomes a strong attachment for Stella right from the start of the play. But then it appears that Cassie sees something in him and Stella that causes her to question her decision to leave Earth.

Both sisters start to question whether or not they have made the right choice with their lives. The interaction between them and with Bryan causes them to rethink what they are planning to do. It takes a lot of discussion and soul searching well written into the play to reach their final conclusion. Hints of the way they will go are provided throughout but the ending will come with some surprises.

Staging

Staging for Walden uses a set that is well designed to allow the characters the opportunity to be with other people or alone. Lighting plays a significant role as the story unfolds and glimpses of the moon give a surreal atmosphere at times.

The concept of a cabin that provides a safe haven for people to live on their own is evident in the use of furniture and props. It has a warm feeling inside with the ability to see out to a world that is faltering by the day. High marks go to the Creative Team for their design, lighting, sound, costumes, props, and production.

Artwork by Yadira Hernández as it appears on Premiere Stages at Kean website

Go to See Walden

This is a show you should add to your list of plays to see this month. Between the story, fine acting, and well designed set, you are certain to gain a lot of issues to discuss afterwards.

Walden plays through September 21, 2025 at Premiere Stages at Kean. It runs 95 minutes with no intermission.

Tickets are available through the Premiere Stages at Kean website.

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‘The Mallard’ – Winner of 2024 Premiere Play Festival – is Fantastic!

Photo – K. Nowosad

As a part of their mission, Premiere Stages at Kean is committed to supporting emerging and regional playwrights by developing and producing new plays. One of the ways they do this is through their Premiere Play Festival. The Festival offers playwrights the opportunity to develop their work in an encouraging, focused environment through discussions, rehearsals, readings, workshops, and Equity productions. After reviewing several hundred submissions, this year’s selection is The Mallard by Vincent Delaney.

I had a chance to speak with The Mallard‘s Director, John Wooten. He provided information about several elements of this play which stand out. He said that it has an important topic. Additionally, the comedy that Playwright Delaney incorporates into the story is also significant. There is no doubt that this play is a winner because of those two elements. In fact, it is one of the funniest and best produced shows I have seen this year.

What Is that Important Topic?

The important topic in this play is the state of our education system as it relates to attitudes towards the LGBTQ community. The plot revolves around two female teachers who teach 2nd and 3rd grades in a small town. Freya (Susan Ferrara) and Gillian (Jennifer Leigh Houston) are married to each other and they have not hidden it. Now, the town’s Board of Education has taken their jobs from them. They have been exemplary educators so the prejudice behind the action is evident.

Victoria Pollack, Susan Ferrara and Jennifer Leigh Houston. Photo by Mike Peters. 

They expect a foreclosure on their house and are running out of money. As this realization hits them, they prepare to sell off some things at a yard sale.

The Yard Sale

The set for The Mallard is well designed to give the audience a good look at what is for sale. There are tables set up with items that are not worth much to an onlooker but worth a lot to the ones selling those items. Tupperware from days past is readily available along with other little knickknacks. There is a clothing rack with one item that the ladies feel will bring a good price: a nurse’s uniform from years ago.

Although there are plenty of items that should draw a crowd, they also offer some unique appetizers for meat lovers which are free. The inclusion and description of these appetizers is a humorous moment in the play.

Hidden on one of the tables, is a wooden mallard resembling the style of a duck decoy. When Freya spots it, she tells Gillian that she will not allow it to be sold. The mallard was something of sentimental value from her father. It indicated his acceptance of her and she feels close to it.

Finally, two people arrive at the sale. Davis (Woodrow Proctor) and Reagan (Victoria Pollack) initially appear to be average yard sale shoppers. What Freya and Gillian do not know is that these two are yard sale fanatics who search endlessly for items of high value but low price at a sale.

Woodrow Proctor and Victoria Pollack.. Photo by Mike Peters. 

They spot the mallard on the table and immediately recognize it as a priceless antique duck decoy. It is known as the Horace Crandall Mallard with a value of $2Million.

The Mallard Become an Item of Big Interest

As the play goes on, David and Reagan’s previous history of searching for this antique comes out and now the comedy really begins. Their monetary offers to buy the mallard go up and it gets Gillian a bit suspicious. Not that it is worth $2M but she feels they can probably get a tidy sum of a few hundred dollars.

Davis and Reagan have a rival in their yard sale searches who up to now has a record of always beating them out. Enter Morley (Eddie Gouveia Blackman) who resides in the area. As soon as he spots the mallard, he knows what it is worth and he gets involved in trying to buy it too.

Eddie Gouveia Blackman and Woodrow Proctor. Photo by Mike Peters. 

To disclose much more of the plot would be doing a disservice to those who come to see this play. Suffice it to say that all the characters are well written by Vincent Delaney. The dialog and action for each character is very funny and touching as well. Much comes out about good and bad parts of human nature and the ending is quite satisfying.

It is no wonder that this well written and well presented play won the 2024 Premiere Play Festival. I look forward to seeing it presented in other locations. But until that time, thank you Premiere Stages at Kean for a remarkable show.

Go to See The Mallard

The Mallard runs at Kean University’s Bauer Boucher Theatre from July 17 through August 3, 2025. To learn more about this play or to purchase tickets, visit the Premiere Stages website. The run time is just about 2 hours.

Parking is free and is only a short walk into the theater. The campus atmosphere is lovely this time of year so go out to the show and enjoy!

Photo – K. Nowosad

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‘How My Grandparents Fell in Love’ Tells an Emotional Story

NJ Repertory Company Presents a New Musical

It can be fun to hear about how people who love each other first met. This is especially true when it’s part of your own family. That very subject is covered in a new show commissioned by New Jersey Repertory Company (NJ Rep) and now playing at their theater in Long Branch, NJ. How My Grandparents Fell in Love is based upon a true story which adds to the enjoyment of seeing this show.

Although this is an enjoyable show to see, there are a few things that can be difficult to watch especially as related to the time and setting. But there is still a remarkable story told by a cast of two people within the boundaries of a setting heading for trouble. The music adds some additional emotional tones that might not be reached with just pure dialogue. Under the direction of Music Supervisor Matthew Lowy, there is an onstage piano player cleverly situated on one side of the stage who blends wonderfully into the show.

How My Grandparents Fell in Love is based on a true story. Cary Gitter wrote the book for the show. The music is by Neil Berg who also contributes to the lyrics along with Cary Gitter. The show is directed by SuzAnne Barabas.

How it Begins

The story is set in 1933 in Rovno, Poland (now Rivne, Ukraine). However, it opens in current day in a lecture hall at an American college decades later with a narrator telling the story.

We meet Charlie (Harris Milgrim) who left Poland to come to the United States 10 years before. Charlie lives in Hoboken and is in the shoe trade. However, he has now returned to his native country to find a wife. One day, Charlie looked in a hat shop window and saw Chava (Becca Suskauer). and was enchanted by the lovely, bright colors she was wearing. He finds a way to meet her.

Photo credit Andrea Phox

Chava agrees to meet Charlie for some tea. She tells him she wants to learn about America and he gladly tells her about life in the U.S. Then, she tells him she wants to be a scholar and is planning to go to the University in Warsaw. There are definite sparks of interest between the two and Charlie feels that he may have found his future wife. Chava is not as sure. This is where the setting comes into play.

The Setting is Crucial to the Story Development

Both Chava and Charlie are Jewish. The year is 1933, just at the point where the Hitler/Nazi era is beginning to emerge. Already, Chava’s family is being affected because her brother is working with a group to provide information about what is happening. Despite this, Chava does not think that things will change that much but Charlie does.

In the midst of this story playing out, the couple hear about the 1933 burning of the German parliament buildings. This is a significant event because the Nazi leadership claims that Communists were planning a violent uprising. According to information found on the Holocaust Encyclopedia website, “They claimed that emergency legislation was needed to prevent this. The resulting act, commonly known as the Reichstag Fire Decree, abolished a number of constitutional protections and paved the way for Nazi dictatorship.” The wave of Antisemitism reaches new, frightening heights.

Suddenly, there is more reason than ever before for Chava to consider Charlie’s offer of marriage and a move to America. But she has concerns about leaving her home and her family.

The way the remainder of the musical plays out gives you the answer to what Chava decides to do. I will say that it’s a heartwarming show and one that will give you something to think about as it finishes. I had my tissues out as it ended and I saw many others in audience doing the same.

Now What About that Music?

This show has original music played by a single piano player on stage. Milgrim and Suskauer have very nice singing voices and their interpretations give more depth to the action taking place.

There are 14 songs. A standout is “Oh, Hoboken” which where Charlie tells Chava about where he lives in the U.S. “I’m Going to Be a Scholar” is also well done as Chava explains her dreams to Charlie. Charlie makes his intentions known to Chava in “I Wouldn’t Want Anything (To Happen to You). Finally, “Into the Dawn” ends the show.

If I may be slightly critical of anything in this production, it would be that a few of the songs need a little bit of work. It seems like the need to rhyme in a few was more than needed. The intentions of the songs in so much of this music accomplishes their purpose very well.

Go to See How My Grandparents Fell in Love

It isn’t often that NJ Rep runs musicals at its Long Branch theater. This company has a long history of successfully introducing new plays to the theater world and this latest offering is a fine example of their work.

The response to this show is so good that additional shows have been added to three of the Sunday schedules. Make sure to get your tickets to see this How My Grandparents Fell in Love. It is only scheduled to play now through August 10, 2025.

Visit the NJ Rep website to get your tickets and for more information.

A Final Word

Spend a little time in the theater lobby either before the show or during intermission. You will enjoy seeing some small drawings with Yiddish sayings on the walls designed to show the creativity of Yiddish. Here are a few examples:

Photo by Karen Nowosad
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