Mint Theater Returns with “The Daughter-in-Law”

AMY BLACKMAN (as Minnie), TOM COINER (as Luther) and SANDRA SHIPLEY (as Mrs. Gascoyne) in a scene from Mint Theater’s new production of THE DAUGHTER-IN-LAW by D.H. Lawrence, directed by Martin Platt. Photo credit: Maria Baranova

New York’s Mint Theater Company returns to live productions this month. After two years of keeping active with virtual streaming offerings, Mint presents The Daughter-in-Law by D.H. Lawrence. The production plays at New York’s City Center Stage II now through March 20.

English writer D.H. Lawrence wrote The Daughter-in-Law in 1913. However, it was not shown on stage until 1967 long after Lawrence’s death in 1930. Mint Theater first produced the play back in 2003. It enjoyed an extended run and it remains one of the company’s most successful and popular productions. After seeing it, one understands why.

If one is looking to understand The Daughter-in-Law, one needs to understand the writer’s background. D.H. Lawrence came from the mining town which is used in the play. The couple in conflict, Minnie and Luther, are a reflection of Lawrence’s own parents. His writing in this play explores the issues of people working in mining communities including the class structure which normally rules the movements of the players. However, this one breaks ranks in that Minnie and Luther are in different classes. Luther admits Minnie is in a higher level than he is yet she is the one who moved for them to be married. Watch the play and decide for yourself why she wants Luther as a husband. You just may be moved to discover that she loves him maybe more than he loves her. Watch the ending and decide for yourself.

Issues of class in society is one important part of this play. But one cannot escape the way D.H. Lawrence shows his high regard for women and all they represent in life. He shows the strength that a mother can have and hold over her sons through Mrs. Gascoyne. But the depiction of Minnie is truly an exalted look at women in society. Lawrence is well known for his love of the sensuous side of life. His book Lady Chatterley’s Lover showed that in full force. Perhaps looking at his high regard for women helps to explain why he is so enamored by them.

The Story

The story centers on the Gascoyne family where the mother, Mrs. Gascoyne is the ruling matriarch. Her son Joe, who lives with her, has a broken arm and he is trying to get work pay. His attempts appear genuine but the reasons for not getting it center on his falling when he wasn’t on the job. The other son, Luther, has moved out to make a life with his wife, Minnie. He has not broken off his strong mother/son relationship which is later presented by his wife as an issue their marriage has. Also looming in the background is a strike at the coal mine where both sons work.

The Luther/Minnie marriage has a few issues. Minnie is more sophisticated and better educated than Luther. She takes care in the appearance of her home but she allows Luther to come to the dinner table unwashed after a day at work in the coal mines. The other issue that affects the marriage is news brought to the Gascoyne family, minus Minnie being present, by Mrs. Purdy. Mrs. Purdy’s daughter is pregnant with Luther’s child. The matter of resolving this remains a major factor that moves the action throughout the play.

Minnie takes a trip that lasts a few days to another area of the country. When she returns, she shows the Gascoyne family her purchases from money she had saved. One is an expensive ring and the other are three pictures from a gallery that she plans to get framed and hung in the house. This is the turning point of the play as the reactions of the three Gascoyne’s demonstrate their views on life. It eventually leads to a most surprising but rather satisfying ending.

Exceptional Production Elements

This current production is exceptional in the way it develops the story through the acting of an outstanding cast. Directed by Martin Platt, the cast includes Sandra Shipley as Mrs. Gascoyne, Ciaran Bowling who plays her son Joe and Tom Coiner as her son Luther. Amy Blackman plays the daughter-in-law, Minnie who is Luther’s wife. Polly Mickie plays Mrs. Purdy, their neighbor. Seth Andrew Bridges appears as the Cabman.

The Daughter-in-Law plays on a floor level stage with seating surrounding it on three sides. This provides an excellent view from all seats. The set is very basic featuring a kitchen/dining areas. The walls are painted black which ties in well with the concept of a town involved with coal mining. That constant use of black throughout the show whether it be from that set, or the black dust that miners come home with on their bodies, or even the term Blackleg (strike breakers, scab labor) gives a dark feel to the action and overall feel of what a person might have experienced in the town.

Special effects help bring about a feel for what might have been heard or experienced if one was living in the village where the action takes place. Audiences hear the sounds of a coal mine in action as workers do their jobs. The sounds are unique and they fill the entire seating area very well.

The authenticity of the dialect of the coal mining district of the Erewash Valley adds to a better understanding of what takes place. It is worth noting that the setting, Eastwood, is the town where D.H. Lawrence was born and raised. Also, Lawrence’s father was a coal miner. These realistic elements bring a strong sense of realism to the play.

Side Notes About The Daughter-in-Law

Audience members receive a program/playbill that is useful in getting the most from this show. The Mint Theater Company has information About the Dialect, a Glossary of Terms, and a fascinating look at the author, D.H. Lawrence. Reading this information helps give an better understanding of the play.

You may purchase tickets online at NYCityCenter.org, by calling 212/581-1212, or in person at the New York City Center box office located at 131 West 55th Street (between 6th & 7th Avenues). There is a $2.50 facility fee on all tickets. Phone, mail, fax and internet orders incur a service charge.

City Center is a fully vaccinated venue. Approved masks must be worn by audience members, staff, and crew at all times while inside NY City Center. Upon arrival at the theater, vaccination proof must be presented along with your ticket along with your government-issued photo ID. Check the website for more information.

Posted in Off-Broadway, Uncategorized | Tagged , , | Leave a comment

‘A Child’s Christmas in Wales’ is a Sweet Tale for All

Pictured from Left to Right: Isaac Hickox-Young and Dino Curia. Photo by: Avery Brunkus

The Christmas season is filled with all kinds of activities and events that give us precious memories. For many, the memories of Christmas as a child bring some of the sweetest to mind. And that is what A Child’s Christmas in Wales is all about; recalling what Christmas was like in days gone by from the viewpoint of a child. This show playing at Shakespeare Theatre of New Jersey marks their return to their main indoor stage at the F.M. Kirby Shakespeare Theatre in Madison. This presentation seems to fit so well with the company’s return to their home base after dealing with CoVid and the complications brought with it. Perhaps we need something to help us through this next phase of the life changing events of the past two years. This show is right on target for that task.

A Child’s Christmas in Wales has been performed several times by this Company and it is a crowd pleaser. The last time was in 2016 and I wrote about it. It remains one of my favorite holiday selections. It is based on the classic story by Welsh poet Dylan Thomas. This version is adapted for the stage by Jeremy Brooks and Adrian Mitchell and directed by Shakespeare of NJ’s own Artistic Director Bonnie Monte. Ms. Monte mentions in her Director’s Notes that it is timely to run this show considering that it took place in 1920’s Wales after they had survived World War I and the Influenza Pandemic of 1918. If you look back at the history of the Pandemic of 1918, it too, took a number of twist and turns as it lasted several years. The happiness of coming out of such trying times is reflected in this show.

A Childhood in Wales

So many aspects of Thomas’ young life are presented in A Child’s Christmas in Wales. We meet his friends from the town he lives in and we get to experience some of the well known characters like the postman and the constable on duty Christmas morning. The simplicity of life at that time is interesting to watch and see. There are transitions beginning which will eventually change the way of life in this small town but for now, all are enjoying what it offers.

As his family arrives to celebrate the holiday, they bring gifts for Dylan and his girl cousins. Great happiness is expressed for these gifts. But what really makes this celebration so memorable and joyous are the activities that take place. Of course everyone is excited for the big dinner to be served and cooked in Dylan’s mother’s new gas stove. Getting used to a new stove is probably best done at a less momentous occasion because the timing on the turkey turns out to be too much and the bird is brought to the table burned. One of the aunts saves the day by going to a restaurant and negotiating to bring home a fully cooked beautiful turkey.

Left to Right: Isaac Hickox-Young and Andy Paterson with members of
the cast of A Child’s Christmas in Wales. Photo by: Avery Brunkus

After eating dinner, thoughts turn to desserts and of course the cracking open of the crackers for the toys and sweets and wearing the paper hats. There is some delightful horsing around too allowing us to feel a part of the family.

Isaac Hickox-Young with members of the cast of A Child’s Christmas in Wales. Photo by: Avery Brunkus

As everyone settles into a comfortable seat in the living room, songs abound. This is a very fine part of this show which is not a musical but there is enough singing and even some dancing to show the role of music in the Welsh culture.

Pictured from Left to Right: Clemmie Evans, Amy Hutchins, Fiona Robberson, and
Kristen Kittel. Photo by: Avery Brunkus

Characters

There is a large cast of 16 that makes this show play so well. The actors do an outstanding job as they portray the many different people in the family. The cast is led by Broadway veteran Jeff McCarthy who plays Dylan’s father. He is steadfast as a father should be when he speaks with his son in the early parts of the show but a willing participant for the fun of the day.

Isaac Hickox-Young plays both the adult and child Dylan Thomas. The transition between the two is seamless. Even though he addresses the audience in the beginning as an adult, we see him easily transform into the young Dylan eager for a wonderful, fun time with his family on Christmas.

Playing the mother is Tina Stafford. She is devoted to her family and making sure the day is just right. So when the new gas stove overcooks the turkey, one cannot help but feel badly for her.

Andy Paterson plays several roles including Glyn and Dai the postman. Glyn is the type of character who likes to make pronouncements to the group but has such a warm sense about him that everyone seems okay with it all.

Tickets

Tickets for A Child’s Christmas in Wales will start as low as $40. Prices range from $40 – $55. For tickets, call the Box Office at 973-408-5600 or visit ShakespeareNJ.org.

The show runs now through Jan. 2, 2022. The full performance schedule is available for viewing on the Shakespeare Theatre of New Jersey’s website.

The F.W. Kirby Theater is located on the campus of Drew University in Madison, N.J.

Final Thoughts

Take the opportunity to come out to a live performance of theater by coming to see A Child’s Christmas in Wales. You may find yourself taken back in time to memories of Christmases in your past that were enjoyable. Life right now is a bit unpredictable but one thing can be counted on and that is a visit to live theater is nourishment for the soul. Go and enjoy!

Posted in New Jersey Theater, Uncategorized | Tagged , , , | Leave a comment

‘Dear Jack, Dear Louise’ is a Marvelous Return to Live Theater

(L to R) Amelia Pedlow & Bill Army in KEN LUDWIG’S DEAR JACK, DEAR LOUISE at George Street Playhouse. Photo by T. Charles Erickson.

On Friday, Oct. 29, George Street Playhouse made its return to live theater with Opening Night of new play, Dear Jack, Dear Louise. There was a feeling of excitement in the air despite the torrential rain and wind storm outside. Artistic Director David Saint gave a welcome back speech and then he introduced the play which is written by Ken Ludwig. Mr. Saint serves as Director for this production which is a romantic comedy that takes place during World War II. The audience was treated to Big Band music from that era playing throughout the venue before the show started. For this reviewer who grew up to the sounds of Glenn Miller in her household, the music brought back nostalgic memories of a time long ago and people who are no longer here.

About 15 minutes into the play, the power went out due to the storm. A generator system kicked in giving light and sound. However, waiting for the computers used in the production to reboot, it seemed ironic that a show using today’s technology was telling a tale about a time when letter writing was the primary means people used to stay in touch with each other rather than the texting or email of today. That letter writing provides the basis of Dear Jack, Dear Louise as it is the story of two people who never meet during the War, but court each other via letters they exchange.

Dear Jack, Dear Louise is a heartfelt story based on playwright Ludwig’s real life parents’ experiences. The story line is well developed with interesting dialog, twists, and turns. The staging adds a lot to the overall sense of distance between the two people as well as special effects to give additional background.

Dear Jack, Dear Louise Combines a Love Story and World War II

The story begins in the early days of World War II when Jack Ludwig is provided with information via family friends about Louise Rabiner. Jack is a doctor in the armed services. At first he is stationed stateside on the West Coast, but eventually is shipped out overseas as the fighting intensifies. Louise lives in New York City and is a show performer hoping to land a part in a Broadway musical. Because of the distance and wartime circumstances, the pair begin exchanging letters. The content of the letters are what each character uses as their individual dialog. The recitations show how one side was heard by the other. It also shows that delays between letters could be long making time apart even more difficult.

As the correspondence continues, Louise is able to meet Jack’s family but still not him. Plans eventually appear to be in place for the two to meet in New York City. They plan dinner and a show out together and both are very excited at the prospect of this happening. However, Jack receives word he must ship out and so the meeting does not happen. The disappointment is keenly felt by both people but they continue with what they must do. As Jack gets deeper into treating people from battles, Louise lands a part in a touring company of a musical. They do what they can to stay in touch.

Some of the most difficult times of their separation occur as letters from Jack no longer arrive. The play does a very fine job of representing reflections of the war through well developed staging and special visual effects. Louise keeps hoping to hear from Jack again and finally it occurs.

The end of the war brings the long awaited meeting for this couple. You need to go to this show to see for yourself how this happens. Although it is a bit predictable, it still is a beautiful moment because throughout the play, the audience becomes invested in this couple. You will route for them and then cheer when they finally meet. A major part of this connection is because of the fine acting by Bill Army as Jack and Amelia Pedlow as Louise. Individually, each of these actors portray their characters so well. But they also have good chemistry together as they tell their stories.

A Show Everyone Can Enjoy

People who grew up when letter writing was still a primary form of communication are going to love this play as it will bring back memories when those handwritten letters were highly valued. Younger people can also enjoy this show because it is a story of love that is timeless.

The show runs 1 hour 45 minutes with one 15 minute intermission.

Tickets are now on sale starting at $25 at www.georgestplayhouse.org.  The show runs until Nov. 21, 2021.   

CoVid Safety Information from George Street Playhouse and NBPAC  

George Street Playhouse and The New Brunswick Performing Arts Center are guided by CDC guidelines and the state of New Jersey for our policies in preventing the spread of COVID-19 and protecting the health of our audiences, staff, volunteers, artists and their production teams. 

Patrons attending any performance at the New Brunswick Performing Arts Center (NBPAC) must show proof of vaccination via a vaccine card, or proof through NJ’s Docket App (which can be downloaded from the app store on your phone). If not vaccinated, you must present a Negative COVID-19 PCR test taken within 72 hours of the performance date. 

All patrons are required to wear masks at all times while inside the venue. This includes children who have not been vaccinated. This policy will be re-evaluated in November 2021.

Posted in New Jersey Theater, Uncategorized | Tagged , , , , | Leave a comment