‘A Child’s Christmas in Wales’ is a Sweet Tale for All

Pictured from Left to Right: Isaac Hickox-Young and Dino Curia. Photo by: Avery Brunkus

The Christmas season is filled with all kinds of activities and events that give us precious memories. For many, the memories of Christmas as a child bring some of the sweetest to mind. And that is what A Child’s Christmas in Wales is all about; recalling what Christmas was like in days gone by from the viewpoint of a child. This show playing at Shakespeare Theatre of New Jersey marks their return to their main indoor stage at the F.M. Kirby Shakespeare Theatre in Madison. This presentation seems to fit so well with the company’s return to their home base after dealing with CoVid and the complications brought with it. Perhaps we need something to help us through this next phase of the life changing events of the past two years. This show is right on target for that task.

A Child’s Christmas in Wales has been performed several times by this Company and it is a crowd pleaser. The last time was in 2016 and I wrote about it. It remains one of my favorite holiday selections. It is based on the classic story by Welsh poet Dylan Thomas. This version is adapted for the stage by Jeremy Brooks and Adrian Mitchell and directed by Shakespeare of NJ’s own Artistic Director Bonnie Monte. Ms. Monte mentions in her Director’s Notes that it is timely to run this show considering that it took place in 1920’s Wales after they had survived World War I and the Influenza Pandemic of 1918. If you look back at the history of the Pandemic of 1918, it too, took a number of twist and turns as it lasted several years. The happiness of coming out of such trying times is reflected in this show.

A Childhood in Wales

So many aspects of Thomas’ young life are presented in A Child’s Christmas in Wales. We meet his friends from the town he lives in and we get to experience some of the well known characters like the postman and the constable on duty Christmas morning. The simplicity of life at that time is interesting to watch and see. There are transitions beginning which will eventually change the way of life in this small town but for now, all are enjoying what it offers.

As his family arrives to celebrate the holiday, they bring gifts for Dylan and his girl cousins. Great happiness is expressed for these gifts. But what really makes this celebration so memorable and joyous are the activities that take place. Of course everyone is excited for the big dinner to be served and cooked in Dylan’s mother’s new gas stove. Getting used to a new stove is probably best done at a less momentous occasion because the timing on the turkey turns out to be too much and the bird is brought to the table burned. One of the aunts saves the day by going to a restaurant and negotiating to bring home a fully cooked beautiful turkey.

Left to Right: Isaac Hickox-Young and Andy Paterson with members of
the cast of A Child’s Christmas in Wales. Photo by: Avery Brunkus

After eating dinner, thoughts turn to desserts and of course the cracking open of the crackers for the toys and sweets and wearing the paper hats. There is some delightful horsing around too allowing us to feel a part of the family.

Isaac Hickox-Young with members of the cast of A Child’s Christmas in Wales. Photo by: Avery Brunkus

As everyone settles into a comfortable seat in the living room, songs abound. This is a very fine part of this show which is not a musical but there is enough singing and even some dancing to show the role of music in the Welsh culture.

Pictured from Left to Right: Clemmie Evans, Amy Hutchins, Fiona Robberson, and
Kristen Kittel. Photo by: Avery Brunkus

Characters

There is a large cast of 16 that makes this show play so well. The actors do an outstanding job as they portray the many different people in the family. The cast is led by Broadway veteran Jeff McCarthy who plays Dylan’s father. He is steadfast as a father should be when he speaks with his son in the early parts of the show but a willing participant for the fun of the day.

Isaac Hickox-Young plays both the adult and child Dylan Thomas. The transition between the two is seamless. Even though he addresses the audience in the beginning as an adult, we see him easily transform into the young Dylan eager for a wonderful, fun time with his family on Christmas.

Playing the mother is Tina Stafford. She is devoted to her family and making sure the day is just right. So when the new gas stove overcooks the turkey, one cannot help but feel badly for her.

Andy Paterson plays several roles including Glyn and Dai the postman. Glyn is the type of character who likes to make pronouncements to the group but has such a warm sense about him that everyone seems okay with it all.

Tickets

Tickets for A Child’s Christmas in Wales will start as low as $40. Prices range from $40 – $55. For tickets, call the Box Office at 973-408-5600 or visit ShakespeareNJ.org.

The show runs now through Jan. 2, 2022. The full performance schedule is available for viewing on the Shakespeare Theatre of New Jersey’s website.

The F.W. Kirby Theater is located on the campus of Drew University in Madison, N.J.

Final Thoughts

Take the opportunity to come out to a live performance of theater by coming to see A Child’s Christmas in Wales. You may find yourself taken back in time to memories of Christmases in your past that were enjoyable. Life right now is a bit unpredictable but one thing can be counted on and that is a visit to live theater is nourishment for the soul. Go and enjoy!

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‘Dear Jack, Dear Louise’ is a Marvelous Return to Live Theater

(L to R) Amelia Pedlow & Bill Army in KEN LUDWIG’S DEAR JACK, DEAR LOUISE at George Street Playhouse. Photo by T. Charles Erickson.

On Friday, Oct. 29, George Street Playhouse made its return to live theater with Opening Night of new play, Dear Jack, Dear Louise. There was a feeling of excitement in the air despite the torrential rain and wind storm outside. Artistic Director David Saint gave a welcome back speech and then he introduced the play which is written by Ken Ludwig. Mr. Saint serves as Director for this production which is a romantic comedy that takes place during World War II. The audience was treated to Big Band music from that era playing throughout the venue before the show started. For this reviewer who grew up to the sounds of Glenn Miller in her household, the music brought back nostalgic memories of a time long ago and people who are no longer here.

About 15 minutes into the play, the power went out due to the storm. A generator system kicked in giving light and sound. However, waiting for the computers used in the production to reboot, it seemed ironic that a show using today’s technology was telling a tale about a time when letter writing was the primary means people used to stay in touch with each other rather than the texting or email of today. That letter writing provides the basis of Dear Jack, Dear Louise as it is the story of two people who never meet during the War, but court each other via letters they exchange.

Dear Jack, Dear Louise is a heartfelt story based on playwright Ludwig’s real life parents’ experiences. The story line is well developed with interesting dialog, twists, and turns. The staging adds a lot to the overall sense of distance between the two people as well as special effects to give additional background.

Dear Jack, Dear Louise Combines a Love Story and World War II

The story begins in the early days of World War II when Jack Ludwig is provided with information via family friends about Louise Rabiner. Jack is a doctor in the armed services. At first he is stationed stateside on the West Coast, but eventually is shipped out overseas as the fighting intensifies. Louise lives in New York City and is a show performer hoping to land a part in a Broadway musical. Because of the distance and wartime circumstances, the pair begin exchanging letters. The content of the letters are what each character uses as their individual dialog. The recitations show how one side was heard by the other. It also shows that delays between letters could be long making time apart even more difficult.

As the correspondence continues, Louise is able to meet Jack’s family but still not him. Plans eventually appear to be in place for the two to meet in New York City. They plan dinner and a show out together and both are very excited at the prospect of this happening. However, Jack receives word he must ship out and so the meeting does not happen. The disappointment is keenly felt by both people but they continue with what they must do. As Jack gets deeper into treating people from battles, Louise lands a part in a touring company of a musical. They do what they can to stay in touch.

Some of the most difficult times of their separation occur as letters from Jack no longer arrive. The play does a very fine job of representing reflections of the war through well developed staging and special visual effects. Louise keeps hoping to hear from Jack again and finally it occurs.

The end of the war brings the long awaited meeting for this couple. You need to go to this show to see for yourself how this happens. Although it is a bit predictable, it still is a beautiful moment because throughout the play, the audience becomes invested in this couple. You will route for them and then cheer when they finally meet. A major part of this connection is because of the fine acting by Bill Army as Jack and Amelia Pedlow as Louise. Individually, each of these actors portray their characters so well. But they also have good chemistry together as they tell their stories.

A Show Everyone Can Enjoy

People who grew up when letter writing was still a primary form of communication are going to love this play as it will bring back memories when those handwritten letters were highly valued. Younger people can also enjoy this show because it is a story of love that is timeless.

The show runs 1 hour 45 minutes with one 15 minute intermission.

Tickets are now on sale starting at $25 at www.georgestplayhouse.org.  The show runs until Nov. 21, 2021.   

CoVid Safety Information from George Street Playhouse and NBPAC  

George Street Playhouse and The New Brunswick Performing Arts Center are guided by CDC guidelines and the state of New Jersey for our policies in preventing the spread of COVID-19 and protecting the health of our audiences, staff, volunteers, artists and their production teams. 

Patrons attending any performance at the New Brunswick Performing Arts Center (NBPAC) must show proof of vaccination via a vaccine card, or proof through NJ’s Docket App (which can be downloaded from the app store on your phone). If not vaccinated, you must present a Negative COVID-19 PCR test taken within 72 hours of the performance date. 

All patrons are required to wear masks at all times while inside the venue. This includes children who have not been vaccinated. This policy will be re-evaluated in November 2021.

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‘Mrs. Warren’s Profession’ Examines Women’s Place in Society

Pictured in a scene from MRS WARREN’S PROFESSION (from left to right): Raphael Nash Thompson, Nicole King, Karen Ziemba, Robert Cuccioli, Alvin Keith, and David Lee Huynh
Photo credit: Carol Rosegg

Women today enjoy more choices on how they can live their lives more than ever before. This is a right that they have earned over the years. However, when Bernard Shaw wrote Mrs. Warren’s Profession in the late 1800’s, the case against women’s rights was much stricter. The show was banned in Britain for many years because it was considered very incendiary. On opening night in New York City, the entire cast was arrested.

The main character, Mrs. Warren, is a former prostitute who becomes a successful owner of a number of high-class brothels throughout several countries in Europe. That would seem like a good reason to ban a show. But interestingly, it was not for that reason. Instead, it was because it advocated “the notion that a woman would struggle to create a successful life for herself in spite of the constraints set against her by law and society, and thrive without apology” as explained in the play notes. The chance for a woman to live a comfortable life without being married probably upset officials of the time. That type of thinking could throw the entire carefully designed system out of whack and that just should not happen!

Mrs. Warren’s Profession is a grand way for the Gingold Theatrical Group to make its return to live theater. Gingold’s Artistic Director, David Staller directs this rare revival. Mr. Staller has an outstanding group of actors and creatives working with him to present this show. This includes Robert Cuccioli, David Lee Huynh, Alvin Keith, Nicole King, Raphael Nash Thompson, and Tony® Award winner Karen Ziemba as Mrs. Warren. Katya Collazo and Max Roll serve as understudies.

High praise goes to the design team for the brilliant and vibrant set, costumes, and lighting. Creatives include Brian Prather, scenic design; Asa Benally, costumes; Jamie Roderick, lighting; and Frederick Kennedy, sound. April Kline as production stage manager.

The Story Focuses on Perceptions of Women

The story focuses on two women, Mrs. Warren, played by Karen Ziemba and her daughter, Vivie Warren, played by Nicole King. Both Ziemba and King bring a strength to their roles that allows both characters to stand out and above the bickering and fray that eventually appears. Vivie Warren has only heard about her mother. She is preparing to move on from her schooling and is looking for opportunities to make her way in the world. Therefore, she is anxious to meet her mother. Mrs. Warren is anxious to gain acceptance from her daughter.

Traveling with Mrs. Warren is Sir George Crofts. Robert Cuccioli plays this role as he masterfully shows two distinct sides to Crofts. One is a charming side as he tries to win over Vivie to marry him. But the other side is angry and domineering when he does not get his way. The anger stems from the fact that Crofts cannot fathom why Vivie would not want to marry him. It is interesting to watch Crofts trying to court Vivie while Mrs. Warren’s watches. He has been a great help to her in establishing her “chain” of brothels across Europe. But he isn’t interested in marrying her. Instead he focuses on the yet unproven much younger daughter.

Vivie is great friends with Frank Gardner played by David Lee Huynh. There is a youthful innocence in the Frank character which Vivie finds attractive. It appears that they are headed to a love affair until they learn that Frank’s father, the Reverend Samuel Gardner might be Vivie’s father, thus making Frank her half-brother. Raphael Nash Thompson gives that uncertainty to the situation which further confounds Vivie’s ideas on life. In fact, it so confounds her that she gains a new direction and it is not in the conventions of the time.

Vivie goes through much of the play not feeling good about her mother’s style of living and earning a living. However, she comes to some realizations that her mother earned her way in a what was probably the only manner that she had available. This time was long before women would regularly attend college or even have a job. Marriage became the only safe way to live in a world where a woman out of step with the conventions of the time was not welcome.

Mrs. Warren’s Profession is a play that was significant for its time period but it still plays well today even though the notion of a woman having no career choices is not the way things are. However, that overriding aspect of men being in charge is still very much noted today as seen in the number of allegations of sexual harassment cases. The world has changed but not everyone keeps up the pace.

Safety Notes

Play notes say that “All cast, staff, and audience members will be fully vaccinated and every possible safety guideline will be followed.”

The theater facility, Theater Row, requires adherance to CoVid safety precautions as described on their website at this location. https://bfany.org/theatre-row/

Schedule and Tickets for Mrs. Warren’s Profession

Performances take place at Theater Row (410 West 42nd Street between 9th and Dyer Avenues). The performance runs 100 minutes, without an intermission.

The show runs through November 20th.

For more information about Mrs. Warren’s Profession or any of the programs at Gingold Theatrical Group, call 212/355-7823, email info@gingoldgroup.org, or visit www.gingoldgroup.org online.

Inspired by the artistry and activism of George Bernard Shaw, the Gingold Theatrical Group creates theatre and theatre-related programs that promote Shaw’s humanitarian ideals including universal human rights, the freedom of thought and speech, and the equality of all living beings.

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