‘Hamilton’ goes to Digital Lottery for the Winter

I thought the crowd was big on Opening Night back in the summer.  Photo by K. Nowosad

I thought the crowd was big on Opening Night back in the summer. Photo by K. Nowosad

The hit Broadway show Hamilton announced yesterday that they are suspending their outdoor lottery system for the winter months. The lottery system draws hundreds of people everyday as they vie for one of the $10 front row seats to see the musical that is running big dollars to see.

Playbill.com provided the official announcement from producer Jeffrey Seller:

The daily $10 lottery at the Broadway musical Hamilton will move online for the winter starting Tuesday, January 5. The live lottery and live Ham4Ham show will return in the spring.

The digital lottery, powered by Broadway Direct, will be at Hamiltonbroadway.com/lottery.

The Seller statement continued:

The entry period will begin each day at 9:30 AM for that day’s performance(s) only. There is a limit of one entry per person, and each entrant can request up to two tickets. Entries for matinee performances will be accepted until 11 AM; the evening performance entry period ends at 4 PM. Winners will be notified via email shortly thereafter with a link to purchase the tickets. Winners will have a 60-minute window during which they must claim and pay for their tickets with a credit card online. Tickets not claimed in this manner will be sold to the cancellation line in person at the box office.

There will still be 21 front row tickets available to lottery entrants, and they will remain $10 each. Winners must pick up their tickets at the Richard Rodgers Theatre box office with a valid photo ID that matches the name drawn. All sales are final. No refunds or exchanges.

Seller added,

We love seeing so many fans show up to participate in the Ham4Ham lottery and show. But we need to figure out how to safely accommodate our fans without blocking traffic on West 46th Street. We’re taking this winter break to work out some safety measures and improvements that we’ll implement when we return to the live lottery in the spring.

UPDATE: As this article was being written, BroadwayWorld.com wrote that the site had crashed on this first day. A test from this site showed a “Service Unavailable” message posted on the lottery location. Check periodically for fixes to be placed in. I would not be surprised if Lin-Manuel Miranda can fix it himself. He’s quite an amazing guy.

Lin-Manuel reading to the crowd from the book "Hamilton" back on Opening Day. Photo by K. Nowosad

Lin-Manuel reading to the crowd from the book “Hamilton” back on Opening Day. Photo by K. Nowosad

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Paper Mill Playhouse will have world premiere of ‘A Bronx Tale: The Musical’

The movie will become a musical premiering at the Paper Mill Playhouse in February 2016.

The movie will become a musical premiering at the Paper Mill Playhouse in February 2016.

The Paper Mill Playhouse has announced complete casting for the world premiere of the new show “A Bronx Tale: The Musical.” Co-directed by two-time Oscar winner Robert De Niro and four-time Tony Award winner Jerry Zaks, it will feature choreography by four-time Drama Desk Award nominee Sergio Trujillo. “A Bronx Tale: The Musical” features a book by Chazz Palminteri, music by Alan Menken and lyrics by Glenn Slater.

Leading the company are Jason Gotay as Calogero, Joshua Colley as Young Calogero, Nick Cordero as Sonny, Richard H. Blake as Lorenzo, Coco Jones as Jane and Lucia Giannetta as Rosina.

The musical is based on the real life story by Chazz Palminteri‚ A Bronx Tale: The , which is set against the backdrop of racial strife and organized crime in the 1960s. It is the story of an Italian-American teenager finding his path in life as he must choose between the father who raised him and a mob-boss father figure who fascinates him.

“A Bronx Tale has always had a very special meaning to me,” commented co-director Robert De Niro “The story is so rich and I look forward to working with Jerry, Chazz, Alan and Glenn to bring it to the stage in its latest incarnation.”

“A Bronx Tale: The Musical” will run at the Millburn, New Jersey theater from February 4, 2016, through March 6, 2016. It will be performed eight times a week, Wednesday through Sunday. Tickets may be purchased by calling 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org.

Groups of 10 or more can receive up to a 40% discount on tickets and should call 973.315.1680. College students may order $20 rush tickets over the phone or in person at the Paper Mill Playhouse Box Office on the day of the performance.

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‘The Second Mrs. Wilson’ focuses on a unique piece of history

Photo © T Charles Erickson Photography

Photo © T Charles Erickson Photography

This is the final weekend for one of the most impressive plays I have seen this season. New Brunswick’s George Street Playhouse is running The Second Mrs. Wilson which is all about the woman who acted as the first President of the United States. Mrs. Edith Wilson receives the credit for assuming that role when her husband, then President Woodrow Wilson, was stricken with a severe stroke. The play shows how and why she chose to do this and also how it was possible to do and keep so secret.

A splendid wide stage allows a number of scenes to take place without pausing the action of the story being told. With a story written by Joe DiPietro and directed by Gordon Edelstein, the action moves seamlessly and at a quick pace which compliments the reality of all that took place. We meet Mrs. Edith Galt after she has lost a child and been widowed. Edith is an intelligent woman of her day who catches the eye of then President Woodrow Wilson who is in mourning after the death of his wife. They meet in the spring and by December they have wed. Not only is Wilson attracted to Edith for her physical assets, he also finds her enjoyable company who has opinions on current events of the day and is not afraid to express them.

© T Charles Erickson Photography

© T Charles Erickson Photography

As the romance is blossoming, political opponent Henry Cabot Lodge is continuing to build himself into a powerhouse in the U.S. Senate where he opposes President Wilson’s idealism especially his Fourteen Points and the concept of building the League of Nations. This battle weighs heavily on Wilson who is not a well man to begin with. Towards the end of the first act, Wilson suffers a stroke.

© T Charles Erickson Photography

© T Charles Erickson Photography

When the action begins in Act II, Edith has established herself as the President’s advocate. She is determined to keep him in office even though he cannot function in everyday life. Only she and the doctor know how badly incapacitated he is and they are determined to keep it quiet. The remainder of the play shows the rest of Wilson’s time in office especially the fight for and eventual disappointment that accompanied the defeat of the ratification by the U.S. for entry into the League of Nations.

Mr. DiPietro has written a strong script for this play. It is one that shows that the politics of getting something passed in Washington D.C. involves a lot of compromising and negotiating. The use of dialog spoken like narration to the audience is especially effective in helping to set the scene and explain why something has taken place or how it affects the next set of actions. The characters are well developed and their actions in many cases make powerful inserts into the play which keeps the flow going. A prime example of this occurs in the second act when a bedridden Woodrow Wilson is wheeled onstage. The acting of John Glover depicting Wilson as an invalid brings the story to an entirely new level. Glover not only looks a lot like Wilson did, but he also captures the dropped side of the mouth and difficulty forming words that severe stroke patients suffer. Watching this take place provides a strong dichotomy between the energetic and idealistic man who starts the play to the one that still clings to his ideals but has no strength to be able to make them happen. So the actions of Mrs. Wilson make complete sense. Laila Robins’ portrayal of Mrs. Wilson has great depth in that she nurtures the husband who has fallen ill as well as crusades for him to try to carry out his mission.

The subject is interesting, the staging and setting well done, the script is powerful and the actors bring life to their characters in many different ways as described above with Glover and Robins. Sherman Howard plays Senator Henry Cabot Lodge whose ambitious quest for power runs rough shot over the President and his team. Vice President Thomas Marshall is played by Richmond Hoxie. He does a good job showing how incidental the role of the Vice President was in by-gone days. Michael McGrath plays Secretary Joe Tumulty who is a middleman between all sources which he portrays with the concern that he is not understanding all that is going on. Stephen Spinella plays Colonel Edward House and Stephen Barker Turner plays Dr. Cary Grayson; both of whom are pivotal to the life and workings of the President. One, the doctor, is willing to accept Wilson’s problems. Colonel House is deceptive and wounds Wilson emotionally.

This is a drama that is well worth going to see. Anyone who has an interest in history will find this fascinating to see. It also is intriguing for those who want to watch on stage politics at work as well as how critical relationships are to the success of the presidency and issues in Congress.

Tickets can be purchased on the George Street Playhouse’s website along with more information about the show.

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