‘A Comedy of Tenors’ Gives Laughs Galore

Beat the winter blues by going to see a new play by Ken Ludwig called A Comedy of Tenors. This show is playing through February 26, 2017 at the Paper Mill Playhouse. This show is a sequel to the Tony® Award-winning comedy Lend Me a Tenor.

Directed by Don Stephenson, this production reunites his original Paper Mill Lend Me a Tenor cast made up of the 7-member ensemble which features Judy Blazer as Maria, John Treacy Egan as Tito, Donna English as Racón, David Josefsberg as Max, Michael Kostroff as Saunders, Jill Paice as Mimi, and newcomer Ryan Silverman as Carlo.

The show is described in press notes as follows:

One hotel suite, four tenors, two wives, three girlfriends, and a soccer stadium filled with screaming fans. What could possibly go wrong? It’s 1930s Paris and the stage is set for the concert of the century—as long as producer Henry Saunders can keep the amorous Italian superstar and his hot-blooded wife from causing runaway chaos. An uproarious ride, full of mistaken identities, bedroom hijinks, and madcap delight.

Set design is by Michael Schweikardt, costume design by Mariah Hale, lighting design by Stephen Terry, sound design by Randy Hansen, with hair & wig design by Paul Huntley. The production stage manager is Gary Mickelson.

Special next weekend will be Q&A with the Cast after the matinee on Saturday, February 25. This event will give audience members a chance to ask questions of the cast about the show directly following the performance.

A Comedy of Tenors will be performed at Paper Mill Playhouse eight times a week, Wednesday through Sunday. Performance schedule: Wednesday at 7:30pm, Thursday at 1:30pm and 7:30pm, Friday at 8:00pm, Saturday at 1:30pm and 8:00pm and Sunday at 1:30pm and 7:00pm.

Tickets may be purchased by calling 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org.

Posted in New Jersey Theater | Tagged , , , | Leave a comment

“Unfaithfully Yours” Examines Open Marriage

Photo: Yours Unfaithfully By Miles Malleson Directed by Jonathan Bank Cast Todd Cerveris Elisabeth Gray John Hutton Mikaela Izquierdo Max von Essen – Photograph: © 2016 Richard Termine PHOTO CREDIT – Richard Termine

The concept of open marriage invites a variety of images. At times, people tend to think of it as a modern day happening. However, it is an interesting theme that has been explored for mnay decades in theater. The current offering from the Mint Theater Company is about that very subject. Yours Unfaithfully is a slight departure from the plays usually performed by the Mint in that it is a play that was published in 1933 but never produced. Thus, Mint is providing a belated World Premiere. Yours Unfaithfully was written by Miles Malleson who prescribed to the open marriage concept in his own personal life. One can listen to the dialog in the play and wonder how much of it were the thoughts he had and how much was otherwise written. This production is directed by Jonathan Bank and it stars 2015 Tony and Drama Desk Award nominee, Max von Essen, Todd Cerveris, Mikaela Izquierdo, Elisabeth Gray, and Stephen Schnetzer. It will play through February 18, 2017 at the Beckett Theatre.

Yours Unfaithfully focuses on a couple who have both consented to live in an open marriage arrangement. Stephen, a writer, and Ann, the director of a school, have both had extramarital affairs during their eight-year marriage although when we meet them at the beginning of the play, we learn that it has been quite awhile since either one had another lover. Their discussions about the subject are free flowing and without emotional involvement; in fact, one gets the impression that they consider it a necessary ingredient to having a happy, long-time marriage. in Act I, Ann suggests to Stephen that perhaps the reason for his current writer’s block is because he is not stimulated enough and that spending time with their friend, Dianna, whose own husband had recently passed away could bring a new energy into his life.

Photograph: © 2016 Richard Termine PHOTO CREDIT – Richard Termine

The opportunity arises for Stephen to see if Dianna would be interested in pursuing a relationship. There is a good sense of intimacy created in this scene where Stephen begins his seduction. She is definitely interested and so they begin an affair that has the wife’s blessing. In fact, Ann is somewhat relieved at first that Stephen has another interest in his life thus freeing her to do more of the work she wants to do. It all seems pretty seamless until Stephen’s father, a clergyman comes for a visit. His discussion and presence with his son provide that more traditional look at marriage as he says “There is something in marriage beyond a deep spiritual union by a complete loyalty to each other.” It has some impact on Stephen since he was raised with those beliefs, but not enough to cause him to end the affair.

As the play continues, Stephen becomes more enthralled with his life and it is due to the time he spends with his lover. However, as time goes on, Ann realizes she is jealous of their relationship. She speaks with Allan, her own former lover about her feelings. She is depressed with jealousy as Stephen prepares for a little vacation with Dianna in Paris. And another strange thing occurs during that trip: he realizes he has fallen back in love with his wife. It all sounds good, just like everyone will live happily ever after. But happily for the audience, there are still twists and turns and a rather surprising turn of events orchestrated by Ann at the end.

Not only does this play use well-developed conversational dialog to present its points, it also has a cast completely immersed into their roles who are positively outstanding to watch. Mr. von Essen is the picture of refinement and masculinity all roled into one fine presentation. It is no wonder that both female characters in the play would want to be with Stephen. Elisabeth Gray playing Ann has a style and grace onstage that makes it difficult for an audience member to take their eyes off of her. Todd Cerveris plays Allan with a quiet presence yet one that provides a definite comfort to his friends. Mikaela Izquierdo has a smaller part but her character is interesting to watch as she grows and flowers from the love she has found. Finally, the principled clergyman played by Stephen Schnetzer gives the play the more traditional touch of morality needed to allow the other actions to contrast and allow us to decide where we stand on the idea of open marriage. Unfaithfully Yours is well worth going to see.


About the Show:

Running Time: 1 hour 55 minutes with 2 intermissions (one is 10 minutes the second is 15 minutes)

Location: The Beckett Theatre at Theater Row (410 West 42nd Street between 9th and Dyer Avenues)

Performances:
Tuesdays – Saturdays at 7:30 p.m. and afternoon performances on Wednesday, Saturday and Sunday at 2:30 p.m.

Contact for Info and Tickets: Tickets can be purchased online at Telecharge.com, by phone at 212/239-6200 or in person at the Theatre Row Box Office. For more information, visit minttheater.org.

Suggested Audience: Adults due to subject matter

Posted in Off-Broadway | Tagged , , , , , , , | Leave a comment

‘The Jag’ Gives Audiences a Good Ride

Now running at New Jersey Repertory Company

A car can play a very important role in a family’s life. It can be the vehicle that takes them places such as their daily work and errands or it can represent their opportunities to go to new places such as a family vacation. In a new play titled The Jag, a white 1967 Jaguar sedan is such a vehicle. However, what is represents to the Chicarella family is much more than transportation. This play that premiered at the New Jersey Repertory Company last weekend tells the story of the family’s hidden past and present struggles with each other. It uses a car as its focus to unravel the secrets held for years. The Jag has a well written script filled with great dialog, acting by a fine cast, and a real life, full-sized Jaguar on the stage to add lots of atmosphere to an old garage in which it is parked.

The Jag was written by Gino Dilario. Mr. Dilario is an award-winning playwright whose body of work includes several plays that were premiered at the NJ Rep including Release Point, Apostasy, Winterizing the Summer House and Dead Ringer. His plays have also been seen at numerous locations throughout the U.S. In March, 2017, his new play, Sam and Dede, will have its New York premiere at the 59 East 59 Theatre. Mr. Dilario’s play The Jag skillfully develops its story through a step-by- step revelation of who the story’s characters truly are. The dialog between the three characters is crisp and quick flowing as it brings out who these people really are. From my viewpoint, the character I liked in the beginning of the story was not the one I ended up caring up about at the end and the one I didn’t like in the beginning became the winner in the end. That’s how carefully the development is in this script. For those who like to watch personality evolution on stage, this play is for you.

The Jag is directed by Brendan Burke and stars Dan Grimaldi, known to many as the identical twin mobsters Patsy and Philly Parisi of The Sopranos, Christopher Daftsios and Estelle Bajou. The script is in fine hands with this cast acting jout the roles of Leo “Chick” Chicarella (Grimaldi), Donald “Bone” Chicarella ( Daftsios), and Carla Carr (Bajou).

Grimaldi plays Chick hard-nosed to open the play as he talks with his son, Donald, about the family car in need of repairs. The Jaguar has been sitting around Chick’s garage needing refurbishing for years. The garage was the business Chick ran but can no longer do because he is nearly blind. But we learn later in the play that the car belonged to Chick’s other son who is dead. Daftsios plays his part as Donald very firmly in the beginning trying to aid his father to try to get the car into good enough shape to sell. Chick can’t seem to let go of the car and Donald desperately wants to see it leave the garage. A third character, Carla, enters as someone who gets hired by Donald to complete the repairs needed so he can make good on a fine offer he has from someone who wants to buy the car. Carla’s character is the tipping point of the play. Bajou play Carla in a most delightful way as someone who is a bit naïve about life, but who knows everything there is to know about Jaguars. Her repair and refurbish skills are legendary and she comes through for the Chicarella family’s Jaguar. All is going well until the car’s refurbishing is nearly complete. And then, stories unravel, and all three characters need to decide how involved they can stay in this project. The end is a bit of a surprise, one that theater goers will have to decide whether they like or not because it represents a strong dose of reality that could likely occur with the dysfunctions of such a family.

The other “star” of this show is the Jaguar itself that is fully in tact at all times on the stage. It is a beautiful car to see and in many ways, it just doesn’t seem to fit in the setting it is in. Maybe that’s a clue to those coming to see this play. The ill fit of the car will give you clues as to what the outcome is. The Jag is well worth coming to see.

About the show

Running Time: approximately 90 minutes, no intermission

Location: New Jersey Repertory Company, 179 Broadway, Long Branch, NJ

Performances: Thursdays, Fridays at 8pm; Saturdays at 3pm & 8pm; Sundays at 2pm.

Contact for Info and Tickets: Group and student rates are available to select performances. For tickets call 732-229-3166 or visit their website at www.njrep.org

Suggested Audience: Adult audiences due to some strong language. Theater goers who have an interest in Jaguars and vintage cars will really enjoy this show.

Posted in New Jersey Theater | Tagged , , | Leave a comment