‘American Son’ – An Emotional Look at Racial Divides

Scene from ‘American Son’ Photo by T. Charles Erickson

A hard-hitting, timely play is currently running at New Brunswick’s George Street Playhouse. American Sons by Christopher Demos-Brown examines injustices plaguing racial relations. American Sons earned the 2016 Laurents/Hatcher Foundation Award for a new play by an emerging playwright. It had its world premiere at Barrington Stage last summer and is being presented in New Brunswick through February 26, 2017.

Directing American Sons is George Street’s Artistic Director, David Saint, who is celebrating his 20th anniversary at the Playhouse. Mr. Saint said the following about this play:

“I knew the minute I read this play, I had to bring it to George Street. This is an extraordinary page-turner and an important, timely play.”

Extraordinary it is for sure because the story it tells is all too true in today’s world. After seeing the play, you just sit and wonder “how could this have happened?” But stop and do a reality check and you know that what takes place onstage has been occurring at numerous locations throughout the country.

This play centers on an estranged, biracial couple whose son gets stopped in a traffic incident. The first character to enter the stage is Kendra Ellis Connor, mother of Jamal. She is a well educated black woman who works as a professor at a local college. The tension she experiences is evident as the waiting game for information on her son continues through much of the play. We never get to see Jamal, but we get a good picture of him. He’s described as a hard-working student who has earned his way into an upcoming appointment at West Point. When Scott Connor enters the play, we see that he is a white man who fell in love years before with Kendra and he is devoted to his son. Kendra and Scott have separated recently and this event has been difficult for their son to deal with. His “acting out” results in joining in with a few other young men who get pulled over for a traffic stop during the night.

As the couple waits for word of where their son is, they have encounters with Officer Paul Larkin and Lieutenant John Stokes. These encounters along the exchanges between Kendra and Scott bring the story to life. Some are very difficult to watch because the fate of a young man is unanswered. Playwright Demos-Brown has done a fine job on constructing critical interactions which bring out the injustice that ends up taking place. Be prepared to get involved with the Connors and ultimately, be prepared for a shock at the end.

The fine cast includes Suzzanne Douglas (Kendra Ellis Connor), Mark Junek (Officer Paul Larkin), John Bolger (Scott Connor), and Mark Kenneth Smaltz (Lieutenant John Stokes).

The set is designed by Jason Simms with costumes by David Murin. The creative team also includes lighting designer Tyler Micoleau and sound designer Christopher J. Bailey. The production stage manager is Thomas Clewell.  Casting is by McCorkle Casting, Ltd/

For tickets, contact the George Street Playhouse Box Office at 732-246-7717 or visit www.GSPonline.org. George Street Playhouse is located at 9 Livingston Avenue in New Brunswick, NJ.

This show runs about 90 minutes with no intermission.

This play is an amazing piece of work to see before it leaves the George Street Playhouse.

*theatervisit

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‘A Comedy of Tenors’ Gives Laughs Galore

Beat the winter blues by going to see a new play by Ken Ludwig called A Comedy of Tenors. This show is playing through February 26, 2017 at the Paper Mill Playhouse. This show is a sequel to the Tony® Award-winning comedy Lend Me a Tenor.

Directed by Don Stephenson, this production reunites his original Paper Mill Lend Me a Tenor cast made up of the 7-member ensemble which features Judy Blazer as Maria, John Treacy Egan as Tito, Donna English as Racón, David Josefsberg as Max, Michael Kostroff as Saunders, Jill Paice as Mimi, and newcomer Ryan Silverman as Carlo.

The show is described in press notes as follows:

One hotel suite, four tenors, two wives, three girlfriends, and a soccer stadium filled with screaming fans. What could possibly go wrong? It’s 1930s Paris and the stage is set for the concert of the century—as long as producer Henry Saunders can keep the amorous Italian superstar and his hot-blooded wife from causing runaway chaos. An uproarious ride, full of mistaken identities, bedroom hijinks, and madcap delight.

Set design is by Michael Schweikardt, costume design by Mariah Hale, lighting design by Stephen Terry, sound design by Randy Hansen, with hair & wig design by Paul Huntley. The production stage manager is Gary Mickelson.

Special next weekend will be Q&A with the Cast after the matinee on Saturday, February 25. This event will give audience members a chance to ask questions of the cast about the show directly following the performance.

A Comedy of Tenors will be performed at Paper Mill Playhouse eight times a week, Wednesday through Sunday. Performance schedule: Wednesday at 7:30pm, Thursday at 1:30pm and 7:30pm, Friday at 8:00pm, Saturday at 1:30pm and 8:00pm and Sunday at 1:30pm and 7:00pm.

Tickets may be purchased by calling 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org.

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“Unfaithfully Yours” Examines Open Marriage

Photo: Yours Unfaithfully By Miles Malleson Directed by Jonathan Bank Cast Todd Cerveris Elisabeth Gray John Hutton Mikaela Izquierdo Max von Essen – Photograph: © 2016 Richard Termine PHOTO CREDIT – Richard Termine

The concept of open marriage invites a variety of images. At times, people tend to think of it as a modern day happening. However, it is an interesting theme that has been explored for mnay decades in theater. The current offering from the Mint Theater Company is about that very subject. Yours Unfaithfully is a slight departure from the plays usually performed by the Mint in that it is a play that was published in 1933 but never produced. Thus, Mint is providing a belated World Premiere. Yours Unfaithfully was written by Miles Malleson who prescribed to the open marriage concept in his own personal life. One can listen to the dialog in the play and wonder how much of it were the thoughts he had and how much was otherwise written. This production is directed by Jonathan Bank and it stars 2015 Tony and Drama Desk Award nominee, Max von Essen, Todd Cerveris, Mikaela Izquierdo, Elisabeth Gray, and Stephen Schnetzer. It will play through February 18, 2017 at the Beckett Theatre.

Yours Unfaithfully focuses on a couple who have both consented to live in an open marriage arrangement. Stephen, a writer, and Ann, the director of a school, have both had extramarital affairs during their eight-year marriage although when we meet them at the beginning of the play, we learn that it has been quite awhile since either one had another lover. Their discussions about the subject are free flowing and without emotional involvement; in fact, one gets the impression that they consider it a necessary ingredient to having a happy, long-time marriage. in Act I, Ann suggests to Stephen that perhaps the reason for his current writer’s block is because he is not stimulated enough and that spending time with their friend, Dianna, whose own husband had recently passed away could bring a new energy into his life.

Photograph: © 2016 Richard Termine PHOTO CREDIT – Richard Termine

The opportunity arises for Stephen to see if Dianna would be interested in pursuing a relationship. There is a good sense of intimacy created in this scene where Stephen begins his seduction. She is definitely interested and so they begin an affair that has the wife’s blessing. In fact, Ann is somewhat relieved at first that Stephen has another interest in his life thus freeing her to do more of the work she wants to do. It all seems pretty seamless until Stephen’s father, a clergyman comes for a visit. His discussion and presence with his son provide that more traditional look at marriage as he says “There is something in marriage beyond a deep spiritual union by a complete loyalty to each other.” It has some impact on Stephen since he was raised with those beliefs, but not enough to cause him to end the affair.

As the play continues, Stephen becomes more enthralled with his life and it is due to the time he spends with his lover. However, as time goes on, Ann realizes she is jealous of their relationship. She speaks with Allan, her own former lover about her feelings. She is depressed with jealousy as Stephen prepares for a little vacation with Dianna in Paris. And another strange thing occurs during that trip: he realizes he has fallen back in love with his wife. It all sounds good, just like everyone will live happily ever after. But happily for the audience, there are still twists and turns and a rather surprising turn of events orchestrated by Ann at the end.

Not only does this play use well-developed conversational dialog to present its points, it also has a cast completely immersed into their roles who are positively outstanding to watch. Mr. von Essen is the picture of refinement and masculinity all roled into one fine presentation. It is no wonder that both female characters in the play would want to be with Stephen. Elisabeth Gray playing Ann has a style and grace onstage that makes it difficult for an audience member to take their eyes off of her. Todd Cerveris plays Allan with a quiet presence yet one that provides a definite comfort to his friends. Mikaela Izquierdo has a smaller part but her character is interesting to watch as she grows and flowers from the love she has found. Finally, the principled clergyman played by Stephen Schnetzer gives the play the more traditional touch of morality needed to allow the other actions to contrast and allow us to decide where we stand on the idea of open marriage. Unfaithfully Yours is well worth going to see.


About the Show:

Running Time: 1 hour 55 minutes with 2 intermissions (one is 10 minutes the second is 15 minutes)

Location: The Beckett Theatre at Theater Row (410 West 42nd Street between 9th and Dyer Avenues)

Performances:
Tuesdays – Saturdays at 7:30 p.m. and afternoon performances on Wednesday, Saturday and Sunday at 2:30 p.m.

Contact for Info and Tickets: Tickets can be purchased online at Telecharge.com, by phone at 212/239-6200 or in person at the Theatre Row Box Office. For more information, visit minttheater.org.

Suggested Audience: Adults due to subject matter

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