‘Indecent’ Superb Theater that Many Enjoyed

The Broadway play Indecent plays its final performance today. One of the most highly regarded plays of the 2016 – 2017,  Indecent won two Tony Awards and received good critical reviews.

When the play extended its run, a companion and I got tickets. It was a show well worth going to see.

Written by Paula Vogel, the story is about a play, God of Vengeance, written by Sholem Asch around 1907. Asch’s play is considered controversial because it speaks about the Jewish religion and and at first people tell him to get rid of it. Instead, the play performs in large capitals of Europe and is a success. It comes to America where it runs Off-Broadway and it does fine. When it opens on Broadway, it is closed down and goes to trial. It is found to be materials indecent for a Broadway stage. The story continues as the play moves back to Europe and moves through the Holocaust time period where it continues to be performed.

Indecent is a play with music. The performances by the actors and musicians were first rate.

At the End

It was impressive to see the audience’s reaction to this play. At several moving moments, sounds of “ohs” and sadness could be heard. The standing ovation was long and loud. And although standing o’s have become more common on Broadway, this was much more heartfelt and deeper than I have been a part of in quite awhile.

This play was originally scheduled for a closed run and it did have a well deserved extension. But it will be hard to walk by the Cort Theatre and not feel a few pangs that it is not there anymore.

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‘My Dear Watson’ at NYMF Looks at the Holmes/Watson Relationship

Kyle Stonr, Justin Mousseau, John DiDonna working on “My Dear Watson”

The New York Musical Festival is in full swing this month through August 6, 2017. My Dear Watson played during the first week. The show is a musical look at Sherlock Holmes as told by his friend, Dr. John Watson. Impressive is the fact that the production is funded in part by The Conan Doyle Estate, the family estate of Sir Arthur Conan Doyle, who wrote the Sherlock Holmes stories from 1887 to 1927. With some revision, My Dear Watson has good potential to go to another stage after this Festival and do a more extended run. It has some good music, including songs that  tell a story. Several of the songs are lovely ballads. The music covers an aspect of the Sherlock Holmes stories not usually seen.

The show’s book, music and lyrics are by Jami-Leigh Bartschi.  Bartschi is a long time Sherlock Holmes fan and her devotion to the famous fictitious detective shines through in this musical.  Working alongside this accomplished writer is John DiDonna as the director and the assistant director, Jaz Zepatos. The music for the show is played on a piano by Pati Sayers and violin played by Eri Park. These two instruments served the music well as they created an atmosphere that added both suspense and emotion to the play.

The Story

The musical opens as Holmes (John DiDonna) and Watson (Kyle Stone) are brought together for their first meeting by Inspector Lestrade (Justin Mousseau). Both men are down on their luck and need each other to help pay the bills of daily living. As things improve, they find that they have developed a bond which keeps them together with Holmes doing his amazing logical and analytic detective work and Watson recording all that the master detective does. Fans of the Holmes stories will be pleased to see Mrs. Hudson (Liz Curtis) tending the house where the pair room.

The tension in the story builds as Professor Moriarty’s (Jason Blackwater) presence becomes known. Holmes realizes this man is his equal and could be the end of him. After a well choreographed struggle between them, both are presumed dead. Watson is a broken man realizing his great friend is no longer on earth. However, the clue that he might still be alive comes as the final scene which ties in nicely with where the genre went with its own path.

The first half of the musical is a little slow in parts. However, the start of the second act takes on fabulous new life as Professor Moriarty’s character comes more into focus. The scenes between him and Holmes are among the best parts of the show. The songs in the second half are stronger as well. If some changes could be made to the first act, then this show could be well on its way.

Personally, I have never delved into Sherlock Holmes stories. However, I developed an interest in learning and seeing more of it from going to this show. When a musical does that for a viewer, it tells you that the show should continue on!

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‘The Bungler’ Brings Humor to the Stage

‘The Bungler’ by Molière at The Shakespeare Theatre of New Jersey. 2017. Pictured (left to right): Kevin Isola as Mascarille and Aaron McDaniel as Lélie. Photo credit: Jerry Dalia.

The Shakespeare Theatre of New Jersey is featuring a rarely seen comedy on their Main Stage in Madison, NJ. Written by Molière and translated by Richard Wilbur, The Bungler was first performed around 1655. It was Molière’s first full length play. It provides an early look at the playwright’s talent for comedy and it is very funny. The plot lends itself to misunderstandings and characters who are designed to make and add to those misunderstandings.

Directed by Brian B. Crowe, The Bungler centers around Lélie and his attempts to woe and win the woman of his dreams, Célie. Lélie is aided in his attempts by his very faithful valet, Mascarille, who also is the brains behind the operation. However, every time he thinks he has come up with a way for Lélie to succeed in his quest, Lélie himself does something to foil the plan. Lélie is the bungler because of all the crazy things he does to undo and upset the strategies Mascarille attempts. At one point, Lélie himself thinks he has come up with the best solution only to find that it again foils a plan. There are other characters in the story watching these actions take place. Additionally, there is a rival that Lélie has to overcome and those situations end up in foiled attempts with plots gone wrong as well.

Pictured (left to right): Sophia Blum as Célie, Kevin Isola as Mascarille, and Aaron McDaniel as Lélie. Photo credit: Jerry Dalia.

The story line is comical and a real strength of this production lies in the actors’ performances. Aaron McDaniel plays Lélie and Kevin Isola plays the long suffering valet Mascarille.  These two steal the show with their little quirky mannerisms and remarkable delivery of their lines. After the first several bungles occur, as soon as you see one or the other, you just know something funny is going to occur. Sophia Blum is a breathtaking Célie and Trufaldin, her owner, is patiently but wily played by Eric Hoffman.

Other members of the company for this show include James Michael Reilly, Drew Dix, Devin Comway, Sam Ashdown, Danilo Ottaviani, Tommy Bowden, Isabel Lagana, and Jack LeGoff.

It is interesting to look back at a play created in the 1600’s to see the dress and thinking that prevailed. The costumes and make up for this show are what we might call “over the top” but they are excellent additions to the romps that take place.

Perhaps the way to summarize what this show is about is quote Director Brian B. Crowe who said,

The Bungler is like a delicious sorbet on a hot summer day; sweet, refreshing and an ideal treat. Molière’s brilliant wit, colorful characters, and unexpected twists – not to mention the delightful costumes and sets from this stellar design team – are sure to inspire giddy laughter for people of all ages.

About the Show

Running Time: Over two hours with one 15 minute intermission

Location: The F.M. Kirby Shakespeare Theatre of New Jersey, on the campus of Drew University, 36 Madison Avenue, Madison, NJ

Performances: Tuesdays – Sundays through July 30, 2017

Contact for Info and Tickets: Call the Box Office at 973-408-5600 or go online at www.ShakespeareNJ.org.

Suggested Audience:  Those who enjoy comedies from early teens and up

 

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