‘F Theory’ Looks at Lifelong Friendship

Posted on August 17, 2017 by Karen Nowosad

A scene from ‘F Theory’ now playing at NJ Repertory Company – Photo credit: SuzAnne Barabas

A new play, F Theory, begins today at the NJ Repertory Company.  F Theory is a funny yet poignant play about the power and complexity of lifelong friendship. This new production runs through September 24, 2017 at 179 Broadway, Long Branch, New Jersey.

Co-written by and starring Megan Loughran and Alex Trow, F Theory is directed by Ethan Heard. Press notes about the play include the following description:

When we first meet them, Marianne (Trow) and Ellie (Loughran) are bright, charming college roommates prone to break out in spontaneous tap dance routines in the middle of study sessions. They come from very different backgrounds and are headed into very different futures—wealth, marriage, and anthropological adventures for one; family troubles, solo living, and a career as a musician for the other. But the bond they forged on meeting is that rare sort that transcends all circumstance and thrives across time; even across several continents in their case. Or does it? What happens when you realize that the friendship you have valued on the merit of its fortitude through decades, means something else entirely to the person on the other end? F Theory gives center stage to friendship, a relationship often sidelined in both art and life to family, romance, and marriage, though it is often stronger than them all.

Megan Loughran and Alex Trow are actors and writers based in New York City. They met at Yale University from which they both graduated. Director Ethan Heard is also a graduate of Yale. Also featured in the cast is Pheonix Vaughn, a regular at NJ Rep, who will be performing the role of Marianne, September 16 – 17.

About the Show

It’s always fun to go to NJ Repertory Company to see a show but especially when the beach and ocean are a mere two blocks away!  Performances are Thursdays and Fridays at 8pm; Saturdays at 3pm and 8pm; and Sundays at 2pm beginning August 17. Tickets are $46 and are available at 732-229-3166 or online at njrep.org. Early bird discounts are available to select performances. Check with the NJ Rep for more information.

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Keen Company Announces Plans for Upcoming Year

Posted on August 14, 2017 by Karen Nowosad

Keen Company’s plans for their 18th Season were announced today by Artistic Director Jonathan Silverstein. He said, “. . . This year we will present two very different stories about the ties that bind. This fall, Steven Dietz’s landmark play Lonely Planet. Steven’s play is a beautiful testament to the value of friendship during a time of crisis.  In the spring, we will present A.R. Gurney’s Later Life, our third Gurney play in Keen’s history having previously produced The Dining Room in 2008 and The Old Boy in 2013. While we mourn the recent passing of our dear friend and collaborator, we are honored to be able to reunite with his deeply human characters in a story of lost love, told with Pete’s singular theatrical flair.”

Performances for Lonely Planet begin Tuesday, Oct 3rd, and continue through November 18th only.

Performances for Later Life begin Tuesday February 27th, and continue through Saturday April 14th, only.

All performances will be at The Clurman Theatre at Theatre Row (410 West 42nd Street, between 9th and 10th Avenues) and will be Tuesday through Thursday evenings at 7pm; Fridays at 8pm; Saturdays at 2pm & 8pm; and Sunday matinees at 3pm.  Tickets will be $65; premium tickets will be $80. (All ticket prices include restoration fees). A subscription package for both shows of the season is only $90 which includes unlimited exchange privileges, invitations to Keen Company readings, and more. Keen patrons 30 or under see both shows for just $20 each with a KEENConnect Subscription at only $40. Consult the Keen Company website, www.keencompany.org for more information or make purchases.

Keen Company creates theater that provokes identification, reflection, and emotional connection. In intimate productions of plays and musicals, they tell wholehearted stories about people striving to do their best. Keen has been honored with eleven Drama Desk Nominations, two Drama Desk Awards, two Drama League Nominations, and two Obie Awards.

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‘A Wall Apart’ at 2017 New York Musical Festival

Posted on August 8, 2017 by Karen Nowosad

A new show about the Berlin Wall debuted a few weeks ago at the 2017 New York Musical Festival.  A Wall Apart is the story of how the Berlin Wall affected the lives of an East German family, their spouses, and friends for nearly 30 years. Although it has been gone since 1989, the Berlin Wall stood solidly in place for years as a reminder of a government that had to fence its people in to keep them from leaving. This show provides a look back at that time and some situations and emotions that would have been a part of living behind the Wall.

With a book by Sam Goldstein and Craig Clyde, A Wall Apart begins as the Wall is being built.  People were able the cross over the border separating the east from the west. Family member Hans is a guard on the border. He does his best to keep his job to provide for his two younger brothers, Kurt and Mickey, and another family member, Tante. The story includes information about the family’s survival and losses during World War II. This information is important because it explains why Hans works as a guard despite the fact that he is not truly pleased with the direction life is headed.

Mickey is a singer with a rock band in a club in West Berlin. His devotion to the ideals of freedom is evident. His love for Suzanne leads to marriage and the birth of a son. The more complicated brother is Kurt who enjoys visiting the club where Mickey sings but eventually agrees to accept a position as a guard with his brother Hans. He meets Esther who lives in the western side of the city. As they fall in love, his life becomes split between loyalty to his family and his desire to be with Esther.

One dreadful day in 1961, the borders closed. The freedom to go to either side disappears. As someone who grew up during that time, that moment in the show was very emotional to watch. We would hear stories of families who had been left on one side or the other and were not able to get back together. One could barely imagine the sadness people were going through on either the eastern or western side. A Wall Apart tells stories of escape attempts, meetings at the Wall, and the frustrations people were feeling about not having their freedom to do and see who they pleased.

The music and lyrics are by Lord Graham Russell with direction and arrangement by Jonathan Ivie. The score features a rock sound. It has the right mix of strong, kicking sounds and several ballads that are beautiful.  Mickey and Suzanne sing “Do You Mind if I Adore You” when they marry. At the same event, Kurt and Esther sing the very touching “I Want To Be in Love With You.” We meet the next generation as Mickey Jr. sings the outstanding “Son of the Father.”

From a historical point of view, the Berlin Wall became more of a fact than a news story. Then came that miraculous night in 1989 when the first cracks were made and the Wall began to come down. That part of the show is marvelous. The audience went with the triumph that the cast and band/orchestra provided on stage. There was a feeling of unification and we all felt like we were citizens of Berlin. The closing song is powerful and full of hope just like that night in 1989 was.

With direction and choreography by Keith Andrews, a very fine cast brings the story and music together. The cast includes Maddie Shea Baldwin (Esther), Leslie Becker (Tante), Emily Behny (Suzanne), Jordan Bondurant (Kurt), Darren Ritchie (Hans), Matt Rosell (Les Misérables), Josh Tolle (Mickey), and Matt Rosell (Mickey Jr.).

Ensemble members include Mili Diaz, Jamal Christopher Douglas, Amanda Downey, Lindsay Estelle Dunn, Sean Green, Jr., Emily Kristen Morris, and Vincent Ortega.

Final Thoughts

The mission of the New York Musical Festival is “to provide an effective platform to introduce new shows, new perspectives, and new blood into the musical theater canon.” This platform gives new shows a chance to come out of the workshop phase and present to a live audience.   A Wall Apart may consider doing some more development and fine tuning.  However, there are so many fine aspects to this show that it should continue on.  A story of the Berlin Wall needs to be told so that people can remember what a political system that ranks party above people is like and what it can do.

 

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