‘Goldstein’ Unlocks Family Secrets

The cast of “Goldsetin” – Photo credit Jeremy Daniel

Goldstein is a new Off-Broadway musical playing at the Actor’s Temple Theatre in New York City. Based on a book by Charlie Shulman, it is about the lives of a Jewish family and their interrelationships. This story could be about any family because the themes portrayed are universal.  Not only does Goldstein has an interesting story line enhanced by fine music by Michael Roberts, it also provides strong development of the characters, and an ensemble cast who turn in superb performances.

Directed by Brad Rouse, the show opens with an introduction by the character Louis Goldstein who has written a tell all family memoir. The book is successful, but the family does not understand why. They claim that the stories in it are not true. Secrets have been kept throughout the lives of these family members and when they are revealed in this book, there is disbelief. Through storytelling and very descriptive and melodic music, the truth is eventually told.

Goldstein begins with Zelda as an immigrant on a ship to America. She meets and falls in love with another passenger. Their plans to be together do not work out, so she marries Louie Goldstein. The couple work hard and eventually buy a dress shop in Elizabeth, NJ. A family comes along including a son, Nathan, and a daughter, Sherri.  Although dad Louie is a pacifist, he his proud when son serves in World War II. During that time, Nathan suffers a great trauma. As he struggles to find peace within himself, he decides to go to medical school, a dream which was denied to his sister, Sherri. Sherri is told to behave and go to college but that’s about all she can expect other than the joys of marriage and motherhood. Nathan marries Eleanor and they have two children: Louis, the book writer, and Miriam. As the story progresses, pieces of information are passed along to various family members without others knowing it.  Eventually in the end, all hear what has happened. In a very ethereal manner, the needs of the deceased are addressed as well as the family members still alive.

The characters in the show are developed very carefully so that facets of their personality are exposed to help explain the family dynamics. Zelda  is the real strength of the family. Her strength leads to situations which cause problems for others, yet she believes she is doing it for the best. She denies Sherri the opportunity to go to medical school but rejoices when Nathan attends one.

These are the types of things that build resentments and anger within families and are difficult to resolve.  But using the words in an advertisement for this show might describe it best:  “in a world that does so much to pull us apart, Goldstein is a musical that shows us a way to come back together.”  There is a sense of acceptance and forgiveness as the play concludes. It comes gently and it provides an opportunity for reflection on how families come to terms with issues and move on.

The ensemble cast works well together.  It includes Megan McGinnis (Sherri), Julie Benko (Miriam), Amie Bermowitz (Zelda), Aaron Galligan-Stierle (Nathan), Zal Owen (Louis), Sarah Beth Pfeifer (Eleanor), and Jim Stanek (Louie).

This was a most enjoyable show to see. It is a musical that will give you a lot to think about and relate to your own family.

additional information about ‘goldstein’

Running Time:  Approximately 90 minutes; no intermission

Location:  The Actor’s Temple Theatre, 339 West 47th Street, New York City

Performances: Mondays through Thursdays at 7:30PM, Saturdays at 8PM with matinees on Wednesdays, Saturdays and Sundays at 3PM

Contact for Info and Tickets: Tickets are are available by visiting  www.goldsteinmusical.com or calling (212) 239-6200.

Suggested Audience:  Family friendly!

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‘Trying’ a Tender and Touching Story Of Relationships

‘Trying’ by Joanna McClelland Glass, directed by Jim Jack at George Street Playhouse. Shown are Carly Zien and Philip Goodwin. Photo Credit: T Charles Erickson© T Charles Erickson Photographytcepix@comcast.net

In the midst of all the nor’easters hitting New Jersey, George Street Playhouse continues to offer theater goers a reason to get out of the house! Their latest offering, Trying, is a tender and touching portrayal of two people dealing with each other in the midst of critical points in their lives. This drama by Playwright Joanna McClelland Glass was first presented by the Joshua Stephen Kartes Victory Gardens Theatre in Chicago in 2004. It won the prestigious Jefferson Award for Best New Play. It then moved to the Promenade Theatre In New York City for the fall/winter of 2004 – 2005.

Jim Jacks directs Trying which is based on the real life experiences the Playwright had when she was secretary to Judge Francis Biddle. Judge Biddle graduated from Harvard Law School. In addition to his work in the field of law, he served as U.S. Attorney General from 1941 – 1945. He is widely known for serving as Chief Judge of the Nuremberg trials and his opposition to Japanese internment camps during World War II. He also authored a number of books.

With such an illustrious career, Judge Biddle was in demand to provide writings and information to the publishing community. This play focuses on the final year of his life with him still trying to work but hampered by health and memory issues. When Sarah comes for her first day of work, she learns that many secretaries have come and gone before her, some even going into the bathroom to cry. Her determination to make the job work out is evident from the start. But the problem becomes convincing Judge Biddle of that. Sarah comes from an entirely different world than that of her employer. She grew up on a farm in Saskatchewan, Canada. Midway through the play, she finds that she is pregnant but uncertain about how well her marriage is going.

The beauty of this play lies in watching the relationship as it unfolds and develops. Seeing two people from very different backgrounds and with a wide gap in their ages provides many potential hazards to the eventual conclusion. The fact that the relationship does work out is a testament to both of them and the unique qualities that they discover about each other. There is also a learning process that they take on this journey of discovery that is at times bumpy, but other times absolutely heartwarming.

Philip Goodwin plays Judge Francis Biddle and Carly Zien plays Sarah. Goodwin moves around the stage as an older man whose strength and stamina are leaving him in a most believable manner. His delivery of his lines is sharp when needed but very understanding of his young worker at times making his character a good study of an older man still willing to give to society but hampered by his failing health. Zien gives good life to her character. Her movements are smooth and well designed to show the strength of a youthful body. Her ability to ask her employer the right questions in order to draw him out are refreshing to watch and Ms. Zien does it with a lightness needed in the situation.

The set is by Set Designer Jason Simms and it provides a lovely area for the play. The furniture shows the orderliness that Judge Biddle expects of his life. But it also has reminders of the way he needs to rest more often which interferes with getting as much done as he would like. That interference allows Sarah to step up and help out. This gives her more confidence in her own abilities and the chance to grow both in her own eyes and those of her mentor, Judge Biddle.

This play is appropriate for people of all ages except perhaps very young children. Anyone who has ever had the responsibility for the care of an older person will easily relate to the story. Likewise, older people who have younger ones in their lives will find a lot to cherish from the story as well.

Additional Information

Running Time: 2 hours which includes one intermission

Location: George Street Playhouse, 103 College Farm Road, New Brunswick, NJ

Performances: Now through April 8, 2018

Contact for Info and Tickets: Theater website – georgestreetplayhouse.org

 

 

 

 

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Premiere Stages Opens 14th Annual Spring Reading Series this Week

Premiere Stages launches their 14th Annual Spring Reading Series this week. The readings are directed by John J. Wooten, Producing Artistic Director of Premiere Stages and Jessi D. Hill, Literary Team Chair for Rattlestick Playwrights Theater. Admission to all readings is free and the public is encouraged to attend.

Premiere Stages received a record 572 submissions for the festival. This an annual competition for unproduced scripts offers developmental opportunities to playwrights with strong affiliations to New York, New Jersey, Connecticut, Pennsylvania, and Delaware. The 572 submissions marked a 43% jump from 2017, and represented playwrights of all backgrounds and ages. For the first time in the festival’s 14-year history, three of the four finalist scripts selected were requested from synopses submitted by playwrights.

The four finalists will be considered for expanded development in Premiere’s mainstage season. One of the four plays will be selected for an Actors’ Equity Association (AEA) 29-Hour Reading in June, and the most promising play will be awarded a full AEA production as part of Premiere’s 2018 season. All finalists receive cash awards ranging from $750 to $2,500.

The four plays which will be read are:

Linger by Criag Garcia
Thursday, March 15 at 7:00 p.m.

Private by Mona Pirnot
Friday, March 16 at 7:00 p.m.

Baton by Deneen Reynolds-Knott
Saturday, March 17 at 7:00 p.m.

No Candy by Emma Stanton
Sunday, March 18 at 3:00 p.m.

Readings are in Zella Fry Theatre in Vaughn Eames Hall on the Kean University campus, 1000 Morris Avenue, Union, NJ.

For more information or to register, visit the Premiere Stages website.

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