‘Conflict’ Challenges Traditional Beliefs

Jessie Shelton and Jeremy Beck Photo by Todd Cerveris

The newest play presented by the Mint Theater Company is Conflict. Although it was seen in London back in 1925, the play is just now having its New York Premiere. It is a love story that unfolds during a hotly contested election. There are class struggles and new ideas taking root. Additionally, social issues are examined such as the morals and rights of women of their day. Although the piece is from a time period of the previous century, Conflict, has a spirit and flair about it that makes it seem like it is a more contemporary piece. This Mint Theater production has a superb cast and fine staging to bring it to life so it can be enjoyed by an entirely new generation of theater goers.

Written by playwright Miles Malleson, Conflict premiered in London in 1925. Critics praised it with words such as “A skillfully and strongly written piece.” Conflict was adapted for the movies in 1931 with the title The Woman Between. This was later changed to The Woman Decides when an American movie with same title also was released in 1931. Press notes include the following information: The picture was controversial; one critic wondered if British film production could “afford anything quite so offensive to the nation,” while another complained that it was “unnecessarily sexy.”

So how does a play that was “unnecessarily sexy” in 1931 do today? Director Jenn Thompson provides theater goers with an opportunity to see it unfold and decide if it is still “unnecessarily sexy.”

The universality of the problems with some people having money and others not establishes the basis for this play.  Not only is it shown in the action, but it also is shown with sets by John McDermott. The wealthy Bellingdon home is well designed and very detailed. There is definitely a sense of affluence in the furnishings, lighting, and art works. There is expensive looking wood is on the walls giving a decidedly masculine feel to the scene. A later scene inside a boarding house where Tom Smith resides is a one room rental decorated much more sparsely. It has a cold feel to it compared to the warmth of the Bellingdon home.

Jessie Shelton and Graeme Malcolm Photo by Todd Cerveris

Conflict opens with The Lady Dare Bellingdon (Jessie Shelton) and Major Sir Ronald Clive (Henry Clarke) relaxing on the couch after an evening out dancing. There is a sense of a light tension between them as Ronald wants to be closer to Dare but she is not willing. As they decide to end their evening, Ronald postpones his trip to his home as they become aware of someone stalking the outside of the house. Lord Bellingdon (Graeme Malcolm) comes down from his bedroom upon hearing some disturbing sounds. Eventually, a very poorly dressed and malnourished looking man breaks in. He is caught trying to steal something. He tells his story and it turns out that he has been following Ronald. They went to college together and as the intruder talks, he identifies himself as Tom Smith (Jeremy Beck).

Smith admits that he has fallen on very hard times since returning from the war (WWI). He has been on a 5 year downward spiral. Unable to sell songs he writes, he is homeless and without resources or a place to live. He begs for money and both men give it to him. He leaves with much gratitude towards them but says “this begging is rotten when you aren’t used to it.”

Jeremy Beck, Jessie Shelton and Henry Clarke Photo by Todd Cerveris

A year passes by and Smith has some success with his life. He has a home (the one rental room mentioned above) and he is a candidate for office with the Labor Party. He runs against his friend Ronald who represents the Conservatives. Lady Dare tells her friend Mrs.Tremayne (Jasmin Walker), that she seeks more of the unknown and something wonderful. She doesn’t want to be bored and obviously she is with Ronald. This sets the stage for her interest in Tom Smith who is very different from the type of man someone of her stature in society would unusually seek out.

Let is suffice to say that her pursuit of Tom Smith turns the play completely around. It also brings into question actions that women can pursue without risking their reputations. But as the action continues, one thing is clear: Lady Dare will do as she pleases. Perhaps the name has a clue to what she does.

Is it a happy ending? That all depends on how you view what the conflict is. There is a lot that takes place particularly in Act III. Viewing the show years after it was written brings home an important point: Some problems never go away. They might be different with the people involved and the trappings life offers. But some struggles keep reappearing. Prepare to be open to all that Conflict has to offer. This is darn good theater.

Running Time: 2:10 with one intermission

Location: The Beckett Theatre at Theatre Row, 410 West 42nd St., New York City

Performances: This show runs now through July 21, 2018.  Performance days include Tuesday – Saturday at 7:30pm, Saturday & Sunday at 2:00pm, Wednesday: 6/20 & 7/18 at 2:00pm.

Contact for Info and Tickets: At the Theater Row Box Office or through the Mint Theater Website. http://minttheater.org

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‘Half Time’ Opening Night Party

What do you do after you’ve finished Opening Night of the new show Half Time that wowed the audience? Where do you go to celebrate the standing ovation and the cheers of the crowd? After giving a crowd pleasing performance on June 12, the cast and creatives of Half Time strolled over from the Paper Mill Playhouse to Charlie Brown’s restaurant in town to enjoy some after show activity.

Lianne Schoenwiesner of Spotlights Photography was on hand to take some photos as they arrived.

Half Time is from a book by Bob Martin and Chad Beguelin. Music is by Matthew Sklar with lyrics by Nell Benjamin and additional music by Marvin Hamlisch and Ester Dean. It is directed and choreographed by Tony Award winner Jerry Mitchell and co-choreographed by Nick Kenkel with music direction by Charlie Alterman.

Half Time tells the uplifting true story of ten New Jersey seniors with extraordinary dreams.  It is based on the motion picture Gotta Dance, directed, written and produced by Dori Berinstein.

Other articles about Half Time include one on the Curtain Call and a review.

Jerry Mitchell and Mark S. Hoebee

Donna McKechnie

Nancy Ticotin

Lenora Nemetz

Lori Tan Chinn

Tracy Jai Edwards

Paula DeLuise, Summerisa Bell Stevens, Kathryn Kendall, Gabriela Garcia, Tami Dahbura, Ken Ard

Talya Droves, Syndi Beaudoin, Summerisa Bell Stevens, Nkeki Obi-Melekwe

Garrett Turner, Andre DeShields, Alexander Aguilar

Haven Burton, Mary Claire King, Garrett Turner, Tracy Jai Edwards

Christian Borle and Talya Edwards

Leslie Kritzer

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‘Half Time’ Examines Age in Society

HALF TIME at Paper Mill Playhouse; Photo by Matthew Murphy; The Company of Half Time.

Society imposes many values and standards on what a person should be doing at a certain age. But what happens when someone does not want to conform? A new show playing at Paper Mill Playhouse seeks to answer that dilemma. Half Time is a marvelous new musical where a group of people become a part of a 60 plus years old  team of dancers. The show follows them as they learn new things and succeed in their quests. The entire production is based on a true story that originated right here in New Jersey. Add to that believable story line a fabulous cast, some catchy music and well-developed staging and you have a production well worth seeing.

Directed and choreographed by Tony Award winning Jerry Mitchell, Half Time is based on the movie Gotta Dance.  On the website for this documentary movie, Gotta Dance is described as a movie which “chronicles the debut of the New Jersey Nets’ first-ever senior hip-hop dance team, 12 women and 1 man – all dance team newbies from auditions through to center court stardom.”   There are some departures from the movie but they lend themselves well to a live production.

Half Time is from a book by Bob Martin and Chad Beguelin. It begins after the squad has been selected. The team of senior dancers includes Dorothy/Dottie (Georgia Engel), Bea (Lillias White), Ron (André De Shields), and Joanne (Donna McKechnie).  Also on the squad are Mae (Lori Tan Chinn), Camilla (Nancy Ticotin), Estelle (Madeleine Doherty), Fran (Lenora Nemetz), and (Muriel) Kay Walbye. Their challenge is to perfect a dance number they will perform during half time of an NBA game.

The problem with the dance routine: it’s hip-hop. This is far out of their comfort range. Their counterparts, the young dance squad, make it look easy. But it isn’t for them. The brainchild of the squad is Allison Prager (Tracy Jai Edwards). Her main job aim is to get the publicity needed at any cost. She appoints Tara (Haven Burton) as their coach. Tara is also suffering from a case of “old age” as she was on the young squad but maxed out and had to leave when she turned 27.

The musical provides an opportunity for viewers to really feel what these dancers are going through as their stories unfold. Each tries to deal with where they are at in their lives including Tara who later realizes she’s not ready to give up dancing. Half Time draws off of concepts used in the famous Broadway show A Chorus Line where the characters have a background story which is told in song. With music by Matthew Sklar and lyrics by Nell Benjamin, stories are told and dilemmas resolved. There is also music by the late Marvin Hamlisch and Ester Dean.

For example, math teacher Dorothy is the only one who knows something about hip-hop as she easily demonstrates hand movements. She tells her tale in “Dorothy/Dottie.”

HALF TIME at Paper Mill Playhouse; Photo by Jerry Dalia; Georgia Engel (Dorothy/Dottie), center and the Company of Half Time.

The only man on the squad, Ron, shows his form for dance in “The Prince of Swing/There You Are.”

HALF TIME at Paper Mill Playhouse; Photo by Jerry Dalia; André De Shields (Ron) and the Company of Half Time.

Camilla is an accomplished salsa dancer who still actively dances with her very young boyfriend Fernando (Alexander Aguilar) in the show stopping “Como No?”

HALF TIME at Paper Mill Playhouse; Photo by Jerry Dalia; Nancy Ticotin (Camilla) and the Company of Half Time.

Joanna tells her tale in “Too Good for This.” The audience went wild when the back scenery turned to display a mirror just like it did when Ms. McKechnie was in Chorus Line.

HALF TIME at Paper Mill Playhouse; Photo by Jerry Dalia; Donna McKechnie (Joanne).

Additional members of this fabulous cast include Nkeki Obi-Melekwe, Ken Ard, Sydni Beaudoin, Tami Dahbura, and Paula DeLuise. Also performing are Gabriela Garcia, Talya Groves, Kathryn Kendall, Valton Jackson, Summerisa Bell Stevens, Garrett Turner and Gayle Turner.

It all works out well in the end and there are a few surprises along the way. This gives it that extra little something that makes it a fun show to see.

Half Time appeals to audiences of all ages and teaches a little lesson: age doesn’t have to be a barrier to doing what you want to do in life. This is a very upbeat show, one that you don’t want to miss seeing!

Additional Information about Half Time

Running Time:  Approx. 2.5 hours, one intermission

Location:  Paper Mill Playhouse, 22 Brookside Drive, Millburn, NJ.

Performances: Half Time will be performed at Paper Mill Playhouse eight times a week, Wednesday through Sunday. Performance schedule: Wednesday at 7:30pm, Thursday at 1:30pm and 7:30pm, Friday at 8:00pm, Saturday at 1:30pm and 8:00pm and Sunday at 1:30pm and 7:00pm.

Contact for Info and Tickets:  Call 973.376.4343, go to the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org. Groups of 10 or more can receive up to a 40% discount on tickets and should call 973.315.1680. Students may order $23 rush tickets over the phone or in person at the Paper Mill Playhouse box office on the day of the performance.

Accessibility Performances: Audio-described performances for Half Time will play on Sunday, June 24, at 1:30pm and Saturday, June 30, at 1:30pm. Prior to these performances at noon, the theater will offer free sensory seminars. Sensory seminars offer an opportunity for patrons with vision loss to hear a live, in-depth description of the production elements of the show and hands-on interaction with key sets, props, and costumes.
There will be a sign-interpreted and open-captioned performance on Sunday, July 1, at 7:00pm.

Free Audience Enrichment Activities:
The Conversation Club is on Thursday evenings, June 14, or 21, one hour before curtain for an informal, informative gathering. You’ll learn more about the performance you’re about to see.

Q&A with the Cast is after the matinee on Saturday, June 30. Stay for a lively Q&A with cast members directly following the performance.

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