The Arts Go Live at Avenel Performing Arts Center

Main entrance to Avenel Performing Arts Center – Photo by Karen Nowosad

A brand new venue for live performance in New Jersey is now open and in full operation. The Avenel Performing Arts Center is bringing a new vitality to the area. Located at 150 Avenel Street, the Avenel Performing Arts Center (APAC) brings the hope of enhancing the arts in in the area. According to an article in Woodbridge Patch.com, “Woodbridge Township hopes the arts center will become a cultural destination for all of New Jersey, and a hub for professional theater, music, comedy and dance.” APAC has many things going for it that will help achieve that goal.

The APAC is on the former site of the General Dynamics plant which was an active manufacturing site until it was abandoned in the 1960’s. After the plant closed, Avenel struggled to reassess itself. There are several things Avenel had going for it that helped make the adjustment and now are important to the success of APAC.

First is a solid, well established residential community. Avenel has neighborhoods filled with housing, schools, and churches where life long friendships are built. Already evidence of the community’s interest in this Center is there. According to APAC’s Executive and Artistic Director Anthony Wilkinson, the community support has been fabulous. He says he feels the enthusiasm for the arts and it is “encouraging and heartwarming to see.”

Another thing is the Avenel Train Station which is a part of New Jersey Transit’s North Jersey Coast Line. Nestled between the Rahway and Woodbridge stops, Avenel Train Station gives residents good access to commute to New York City. Since the station is a short walk to APAC, it will continue to attract people to the area. Also, it allows good access for people who choose to ride the rails to attend shows.

Beginnings

As early as 2007, Woodbridge Township began studying redevelopment of the area. When plans were developed, Woodbridge Township received a $6 million arts grant from Middlesex County for the development of the Avenel Arts Center. The grant was awarded by the Middlesex County Cultural & Arts Trust Fund.

The building is very impressive as it uses an architectural style that pays tribute to Avenel’s industrial past. APAC has 13,500-square-feet of multiple performance areas and dining accommodations. The Main Performance Hall seats approximately 200 people. There is also a separate performance room and a pre-function/lobby area that can open to the exterior space for larger gatherings and events. Groups of 30 or more will find this space perfect for a pre or post show gathering.

It was nearly three years ago that Woodbridge Mayor John E. McCormac met Anthony Wilkinson while he was doing a presentation at Colonia High School. The two men discussed the position of Executive & Artistic Director. Mr. Wilkinson accepted the position realizing it was a great opportunity to see a theater develop from the ground up and contribute to its success.

Mr. Wilkinson comes to the job with strong background in the arts. A graduate of NYU’s College of Arts and Sciences for English and Creative Writing, he spent a number of years as a writer and eventually Associate Director of ABC Daytime’s One Life To Live. He earned three Daytime Emmy Awards for his work. He also established a solid reputation in the theater world by originating the very popular production My Big Gay Italian Wedding.

Shows

Speaking with Anthony Wilkinson is a pleasure. His enthusiasm for his work and the Avenel Performing Arts Center is evident. The first show, Dixie’s Tupperware Party, opened APAC in early April. His assessment of the opening weeks for APAC: things are going well. He is excited about the upcoming programs that are planned. He also reports that the community has expressed that they are impressed with the quality of the shows. In addition to administrative responsibilities, he continues to pursue the creative theatrical side of his own life. Housewives of Secaucus, a spoof on the reality show genre is on the schedule for May 30 – June 2. He wrote it. His show My Big Gay Italian Wedding will play June 27 – July 3.

There is a wide range of shows planned for this year. During the month of June alone there are singers including Grammy Nominee Alexandra Silber and American Idol Finalist and Tony Nominee Constantine Maroulis. June also has Mentalist and Illusionist Wayne Hoffman, stand-up comic Penny Arcade, and an unscripted theatrical awards show, Broadway’s Next Hit Musical.

Tickets are available for purchase online at www.AvenelArts.com, by telephone, 732-314-0500, or in person at APAC.

Curtains Bar and Restaurant

One section of Curtains Bar and Restaurant – Photo by Karen Nowosad

There are a lot of things done right at the Avenel Performing Arts Center. One of them is the in-house inclusion of a full-service bar and restaurant right in the building. Appropriately named Curtains, the restaurant is accessible whether or not someone is going to see a show. In fact, five nights a week, there is entertainment in the main seating area of the restaurant. The schedule for the entertainment is available on APAC website. Cabaret style singers including some who sing on Broadway are scheduled to appear.

There is a full-service bar with seating. Happy Hour is on Tuesday -Friday 3:00 -6:00 pm and after 9:00 until closing, and all day Sunday. Half-Price Appetizers and drink specials are available.

The restaurant menu has a nice range of selections including appetizers, salads, burgers, pastas, entrees, and desserts.

Additional Information

Painting seen inside the main entrance way – Photo by Karen Nowosad

To get to the main door of the Avenel Performing Arts Center, turn down Station Drive and make the first left into their parking area. There is self-parking available in this area.

Additional self-parking is also available across the street approximately ½ block away at 105 Avenel Street behind the Avenel First Aid Squad Building.

Complimentary valet parking service is also available.

To learn more about APAC, visit their website, https://avenelarts.com/

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2019 Drama League Awards

The winners of this year’s Drama League Awards were announced May 17, 2019. During The 85th Annual Drama League Awards Ceremony held at the Marriott Marquis Times Square, the following received Awards:

Hadestown Named Outstanding Production Of A Musical

The Ferryman Named Outstanding Production Of A Play

Kiss Me, Kate Named Outstanding Revival Of A Musical

The Waverly Gallery Named Outstanding Revival Of A Play

Bryan Cranston Received Distinguished Performance Award

2019 Drama League Awards Special Recognitions

Kelli O’Hara Received Award For Distinguished Achievement In Musical Theater

Alex Timbers Received The Founders Award For Excellence In Directing

Taylor Mac Received Award For Unique Contribution To The Theater

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‘Hans Christian Andersen – Tales Real & Imagined’

Playing at The Duke, W. 42nd St NYC

Hans Christian Andersen is long time beloved writer of some of most famous fairy tales of all time. Maybe I never grew up because I still love hearing the tales of this great writer. “The Princess and the Pea” and “The Ugly Duckling” are some of his most famous works. A new play, Hans Christian Andersen Tales Real & Imagined, produced by The Ensemble for the Romantic Century, looks at his life. The play does a marvelous job of showing how autobiographical Andersen’s writings are. His fairy tales cross boundaries of age, nationality, and beliefs. They also are a reflection of a man who had a lot of disappointments and discontent with himself. And yet, he was able to leave the world over 3,000 tales which bring joy to many.

Written by Eve Wolf, Executive Artistic Director of Ensemble for the Romantic Century, the play delves into the life of Hans Christian Andersen giving theater goers an opportunity to explore influences that fueled his creativity.The story is told though acting, puppetry, and classical music. The play is well designed with the right amount of each of the these components used.

The story is sad and it has some shocking moments. So warning: this is not a play for young children. It is a sad but realistic look at a writer whose talent brings magic moments to many who read his tales.

How the Story is Told

The play explores how Andersen’s complicated personal life inspired so many of his tales. Jimmy Ray Bennett plays the title role. The unraveling of this complicated tale begins with the character Hans Christian Andersen trying to summarize his life. He says it was a happy one.

Donald T. Sanders, ERC Director of Theatrical Production, directs the play which seems pleasant enough as that happy idea begins the show and we see how The Princess and the Pea comes to be. However, as the story continues, the young Andersen is shown as pretty much of a failure in school activities. His attempts at being an actor fail as his ability to write begins to come into his life.

Eventually he meets Edward played by Daniel Moody and at some performances Randall Scotting. Edward does not return the love Andersen desires, however, their attachment as friends remains for many years. He has relationships with other men and women, none of which work out. None are as important as Edward throughout his life. The Edward character is a Countertenor who sings several very powerful songs throughout the show.

After his rejection from Edward, Andersen appears to get his life in order and begins to become very successful as he acquires fame and fortune. As the play continues, we learn how poor he truly was as a child and the fate of his family who he appears to have deserted. Although he had wealth and fame, this part of his life seems to haunt him. Even in death, it seems he could not properly be situated. All in all, a very difficult life.

And yet all of this is critical to understand how autobiographical Hans Christian Andersen’s fairy tales really are. For example, in the scene right before intermission we see the creation of the little mermaid and the symbolism that he is basically a fish out of water as his friend Edward is to be married off.

“I am the water in which everything is mirrored. Often it gives me joy and blessings, but at times it is my torment. What a strange being I am!”

This quotation written by Hans Christian Andersen as a diary entry appears in the program’s Musicology Notes. It truly summarizes what the play tries to show about this man. Despite adversity, we see a man who gave a tremendous literary legacy to the world through his writing. The characters and tales he created bring joy and enhanced imagination to all who read and enjoy his stories.

Artistic Aspects of the Show

In addition to the acting, the play features puppet artists Craig Marin & Olga Felgemacher, founders of Flexitoon, one of the world’s most celebrated puppet production companies. The puppets used provide a variety of vividly designed characters to bring the story to new levels.

One of the most poignant puppets is a very small clown who represents Andersen. It has such a tragic little face on it and the movements are so sincere that you just feel sympathy for him as he goes through so much.

The movement provided by the puppet artists make the puppets seem to come alive at times. There are also very large ones which represent characters with oversized parts of personalities. The intermingling of the puppets with the actors provides a unique effect that adds a lot to the story telling and also emotion of the tale itself. In the early part of the play, scenes of his lack of success as a student are performed. Everything he attempts fails. To emphasize how defeated he felt, a very large headed puppet is used to represent the headmaster. This man is critical of him because Andersen is creating his own written work rather than adhering to the curriculum. The use of this puppet allows the audience to get a better feel of what Andersen might have experienced during that degrading time.

The Music

Another artistic aspect of the show is the music which complements and gives a better understanding of the action taking place. The music of Henry Purcell and Benjamin Britten is used in a variety of scenes throughout the play. Max Barros and Carlos Avila are on pianos along with percussionist Shiqi Zhong. The presence of these performers with their instruments on stage is always a highlight of The Ensemble’s shows and this one continues that grand style.

Additional Information

Show Running Time: Approximately 2 hours with one intermission

Performances: Limited Run – Now through May 25, 2019.

Tickets: Can be purchased online at Dukeon42.org; by phone at 646-223-3010; or in person at The Duke on 42nd Street at 229 West 42nd Street.

For more information: Visit romanticcentury.org

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