‘Half Time” Original Cast Recording Release

Scheduled for release July 19, 2019

Paper Mill Playhouse and Sony Masterworks Broadway announces the July 19th release of Half Time (Original Cast Recording). Music is by Matthew Sklar, lyrics by Nell Benjamin and additional music by Marvin Hamlisch and Ester Dean.  The album features music from the Bob Martin and Chad Beguelin-written musical, which made its 2018 debut at Paper Mill Playhouse.

The Half-Time (Original Cast Recording) features some of the last songs written by Pulitzer Prize and Tony Award-winning composer Marvin Hamlisch, who passed away during the show’s early gestation.  The album also features a who’s who of Broadway talent, including five-time Emmy Award-nominated actress Georgia Engel (The Mary Tyler Moore Show, Everybody Loves Raymond), Tony and Emmy Award winner Lillias White (The Life, Sesame Street), Tony and Drama Desk Award winner Donna McKechnie (A Chorus Line) and Emmy Award winner André De Sheilds (The Wiz), who most recently won a Tony for his role in Hadestown

The Original Cast Recording is dedicated to the memory of Georgia Engel.

Based on the motion picture Gotta Dance, directed, written and produced by Dori Bernstein, Half Time tells the incredible true story of ten determined dreamers who audition to dance at half time for a major basketball team. It was inspired by the true story of the Brooklyn Nets NETSational dance team. They have three things in common: they love to dance, they have something to prove, and they are all over 60. Only after making the cut do they learn they won’t be dancing tap, salsa or swing—instead, they will bring down the house with a style that is entirely new to them: hip-hop. When the odds are stacked against you and the challenges seem too great to overcome, it’s not the end of the game—it’s Half Time.

Read our review of this enjoyable and heartwarming show when it ran at Paper Mill Playhouse here.

HALF-TIME (ORIGINAL CAST RECORDING) – TRACK LISTING

  1. A Number – Company
  2. Who Wants to See That? – Haven Burton and Company
  3. Princess – Lillias White and Nkeki Obi-Melekwe
  4. Follow Me to the Party – Donna McKechnie, Kathryn Kendall, Lori Tan Chinn, Lillias White, Nancy Ticotin, Lenora Nemetz, Kay Walbye, André De Shields
  5. Dorothy/Dottie – Georgia Engel, Garrett Turner, Valton Jackson
  6. The Prince of Swing/There You Are – André De Shields, Mary Claire King, Nkeki Obi-Melekwe
  7. Swagger – Haven Burton, Nkeki Obi-Melekwe, Mary Claire King, Georgia Engel and Company
  8. The Waters Rise – Lori Tan Chinn
  9. They All Get to See That – Haven Burton
  10. Princess (Reprise) – Lillias White, Nkeki Obi-Melekwe, Garrett Turner
  11. ¿Como No? – Nancy Ticotin and Company
  12. The Prince of Swing (Reprise) – Georgia Engel and André De Shields
  13. Too Old for This – Donna McKechnie
  14. New Point of View – Company
  15. Gotta Get Up – Haven Burton, Lillias White, Georgia Engel and Company
  16. Time Machine (Bonus Track) – Donna McKechnie

This album is available for preorder now.

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A Woman Cannot Win in ‘The Mountains Look Different’

The Mountains Look Different’+ By Micheál mac Liammóir Con Horgan and Brenda Meaney Photo by Todd Cerveris

Is a life forever cast in stone due to actions taken at a young age? The Mountains Look Different attempts to answer that question. The results are a little hard to take as they are not as positive as one would want them to be. But perhaps reflecting back to a time when women had little mobility in society shows that it was a difficult if not an impossible thing to do.

The play The Mountains Look Different is the Mint Theatre Company’s most recent offering. It first ran in Dublin in 1948 when the playwright Micheál mac Liammóir played the role of Tom. It caused a bit of news as several members of the audience left at intermission and attempted to stir up the rest of the crowd to also leave. They didn’t but the newspapers got wind of it and still gave it pretty good reviews.

According to press notes, the idea for The Mountains Look Different came to mac Liammóir after working on Eugene O’Neill’s Anna Christie. He wondered what happened to Anna after the curtain came down: “I saw many plays over the years whose subject matter was young women who sold their bodies in order to live, and the end of every one of the plays was that the unfortunate woman married some simple innocent man who fell in love with her. But the curtain always came down before any of us in the audience knew anything about the life that was ahead of the couple.” That is where the story begins in this play.

A Good, Solid Story is Told

Bairbre is anxious to start a new life with her husband of three days, Tom. Her life in Dublin as a prostitute was a difficult one, but one that Tom does not know about. She happily comes to live in Tom’s father’s home in a rural part of Ireland. The couple arrive on a night of the celebration where bonfires are lit to celebrate St. John’s Eve. The set design does not include any sightings of these bonfires. However, there is discussion about them glowing in the distance. This adds a bit of an eerie feeling to as the story unfolds and it adds to the action in a subtle way.

Right before the newly married couple arrive, Bairbre’s uncle visits Martin Grealish to let him know of their arrival. He mentions that his niece had a good job running a hotel in Dublin but has no qualms about giving it up to live on the farm. It is only after Martin meets Bairbre that pieces fall in place.

Is it fate or is it bad luck that Tom’s father, Martin, remembers her from a years back. Although she cannot remember him, the memory of her is distinct in his mind. He knows she was a prostitute. He was one of her customers the one time he left his farm to go into Dublin. It was shortly after his wife’s death and he needed female companionship. What are the chances this might happen? That is impossible to even guess. It is an essential piece of the plot because it dramatizes the difficulty any woman would have in trying to establish a new and better life for herself.

he attempts to get his son to end the marriage. Oddly, Tom and Bairbre still haven’t consummated the marriage of three days yet. So it would be possible to do. But Tom is in love with her and doesn’t want to do it.

The remainder of the play needs to be seen in order to see how well the rest of the story unfolds. There are difficult encounters between Baribre and Martin but tender moments between her and Tom. The arrival of neighbors also brings in some interesting aspects to the play. However, the lengths Bairbre goes to in order to start anew are quite surprising. This, too, is something playgoers will relish watching unfold. And one is left with questions at the end about what was really in everyone’s heart, especially Bairbre’s.

The story is easy to follow; but the ideas behind it are rough to watch. The challenge facing a woman with a sordid past like Baribre is rarely explored. Would the same fate await her in today’s society? That’s for viewers to decide after seeing The Mountains Look Different.

Director and Cast

Aidan Redmond provides solid direction for this play. The inclusion of cultural references, use of dialect, and even some music and dance that is performed bring out an Irish theme to the play. However, it is not overdone and that shows how universal the topic of women attempting to change their stature in life truly is.

The fine cast includes Ciaran Byrne, Liam Forde, McKenna Harrington, Con Horgan, Cynthia Mace, Daniel Marconi, Brenda Meaney, Paul O’Brien, and Jesse Pennington.

Additional Information

Performances for The Mountains Look Different run Tuesday, Thursday through Saturday evenings at 7:30pm with matinees Wednesday, Saturday & Sunday at 2pm.  All performances take place at Theater Row, 410 West 42nd Street, New York City.

Tickets can be purchased online at Telecharge.com, by phone at 212-239-6200 or in person at the Theatre Row Box Office.  

Consult the Mint Theatre website, minttheater.org, for more information.

The Mountains Look Different runs through July 14, 2019.

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Constantine Maroulis Brings Broadway to Avenel

Constantine Maroulis appeared in concert at Avenel Performing Arts Center on June 15, 2019

On Saturday, June 15, Tony Nominee Constantine Maroulis gave two concerts at Avenel Performing Arts Center. The APAC advertised the show as part of “Broadway Comes to Avenel” and his setlist reflected that theme. The singer/actor is well known for his strong tenor voice. The songs he sings and the personal touches he gives to his shows add much to the audience’s enjoyment. The show I attended at 8:00 was filled with people who remember Constantine Maroulis from Broadway as well as Season 4 of American Idol. From their reactions and post show comments, I would say they really enjoyed the show.

Constantine Maroulis in concert at Avenel Performing Arts Center Photo Credit – K. Dickinson

Mr. Maroulis used his storytelling skills to weave the program together. He opened the show by singing “There’s a Place for Us” and “Maria” from West Side Story. Between those two songs, he spoke of watching the movie on television a few times a year with his family. As a very young boy, he was impressed with what he saw. He later appeared as an ensemble member of the Jets in a local production of West Side Story. This gave him some very valuable experience and a strong interest in musical theater.  

He kept that interest going after high school when he enrolled in the Boston Conservatory and Berklee College of Music to study musical theater and voice. It was in Boston that he developed a career plan which included auditioning and then being in the very popular show, Rent. To honor his time playing Roger in the touring company of Rent he sang “One Song Glory.” He also told how he practiced doing shows on his own such as Chess. He then sang a very dynamic rendition of a song from that show, “Pity the Child.”

Constantine Maroulis in concert at Avenel Performing Arts Center Photo Credit: K. Dickinson

Mr. Maroulis has a longtime working relationship with music writer Frank Wildhorn. He sang “Sarah” from Wildhorn’s show The Civil War and a song from Death Note. Next, he sang a beautiful love song from a new show, Excalibur. Finally, he concluded this segment of the show with a powerful rendition of “This is the Moment” from Jekyll and Hyde where he played the lead role of the revival of the show both on tour and on Broadway.

Another show that is a special favorite of the singer is Jesus Christ Superstar. He sang “Gethsemane” which was very moving and filled with passion. His voice was absolutely superb bringing the audience to their feet with applause.

On a lighter note, Mr. Maroulis talked about working with Post Modern Jukebox the last few years. He sang Aerosmith’s powerful hit song “Dream On” in a styling used by Post Modern Jukebox at their shows. The versatility he has is evident by doing songs like “Dream On” and then paying tribute to his time on American Idol by singing Queen’s “Bohemian Rhapsody.”

His final selection of the night was “Don’t Stop Believin.” This song by the band Journey was a part of the Broadway show Rock of Ages in which he starred and earned one of his two Tony Nominations. It was evident from the audience’s very happy response that they enjoyed hearing the way he combines his love of Broadway songs with rock. He also sang some of his new music, “All About You,” which is slated to be on his upcoming record/album.

Joshua Stephen Kartes accompanied Mr. Maroulis on the piano. Mr. Kartes is an accomplished musician who provides outstanding music. His own devotion to music is evident as he gives strong emphasis to the melodies to bring out the words Mr. Maroulis sings. The rapport between the two works well.

All in all, it was a most enjoyable evening of music at the new Avenel Performing Arts Center. This was my first event at the venue so I have to give high marks to the designers of the concert hall for the acoustics. In speaking with several people, good comments were made about the seating and I can attest to the good leg room!

To read our interview with Constantine Maroulis, click on this link.

To find out more about the very talented performer, visit his website at constantinemaroulis.com.

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