This Staging of ‘A Christmas Carol’ Stirs the Imagination

Charles Dickens’ A Christmas Carol . By Neil Bartlett. The Shakespeare Theatre of New
Jersey. Directed by Brian B. Crowe. Pictured (foreground): Ames Adamson as Ebenezer
Scrooge. Photo credit: Joe Guerin.

‘A Christmas Carol’ Review

Charles Dickens’ time honored classic story of A Christmas Carol is a popular show at this time of year. Just check your local listings and you will find it playing in several locations in New Jersey and even on Broadway this season. However, The Shakespeare Theatre of New Jersey can lay a claim on having one of the best and most unique to see. Adapted by Neil Bartlett and directed by Brian B. Crowe, this adaptation last played on the STNJ Main Stage in 2011. At that time, it received good acclaim from audience members and critics alike. If you are looking for a classic holiday show that stirs your imagination, this is the show to see. The staging, the lighting, the sound effects, and the work of a dynamic cast make it a memorable experience to see in this holiday season.

People Love Seeing this Tale

The story of A Christmas Carol is one familiar to many. It centers around Ebeneezer Scrooge played by Ames Adamson. Mr. Adamson gives a performance that shows the selfishness and sadness inside of Scrooge in the early parts of the play. His terror at all that is shown to him about his life is evident. He then transforms into a man who dedicates himself to helping humanity after he endures the visits from all of the spirits.

You will totally dislike Scrooge when he refuses to donate money and forces his employees to work in a very cold temperature rather than adding a small piece of badly needed coal to the heater. Feel the dislike growing as he enters his house so sparsely furnished and watch his with disdain as he eats his meager supper. When the spirit of his former business partner, Jacob Marley, enters his bed chamber in chains, the chill of the moment is easily felt. No sympathy for Scrooge for sure. The make up and costume on Marley are extreme and they show the horror this creature endures.

As the Ghost of Christmas Past arrives, the mood lightens. The early years of Scrooge are happy ones and the celebration put on by the Feeziwigs is enjoyable to watch. But the mood changes quickly as Scrooge chooses his own ambitious desires over the love of his life, Belle.

Pictured (from left to right): Emily Michelle Walton as Martha Cratchit, Garrett Lawson as Peter Cratchit, Clark
Scott Carmichael as Bob
Cratchit, Emma O’Donnell as Mrs. Cratchit, and Billie Wyatt as Belinda Cratchit. Photo credit: Joe Guerin.

The Ghost of Christmas Present brings Scrooge to his employee, Bob Cratchit’s home where he sees first hand what his lack of pay is doing to the family. The final ghost to arrive, Ghost of Christmas yet to come, is intimating. It arrives just as the first act ends and it is huge without much human connection. In fact, there is not even a listing for that character in the program as to who is doing the role adding to the eeriness this figure brings with it.

However, it is at this point that sentiment in favor of Scrooge starts to change. Even before he arrives at the graveyard with the unnamed ghost, he is begging for a second chance. So when we find him back in his sleeping quarters, we also rejoice that it is Christmas Day and Scrooge has survived to live and make good on his promises. The final scenes of the show are joyful indeed as Scrooge rounds up a huge turkey, played charmingly by a cast member, and has it sent to the Cratchit family. His sense of fun of life is evident again the next morning when he arrives at the office and raises everyone’s salary. The words that close the play are memorable and most welcome to hear:

“And it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!” – Charles Dickens A Christmas Carol

The Cast

In addition to Ames Adamson playing Ebenezer Scrooge, the cast is made up almost entirely of popular STNJ company veterans. Many play several parts during the show. The company is made up of Clark Scott Carmichael (Bob Cratchit), Garrett Lawson (Fred), Quentin McCuiston (Ghost of Christmas Past/Tiny Tim), and Emma O’Donnell (Mrs. Cratchit). Additionally, there is Lindsay Smiling (Marley’s Ghost/Ghost of Christmas Present), Raphael Nash Thompson (Mr. Fezziwig), Emily Walton (Fred’s Wife), Alison Weller (Mrs. Fezziwig) and Billie Wyatt (Belle). 

It’s an active show and the stage is alive with different scenes which are highlighted by superb lighting effects. Sounds are also an important part of the show including the cast themselves coming in with “tick, tick” to simulate a clock and even Scrooge making sounds as he checks items and parts of his house. The overall mood of the various parts of the show are well convened by the special effects in the show.

Coming to Madison’s Shakespeare Theatre of New Jersey during the holiday season is a special treat. The wonderful F.M. Kirby Shakespeare Theatre feels cozy and warm as this tale of the season unfolds. Perhaps it is the words of the playwright, Charles Dickens, or maybe it is the acting by the cast or even the special effects that gives this show a special glow. Whatever it is, it will surely stir your imagination as you watch the journey of one man end happily ever after.

Additional Information about ‘A Christmas Carol’

Performances: Run Tuesdays – Sundays through Dec.29, 2019 at the F.M. Kirby Shakespeare Theatre, 36 Madison Avenue (at Lancaster Road), Madison, New Jersey (located on Drew University’s campus).

For tickets and information: Tickets for A Christmas Carol begin at $59 for regular performances. The Theatre continues their 30 UNDER 30 program which provides patrons age 30 and under with tickets for only $30 with a valid ID. Call 973-408-5600 or visit ShakespeareNJ.org.

Audience Enhancements

Symposium Series: For the same price as a regular ticket this group of performances offer a post-show discussion with the cast and a member of the artistic staff. For this production, symposia will be held following the performances on Tuesday, December 10 at 7:30 p.m., Saturday, December 14 at 2:00 p.m and Saturday, December 21 at 2:00 p.m.

Know the Show:  Pre-show talks are offered free-of-cost. Prior to the show, an artist from The Shakespeare Theatre presents a pre-performance talk providing background information and an inside perspective on the production. This program is free with the purchase of a performance ticket and will be held on Thursday, December 12 at 7:00 p.m., with the show beginning at 8:00 p.m.

Captioned Performances: For patrons wishing to view captions of the dialogue and sound effects, the Captioned Performance for Charles Dickens’ A Christmas Carol will be held on Thursday, December 12 at 8:00 p.m. Captions are transmitted to the patrons’ web-enabled smart device via the Internet. Staff will be available prior to the beginning of the show and during the intermission to assist patrons.

Patrons with visual challenges can hear live descriptions of the action by attending the Audio-Described performance of Charles Dickens’ A Christmas Carol on Thursday, December 19 at 8:00 p.m. Pre-performance sensory webinars are available upon request and allow patrons to handle props, costumes, and set pieces prior to the show.

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Kean Stage Holiday and Musical Shows

Entrance to Enlow Recital Hall, one of two theaters used by Kean Stage.- Photo by K. Nowosad

Kean Stage celebrates the holiday season by presenting shows sure to please theater goers with varied tastes. As a part of the University, the Kean Stages presents shows at their two main venues, both of which are well equipped with great sound systems, good parking, and friendly staff to help you out. The first two shows highlighted in this article are at Enlow Recital Hall on Kean’s East Campus on North Avenue. The building is well marked and it is only a few blocks off of Morris Avenue, close to the Main Campus. The second venue is the Wilkins Theatre which is right off of Morris Avenue on the main campus. Also well marked, Wilkins is best accessed from the Morris Avenue middle entrance.

Selected Shorts

The celebration started on November 16 with Selected Shorts in conjunction with Symphony Space who produces the podcasts of the shows. Selected Shorts are broadcast on more than 150 radio stations across the country and consistently ranks as one of the most popular podcasts on iTunes.

The program consisted of three well known stage and television personalities: Michael Cerveris, Dana Ivey, and Richard Masur. The three each read short story selections about the holidays. It’s one thing to read a short story. But give these stories to accomplished actors and you have an entirely new dimension added to it.

That evening, Mr. Cerveris read “And Two Eyes Made Out of Coal” by Augusten Burroughs. He also did a co-reading with Dana Ivey of “Gifts of the Jewish Magi” by Allegra Goodman. Ms. Ivey did her solo reading of “The Hope Chest” by Jean Stafford. The final selection for the evening, “Christmas in New York,” had Richard Masur perform the reading duties.

It was a most unique opportunity to sit back, relax, and enjoy the thrill of having something read to an audience. The short story is a unique genre which has many aspects to it. This group of selections created a holiday mood in a very enjoyable way.

The Klezmatics

The next program from Kean Stages is The Klezmatics on Sunday, December 8, 2:00 p.m. at Enlow Recital Hall. This amazing group will perform their modern take on Eastern European Jewish music Since their emergence more than 30 years ago, the Klezmatics have raised the bar for this age-old, nearly forgotten art form and helped change the face of contemporary Yiddish culture.

Although often called a “Jewish roots band,” the music is both traditional and progressive, incorporating jazz, folk, Latin, rock and even punk influences. It will appeal even to those who are not familiar with the genre.

Tickets are $40-$60 and can be purchased at the Kean Stage Box Office in Wilkins Theatre, 1000 Morris Ave., Union, on Kean University’s main campus, by phone at 908-737-7469 or online at keanstage.com.

Darlene Love

A singer who is synonomis with the Christmas and holiday season is Darlene Love. She returns to Kean Stage at 7:30 p.m. on Saturday, December 14 to perform Love for the Holidays, a Christmas show like no other. The event will take place at Wilkins Theatre.

“I’m thrilled to be performing my annual holiday show at Kean Stage in celebration of my 50-plus years in showbiz and to bring some love and joy to the folks in Union, N.J. by singing my #1 classic, Christmas, (Baby Please Come Home), said Love.

Over the years, Ms. Love’s name has become affiliated with several other holiday songs, including A Marshmallow World and All Alone on Christmas, which was written by Steve Van Zandt for the 1992 movie Home Alone 2: Lost in New York. She will do other songs as well.

Tickets are $40-$70 and can be purchased at the Kean Stage Box Office in Wilkins Theatre, by phone at 908-737-7469 or online at www.keanstage.com. Save 25% with code HOLIDAY19.

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‘Cinderella’ is Filled with Music and Magic

Rodgers + Hammerstein’s Cinderella at Paper Mill Playhouse; Ashley Blanchet (Ella), Christopher
Howard, Erin Burniston, and John Barsoian; photo by Jerry Dalia.

‘Cinderella’ A Review

If you are looking to enjoy some magic this month, plan a visit to the Paper Mill Playhouse to see their production of Rodgers + Hammerstein’s Cinderella.  This second show of the 2019 – 2020 season features music by the legendary team of Richard Rodgers and lyrics by Oscar Hammerstein II.  Additionally, it features a new book by Douglas Carter Beane and original book by Oscar Hammerstein II.  The cast is fabulous and the special effects that happen live on stage make for a show that is magical and one that the entire family can enjoy.

Mark S. Hoebee serves as Director with choreography by JoAnn M. Hunter and music direction by Michael Borth. This team creates a world of onstage fantasy that is apparent from the opening notes that the marvelous orchestra plays. Most people already know the story of Cinderella, yet they worked with their creative/production team to give it an interesting new look. This new book served as the basis for the Broadway production in 2013. It adds just enough to make it more than just a girl gets a prince fairy tale. The show is great fun to see and certain to be one that will stay with you for a long time.

“Cinderella’ with New Additions

As many fantasy tales do, Cinderella opens in the town’s local forest where Ella and the Chorus open the show with a song. As they finish, Topler makes his first appearance as he takes down a giant that is invading the area. This seems to be something he does regularly as he is in training as the Prince in the area scheduled to be crowned as King. His parents left him in the care of Sebastian who plans to be the main controlling force in the kingdom though his devious methods unbeknown to Topler.

This opening scene is the first time that Ella and Topler meet and they both sense that there is some special connection between them. So when Topler announces that he will hold a ball to meet a future wife, Ella tries to find a way to go. Of course, she is blocked by her nasty stepmother, Madam who wants one of her own daughters, Gabrielle and Charlotte, to go for the Prince.

And so the tale goes on. Ella eventually gets to the ball, is lovely, and she and the Prince fall madly in love. But at midnight, she returns to her rags. She doesn’t loose her slipper right away; that happens after a second event. The Prince searches for the owner of the slipper and of course Ella is the last one to try it on and it fits!

Updating, Changes, and the Magic

One of the changes from the traditional tale comes from a new character, Jean-Michel who acts as a revolutionary in the town. He searches for a way to speak to the Prince about how his team has been confiscating land from the people. He tells Ella of the situation and she acts as an intermediary by telling the Prince of the problem. The two men eventually meet and work to solve the problem.

This new addition provides a good path to keep updating the way Princesses are becoming more modern-day women.  But this is still a fairy tale and as such, some magic is needed. And magic it is as the day of the Prince’s Ball arrives. Ella, left behind in rags, meets up with Marie, an old poor woman from the forest. She has been in disguise and is, yes you guessed it, Ella’s Fairy Godmother! With the wave of her wand, Ella’s dress is transformed into a beautiful white ball gown. Her pumpkin becomes a lovely coach and her two animal friends, become humans to serve as the coachmen.

Ashley Blanchet (Ella) and Billy
Harrigan Tighe (Topher), and company; photo by Evan Zimmerman for MurphyMade.

No, we’re not going to tell you how it all happens live on stage. But you can see it happen right before your eyes when you see this show. Special recognition goes to the production team for their extraordinary work to make all that magic happen. Scenic design is by Anna Louizos.  The beautiful costumes are from costume designer William Ivey Long with costume coordination by Tom Beall. To add to the effects is lighting design by Charlie Morrison, sound design by Matt Kraus and hair and wig design by Paul Huntley.  The Production Stage Manager is Andrea Cibelli.

Yes, it is a lovely story. But there are also some very beautiful songs and dance numbers in the show. Musical theater history is richer because of Rodgers and Hammerstein’s songs and some from this show that stand out are “In My Own Little Corner,” “A Lovely Night,” and “There’s Music in You.”

Cast

Ashley Blanchet is wonderful as she plays Ella who is a kind but very competent person as she tries to find her place in the world. She sings beautifully and is able to make the character absolutely charming . Billy Harrigan Tighe plays Prince Topher as a young man trying to find his way in the world. He is gracious and very much a gentleman as he finds the love of his life and seeks to make her his. His stage persona has a real openness which is a plus to the character.

Donna English plays Marie who transforms into the Fairy Godmother. Her voice is a standout as she warmly helps Ella prepare her way to the ball. Rose Hemingway as Gabrielle gives hints immediately that she is not a mean character and she charms the stage with her presence. Dee Hoty plays the domineering mother called Madame with that snotty attitude that fits the character so well. Andrew Kober gives a wonderful performance as Jean-Michel. Angel Lin add humor to the show as Charlotte, Christopher Sieber is conniving as Sebastian and Michael Wayne Wordly plays a distinguished Lord Pinkleton.

Rounding out the cast are John Barsoian, Kelly Berman, Antonio Beverly, Erin Burniston, Monica Cioffi, Taeler Cyrus, Richard Gatta, and Ricky Loftus George. Also playing in the cast are Christopher M. Howard, Derek Luscutoff, Kate Marilley, John Peterson, Dave Schoonover, Cynthia Thorne, Leslie Blake Walker, Isabella Ward, CorBen Williams and Minami Yusui.

 Rodgers + Hammerstein’s Cinderella will be performed at Paper Mill Playhouse eight times a week, Wednesday through Sunday. Check their website at www.PaperMill.org for special holiday performance schedules. Tickets start at $32 and may be purchased by calling 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org. Students may order $20 rush tickets over the phone or in person at the Paper Mill Playhouse Box Office on the day of the performance.

Accessibility Performances

Audio-Described Performances: Saturday, December 14, 2019, at 1:30pm and Sunday, December 15, 2019, at 1:30pm. Prior to these performances at noon, the theater will offer free sensory seminars. Sensory seminars offer an opportunity for patrons with vision loss to hear a live, in-depth description of the production elements of the show and hands-on interaction with key sets, props, and costumes. 

Sign-Interpreted and Open-captioned Performance: This will be on Sunday, December 15, 2019, at 7:00pm.

 Autism-Friendly Performance: Wednesday, December 26, at 1:30pm. This performance is designed specifically for children on the autism spectrum or with other developmental disabilities and is planned in cooperation with Paper Mill Playhouse’s Autism Advisory Team. The theater environment will be altered for this performance, providing a sensory-friendly, comfortable and judgment-free space that is welcoming to all families. The performance itself will be adjusted with special attention paid to lighting and sound.  For tickets to this special performance, please call the Paper Mill Playhouse box office at 973-376-4343 or visit www.PaperMill.org/autism.

Coat Drive

Paper Mill Playhouse will once again, be a collection point for this year’s Jersey Cares Coat Drive during the run of Rodgers + Hammerstein’s Cinderella.  For the past 23 years, The Jersey Cares Coat Drive has mobilized the collection and distribution of thousands of “gently used” winter coats to men, women, children, and infants in need. Last year, Jersey Cares collected more than 30,000 coats throughout the state of New Jersey.  Paper Mill Playhouse has been a collection partner for more than a decade and will be collecting gently used winter coats from November 1 through December 29, 2019. Collection of coats will take place in the lobby at Paper Mill Playhouse, 22 Brookside Drive, Millburn, NJ.

 Free Audience Enrichment Activities

Conversation Club: Thursday evenings, December 5, 12, and 19 one hour before curtain for an informal, informative gathering. You’ll learn more about the performance you’re about to see.

Q&A With The Cast: After the matinee on Saturday, December 14 stick around for a lively Q&A with cast members directly following the performance.

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