‘Midwives’ Impressive Staging of the Novel

Midwives by Chris Bohjalian, directed by David Saint at George Street Playhouse (l to r) Ryan George, Monique Robinson and Ellen McLaughlin. Photo Credit: © T Charles Erickson Photography tcepix@comcast.net

Midwives A Review

Playing at George Street Playhouse through February 16, 2020 is the world premiere of the stage adaptation of the novel Midwives. The book by Chris Bohjalian sold more than 2 million copies since its publication. It was an early selection of Oprah’s Book Club and in 2001 was made into an award-nominated film. Now the book really comes to life as a play also written by Mr. Bohjalian. George Street Playhouse does a remarkable job with this production. The stage set design, the story development, and the acting make this a play well worth going to see.

Stage Design

The newly opened Arthur Laurents Theater provides a large stage where the action unfolds. The set is open with no curtain to displace any views of what takes place. That is important because part of this story involves people looking at what really happened to Charlotte Fugett Bedfort the night she lost her life. Attempts to find the truth involve looking back at an event that had no photos and few eyewitnesses. But some of it lies in papers that midwife Sibyl Danforth keeps on all her deliveries. Finding those journals is another essential element that the staging assists.

Midwives at George Street Playhouse with Lighting Design: David Lander Set Design: Shoko Kambara Costume Design: Lisa Zinni Wig Design: Charles Lapointe Photo Credit: T Charles Erickson © T Charles Erickson Photography tcepix@comcast.net

The set design by Shoko Kambara is versatile in that it shows the room where the mother comes for the birth. But the background made heavily of trees shows how far into the Vermont wilderness the home is which is critical to the distance from needed medical facilities. The lighting by David Lander is somber throughout the play. Even when the set converts to become the courtroom, the lighting comes up but still has a shadow of what has taken place.

The versatility of the set design allows flashback scenes to appear very natural. As the present day presents its memories, there is still enough of the past showing to make it believable and poignant.

Story Development

The story has a well organized format for a play. It is told from the viewpoint of Connie Danforth as an adult looking back. Connie is on her OBGYN rotation in her training to become a doctor as she recalls the event in 1985 that forever changed her family. Her mother, Sibyl Danforth, is a practicing midwife in rural Vermont. She has been successful in a long career. Her husband, Rand, and daughter, Connie, prepare for their own day. A snowstorm is due but not much is said.

Sibyl goes to the Bedford home where Charlotte and Asa live. Charlotte is very vocal about wanting her baby to be born at home. Charlotte’s labor is a very difficult and long one. Eventually, both Sibyl and her assistant Anne, recognize that she needs to be transported to the hospital. But the phone lines are down and no roads are clear due to the ice that comes with the snowstorm.

Being an experienced midwife, Sibyl works hard to control the situation as Anne pumps tension. The action reaches a high pitch as Sibyl takes a knife to do an emergency Caesarean to save the baby after she believes that Charlotte is dead. The sounds of the storm raging outside add to the belief that there was no option in what happened. The baby is successfully delivered but the mother is dead. The first act ends.

Due to information Anne provides, an investigation into Charlotte’s death takes place. The contention is that Charlotte was not dead when Sibyl thought she was and that she killed her by doing the Caesarean. Her trial takes place eventually leading to a not guilty verdict. But later, information comes out that leaves doubts in the minds of the Danforths.

There are several critical moments in this play that leave audiences uncertain as well. The fine direction work of Mr. Saint provides a impressive experience for those who see Midwives.

Powerful Acting

The show features a strong cast who turn in powerful performances. The accomplished Ellen McLaughlin gives a remarkable performance as the midwife, Sibyl Danforth. Molly Carden plays the difficult role of her daughter, Connie Danforth as she watches her mother loose all she loved doing in life. John Bolger plays Rand Danforth, Sibyl’s supportive husband.

Monique Robinson does a superb job playing Charlotte Fugett Bedford. Ryan George plays her loving and concerned husband Asa Bedford. Grace Experience plays the apprentice, Anne Austin, who wants to believe Sibyl but has concerns. Michael Cullen plays Judge Howard Dorset and Dr. Terry Tierney. Armand Schultz plays Bill Tanner and Lee Sellars plays Stephen Hastings.

Additional Information about Midwives

Performances of the George Street Playhouse production of Midwives are at the New Brunswick Performing Arts Center, 9 Livingston Ave., New Brunswick, NJ. The show runs approximately 2 hours with one intermission.

This is an excellent play for those who enjoy a drama. This very fine production is a wonderful way to premiere a new play. I suspect this is one we will hear more about in the future.

For tickets, call 732-246-7717 or visit georgestreetplayhouse.org

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‘Emojiland’ A Fun, Fantasy Musical

The cast of Emojiland – Photo Credit – Jeremy Daniel

‘Emojiland’ A Review

People love their emojis. What would writing a text be without them? But how about a musical where these emojis actually come to life? Would it be believable or could it be a fantasy or fairy tale? The answer to these questions is found in a new show aptly titled Emojiland. It is here that they actually come to life as the characters of the story. This alone could make it a show worth seeing. But it’s a lot more than that. For one thing, it is very funny, light-hearted, and it solves a big problem with great results. Can’t get more upbeat than that. Add to that an outrageously talented cast to tell the story and superb technology that helps to create a different world. Additionally there is good music and colorful costuming.The result is a brand new show that can please an audience no matter what their favorite emoji is.

Under the direction of Thomas Caruso, Emojiland has a book, music, and lyrics by Keith Harrison and Laura Schein. Choreography is by Kenny Ingram and musical direction is by Lena Gabrielle. Of note is that this show ran in a simpler style at the 2018 New York Musical Festival where it had 12 nominations and 5 wins. Check out my review of that show here.

Technology Creates the Landscapes

The story takes place in a part of an iPhone where the emojis are said to live. The stage comes alive through the use of advanced theatrical technology. It shifts depending upon the scene needed for the action. Watching the features of the technological displays is a show in itself.

One of the sets of Emojiland demonstrating the use of the technology and superb lighting. Note the center piece which represents a cellphone. Photo Credit – Jeremy Daniel

A video screen and projection mapping are used to show original animated content. Advanced laser lighting technology flashes at critical points in the show. Light dances off the ceiling as it dazzles the main stage. It all works well together. Credit for the technology goes to David Goldstein, Lisa Renkel & POSSIBLE, and Jamie Roderick.

The Story – Human Qualities Abound in ‘Emojiland’

As the show begins, Emojiland introduces those characters who have been a part of the population for a long time. Even though they are digital creations, you might get a sense that you already know them. If you have actively used Smiley, The Skull, or even Pile of Poo, you recognize them immediately. Their parts are well written to reflect what they do online.

After a few opening songs, the emojis share their excitement because they are eagerly awaiting version 5.0 update. Update days are exciting because it brings new emojis to the land. A countdown runs and with a reset, the new version is installed. New characters like Nerd Face and the Prince emerge. They both face challenges trying to fit in with the established crowd. But the Prince especially is a threat to the over the top Princess. Sensing a power struggle, they unite to make sure they are not usurped in the next upgrade by a king. They agree to build a firewall to keep out any new upgrades. There are conflicts with the emojis about building this wall but finally it does go up. But not before the Skull approaches Nerd Face with his plea to help him with his despair. His desire to be deleted leads to a series of incidents that threaten the very existence of the land’s inhabitants and slowly they get deleted.

There is a very satisfying solution, one that allows everyone to come back and start over. And as for the wall, well you can interpret it in many ways. It does allow this show to have some good social statements with a little bit of a lesson learned along with a load of fun.

Musical numbers are crucial to the story and there is a good range of songs. A few examples include “It’s Just So Great to Be Alive,” the opening number, which sets the tone immediately. “The Progress Bar” is sung by the cast as the upgrade is being installed and a countdown goes on behind them. “Pile of Poo” is sung by the character of the same name and it is a hilarious moment in the show. The ballad “A Thousand More Words” is about the sadness of losing someone. And “Start Again” allows hope back into the land.

A Strong Cast Totally Rocks It

The cast does a superb job of making their emojis come to life with human characteristics and fabulous performances. These characters struggle with their lives, enjoy love and friendships, despair, disappointment, and loss.

Laura Schein, one of the main creatives of the show, plays Smiley Face (Smize) and does a wonderful job showing the conflict the character goes through in trying to smile while she hurts inside.

Heather Makalani plays Kissy Face and few other roles too. But her Kissy Face is absolutely adorable even though she betrays her friend Smize.

Dwelvan David plays the Guardsman and few other roles. His Guardsman is fervent in his duties which at times is funny to watch in action.

Jacob Dickey is the Smiling Face with Sunglasses, Sunny, who is the town hottie and flirt who just can’t quite make up his mind about who he really prefers to be his girlfriend.

Natalie Weiss plays Construction Worker who has a personal relationship with Police Officer played by Felicia Boswell. They sing well together and separately too especially Ms. Boswell who sings the sad “A Thousand More Words.”

Max Crumm plays Man in Business Suit Levitating. He moves easily onstage powered by a hoverboard and keeps a very serious look on his face the entire time.

Lesli Margherita is a stand out as the Princess. She originated the role in the NYMF run of the show and she continues to enhance it with her humorous take on this character. Her sliding down the pole is just one example of how she makes the stage come alive.

Leslie Margherita slides in as Princess in Emojiland. Photo Credit – Jeremy Daniel

Josh Lamon plays the Prince. Because he keeps such tight control over the character it becomes hilarious to watch. But his subtle little remarks and attempts to control Princess are equally as funny.

George Abud as Nerd Face and Lucas Steele as Skull play two of the most pivotal roles of the show. Mr. Abud is exciting to watch as he solves the dilemma of saving the emojis. Mr. Steele’s singing voice brings the tone of despair to an intense level. He is amazing in this part.

Ann Harada turns in one of the funniest musical performances as Pile of Poo.

Jordan Fife Hunt and Tanisha Moore play Man and Woman Dancing and other roles. Their dancing is a nice enhancement to this show.

Who Will this Show Appeal To?

Emojiland is appropriate for theater goers of all ages. Younger people will enjoy seeing their emojis come to life. There are a few off color inferences but none that appear to be that serious a concern. If you have a theater goer who likes technology, then this is definitely the show for them. And there is something for audiences who want to sink their teeth into political/social overtones too.

Overall, anyone who enjoys going to a lighthearted show filled with good music, singing, and dancing will enjoy Emojiland.

Additional Information

Emojiland runs at the Duke Theater through March 8, 2020. Tickets are available online at Dukeon42.org; by phone at 646-223-3010; or in person at The Duke on 42nd Street at 229 West 42nd Street. Shows run Tuesdays-Fridays 4-7 and Saturdays 12-6.

The show runs approximately 2 hours and has an intermission.

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This Staging of ‘A Christmas Carol’ Stirs the Imagination

Charles Dickens’ A Christmas Carol . By Neil Bartlett. The Shakespeare Theatre of New
Jersey. Directed by Brian B. Crowe. Pictured (foreground): Ames Adamson as Ebenezer
Scrooge. Photo credit: Joe Guerin.

‘A Christmas Carol’ Review

Charles Dickens’ time honored classic story of A Christmas Carol is a popular show at this time of year. Just check your local listings and you will find it playing in several locations in New Jersey and even on Broadway this season. However, The Shakespeare Theatre of New Jersey can lay a claim on having one of the best and most unique to see. Adapted by Neil Bartlett and directed by Brian B. Crowe, this adaptation last played on the STNJ Main Stage in 2011. At that time, it received good acclaim from audience members and critics alike. If you are looking for a classic holiday show that stirs your imagination, this is the show to see. The staging, the lighting, the sound effects, and the work of a dynamic cast make it a memorable experience to see in this holiday season.

People Love Seeing this Tale

The story of A Christmas Carol is one familiar to many. It centers around Ebeneezer Scrooge played by Ames Adamson. Mr. Adamson gives a performance that shows the selfishness and sadness inside of Scrooge in the early parts of the play. His terror at all that is shown to him about his life is evident. He then transforms into a man who dedicates himself to helping humanity after he endures the visits from all of the spirits.

You will totally dislike Scrooge when he refuses to donate money and forces his employees to work in a very cold temperature rather than adding a small piece of badly needed coal to the heater. Feel the dislike growing as he enters his house so sparsely furnished and watch his with disdain as he eats his meager supper. When the spirit of his former business partner, Jacob Marley, enters his bed chamber in chains, the chill of the moment is easily felt. No sympathy for Scrooge for sure. The make up and costume on Marley are extreme and they show the horror this creature endures.

As the Ghost of Christmas Past arrives, the mood lightens. The early years of Scrooge are happy ones and the celebration put on by the Feeziwigs is enjoyable to watch. But the mood changes quickly as Scrooge chooses his own ambitious desires over the love of his life, Belle.

Pictured (from left to right): Emily Michelle Walton as Martha Cratchit, Garrett Lawson as Peter Cratchit, Clark
Scott Carmichael as Bob
Cratchit, Emma O’Donnell as Mrs. Cratchit, and Billie Wyatt as Belinda Cratchit. Photo credit: Joe Guerin.

The Ghost of Christmas Present brings Scrooge to his employee, Bob Cratchit’s home where he sees first hand what his lack of pay is doing to the family. The final ghost to arrive, Ghost of Christmas yet to come, is intimating. It arrives just as the first act ends and it is huge without much human connection. In fact, there is not even a listing for that character in the program as to who is doing the role adding to the eeriness this figure brings with it.

However, it is at this point that sentiment in favor of Scrooge starts to change. Even before he arrives at the graveyard with the unnamed ghost, he is begging for a second chance. So when we find him back in his sleeping quarters, we also rejoice that it is Christmas Day and Scrooge has survived to live and make good on his promises. The final scenes of the show are joyful indeed as Scrooge rounds up a huge turkey, played charmingly by a cast member, and has it sent to the Cratchit family. His sense of fun of life is evident again the next morning when he arrives at the office and raises everyone’s salary. The words that close the play are memorable and most welcome to hear:

“And it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!” – Charles Dickens A Christmas Carol

The Cast

In addition to Ames Adamson playing Ebenezer Scrooge, the cast is made up almost entirely of popular STNJ company veterans. Many play several parts during the show. The company is made up of Clark Scott Carmichael (Bob Cratchit), Garrett Lawson (Fred), Quentin McCuiston (Ghost of Christmas Past/Tiny Tim), and Emma O’Donnell (Mrs. Cratchit). Additionally, there is Lindsay Smiling (Marley’s Ghost/Ghost of Christmas Present), Raphael Nash Thompson (Mr. Fezziwig), Emily Walton (Fred’s Wife), Alison Weller (Mrs. Fezziwig) and Billie Wyatt (Belle). 

It’s an active show and the stage is alive with different scenes which are highlighted by superb lighting effects. Sounds are also an important part of the show including the cast themselves coming in with “tick, tick” to simulate a clock and even Scrooge making sounds as he checks items and parts of his house. The overall mood of the various parts of the show are well convened by the special effects in the show.

Coming to Madison’s Shakespeare Theatre of New Jersey during the holiday season is a special treat. The wonderful F.M. Kirby Shakespeare Theatre feels cozy and warm as this tale of the season unfolds. Perhaps it is the words of the playwright, Charles Dickens, or maybe it is the acting by the cast or even the special effects that gives this show a special glow. Whatever it is, it will surely stir your imagination as you watch the journey of one man end happily ever after.

Additional Information about ‘A Christmas Carol’

Performances: Run Tuesdays – Sundays through Dec.29, 2019 at the F.M. Kirby Shakespeare Theatre, 36 Madison Avenue (at Lancaster Road), Madison, New Jersey (located on Drew University’s campus).

For tickets and information: Tickets for A Christmas Carol begin at $59 for regular performances. The Theatre continues their 30 UNDER 30 program which provides patrons age 30 and under with tickets for only $30 with a valid ID. Call 973-408-5600 or visit ShakespeareNJ.org.

Audience Enhancements

Symposium Series: For the same price as a regular ticket this group of performances offer a post-show discussion with the cast and a member of the artistic staff. For this production, symposia will be held following the performances on Tuesday, December 10 at 7:30 p.m., Saturday, December 14 at 2:00 p.m and Saturday, December 21 at 2:00 p.m.

Know the Show:  Pre-show talks are offered free-of-cost. Prior to the show, an artist from The Shakespeare Theatre presents a pre-performance talk providing background information and an inside perspective on the production. This program is free with the purchase of a performance ticket and will be held on Thursday, December 12 at 7:00 p.m., with the show beginning at 8:00 p.m.

Captioned Performances: For patrons wishing to view captions of the dialogue and sound effects, the Captioned Performance for Charles Dickens’ A Christmas Carol will be held on Thursday, December 12 at 8:00 p.m. Captions are transmitted to the patrons’ web-enabled smart device via the Internet. Staff will be available prior to the beginning of the show and during the intermission to assist patrons.

Patrons with visual challenges can hear live descriptions of the action by attending the Audio-Described performance of Charles Dickens’ A Christmas Carol on Thursday, December 19 at 8:00 p.m. Pre-performance sensory webinars are available upon request and allow patrons to handle props, costumes, and set pieces prior to the show.

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