“Little Girl Blue: The Nina Simone Musical” A Superb Production

Little Girl Blue: The Nina Simone Musical Written and Performed by Laiona Michelle at George Street Playhouse Photo Credit: T Charles Erickson © T Charles Erickson Photography

The World Premiere of Little Girl Blue: The Nina Simone Musical runs through Feb. 24, 2019 at New Brunswick’s George Street Playhouse. On Opening Night, the sold-out audience showed their appreciation and enthusiasm for the show. And why not? It has everything a show needs to be a big hit: The multi-talented Laiona Michelle playing the title role, an outstanding band performing an eclectic set list, and a true story that needs to be told.

This production is a one woman show about the life of the dynamic and controversial musician, singer, and composer Nina Simone. Directed by Devanand Janki, Laiona Michelle plays the role of Nina Simone. She plays it so well that at times you will think that you are seeing Nina Simone somehow returning to the stage through her. Not only does Ms. Michelle play the role, but she also wrote the book for the show. She has a well trained singing voice that she uses in a variety of ways to show the many different styles and parts of Ms. Simone’s repertoire. Her interpretations of the songs show great depth and understanding of the trials that would have been a part of Ms. Simone’s world. Her ability to build up a song and bring in strong emotions is extremely effective. Perhaps George Street’s Artistic Director David Saint summed it up best when he said this about her in his introduction on Opening Night: “This woman has no bounds on her talent.” Ms. Michelle is a strong singer and an artist who presents her character with absolute clarity and distinction.

Photo Credit: T Charles Erickson © T Charles Erickson Photography

The Story and the Music

To tell a story about an artist like Nina Simone who had so many accomplishments in her artistic life is not an easy task. Wisely, the show is divided into two time periods. The first is 1968, a few days after the assassination of Reverend Martin Luther King, Jr. Simone enters the theater with her band to the sounds of a riot taking place outside, escorted by police. Two police officers go up to the stage as the group prepares for the show and they remain there through the first Act. The show begins with “Feeling Good” and the mood is fairly comfortable through a few songs. But as the show progresses, songs that are related to her life become more prominent especially “My Father” then two songs written by Ms. Simone, “Four Women” and “Be My Husband.” The air becomes more tense as “I Wish I Knew How It Would Feel to be Free” ignites. Although Nina Simone was considered controversial at points in her life, the reasons for why she was angry make sense hearing and seeing this part of the show.

But the highlight of Act One comes as Ms. Michelle performs one of the most important songs written by Ms. Simone, “Mississippi Goddam.” She sings faster and faster and builds a tempo that catches fire as she exits the room. As the door opens to the street, the sounds of rioting ring out to match the dynamics of the song. It is truly an exciting theatrical moment.

Photo Credit: T Charles Erickson © T Charles Erickson Photography

Act Two takes place a decade later. We learn that Ms. Simone left the United States and lived in Europe. She also delves deep into the tragic parts of her life such as when she lost her chance to have a scholarship to Curtis Institute of Music contending that racism was behind the denial of her chance. Songs and dialog show her life with its highs and lows from emotional lows to attaining her nickname “The High Priestess of Soul.” The concerns with the status of civil rights continue to be important to her. Ms. Simone’s music added to the soundtrack of the civil rights movement and her own life shows much about that time period. The final song is a testament to the way she lived her life as “My Way” is proclaimed.

Fabulous Music from an Outstanding Band

Central to the show is the variety of music provided by an outstanding band. Mark Fifer provides musical direction, arrangements, original materials and plays keyboards during the show. Saadi Zain plays bass. Kenneth Salters is on drums and percussion. The band is with Laiona Michelle right on stage through the show and in a sense, they become actors as well. Without a doubt, the musicality and versatility of this band is remarkable to hear and see.

Credit for Sound Design goes to Karin Graybash. And of course, strains of Johann Sebastian Bach are heard throughout the show because of the love Ms. Simone had for his music.

An Inspired Set Design and Mural as a Backdrop

Upon entering the theater, one feels that they are going to a concert. George Street Playhouse extends the staging to the audience area by adding wood panels, lights, and designs from the set. A gorgeous mural was specially designed and painted for this show. The images on the mural reflect musical items important to Simone’s career. Vivid colors and sizes are used to produce a backdrop that gives an artistic feel to the set. Scenic Design credit goes to Shoko Kambara with Lighting Design by Xavier Pierce.

A Show Well Worth Seeing

Little Girl Blue: The Nina Simone Musical provides excellent entertainment for audiences of all ages. It has music to please a variety of tastes in genres with a fine performer, Laiona Michelle, turning in a fabulous performance. The historic value of the show shines through as well. The turbulence of the Civil Rights Movement in the late 1960’s provides the background but it also examines before and after that time period as well. It moves at a good pace and keeps interest high throughout the show.

Additional Information

Running Time: Approximately 2 hours plus one 15 minute intermission

Location: George Street Playhouse, 103 College Farm Road, New Brunswick, NJ

Performances: Now through February 24, 2019

Contact for Info and Tickets: Visit the George Street Playhouse website at www.GeorgeStreetPlayhouse.org or call the Box Office at 732-246-7717.

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‘Maestro’ is a Work of Art

John Noble as Arturo Toscanini in ‘Maestro’ playing now at the Duke on 42nd Street. Photo credit Shirin Tinati

Maestro is a powerful and moving show playing on a limited run at The Duke on W. 42nd Street. Written by Eve Wolf as a part of the Ensemble for the Romantic Century theater company, Maestro examines a portion of the life of famed conductor Arturo Toscanini. This story is presented through monologues from the Toscanini character, the inclusion of professional musicians who play classical music, and photos and videos of moments that develop the story line in a most unique and stirring manner. A good description comes from press notes included in this statement from ERC Director of Theatrical Productions, David T. Sanders: “In Maestro by Eve Wolf, our new production about the legendary conductor Arturo Toscanini, audiences can see, hear and feel thru the power of his real words and beautiful music how this passionately defiant man worked to defeat Fascism.”

Mr. Sanders is the Director for this production of Maestro. He directs John Noble in the title role of Arturo Toscanini.  Mr.Noble is an esteemed voice, television, film, and stage actor best recognized for his work as Dr. Walter Bishop on JJ Abrams’ cult favorite, “Fringe.” His portrayal of the legendary conductor is one of a man of great conviction and dedication to the cause of freedom. In the Prologue, the character breaks the fourth wall as he turns towards the audience and makes them feel that they are a part of the orchestra he is rehearsing. It provides an opportunity to get a sense of Toscanini’s impeccable sense of pitch and devotion to the highest standards of musical performance. Mr. Noble shows Toscanini’s sensitivity to the suffering his country and others endure resulting from the spread of Fascism and the evils of World War II. His intense relationship with music remains his strength throughout terrible times keeping hope alive for a better future.

The Story

Maestro begins in 1938 with a rehearsal at 30 Rockefeller Center with the NBC Symphony Orchestra. Recorded excerpts from rehearsals and live performances of the opera Aida play to help set a mood. From there, flashbacks to experiences and events that led Toscanini to that point begin to play out. His refusal to accept Adolph Hitler’s invitation to play in Berlin is shown. The rise of Mussolini in his own native country, Italy, is shown through visuals projected in a series of videos and still pictures. He discusses his trips to Palestine to conduct an orchestra made up of Jewish refugees.

Toscanini’s love affair with his lover, the young Italian pianist Ada Mainardi also provides points of interest about the events of the time and his personal ideas. However, the lovely moments are blown apart as the continued invasion of the Nazi regime takes over Europe forcing him to flee to the United States. We watch as scenes of death camps are shown just enough so that the audience recognizes the horror unfolding each day. Finally, moments of peace arrive. But always, the conductor’s concern for freedom and love of music are always evident.

Exquisite Classical Music

An integral part of the show is exquisite music played live on stage. The ensemble for the music features Mari Lee and Henry Wang on violins, Matthew Cohen on viola, Ari Evan on cello, Zhenni Li on piano, and Maximilian Morel on trumpet. The music is stirring and beautiful to listen to. Classical selections such as Verdi’s String Quartet in E minor, Wagner’s Liebestodl, and Gershwin’s Rhapsody in Blue are played on stage with visuals depicting events of the time running at the same time behind the musicians. The coordination of the two elements makes for strong emphasis on important moments in the show. The performance of Rhapsody in Blue with Mr. Morel on trumpet is a highlight of the show.

Use of Visuals

A variety of visuals are used throughout Maestro. Projections on stage of historic moments such as scenes of Hitler and the death camps are powerful to show what was happening in the world. Also, visuals are used in more esoteric moments in the show. One scene shows scenes of Paris as Toscanini enjoys life and love. Another scene begins with pictures of beautiful, fresh oranges symbolic of the world before things go bad. As new scenes are shown, the oranges begin to spoil and have bugs all over them showing them as decayed and ruined correlating to the war and what it is doing to the world.

The use of the visuals and music with them continue to develop the story in a most artistic manner. The variety of these mediums show careful planning from the production staff and add much to the show.

Additional Information

Maestro is a beautiful and unique show to see. Theater goers who enjoy classical music will especially like this show as will those who like to see shows with a historic base.

Maestro runs through February 9, 2019 at The Duke, 229 W. 42nd Street. Tickets can be purchased online at Dukeon42.org; by phone at 646-223-3010; or in person at The Duke on 42nd Street at 229 West 42nd Street (Tuesdays-Fridays 4-7 and Saturdays 12-6).

For more information, visit romanticcentury.org.

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Broadway Shows Set End of Year Records

Theater continues to be a major draw for people coming to New York City During the week ending Dec. 30, 2018, new revenue records for Broadway shows were reached. Consider these items compiled and released by the Broadway League:

The 39 shows playing the week ending December 30 grossed a total of $57,807,272. This new record surpasses last year’s final tally of $50.4 million.

Hamilton, The Lion King, and Wicked closed out the year surpassing $3 million. Hamilton gave eight performances that week and the other two shows gave nine.

Photo by Karen Nowosad

Harry Potter and the Cursed Child, at $2,424,850, also set a new weekly record for the highest-grossing play in Broadway history.

January tends to be a bit more quiet than December usually is and that turned out to be true. But with numbers like that at the end of the year, somebody did something right!

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