‘A Midsummer Night’s Dream’ Zooms with New Style

Play presented virtually live online via ZOOM

New York City based theater company The Seeing Place is on to something. They found new ways to use Zoom to present a unique reading of Shakespeare’s A Midsummer Night’s Dream. An outstanding cast gave two live presentations on Aug. 29 and 30 to virtual audiences. Performances continue through Sept. 5th on YouTube.

Using a variety of enhanced camera and visual effects, the production was a feast for the eyes and ears. Additionally, a twist on one of the plots provided a link to the LGBTQIA+ community and a benefit fund raiser for the Ali Forney Center.

Outstanding Cast

The story of A Midsummer Night’s Dream is made up of 4 subplots which employ a variety of characters. In some instances, several actors played more than one part. Normally on stage, a costume change would be needed to understand what character is in the scene. With this being a live reading with actors located in a many different locations, another very effective method was used. That method used call-out caption with the name of the character posted for each person.

Excellent camera work brought good closeups of the actors on screen and it made the dialog easier than usual to understand. I happened to watch the presentation on a fairly large screen and it seemed like the actors were right in the room with me. It brought a new awareness of all that was being said and done.

The cast themselves were well prepared for this performance. Playing the roles were Brandon Walker, Laura Clare Browne, Jon L Peacock, Ellinor DiLorenzo, Weronika Helena Wozniak, William Ketter, Erin Cronican, and Dan Mack. If scripts were in hand, they certainly did not show on screen. Only 25 hours were allotted to prepare for this show. A huge round of applause needs to go out to this cast for doing such a fabulous along with a creative team including Co-Directors/Digital Design by Brandon Walker and Erin Cronica. Original Music Composition is by Randi Driscoll and Stage Management by Shannon K Formas.

A Remarkable Variety of Visual Effects

To add to the strong acting skills of the cast, a variety of visual effects were used. Rich, colorful backgrounds show the settings of the play. This first one was representative of an ancient building where the love between Lysander and Hermia is first shown. A twist to the traditional plot occurs when this couple is represented as lesbian lover. No changes were made to the script so the love between the two women seems as natural as ever.

One of the most special settings in A Midsummer Night’s Dream is the forest where the fairies live. Lovely background scenes featured shades of blue and green with light filtering though. The photo shown below shows the appearance of a fairy. Look closely and you can see the face of one of the actors.

Filters from Snapchat Camera allowed all sorts of decorations to cover the actors’ faces. For example, a donkey’s head might be used as a prop on stage. But here, the filters provided the same effect to to cover the character Bottom’s face.

The variety of visual effects especially the vivid colors added much to the enjoyment of this production.

Final Show

This production of A Midsummer Night’s Dream shows a wide range of things that can be done with plays performed on Zoom. The Seeing Place has demonstrated a willingness to experiment and provide a fresh look to a time honored classic.

There is one last opportunity to see the show. This show will run on YouTube at 7:00 p.m. on Saturday, Sept. 5.

Streaming Tickets are available on The Seeing Place Theater website at https://web.ovationtix.com/trs/cal/34676.

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‘The Weir’ Shows Virtual Effectiveness

Image captured from https://irishrep.org/

A few weeks ago, I watched a virtual performance of The Weir produced by the Irish Repertory Theatre. It still is resonating well in my thoughts because it was such a good experience. Watching this production made me feel like I had attended a new and effective method of presenting quality plays. Perhaps this reviewer said it best:

The Weir is “by far the most impressive socially distanced theater webcast I have seen… Irish Rep is now way out in front of every other company in America when it comes to marrying technical innovation with artistic quality.”

Terry Teachout – The Wall Street Journal

Joe Westerfield wrote this headline in Newsweek: Irish Rep’s ‘The Weir’ Brings Another Dimension to Zoom Play Production.

That dimension transformed an already powerful play into something that might just survive after the drought of no live theater is over. In fact, this remarkable theater company ran this production with a new hashtage #irishreponline.

A Performance on Screen

Irish Rep calls this production of The Weir “A Performance on Screen.” Although play productions on ZOOM are still very much in their developmental state, this show had a level of sophistication play goers can appreciate.

Photo from Irish Repertory Facebook page.

The Weir was shot live with five actors in separate states performing in front of green screens. Director Ciarán O-Reilly directed the actors via ZOOM. By using the green screen, a pub scene backdrop was used for each actor. This gives the appearance that they are in the same room.

Photo from Irish Repertory Facebook page.

However, watch closely and never do you see two or more of the actors together. Each scene is carefully shot with the speaking actor against the pub backdrop and then the scene shifts to the next person to speak. The play was advertised as an evening in the pub where ghost stories are told. So the somewhat ethereal appearance of some characters on screen seems appropriate.

The Story and Cast

The Weir takes place in an Irish pub. Some of the pub’s regulars, Jack (Dan Butler), Jim (John Keating), and Brendan (Tim Ruddy) are together having a drink and discussing their day. Two more characters enter as Finbar (Sean Gormley) brings Valerie (Amanda Quaid), a young woman just moving to the town into the group.

At this point, they begin to tell tales of folklore, fairy stories with a few mentions of ghosts thrown in. As the evening ends, each character has disclosed something about themselves. So there is good storytelling and revelations of things about themselves.

Playwright Conor McPherson wrote The Weir in 1997. It played on Broadway in 1999.

After Thoughts

After seeing Irish Repertory’s production of The Weir, I am filled with hope about the possibilities for theater vis ZOOM and perhaps other online delivery platforms. Theater needs to continue to run in some format even if it cannot be performed in front of a live audience.

I miss going to see live shows. I miss the rituals involved with preparing to go such as getting ready and traveling to the theater. I miss walking into the playhouse and feeling the excitement of the people gathering to watch. I miss that magic moment when the lights dim and the play is ready to start. I miss seeing the action taking place live in front of my eyes. And I miss being able to acknowledge the show and the actors through applause.

Yes, I miss all of that. But until it is safe to go back in, this will give me something to look forward to. Good going Irish Repertory Theatre!

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‘Unveiled’ by Rohina Malik Runs Virtually July 8

Playwright Rohina Malik presents her one woman show Unveiled on Wednesday, July 8, 2020 through New Jersey’s Premiere Stages. Ms. Malik has performed the show at numerous theaters around the United States. Premiere Stages approached Ms. Malik about performing her show via livestream. So, while quarantining and in collaboration with her sister, Ms. Malik filmed a version of the play for this online program. She hopes to continue sharing her powerful stories with theatre patrons in times of social distancing.   

Rohina Malik is a critically acclaimed, award winning Chicago playwright, actress and solo performance artist. She was born and raised in London, England, of South Asian heritage.  She is no stranger to Premier Stages because her play Yasmina’s Necklace was produced and presented on their stage last fall. Her two plays The Mecca Tales and Yasmina’s Necklace were both nominated for a Joseph Jefferson Award for Best New Play. Ms. Malik is a Resident Playwright Emeritus at Chicago Dramatists and an Artistic Associate at Voyage Theater Company in NYC. Ms. Malik was selected to receive the 2018 Lee Reynolds Award, given annually to a woman active in any aspect of theater whose work has helped to illuminate the possibilities for social, cultural, or political change.

About Unveiled

Unveiled is a one woman show where Robina Malik plays five Muslin women as they navigate their way through complex social issues. At the conclusion of the presentation, Ms. Malik will participate in a live ZOOM webinar where she will answer audience questions.

This event is presented live through ZOOM. A ticket for this entire presentation runs $10 and is available through the Premiere Stages Website at http://www.premierestagesatkean.com/.

Participants will receive an email one hour before the presentation with a link to the ZOOM meeting. You will be able to enter the ZOOM room 15 minutes before the performance starts.

Presentations run at 3:00 p.m. EST and 7:00 p.m EST. on Wednesday, July 8.

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