‘Butler’ Gives New Look at a Civil War Incident

L-R: Benjamin Sterling (as Lieutenant Kelly) and Ames Adamson (as Benjamin Butler) in Richard Strand’s BUTLER, directed by Joseph Discher, at 59E59 Theaters. Photo by Carol Rosegg

L-R: Benjamin Sterling (as Lieutenant Kelly) and Ames Adamson (as Benjamin Butler) in Richard Strand’s BUTLER, directed by Joseph Discher, at 59E59 Theaters. Photo by Carol Rosegg


A play set during the early days of the Civil War opened last week at New York City’s 59E59 Theaters. Butler, by playwright Richard Strand, celebrated its Off-Broadway Opening Night to a full house of enthusiastic theatergoers. The show is produced by the New Jersey Repertory Company out of Long Branch, NJ where Butler had its world premiere in 2014. The play was the recipient of an Edgerton Foundation New Play Award.

Joseph Discher, who directs this production also directed the world premiere of Butler at New Jersey Repertory company. His direction allows the outstanding dialog written by playwright Strand to come through in a forthright manner. And although the subject matter is very serious, there is a lot of humor that was written in allowing the audience to ingest the concepts more easily.

L-R: Ames Adamson (as Benjamin Butler) and John G. Williams (as Shepard Mallory) in Richard Strand’s BUTLER, directed by Joseph Discher, at 59E59 Theaters. Photo by Carol Rosegg

L-R: Ames Adamson (as Benjamin Butler) and John G. Williams (as Shepard Mallory) in Richard Strand’s BUTLER, directed by Joseph Discher, at 59E59 Theaters. Photo by Carol Rosegg

The plot involves Major General Benjamin Butler who was a lawyer up until a few weeks before he assumed his post at Fort Monroe in Virginia. The Fort is a Union stronghold. The demeanor and thinking of Major General Butler contrasts with that of Lieutenant Kelly who as a graduate of West Point is well established in the Army. A runaway slave named Shepard Mallory enters the Fort with two other runaways seeking sanctuary from their slave owners. Mallory impresses both Butler and eventually Kelly and each want to try to keep him from harm. However, the Fugitive Slave Act is still very much in use which forces the two officers to make good on a request to return the slaves to their owners. When Major Cary comes to claim them, lots of things start to happen. The ending is nicely done with a few pieces still up in the air, but with a precedence for how they might be resolved.

Ames Adamson plays a multi-facted man in his portrayal of Benjamin Butler. Benjamin Sterling provides a staunch view of a career soldier as Lieutenant Kelly. John G. Williams portrays Shepard Mallory allowing both sadness and hope to emerge for his character. David Sitler plays Major Carey with a firm footing in the manners of a southern man who has become a soldier.

A good story line, fine dialog, and good acting all add to this show. But what underlies the entire production are questions about other people that both the Major General and Lieutenant deal with. The fact that neither one has ever had a conversation with a slave or an African American enters the discussion. How they come to view Shepard is a testament to the ability to have open communication between people. Maybe that point is something which is still in the air today as we strive to bridge the problems between races even today.

Butler will continue to run at the east side theater through Sunday, August 28, 2016. Additional shows have been added on Sunday evenings. Check the 59E56th Street Theater website, http://www.59e59.org for more information.

About the Show:

Running Time: 2 hours (approx.) with one intermission
Location: 59 E. 59th Street Theatre, 59 E. 59th Street, New York City, NY
Performances: Tuesday – Thursday at 7 PM; Friday at 8 PM; Saturday at 2 PM & 8 PM; Sunday at 3 PM, with added 7 PM on Sunday, August 14 and Sunday, August 21.
Contact for Info and Tickets: The website for this theater – http://www.59e59.org/
Suggested Audience: The subject matter might be difficult for young children to understand but teens could handle this especially those who have had some studies about the Civil War.

Posted in Off-Broadway | Tagged , , , | Leave a comment

NYMF 2016 – A Sunday Visit to Two Shows

NYMF Facebook photo

NYMF Facebook photo


The New York Musical Festival 2016 is in full swing. I was able to make my first visit this past Sunday, July 24 when I saw two shows.

Photo credit K Nowosad

Photo credit K Nowosad

The first show was at the June Havoc Theatre on W. 36th Street. This was my first time in this venue. It’s a black box style theater. On a very hot summer day, the air conditioning was running well and there were plenty of amenities such as easy access, bathrooms, etc. I saw A Scythe in Time which is based on two stories from a master of short stories, Edgar Allen Poe. The two stories, “How to Write a Blackwood Article” and “A Predicament” are combined to make this show. A Scythe in Time has a book by Alan Harris. Music and lyrics are by Mark Alan Swanson. Let your imagination carry you through this show because when you do, it is fun to see despite the dark basic theme that runs through the show. The songs are well written and the singing from the cast alone is worth going to see.

Photo by K Nowosad of cast board for "A Scythe of Time" at NYMF 2016

Photo by K Nowosad of cast board for “A Scythe of Time” at NYMF 2016

I was very impressed with P.J. Griffith who plays Blackwood and Lesli Margherita in the role of Zenobia. Also sending big applause to the entire cast for their performances in this very unique show.

After a break, I headed to the Duke Theatre on 42nd Street which had the AC going full blast (bless you!). The Duke has very comfortable seating even for us long legged theater goers. At 5:00, I saw The Last Word which has a book, music, and lyrics by Brett Sullivan and additional lyrics by Ryan Cunningham. The story takes place in the 1970’s about a group of friends who need to get to a national Scrabble championship to win the prize in order to save a family restaurant. The storyline shows what they go through to get to the competition and what eventually happens at the competition and afterwards.

 Photo by K Nowosad of cast board for "The Last Word" at NYMF 2016

Photo by K Nowosad of cast board for “The Last Word” at NYMF 2016

Music for the show leans towards rock with group numbers and individual songs. The choreography was fairly basic but well rehearsed and it added to the fun of the performance. The acting was very good and I was pleased to see Felicia Finley playing Earlene with a western twang to the character. The lead, Nathan Lucrezio (Jay) played a very fine part along with his friend, Neil, played by Travis Kent. The story has some clever ideas in it and the music keeps it moving along very well.

Posted in New York Theater, Special Events | Tagged , , , , , , | Leave a comment

Premier Stages ‘Water by the Spoonful’ Will Tear at Your Heart

Playing through July 31, 2016 at Premiere Stages in Union, NJ

The Premiere Stages launched their 2016 – 2017 with the New Jersey premier of the Pulitizer Prize winning drama Water by the Spoonful. At last Friday’s Opening Night, Producing Artistic Director John J. Wooten welcomed the audience with some very thoughtful reflections on the role of theater in society. He said that there is power in theater being able to address social issues and changes in society. After attending the performance that evening, it can be said that the play bears witness to his words.

Written by Quiara Alegría Hudes, Water by the Spoonful was the winner of the 2012 Pulitzer Prize for Drama. The story revolves around a family who has been pulled apart by drug addiction. Odesssa Ortiz struggles daily to keep her addiction to crack under control by facilitating an online support group. Clever staging allows actors to provide the lines they have typed into the threads of the support group site where they go by their screen names: Orangutan, Chutes & Ladders, and Fountainhead. Their online interactions create a virtual family which eventually leads to several meetings between the members.

Odessa’s son, Elliot Ortiz, is an Iraq war veteran who has returned to his hometown of Philadelphia. His combat experiences have led him to have nightmares and signs of PTSD. His distain for his mother comes out when his aunt with whom he lives dies and he visits his mother to get money from her for flowers for the funeral. His aunt (who we never see in the play) was a legend in the Puerto Rican community where the family grew up and lives for all the good things she did. His mother, whose addiction tore the family apart, is a stark contrast to the good lady who died. Another character is Yasmin Ortiz who is Elliot’s cousin. She has worked hard, studied in school, graduated and now works as a professor at a local college. Her love and care for Elliot help him to eventually face the ghosts that are haunting him.

The intimate size of the Zella Fry Theatre provides an opportunity for audiences to experience this play in a very powerful way. There is more to the plot that has to be seen acted out and there are scenes in this show that will rip your heart out. Great care has been given to detail and emotion that is captured by the actors. One of those scenes occurs towards the end of the show when Odessa is struggling to regain herself after a slip back into drugs.

Zuleyma Guevara as Odessa and Zack Calhoon as Fountainhead in the Premiere Stages production of Water by the Spoonful by Quiara Alegría Hudes. Photo by Steve Hockstein/Harvard Studio.

Zuleyma Guevara as Odessa and Zack Calhoon as Fountainhead in the Premiere Stages production of Water by the Spoonful by Quiara Alegría Hudes. Photo by Steve Hockstein/Harvard Studio.

As shown in the photo, she is being cared for by Fountainhead. Although another scene is being played out on the other side of the stage, audience members just have to glance over at this bathing scene taking place to see the complete emersion into the moment that is taking place. It is a moment that will tear at your heartstrings and long be remembered.

This production is directed by Kel Haney. The professional company of actors provide characters who are very real and who touch the souls of those experiencing this play. The company includes Zack Calhoon (Fountainhead), Sean Carvajal (Elliot Ortiz), Zuleyma Guevara (Odessa Ortiz), Kana Hatakeyama (Oranguttan), Ethan Hova (Professor Aman/Ghost/Policeman), Jamil A. C. Mangan (Chutes & Ladders), and Emma Ramos (Yasmin Ortiz).

About the Show:

Running Time: Approx. 2 hours with one intermission
Location: The Zella Fry Theatre on the Kean University main campus in Union, NJ
Performances: Thursdays and Fridays at 8:00 pm, Saturdays at 3:00 and 8:00 pm, and Sundays at 3:00 pm. Through July 31, 2016.
Contact for Info and Tickets: Tickets are $30 standard, $20 for senior citizens and Kean alumni, and $15 for students and patrons with disabilities. Significant discounts for groups of 8 or more apply. To make reservations or to order a season brochure, please call the Kean Stage Box Office at 908-737-SHOW (7469) or visit Premiere Stages online at www.kean.edu/premierestages.
Suggested Audience: Mature teens – adult. This show will be of special interest to those who follow the concerns of the military’s needs particularly with PTSD. Also, theater goers who are interested in addiction recovery and education.
Additional Information: Audience members are invited to further engage with the issues raised by Ms. Hudes’ thought-provoking play through Premiere Stages’ 2016 Talk-Back Series, which offers free post-show discussions with community leaders and local experts after select matinee performances. The theatre’s first talk-back, focusing on Recovery & Education (Sunday, July 17 at 3:00 pm), will feature Sabrina Sabater, Recovery Counselor, and Morgan Thompson, Recovery Mentor/Outreach Coordinator, for the Raymond J. Lesniak ESH Recovery High School in residence at Kean University, as well as Christopher Freeman, Community Recovery Supervisor for The College of New Jersey. Additional topics and dates include Water by the Spoonful in Rehearsal & Performance with Ms. Haney (Sunday, July 24 at 3:00 pm), and Technology & Community Building (Saturday, July 30 at 3:00 p.m.) with Dr. Mary Chayko, Director of Undergraduate Interdisciplinary Studies at Rutgers University’s School of Communication and Information.

Premiere will also offer a series of informal pre-show talks every Saturday evening 45 minutes prior to performance in the lobby of the theatre.

Please call 908-737-4092 for a list of sign-interpreted, audio-described or open-captioned performances. For more information, visit Premiere Stages online at www.kean.edu/premierestages.

Posted in New Jersey Theater | Tagged , | Leave a comment