Shakespeare’s ‘Richard III’ is an Intense Look at a Struggle for Power

Richard III by William Shakespeare. The Shakespeare Theatre of New Jersey 2016. Directed by Paul Mullins. Pictured left to right: Ames Adamson, Derek Wilson, John Keabler, James Suggitt, Amaia Arana and John Hickok. Photo credit: Jerry Dalia.

Richard III by William Shakespeare. The Shakespeare Theatre of New Jersey 2016. Directed by Paul Mullins. Pictured left to right: Ames Adamson, Derek Wilson, John Keabler, James Suggitt, Amaia Arana and John Hickok. Photo credit: Jerry Dalia.

Shakespeare’s characters have a range of good and bad attached to them. But it’s hard to imagine a more villainous character than Richard, Duke of Gloucester, in the play Richard III. William Shakepeare’s play, Richard III is the portrayal of a man who will do anything necessary to get the throne. This includes imprisonment and murder of any person who would stand in his way. It is currently running in Madison, NJ at the Shakespeare Theatre of New Jersey. It is riveting and it provides a character study of how sinister a human being can be when seeking power.

Pictured: Derek Wilson as Richard III. Photo credit: Jerry Dalia.

Pictured: Derek Wilson as Richard III. Photo credit: Jerry Dalia.

The play is directed by Paul Mullins who played the lead role of Richard when it was last done at Shakespeare Theatre of NJ ten years ago.  The direction that Mr. Mullins brings allow actor Derek Wilson to brilliantly play the role of Richard. From the moment Mr. Wilson opens the play with the words “Now is the winter of our discontent” until the closing scene, his voice and actions dictate the course of all that goes on. He twists his legs into an uncomfortable looking position to represent the crippled state of the character and never once is he seen out of that configuration. His facial expressions which move from being cunning to borderline madness and his dialog delivery all add to the intensity of the person he represents.

The story of the play tells of how Richard III came to become King. He had to eliminate a lot of people to get to that seat of power. The sword fights, the battles, and the special effects used to depict the killings are certain to amaze audiences. Fight Director Rick Sordelet did an outstanding job of choreographing all of these (and there are many) so that they appear to be authentic. The final scene where the ghosts of Richard’s victims all come to him in haunting manner is also a highlight of the show. There are many twists and turns to the plot which are accurately described in Know-the-Show Audience Guide which is a PDF document put together by the Shakespeare Theatre of New Jersey as well as other interesting information about Richard III.

Along with Derek Wilson, the incredible acting of the entire company makes this a play that is sure to keep audiences interested in all that goes on.  Although the males of the cast have a good deal of stage time, be sure to watch for Carol Halstead as Queen Margaret whose portrayal is complex and haunting, Gretchen Hall who adds amazing intensity to the scenes where her Queen Elizabeth is involved, and Amaia Arana as Lady Anne.

Audience recommendations: For true Shakespeare fans, this show is a must see. It is one of the most memorable of this current season that has had some very wonderful productions. Anyone who likes a lot of action during a play will also find this a good show to go to see. If you are interested in history and like to make connections to the personal side of the character, then you will enjoy seeing the more power hungry side of human nature that the show features. If you have a problem watching strong actions that result in death on stage, this might not be for you. However, if you do sit through, you will be relieved to see the ghost scene at the end where vengeance on Richard comes to pass.

Run Time of the Show: 2 hours, 30 minutes plus one 15 minute intermission

Performances: Richard III will run on Tuesdays, Wednesdays, and Sundays at 7:30, Thursdays, Fridays and Saturdays at 8:00 p.m.  Matinees play on Saturdays and Sundays at 2:00 p.m.

Special Performances: For the same price as a regular ticket, the Symposium Series performances offer a post-show discussion with the cast and artistic staff. For Richard III, the symposia will be held on Tuesday, October 11 at 7:30 p.m., Saturday, October 15 at 2:00 p.m., and Saturday, October 22 at 2:00 p.m.

The Know the Show pre-show talks are offered again in 2016 free-of-cost. Prior to the show, an artist from The Shakespeare Theatre presents a pre-performance talk providing background information and an inside perspective on the production. This program is free with the purchase of a performance ticket, and for Richard III will be held Thursday, October 13 at 7:00 p.m., with the show commencing at 8:00 p.m.

Tickets: Prices range from $25 – $75. This season, The Shakespeare Theatre of New Jersey is initiating their 30 UNDER 30 Program, which offers $30 tickets for patrons aged 30 and under, with valid ID, tickets subject to availability.

The Shakespeare Theatre of New Jersey offers various cost-saving opportunities, including $15 student rush tickets, which are available 30 minutes prior to each performance, with a valid student ID, and a Pay What You Can Night on October 5th. Student matinees are offered at the very affordable price rate of $17 a ticket and are offered throughout the run. Schools are encouraged to book soon as availability is going fast. To book, please call (973) 845 – 6742.

For tickets, call the Box Office at 973-408-5600 or visit the website at www.shakespearenj.org.

Location: F.M. Kirby Shakespeare Theatre 36 Madison Ave. (at Lancaster Rd.) Madison, NJ (on the campus of Drew University)

Posted in New Jersey Theater | Tagged | Leave a comment

The Producers at Paper Mill Playhouse is Big, Bold, and Entertaining

Photo by Billy Bustamante; The company of 'The Producers'

Photo by Billy Bustamante; The company of ‘The Producers’

When speaking with a friend about going to see The Producers last weekend, he mentioned that back in 2001 when the show opened, it was like the Hamilton of its day. Tickets were impossible to get and they sold at a very high amount of money.  It won a record 12 Tony Awards which was one more than Hamilton won this year!

The Broadway production completed its run in 2007.   However, there are many people who did not get to see it during the time it was on Broadway. If you are one of those people, go over to the Paper Mill Playhouse between now and October 23rd and you will get to see a production of the show that is as close to a Broadway version as any will be.

The show is big and bold and it delivers a lot of entertainment for theater goers to enjoy.

The Paper Mill’s production is directed by Don Stephenson (who played Leo Bloom on Broadway) and choreographed by Bill Burns. The Producers features music and lyrics by Mel Brooks, a book by Mel Brooks and Thomas Meehan, and the original Broadway direction and choreography by Susan Stroman.

Photo by Jerry Dalia; From left to right: Michael Kostroff (Max) and Madeleine Doherty (Hold-me Touch-me).

Photo by Jerry Dalia; From left to right: Michael Kostroff (Max) and Madeleine Doherty (Hold-me Touch-me).

The story is about a Broadway producer, Max Bialystock, whose luck has run out. His years of producing flops have taken every penny he has. He has a group of old ladies he goes to for investment money and a cabinet filled with photos of shows they can invest in. When his accountant, Leo Bloom, comes to audit his books after his latest flop, he casually mentions that someone could make more money on a show if it was failure than if it was a successful show. Max likes Leo’s idea and entices him to help him produce the biggest flop of all with the promise of making several million dollars with its failure. It doesn’t take much convincing since Bloom has always had a secret desire to be a producer. They set out to find the worst play ever written. When they find a play written by Franz Liebkind to set the record straight about Hitler, it seems like the perfect vehicle to use to go down in flames. They also set out to find the worst director on Broadway who turns out to be Roger DeBris who is assisted by Carmen Ghia. The only bright spot is the discovery of a Swedish bombshell, Ulla, who is part secretary, part actress, part love interest for Leo.  As only a Broadway show can do, “Springtime for Hitler” turns out to be an enormous success and the scheme the two producers dreamed up comes undone. The rest of the show needs to be seen as it is filled with a lot of over the top things that might not be too realistic, but what the heck, this is a Broadway show! And yes, it’s a happy ending as the two producers walk off together.

Photo by Billy Bustamante; The company of The Producers.

Photo by Billy Bustamante; The company of The Producers.

The musical numbers play out very well on the Paper Mill Playhouse’s large stage. Under the Musical Direction of James Moore, the orchestra is in full gear to provide well styled music that tells a story. Songs like “I Want to be a Producer” (Leo, Accountants, and ShowGirls), “Keep it Gay” (Roger, Carmen Ghia, Max, Leo, and Production Team) and “Along Came Bialy” (Old Ladies and Max) all had the audience laughing as they were performed.

Leading the company are Michael Kostroff as Max Bialystock and David Josefsberg as Leo Bloom. Both of these men played their parts very well and seemed to become those people.  The lovely Ashley Spencer sings and dances in a superb way as Ulla. Kevin Pariseau as Roger De Bris and Mark Price as Carmen Ghia team up to portray a gay life style with loads of flair, and John Treacy Egan as Franz Liebkind is one remarkable non-reformed Nazi.

Rounding out the amazing ensemble are: Jacob ben Widmar, Michael Biren, Courtney Brady, Tim Capodice, Jesse Carrey-Beaver, Scott Cote, Madeleine Doherty, Hannah Flam, Brad Frenette, John Jeffords, Jeffrey Johnson II, Naomi Kakuk, Jenny Laroche, Liz McKendry, Kelly Peterson, Emily Jeanne Phillips, Jessica Sheridan and Kate Wesler.

The show’s Design Team includes: Robin Wagner (Original Scenic Design), David Peterson (Scenic Coordination), William Ivey Long (Original Costume Design), Martha Bromelmeier (Costume Coordination), John Lasiter (Lighting Design), Randy Hansen (Sound Design), Paul Huntley, (Hair & Wig Design), and Angelina Avallone (Makeup Design)

The Producers has humor that pokes fun at a number of groups (old ladies, gays, etc.). One wonders how this show would have done if it were to open in the current social climate where politically correct is sought out and developed very carefully. But the humor is pretty evenly used and it seems pretty harmless. Go see it and have a blast!

Running Time: 2 hours + intermission

Location: Paper Mill Playhouse, 22 Brookside Drive, Millburn, NJ

Performances: The show runs eight times a week, Wednesday through Sunday. Performance schedule: Wednesday at 7:30pm, Thursday at 1:30pm and 7:30pm, Friday at 8:00pm, Saturday at 1:30pm and 8:00pm and Sunday at 1:30pm and 7:00pm.

Audio-described performances will be on Saturday, October 22, 2016, and Sunday, October 23, 2016, at 1:30 pm. Prior to these performances at noon, the theater will offer free sensory seminars.

There will be a sign-interpreted and open-captioned performance on Sunday, October 23, 2016, at 7:00 pm.

Free Audience Enrichment Activities:

Thursdays – September 29, October 6, 13, & 20 all at 6:30 pm – Mezzanine – Conversation Club.  Learn more about the show you are about to see, led by members of Paper Mill’s Artistic and Education Departments.

Saturday, October 22 Following Matinee – Orchestra – Q&A with the Cast – Meet the cast and ask actors questions about the show or the role they are portraying.

Contact for Info and Tickets: Tickets may be purchased by calling 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org. Groups of 10 or more can receive up to a 40% discount on tickets and should call 973.315.1680. Students may order $20 rush tickets over the phone or in person at the Paper Mill Playhouse Box Office on the day of the performance.

Posted in New Jersey Theater | Tagged , , , | Leave a comment

‘The Producers’ Now Playing at Paper Mill Playhouse

A limited engagement of the Broadway hit show The Producers began running this week at Millburn’s Paper Mill Playhouse.  The show will continue through October 23, 2016.

This show is directed by Don Stephenson and choreographed by Bill Burns. The Producers features music and lyrics by Mel Brooks, a book by Mel Brooks and Thomas Meehan, and the original Broadway direction and choreography by Susan Stroman.

Leading the company are Michael Kostroff as Max Bialystock, David Josefsberg as Leo Bloom, Ashley Spencer as Ulla, Kevin Pariseau as Roger De Bris, Mark Price as Carmen Ghia and John Treacy Egan as Franz Liebkind.

Here is a preview of what is in store for audiences who come to the Paper Mill Playhouse this month:

Posted in New Jersey Theater | Tagged , , , , , | Leave a comment