Review: Mint Theater’s ‘The ‘Lucky One’ Looks at Sibling Rivalry and Favoritism

The name A.A. Milne usually brings thoughts about the teddy bear, Winnie-the-Pooh. Milne wrote a series of stories about the lovable bear as well as poems that have become part of his legacy. However, look deeper into his biography see his success early on as a playwright.  A play he wrote called The Lucky One was originally produced in 1922. It became Milne’s sixth Broadway production in less than two years. The first New York revival of this play is on the Mint Theater Company stage now through June 25, 2017. It focuses on sibling rivalry as it shows parents who favor one child over the other. The reason they do it is not really clear and it does not matter because the damage is done.

Deanna Lorette (l) Wynn Harmon (r) as the parents of the brothers Photograph:© 2017 Richard Termine
PHOTO CREDIT – Richard Termine

The Lucky One is the story of two brothers, Gerald and Bob. Brought up by the same parents, in the same home, each one achieves different levels of success and happiness in life.  Each of them is thought of differently by their family. Clearly much of the family’s attitude influenced the lives they now lead.

Initially, the lucky one appears to be Gerald. He is highly revered by all who know him, especially his parents. His ability to talk pleasingly with people has moved him nicely through life. He now has an important job and a fiancé, Pamela, who is well liked by the family. Even though she is engaged to Gerald, Pamela was originally friends with Bob and the two appear to be quite close. Despite this friendship, the engagement with Gerald is on and his future looks very rosy.

Bob is the lesser regarded of the two brothers. The parents and others say, “poor Bob” quite often. Poor Bob gets into trouble on his job and goes to brother Gerald for help. Gerald dismisses it saying it will eventually work out. Bob ends up serving jail time. However, when Bob reappears at the family home after a supposed early release with Pamela, they have a surprise for Gerald. After a strong verbal exchange between the brothers, one now wonders really, who is the “lucky one?”

Well-designed sets and costumes add to the high value of this production. Directed by Jesse Marchese, this play uses precise and well developed dialog that allows the action to unfold easily.  However, the real power of this show is the acting by an amazing company.

Robert David Grant plays Gerald. He portrays the character as a successful, supposedly well-adjusted man. He keeps a plastered smile on his face at all times never allowing anyone to see what is really inside of him. Ari Brand plays the other brother, Bob. As much as Gerald grins, Bob frowns. He painfully aware of his lower status in the family until a surprising friendship brings him the confidence to break out. Both Grant and Brand turn in superb acting with their roles especially in a final scene between them when each finally tells the other what they have always held back saying.

Paton Ashbrook gives a unique slant to the character Pamela as she finds herself involved in different ways with each of the two brothers. Wynn Harmon and Deanna Lorette play the parents, Sir and Lady Farringdon. Their work as a couple truly demonstrates the distance they have with Bob and their over inflated view of Gerald. Other members of the cast include Andrew Fallaize, Michael Frederic, Cynthia Harris, Peggy J. Scott and Mia Hutchinson-Shaw.

About the Show:

Running Time: One Hour 50 minutes with one intermission
Location: Beckett Theatre at Theatre Row, 412 West 42nd Street, New York City
Performances: Tuesday through Saturday evenings at 7:30 p.m. with matinees Saturday & Sunday at 2 p.m. Special Wednesday Matinees on May 17th and May 31st at 2 pm. Shows run though June 25, 2107.
Contact for Info and Tickets: Purchase tickets online at Telecharge.com, by phone at 212-239-6200 or in person at the Theatre Row Box Office. For more information, visit the Mint Theatre website.
Suggested Audience: Appropriate for all ages.

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‘The Most Beautiful Room in New York’ Savors Food, Family, and Life Changes

Restaurants are big business in New York City.  A Business Insider article from 2011 estimated 80% of them close down in the first five years after they open. When one reaches 20 years in business, it seems like they are doing something right. So, why would one that is successful close? This subject provides the basis for a new musical, The Most Beautiful Room in New York, now running at New Haven’s Long Wharf Theatre.

Music for The Most Beautiful Room in New York is by the award-winning composer David Shire with lyrics and a book by The New Yorker magazine writer and book author Adam Gopnik. Long Wharf’s Artistic Director Gordon Edelson directs an outstanding cast. This is a new show having a premiere run. It is a bit long, however, the time does not drag. There is a lot of action that is quick moving. The music is beautiful and the actors have a sense of timing that belies the fact that this show is just starting out.

The first setting is the Union Square area of New York City at Table, a restaurant once called the ‘most beautiful room in New York’ in a review. Located right across the street from a green farmer’s market, Table is in business 20 years. Chef David cooks and his wife, Claire, works the front of the house. The couple has two children, Kate and Bix, both of whom help out in the restaurant after school.

We learn about the warm atmosphere that Table provides to its customers right at the start of the show. This family owned business shares its warmth with their customers and that is what makes it special. Such a restaurant would be a joy to go to except for the occasional spats between David and Claire when she tries to update the menu. All in all, things go along pretty well until the new lease arrives with a hefty monthly increase. The increase is more than Table can bring in.

Looking for a solution, David approaches his former business partner, Sergio. Sergio is a hot shot icon of the food world. He no longer cooks preferring to spend his time doing television shows, promoting his books and products, and generally just making a lot of money; a whole lot of money. David tells him of his need for revenue and offers him a chance to buy back his share of the restaurant. Without hesitation, Sergio accepts.

Now to tell why he accepts so readily would ruin the show for anyone coming to see it. But here’s a hint: it has something to do with Claire. And as he and Claire get reacquainted, Sergio manages to throw her life into turmoil as she realizes she is not happy with her life in the restaurant resulting in conflict for many of the characters and situations.

A subplot is set at the Anarchist Pizzeria in Bensonhurst, Brooklyn. Owner Carlo is set in his ways but his daughter Anna is looking to include new technology in her life. She meets Bix and they fall in love and discover they both share an interest in having their own modern version of a restaurant. The children set a new path for their parents and the restaurants involved. But in the end, the love of family comes back through as the ensemble gathers to share a meal.

Throughout the show is music that is beautiful to listen to. There is a nice range of variety including a few songs that have a jazz sound as well as more traditional melodies. Some of the highlights of the musical numbers include:

  •  “Something’s Growing” – This opening song is subtle in tone as it projects the feeling of early morning. It is an ensemble song that gives insight to what the show is about and changes and growth people go through.
  • “Market Forces” – Phoebe does a wonderful job singing this song to describe aspects of the food business.
  • “Expresso!” –  Carlo sings this song as a solo. The title signifies the purpose of the song where he can express his thoughts on life and how different is it today from his past. It is humorous and gives nice insight into the character.
  • “Doo Wop Motel” –  New Jersey’s seashore town Wildwood is described as Sergio expresses his unrequited love for Claire. This ballad is beautifully sung by Sergio and Claire and the city of Wildwood should consider adopting it this summer!
  • “What’s Not to Love” – This song closes Act I as Sergio and his sidekicks Natasha and Irwin glorify the changes he will bring to Table. It works well as a song that is both funny and a sign of things to come.
  • “And Then I’ll Go” – This is a bittersweet and heart tugging ballad sung by Claire and Sergio. A surprising side of both characters emerges.
  • “I See Claire/I Hear David – This ballad is cleverly staged as the couple sing of their love for each other. Pure emotion pours through from both of them.
  • “Our Table” – Closes the show with a celebration of life and family.

Good casting and fine performances are an important part of The Most Beautiful Room in New York. The leads include Matt Bogart (David), Anastaastia Barzee (Claire), and Constantine Maroulis (Sergio). Also cast are Sawyer Niehaus (Kate), Tyler Jones (Bix), Krystina Alabado (Anna) and Mark Nelson (Carlo). From the green market are Darlesia Cearcy (Phoebe), Danielle Ferland (Gloria), and Ryan Duncan (Gio). Playing dual roles are Anna Horak (Natasha/Franca) and Allan Washington (Irwin/Gabe) who also is the Dance Captain.

Musical Staging is by John Carrafa with Orchestration by Jonathan Tunick.  Serving as Music Director is John McDaniel.

It will be interesting to see where this show goes from here. But for now, The Most Beautiful Room in New York is good, light hearten entertainment. It is a family oriented show (teenagers and up). That along with good music, an enjoyable story line, and a talented cast makes it a good show to see.

About the Show:

Running Time: Approximately 2 hours, 20 minutes plus an intermission

Location: Long Wharf Theatre, 222 Sargent Drive New Haven, CT

Performances: Now through May 28, 2017, Tuesdays – Sundays

Contact for Info and Tickets: Call the Long Wharf Theatre Box Office: (203) 787-4282 or online https://www.longwharf.org

P.S.

As I did last year, I’ll be out on the road to see a few shows. This was the first and for me, well worth the drive up to New Haven.

Next stop is the Bucks County Playhouse to see Clue. Stay tuned!

 

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‘Curvy Widow’ Brings Bright and Funny Moments to the Stage

Nancy Opel talent shines through as she portrays Bobbi Goldman. (Photo by T. Charles Erickson)

New musicals can be hard to launch. But there is a certain sound and sense of story that the good ones have. Curvy Widow is one of those good ones. It is only playing at the George Street Playhouse through May 21, 2017, so don’t loose time; go see it!

Based on a autobiographical book by Bobby Goldman, the story concentrates on the changes the main character, Bobby, goes through when her husband of many years dies suddenly while both are in their 50’s. At first, Bobby seems to be settling into her new life just fine until her therapist points out that her out of control eating might be hiding the need for sex and love.

Photo by T. Charles Erickson

To solve the problem, she decides to enter the dating world again but realizes it has all changed. Bravely, she establishes her online profile where her handle name becomes Curvy Widow. Her experiences with dating as a woman in her 50’s are presented in a very funny manner allowing the audience to laugh with her and not feel sorry for her. The newness of it all and the sense of being alone after many years of being married all enter into her thoughts and actions.

The show is directed by Peter Flynn with choreography by Marcos Santana. Flynn capitalizes on the characters Bobby meets in this dating process with all their eccentricities. Her women friends provide support especially when it appears she has hit the jackpot with a great man in her life. The end might surprise some but it is satisfying in many ways.

Music and lyrics for this show is by Drew Brody. His melodies provide easy listening for the lyrics which tell the story. The opening song “Under Control” tells the story of Bobby and her husband’s life. But next, we hear “Turn the Page” which explains the thoughts Bobby has about entering this new phase of her life. One of the funniest songs is “Gynecologist Tango” where she has to deal with menopausal effects on her sex life. The finale titled “Why Stop Here?” has the show ending on a positive note.

Nancy Opel plays Bobby. Her comedic acting and very fine singing voice bring the character to life. Her struggles and successes are easy to accept because of the way Opel portrays them.  The inclusion of strong character performances from the ensemble cast give the show a nice pace that includes many funny moments and a few reflective ones too. In addition to Ms. Opel, the cast includes Andrea Bianchi (Caroline and others), Aisha de Haas (Joan and others, Elizabeth Ward Land (Heidi and others), Ken Land (Jim and others), Alan Muraoka (The Shrink and others), Chris Shyer (Per Se and others).

This show is one that an adult audience especially older women will enjoy seeing. There are not a lot of things being said about how that age group has to adapt to technology when it comes to dating and how the rules have changed.  This show gives a good humored look at the subject.

About the Show:

Run Time: 90 minutes – no intermission

Location: George Street Playhouse, 9 Livingston Avenue, New Brunswick, NJ

Performances: Runs May 2-21, 2017

Contact for Info and Tickets: Contact the Box Office directly at 732-246-7717 or purchase online at GSPonline.org.

Additional Information:

This is the final show for the George Street Playhouse at their current location before construction begins on their new home. For the next two years, performances will be at 103 College Farm Road in New Brunswick for its 2017-18 and 2018-19 seasons.

 

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