‘The Merchant of Venice’ Still Relevant Today

The Merchant of Venice by William Shakespeare. The Shakespeare Theatre of New Jersey 2017. Directed by Robert Cuccioli. Pictured left to right: Brent Harris as Antonio, John Keabler as Bassanio, and Andrew Weems as Shylock. Photo credit: Jerry Dalia.

The Shakespeare Theatre of New Jersey opens their 55th season with The Merchant of Venice.  This play has not been done by this company since 2000. It looks at a time period when women were directed as to who they would marry. It also shows how Shakespeare’s Christian England regarded those whose religion and beliefs were different from theirs. The play is a good selection for the time we live in right now as we strive to examine the way we look at people who are different from ourselves. Religious and racial prejudice prevail in this play opening our thoughts to what happens in our own modern day society.

The Merchant of Venice is traditionally thought of as one of Shakespeare’s darker comedies and one of his most controversial tales. Noted Broadway actor and Shakespeare Theatre Company member Robert Cuccioli provides outstanding direction for this production as it takes a fresh look at the time-honored classic. His direction of a strong cast makes this show one that should be seen especially in this day and age.

This production is set in Venice in the early 1900’s. In the Director’s Notes, Mr. Cuccioli states that he choose that time period because, “Venice at that time was considered the epitome of opulence and wealth. Art and architecture were flourishing, and the wealthier occupants of Venice had the means and the leisure to indulge their desires, both tangible and intangible.”

The Merchant of Venice’s artistic staff includes visual landscape conceived by scenic designer Brian Ruggaber and lighting designer Michael Giannitti. The production stage manager is Alison Cote. Costume designer Candida Nichols brings the play into the early 1900’s by dressing the actors in clothing depicting that era.

Pictured foreground: John Keabler as Bassanio. Pictured in background from left to right: Rachel Towne as Nerissa, Melissa Miller as Portia, Joe Penczak as Tubal, Ian Gould as Gratiano. Photo credit: Jerry Dalia.

The story centers around several characters. Although they each start out separately, they end up being connected because of a business loan which must get settled.  Portia (Melissa Miller) is waiting to find out who her husband will be. An elaborate selection series has been established by her father. Bassanio (John Keabler) achieves the victory and the hand of Portia in marriage. However, he needs to secure money so he goes to Antonio (Brent Harris) for a loan. Problems arise with the source of funding and they decide to turn to Shylock (Andrew Weems), the Jewish man who can lend them the money they need. In some way, Shylock is like a modern day loan shark in that his price is high and even higher for nonpayment.

Yes, the context of the action is important, but what makes this a great play is the way society’s views and ethics are examined and the parallels to current day. One of the most powerful moments occurs when Shylock delivers his famous “I am a Jew” speech. Mr. Weems brings a very angry tone to this moment as he asks how different is a Jew from other people: “If you prick us do we not bleed? If you tickle us do not laugh? If you poison us do we not die? And if you wrong us shall we not revenge? If we are like you in the rest, we will resemble you in that.” There is no doubt that those among us who are of different religions and races could echo such sentiments. How often is this occurring in today’s society? Such is the relevance that Shakespeare’s plays have.

Pictured left to right in foreground: Andrew Weems as Shylock and Robert S. Gregory as Duke of Venice. Photo credit: Jerry Dalia

The desire for wealth, anti-Semitism, prejudice, racial and gender bias, all of these take place in this story as well as in many people’s lives today.  How we decide to view them are influenced by our own places in this life. Being open to examining them allows us to express our thoughts and perhaps overcome what we can.

About the Show

Run Time: Approximately two hours – one intermission

Location: F.M. Kirby Shakespeare Theatre located at 36 Madison Avenue, Madison, NJ on the Drew University campua.

Performances: Now through June 4, 2017  – Tuesdays – Sundays

Contact for Info and Tickets: For tickets, patrons can call the Box Office at 973-408-5600 or visit www.ShakespeareNJ.org

Additional Information: Prices range from $29 – $69. The 30 UNDER 30 program is available for the 2017 season. Patrons aged 30 and under can purchase tickets for only $30 with valid ID, subject to availability.

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‘Mary Poppins’ at Paper Mill Playhouse

Mary Poppins at Paper Mill Playhouse; Photo by Matthew Murphy: Elena Shaddow (Mary Poppins)

‘Mary Poppins’ Arrives

Look who has arrived in Millburn, New Jersey. It’s none other than the delightful Mary Poppins now playing through June 25, 2017 at the Paper Mill Playhouse.

This beloved classic is directed by Paper Mill’s Producing Artistic Director Mark S. Hoebee, with choreography by Denis Jones and music direction by Meg Zervoulis.

The principal cast will feature Elena Shaddow as Mary Poppins, Mark Evans as Bert, Dierdre Friel as Mrs. Brill, Liz McCartney as Bird Woman/Miss Andrew, Adam Monley as George Banks, Bill Nolte as Admiral Boom/Bank Chairman.  Also performing are Jill Paice as Winifred Banks, Blakely Slaybaugh as Robertson Ay, Danielle K. Thomas as Mrs. Corry, and alternating as the mischievous Banks children, Abbie Grace Levi and Madi Shaer as Jane with Maddox Padgett and John Michael Pitera as Michael.

Players in the ensemble include Tim Capodice, Peyton Crim, Mary Beth Donahoe, Adena Ershow, Will Geoghegan, Curtis Holland, Joshua Israel, Madison Johnson, Hannah Jewel Kohn, Robin Lounsbury, Brian Thomas Martin, Andrew Metzgar, Corinne Munsch, Natasha Natraj, Caylie Rose Newcom, Sean Quinn, Drew Redington, Jack Sippel, Bronwyn Tarboton, Clay Thomson, and John T. Wolfe.

Here is a look at a few moments from the show:

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Review: Mint Theater’s ‘The ‘Lucky One’ Looks at Sibling Rivalry and Favoritism

The name A.A. Milne usually brings thoughts about the teddy bear, Winnie-the-Pooh. Milne wrote a series of stories about the lovable bear as well as poems that have become part of his legacy. However, look deeper into his biography see his success early on as a playwright.  A play he wrote called The Lucky One was originally produced in 1922. It became Milne’s sixth Broadway production in less than two years. The first New York revival of this play is on the Mint Theater Company stage now through June 25, 2017. It focuses on sibling rivalry as it shows parents who favor one child over the other. The reason they do it is not really clear and it does not matter because the damage is done.

Deanna Lorette (l) Wynn Harmon (r) as the parents of the brothers Photograph:© 2017 Richard Termine
PHOTO CREDIT – Richard Termine

The Lucky One is the story of two brothers, Gerald and Bob. Brought up by the same parents, in the same home, each one achieves different levels of success and happiness in life.  Each of them is thought of differently by their family. Clearly much of the family’s attitude influenced the lives they now lead.

Initially, the lucky one appears to be Gerald. He is highly revered by all who know him, especially his parents. His ability to talk pleasingly with people has moved him nicely through life. He now has an important job and a fiancé, Pamela, who is well liked by the family. Even though she is engaged to Gerald, Pamela was originally friends with Bob and the two appear to be quite close. Despite this friendship, the engagement with Gerald is on and his future looks very rosy.

Bob is the lesser regarded of the two brothers. The parents and others say, “poor Bob” quite often. Poor Bob gets into trouble on his job and goes to brother Gerald for help. Gerald dismisses it saying it will eventually work out. Bob ends up serving jail time. However, when Bob reappears at the family home after a supposed early release with Pamela, they have a surprise for Gerald. After a strong verbal exchange between the brothers, one now wonders really, who is the “lucky one?”

Well-designed sets and costumes add to the high value of this production. Directed by Jesse Marchese, this play uses precise and well developed dialog that allows the action to unfold easily.  However, the real power of this show is the acting by an amazing company.

Robert David Grant plays Gerald. He portrays the character as a successful, supposedly well-adjusted man. He keeps a plastered smile on his face at all times never allowing anyone to see what is really inside of him. Ari Brand plays the other brother, Bob. As much as Gerald grins, Bob frowns. He painfully aware of his lower status in the family until a surprising friendship brings him the confidence to break out. Both Grant and Brand turn in superb acting with their roles especially in a final scene between them when each finally tells the other what they have always held back saying.

Paton Ashbrook gives a unique slant to the character Pamela as she finds herself involved in different ways with each of the two brothers. Wynn Harmon and Deanna Lorette play the parents, Sir and Lady Farringdon. Their work as a couple truly demonstrates the distance they have with Bob and their over inflated view of Gerald. Other members of the cast include Andrew Fallaize, Michael Frederic, Cynthia Harris, Peggy J. Scott and Mia Hutchinson-Shaw.

About the Show:

Running Time: One Hour 50 minutes with one intermission
Location: Beckett Theatre at Theatre Row, 412 West 42nd Street, New York City
Performances: Tuesday through Saturday evenings at 7:30 p.m. with matinees Saturday & Sunday at 2 p.m. Special Wednesday Matinees on May 17th and May 31st at 2 pm. Shows run though June 25, 2107.
Contact for Info and Tickets: Purchase tickets online at Telecharge.com, by phone at 212-239-6200 or in person at the Theatre Row Box Office. For more information, visit the Mint Theatre website.
Suggested Audience: Appropriate for all ages.

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