‘The Honeymooners’ is Funny and Heartwarming

‘The Honeymooners’ at Paper Mill Playhouse; Photo by Evan Zimmerman for MurphyMade; from left to right: Michael Mastro (Norton), Laura Bell Bundy (Trixie), Leslie Kritzer (Alice) and Michael McGrath (Ralph)

The Honeymooners opened on Sunday at the Paper Mill Playhouse. This is a world premier for the musical which is based on the television show of the same name. If you have ever watched the show, you will recognize the characters and some of the lines from that series in this new presentation. It even has a meeting of the Raccoon Lodge where the brothers wear their famous hats. Hearing Norton play “Swanee River” as his warm-up as Ralph develops jingle lyrics bring back fond memories of a favorite episode, “The 99,000 Answer.” And what would a show about the Kramdens be without hearing Ralph say to Alice, “baby, you’re the greatest!” All in all, The Honeymooners proves to be a very enjoyable show that is funny, but also heartwarming. Although it pays homage to its beginnings, an entire new story brings it into a new generation.

Photo by Jerry Dalia; Michael McGrath (Ralph) and the company of ‘The Honeymooners’

Directed by John Rando, The Honeymooners is based on a book by Dusty Kay and Bill Nuss. It begins with Ralph learning that after 15 years as a driver for the Gotham Bus Company, he will not get a promotion. Always looking for an opportunity to get a better life, he and Norton enter a contest to develop a jingle for their favorite cheese, Faciamatta. They invest $40 to rent a piano to develop lyrics. Alice criticizes Ralph for another hair brain scheme. To the surprise of all, they win the contest. Along with the prize money comes a job offer for both Ralph and Norton to join the advertising agency that sponsored the contest. They accept, leave their respective jobs, and go to Madison Avenue to work.

Meanwhile, back at home, Norton’s wife Trixie misses her old days working as a dancer in burlesque. She quickly accepts a chance to dance at a swanky club but worries because she allowed the owner (an old flame of hers) to kiss her at the audition. Next, she is hired by a ladder climbing executive at the ad agency. That executive, Bryce Bennett, believes he has found a way to break up Ralph’s and Norton’s work. Behind the scenes, Alice is working some of her famous magic to help get things straightened out.

The show culminates in a scene on the Cavalcade of Stars hosted by Jackie Gleason. A commercial for Faciamatta cheese runs live. It is a very funny scene as all is revealed about who has been doing what. Hint: there is a very happy but slightly surprising ending.

Music for the show is by Stephen Weiner and lyrics by Peter Mills.  Choreography is by Joshua Bergasse with musical direction and vocal arrangements by Remy Kurs. The songs are fun to listen to as they help advance the story and understanding of the characters. Ralph and the other bus drivers start off the show with “Going Places.” The four friends dance and sing about their new lives as they close the first act with “Talk of the Town.” Trixie shines as she displays her dancing and singing in “Keepin’ It Warm.” Alice brings down the house when she sings “A Woman’s Work.”

The principal cast features Michael McGrath who gives a performance as Ralph Kramden that shows Ralph as a very lovable, well meaning guy. He grabs the audience’s hearts right from the start. Michael Mastro plays Ed Norton. Norton’s devotion to his friend and wife are very admirable and everyone cheers for him all the way through. Leslie Kritzer as Alice Kramden is that perfect combination of sweet and sarcastic. Laura Bell Bundy dazzles as Trixie Norton as she shows a side of the character not seen before. Also featured are Lewis Cleale as Bryce Bennett who is hystericaal as the ad man. Lewis J. Stadlen plays Old Man Faciamatta who makes sure his cheese is everywhere he goes. David Wohl does a great job as he plays the owner of the advertising agency, Allen Upshaw.

The Honeymooners marvelous ensemble includes Holly Ann Butler, Chris Dwan, Hannah Florence, Tessa Grady, Stacey Todd Holt, Ryan Kasprzak, Drew King, Eloise Kropp, Harris Milgrim, Justin Prescott, Lance Roberts, Jeffrey Schecter, Britton Smith, Alison Solomon, Michael Walters, and Kevin Worley.

Photo by Jerry Dalia; from left to right: Leslie Kritzer (Alice) and Michael McGrath (Ralph)

It is nice to watch a show where people are good-natured about their approach to life and the way they treat each other.

This show has a lot of heart. It is a bit sentimental and loaded with good feeling. It shows how uncomplicated marriage and friendship should be. It does so sweetly and in a very heartwarming way.

Additional Show Information:

Running Time: 2 hrs. 15 min. approx with one intermission

Location: Paper Mill Playhouse, 22 Brookside Drive, Millburn

Performances: Wednesday through Sunday. The performance schedule is Wednesday at 7:30 p.m., Thursday at 1:30 p.m. & 7:30 p.m., Friday at 8:00 p.m., Saturday at 1:30 p.m. & 8:00 p.m. and Sunday at 1:30 p.m. & 7:30 p.m.

Contact for Info and Tickets: Call 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at PaperMill.org. Groups of 10 or more can receive up to a 40% discount on tickets and should call 973.315.1680. Students may order $23 rush tickets over the phone or in person at the Paper Mill Playhouse box office on the day of the performance.

Suggested Audience: Appropriate for all ages

Additional Information for The Honeymooners:

  • Accessibility SessionsThe Paper Mill Playhouse will offer audio-described performances for The Honeymooners on Sunday, October 22, 2017, at 1:30pm and Saturday, October 28, 2017, at 1:30pm. Prior to these performances at noon, the theater will offer free sensory seminars. Sensory seminars offer an opportunity for patrons with vision loss to hear a live, in-depth description of the production elements of the show. It provides hands-on interaction with key sets, props, and costumes.  A sign-interpreted and open-captioned performance is scheduled for Sunday, October 29, 2017, at 7:00pm.
  • Free Audience Enrichment Activities for The HoneymoonersThe Conversation Club meets on Thursday evenings, September 28, October 5, 12 and 19, one hour before curtain for an informal, informative gathering. You’ll learn more about the performance you’re about to see.  The Q&A with the Cast will be after the matinee on Saturday, October 28.
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‘The Honeymooners’ Opening Night Curtain Call at Paper Mill Playhouse

‘The Honeymooners’ at Paper Mill Playhouse – Photo by Lianne Schoenwiesner

Last night, The Honeymooners celebrated Opening Night at the Paper Mill Playhouse. This new show took the audience “to the moon” and back with their singing, dancing, and good-natured ribbing.

The Honeymooners is based on the CBS television series of the same name. The book for this production is by Dusty Kay and Bill Nuss. Music is by Stephen Weiner and lyrics by Peter Mills. This world premiere is directed by John Rando. Choreography is by Joshua Bergasse with musical direction and vocal arrangements by Remy Kurs.

The principal cast features Michael McGrath as Ralph Kramden, Michael Mastro as Ed Norton, Leslie Kritzer as Alice Kramden, and Laura Bell Bundy as Trixie Norton.  Also included are Lewis Cleale as Bryce Bennett, Lewis J. Stadlen as Old Man Faciamatta, and David Wohl as Allen Upshaw.

The Honeymooners ensemble features Holly Ann Butler, Chris Dwan, Hannah Florence, Tessa Grady, Stacey Todd Holt, Ryan Kasprzak, Drew King, Eloise Kropp, Harris Milgrim, Justin Prescott, Lance Roberts, Jeffrey Schecter, Britton Smith, Alison Solomon, Michael Walters, and Kevin Worley.

This show has a limited run until October 29, 2017 at the Paper Mill Playhouse in Millburn, NJ. The Honeymooners will be performed eight times a week, Wednesday through Sunday. The performance schedule is Wednesday at 7:30 p.m., Thursday at 1:30 p.m. & 7:30 p.m., Friday at 8:00 p.m., Saturday at 1:30 p.m. & 8:00 p.m. and Sunday at 1:30 p.m. & 7:30 p.m.

To give you a taste of the festivities, here are photos from the Curtain Call.

All photos are by Lianne Schoenwiesner, Spotlights Photography.

Part of the ensemble still dancing

Mark Mastro (Ed Norton) and Michael McGrath (Ralph Kramden)

Laura Bell Bundy (Trixie Norton) and Leslie Kritzer (Alice Kramden)

More ensemble and featured players

Acknowledging the orchestra

The Kramdens: Michael McGrath and Leslie Kritzer

The Nortons: Laura Bell Bundy and Michael Mastro

Michael McGrath (Ralph Kramden)

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North Shore Music Theatre’s ‘Evita’ is a Fabulous Show

Briana Carlson-Goodman (Eva) and John Cudia (Peron) in “Evita” at North Shore Music Theatre. Photos©Paul Lyden

An opportunity for another road trip to Massachusetts presented itself this week, so into the car I went. This time the destination was North Shore Music Theatre in Beverly, MA to see Evita. Everything about this show is fabulous: the staging, the cast, and the orchestra. I saw the original Evita on Broadway years ago. The music is by Sir Andrew Lloyd Weber and lyrics by Tim Rice. I also saw the movie several times. This show uses components from those versions and also the revivals that have played the last few years. It is Broadway quality all the way.

Evita is the story of the rise to power of Argentina’s First Lady Eva Peron. It traces her beginnings as a child raised in a poor, working class family. It then shows the steps she took to get to power, her charity work, and finally her early death at 33 years old. The story is completely told through songs and musical dialog.

“Evita” at North Shore Music Theatre. Photos©Paul Lyden

This is a theater in the round and the challenges of delivering a performance that all audience members can see is handled very well. There are screens for projections scattered throughout the theater and even an upper level where a side stage comes to life. The energy level is high as the cast moves up and down the aisles to go on and off the center stage. A platform square in the middle of the main stage allows some props and performers to enter and exit from a level below.

There are many wonderful and very enjoyable moments in this show. It would be impossible to document them all here in this posting. Two that really stood out for me were “Good Night and Thank You” when Eva is working her way through a series of lovers. As her time with them finishes, they walk to an iron gilded door that Che opens to let them out as he sings about their time being done. As they stand on the other side of what represents Eva’s room, they try to figure out what has happened to them as Eva moves onto her next prey. Another standout moment is the final funeral scene, “Montage,” where actual footage of her funeral is run on screens throughout the theater and the full cast is onstage in homage to their fallen Evita.

“Evita” at North Shore Music Theatre. Photos©Paul Lyden

Constantine Maroulis gives a brilliant performance as the narrator, Che. He moves from the center stage to sections of the audience speaking to people as he does. At one point, he is a waiter in a nightclub and he walks up an aisle and acts like he is taking drink orders and handing them out. At times, he stands aside blending in as one of the audience. This lets everyone feel a part of the action taking place. He sings in a strong rock tenor voice. Some say that Che represents the conscience of the people. Along that line of thought, Mr. Maroulis does a fine job of showing some very stirring emotions as he points out the absurdity of what has taken place and the enormous disappointment for what could have been.

Briana Carlson-Goodman plays Eva. Her performance is impressive, stirring, and wonderful to watch. Her Eva has a very desirable quality to her. This vibe makes the admiration from the people for her very believable. Ms. Carlson-Goodman’s Eva is strong as she moves her way into Buenos Aires life. But then she is very vulnerable as her health fails her and she prepares to die. The scenes between her and and Juan Peron are very powerful, and at times, a bit frightening as she weaves her influence around this man. Her voice was absolutely beautiful especially in “Don’t Cry for Me Argentina.”

John Cudia plays Juan Peron, an ambitious military officer who works his way up the ladder to eventually become President of Argentina. Would it have happened without Eva at his side? Hard to tell because she tells him “I’d Be Surprising Good for You.” He believes and they set out to become the new super couple leading the country. Mr. Cudia has a strong presence about him and his vocals are powerful. He also masterfully handles the side of Peron that in a sense falls victim to his wife’s desires and needs.

Nick Adams gives a wonderful performance as Magaldi, the Argentinian tango singer who meets 15 year old Eva Duarte. His voice soars as he sings “On this Night of a Thousand Stars.” If the real person sang like that, then it is no wonder that Eva was enchanted with him. Well at least for a short time. Just enough time to use him to get to her next stop in life.  Julia Estrada sings a lovely version of “Another Suitcase in Another Hall.” Her time as Peron’s mistress ends as Eva moves in and puts her out to the street.

The members of the ensemble are exciting to watch in multi-roles and scenes. They are a talented group as they dance, sing, and act in a number of scenes.

The entire production is directed by Nick Kenkel who also choreographed the show.

The North Shore Music Theatre

I am continually amazed by the many accomplishments of regional theater. So much devotion to the art goes into their work.  I was fortunate to be able to sit in on a talk-back after the performance. We learned that the rehearsal time for the show was just short of two weeks. However, planning and designing for it began a long time before that. Producing Artistic Director Kevin Hill said that they are already doing work on shows that will run in 2018. After hearing that, I could understand how much thought and care goes into each show.

A quick survey before the show began showed the majority of the audience were season subscribers. I had conversation with people I sat next to and they are regulars and have been for years. Their enthusiasm for the show was contagious. Every person who worked for the North Shore Music Theatre that I came in contact with was very pleasant. The level of customer service is very high.

Backstage Bistro

The Backstage Bistro is a restaurant theater goers and the general public can go to for a meal or a drink before the show. It adjoins the parking lot and the stairway is close to the entrance by the Box Office.  They have buffets set up for the meals which makes it very convenient to eat and be in time for the curtain. There is also a bar for those who just want a drink. The food is very good with a nice variety of selections.

 

 

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