North Shore Music Theatre’s ‘Evita’ is a Fabulous Show

Briana Carlson-Goodman (Eva) and John Cudia (Peron) in “Evita” at North Shore Music Theatre. Photos©Paul Lyden

An opportunity for another road trip to Massachusetts presented itself this week, so into the car I went. This time the destination was North Shore Music Theatre in Beverly, MA to see Evita. Everything about this show is fabulous: the staging, the cast, and the orchestra. I saw the original Evita on Broadway years ago. The music is by Sir Andrew Lloyd Weber and lyrics by Tim Rice. I also saw the movie several times. This show uses components from those versions and also the revivals that have played the last few years. It is Broadway quality all the way.

Evita is the story of the rise to power of Argentina’s First Lady Eva Peron. It traces her beginnings as a child raised in a poor, working class family. It then shows the steps she took to get to power, her charity work, and finally her early death at 33 years old. The story is completely told through songs and musical dialog.

“Evita” at North Shore Music Theatre. Photos©Paul Lyden

This is a theater in the round and the challenges of delivering a performance that all audience members can see is handled very well. There are screens for projections scattered throughout the theater and even an upper level where a side stage comes to life. The energy level is high as the cast moves up and down the aisles to go on and off the center stage. A platform square in the middle of the main stage allows some props and performers to enter and exit from a level below.

There are many wonderful and very enjoyable moments in this show. It would be impossible to document them all here in this posting. Two that really stood out for me were “Good Night and Thank You” when Eva is working her way through a series of lovers. As her time with them finishes, they walk to an iron gilded door that Che opens to let them out as he sings about their time being done. As they stand on the other side of what represents Eva’s room, they try to figure out what has happened to them as Eva moves onto her next prey. Another standout moment is the final funeral scene, “Montage,” where actual footage of her funeral is run on screens throughout the theater and the full cast is onstage in homage to their fallen Evita.

“Evita” at North Shore Music Theatre. Photos©Paul Lyden

Constantine Maroulis gives a brilliant performance as the narrator, Che. He moves from the center stage to sections of the audience speaking to people as he does. At one point, he is a waiter in a nightclub and he walks up an aisle and acts like he is taking drink orders and handing them out. At times, he stands aside blending in as one of the audience. This lets everyone feel a part of the action taking place. He sings in a strong rock tenor voice. Some say that Che represents the conscience of the people. Along that line of thought, Mr. Maroulis does a fine job of showing some very stirring emotions as he points out the absurdity of what has taken place and the enormous disappointment for what could have been.

Briana Carlson-Goodman plays Eva. Her performance is impressive, stirring, and wonderful to watch. Her Eva has a very desirable quality to her. This vibe makes the admiration from the people for her very believable. Ms. Carlson-Goodman’s Eva is strong as she moves her way into Buenos Aires life. But then she is very vulnerable as her health fails her and she prepares to die. The scenes between her and and Juan Peron are very powerful, and at times, a bit frightening as she weaves her influence around this man. Her voice was absolutely beautiful especially in “Don’t Cry for Me Argentina.”

John Cudia plays Juan Peron, an ambitious military officer who works his way up the ladder to eventually become President of Argentina. Would it have happened without Eva at his side? Hard to tell because she tells him “I’d Be Surprising Good for You.” He believes and they set out to become the new super couple leading the country. Mr. Cudia has a strong presence about him and his vocals are powerful. He also masterfully handles the side of Peron that in a sense falls victim to his wife’s desires and needs.

Nick Adams gives a wonderful performance as Magaldi, the Argentinian tango singer who meets 15 year old Eva Duarte. His voice soars as he sings “On this Night of a Thousand Stars.” If the real person sang like that, then it is no wonder that Eva was enchanted with him. Well at least for a short time. Just enough time to use him to get to her next stop in life.  Julia Estrada sings a lovely version of “Another Suitcase in Another Hall.” Her time as Peron’s mistress ends as Eva moves in and puts her out to the street.

The members of the ensemble are exciting to watch in multi-roles and scenes. They are a talented group as they dance, sing, and act in a number of scenes.

The entire production is directed by Nick Kenkel who also choreographed the show.

The North Shore Music Theatre

I am continually amazed by the many accomplishments of regional theater. So much devotion to the art goes into their work.  I was fortunate to be able to sit in on a talk-back after the performance. We learned that the rehearsal time for the show was just short of two weeks. However, planning and designing for it began a long time before that. Producing Artistic Director Kevin Hill said that they are already doing work on shows that will run in 2018. After hearing that, I could understand how much thought and care goes into each show.

A quick survey before the show began showed the majority of the audience were season subscribers. I had conversation with people I sat next to and they are regulars and have been for years. Their enthusiasm for the show was contagious. Every person who worked for the North Shore Music Theatre that I came in contact with was very pleasant. The level of customer service is very high.

Backstage Bistro

The Backstage Bistro is a restaurant theater goers and the general public can go to for a meal or a drink before the show. It adjoins the parking lot and the stairway is close to the entrance by the Box Office.  They have buffets set up for the meals which makes it very convenient to eat and be in time for the curtain. There is also a bar for those who just want a drink. The food is very good with a nice variety of selections.

 

 

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All About Eve Festival of the Arts Opens Today in Long Branch

The New Jersey Repertory Company begins its inauguration of their new West End Arts Center today. The celebration includes a week-long presentation of the arts all at their new venue at 132 West End Avenue, Long Branch, New Jersey. The All About Eve Festival of the Arts will feature Theatre Brut with 28 short plays, music, poetry, art and photography.  Here is an overview of the scheduled events.

28 Short plays

Session One – Sunday, October 1 at 2pm:
Blood Sausage by John Biguenet
Breaking in the New Boss by Gino DiIorio
Love is a Train by R.N. Sandberg
The Naming by Constance Marse

Session Two – Sunday, October 1 at 8pm:
Deliver Us by Ian August
Ful Nabit by J. Thalia Cunningham
How My Grandparents Fell in Love by Cary Gitter
This Year’s Model by Donna Hoke

Session Three – Friday, October 6 at 8pm:
After You by Lee Blessing
Australia’s Oldest Woman by Kieran Carroll
Eve in the Hot Seat by Brian Richard Mori
Stepping Into Fire (musical) by Jonathan Brielle and Tom Coash

Session Four – Saturday, October 7 at 2pm:
Her Place in the World by D.W. Gregory
Something About Eve by Lynne Halliday
The Conversation by Wendie Malick
The Outside Edge of a Full Circle by Matthew Harrington

Session Five – Saturday, October 7 at 8pm:
Barroom Sonata by Jack Canfora
(miss) Mary Edwards by Elaine Smith
New York City Girls will Kill You by Graham Techler
Snake Eggs by Lauren Waters

Session Six – Sunday, October 8 at 2pm:
Cubs Win! by Marisa Smith
Eviction by Nancy Cooper Frank
Pittsburgh by Michael Tucker
The Late Shift by Willow Martin

Session Seven – Sunday, October 8 at 8pm:
A Few Good PB&J’s by Jeremy Kehoe
Exhibit A by L.H. Grant
Mountaineer by Ken Weitzman
Performance Review by Nedra Pezold Roberts

Tickets for each session are $50.

Art and Photography

An Art and Photography Reception will be held on Wednesday, October 4, 6pm – 9pm. Artists represented include: Jimmy Leslie, Amy Faris, Mary Phillips, Kate Wilts, Lizzi Shippert, Sven Widen, Janelle Wilson, Mare Akana, Lori Lee Sperling, Suzanne Osterweil Weber, and Nicole Hymowitz.

Photographer Andrea Phox will exhibit her work Shine:100, featuring 100 extraordinary women who have made a difference in Long Branch.

This event is free.

Live Music

A Live Music Night is on Thursday, October 5 at 8pm. Performing for Music Night is Jackson Pines, Homeless Apians, Bone and Marrow,  and Accidental Seabirds.

Tickets to Music Night are $15.

Live Music will also be presented after each Theatre Brut Session. Performers include Bobby Jackson, Bethe Burns & The Legends Trio , Gary Mayer, Matt & Cody, and Jazz Arts.

Poetry

Poetry Night will be Tuesday, October 3 at 7pm.

Poets include: Sharon Baller, David Briggs, Eloise Bruce, Joe Bisicchia, Gregg G. Brown, Warren Cooper, Maryanne Christiano-Mistretta, Emanuel di Pasquale, Juditha Dowd, Frank Finale, Ellen Foos, Lois Marie Harrod, Penny Harter, Flora Higgins, Evelyn Hampton, Lainey Johnson, Victoria Kaloss, Charles H. Johnson, Lois LaPointe Kiely, Lynn Levin, Joanne Leva, Mihaela Moscaliuc, Judy Michaels, Bernadette McBride, Linda Muhlhausen, Susan Martin, Louis Nappen, Sharon Olson, Sue Sherrill, Hillary Ann Smith, Jennifer Stahl, Mathew Spano, Maxine Susman, Bob Rosenbloom, Karen Topham, Frank Valentino, Rosemary Wright, Carol Wich.

Tickets to Poetry Night are $15.

Additional Information

Refreshments will be available on site.

In addition to individual tickets as shown above, there is an All-Inclusive Festival Pass for all 7 sessions of Theatre Brut, Music Night, Poetry Night, Art and Photography for $300.

All these events will take place at West End Arts Center, 132 West End Avenue, Long Branch, NJ

For tickets and/or further information call 732-229-3166 or visit the website: njrep@njrep.org

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‘What the Butler Saw’ is a Farce that Rocks the Stage

‘What the Butler Saw’ by Joe Orton. The Shakespeare Theatre of New Jersey 2017. Directed by Paul Mullins. Pictured (left to right): Peter Simon Hilton as Dr. Prentice, Allison Layman as Geraldine Barclay and John Hutton as Dr. Rance. Photo credit: Jerry Dalia.

The Shakespeare Theatre of New Jersey continues its current season with the play What the Butler Saw by Joe Orton. This work was first performed in 1969 but this production marks the first time an Orton play is presented on the Madison Main Stage. What the Butler Saw is an uproarious farce. It shocked audiences when it was first produced. Reactions to the play might differ today.

If you look at synonyms for the word farce, one that pops up immediately is circus. In many ways, that is what takes place onstage but in a funny way. The laughs come quickly and often. But beware, because underneath that humor was an anger from the playwright waiting to be told. Directed by Paul Mullins, What the Butler Saw takes place in a mental hospital somewhere in Great Britain. The setting provides ample room for the play to demonstrate how insane aspects of life can be. If one looks at this play from a symbolic viewpoint, reasons for supposed insanity have sound basis. Or they are not insane at all!

The basic storyline revolves around Doctor Prentice who is hiring a new secretary. He interviews Geraldine Barclay in a most unconventional manner instructing her to remove her clothing and lie down on a stretcher for examination. She is reluctant at first, but eventually goes along with it. However, several points of interference occur including the entrance of Dr. Prentice’s wife and a government inspector named Doctor Rance. Rather than facing either of their criticisms for his unconventional interviewing technique, Dr. Prentice begins an elaborate series of actions designed to hide the naked woman.

Playing in the background are several subplots. One involves Mrs. Prentice and a young man she has bedded down with.  Also, Dr. Rance is trying to get a book published and he keeps seeing aspects of all that goes on as materials he can use. The correlation between Dr. Rance and thoughts about the role of government in England at the time the play was written can be seen. Is there a connection to today? That is determined by each audience member.

The comedic timing and the delivery of the lines by the actors is absolutely superb. Their ability to create and participate in the outrageous behavior taking place on stage makes this show hilarious.  The actions are a bit far fetched at times but they work because of the smooth coordination of the actors. The cast includes Peter Simon Hilton as Doctor Prentice, Allison Layman plays Geraldine Barclay, Vanessa Morosco as Mrs. Prentice, Robbie Simpson plays Nicholas Beckett. Also cast are John Hutton as Doctor Rance and Jeffrey M. Bender plays Sergeant Match.

A word of caution: The show contains some nudity. It also indulges in sensitive topics such as rape and incest.

About the Show

What the Butler Saw plays through October 1, 2017.

The Shakespeare Theatre of New Jersey is at The F. M Kirby Theatre on the campus of Drew University, 36 Madison Avenue at Lancaster Road, Madison New Jersey.

Information and sales of tickets are available either at the Box Office or through The Shakespeare Theatre of New Jersey’s website.

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