‘After Midnight’ Dazzles with Music and Dance

A Look at After Midnight at the Paper Mill Playhouse

New Jersey’s Paper Mill Playhouse continues their 2023 – 2024 season with a rousing production of After Midnight. This show ran on Broadway from 2013 – 2014. It utilized the talents of a number of different artists both as regulars and replacements including Wynton Marsalis, Fantasia Barrino, Patti LaBella, Toni Braxton, and Vanessa Williams. The production was conceived by Jack Viertel.

For the presentation at the Paper Mill, press notes state that this is a “fresh, reimagined version, After Midnight intertwines the poetry of Langston Hughes with songs from big-band legends Duke Ellington, Cab Calloway, Harold Arlen, Dorothy Fields, and more.”

For the first time, this production features an all-Black design team, stage management team, music team, cast, and band. Music direction is by Sean Mayes. Scenic and lighting design is by Adam Honor. Azalea Fairly provides costume design. Sound design is by Sadah Espii Proctor. Hair and wig design is by Alfreda Howard.

This is a very enjoyable show to go to see. You will be dazzled by the music provided by a first class group of musicians in the band. The cast is superb. They sing and dance and allow those by gone years to bloom anew again.

What is After Midnight About?

After Midnight is a retrospective look back at the Harlem Renaissance. Running approximately from the 1910’s through the mid 1930’s, the Harlem Renaissance is considered to be a golden age in African American culture. This musical provides a chance to experience music and literature that would have been a part of that time.

The setting is the legendary Cotton Club where people knew to go to hear many of the greats of that era. Count Basie, Ella Fitzgerald, and Louis Armstrong were among those who performed there. The patrons attending were white who gathered to see black artists perform. Yes, this was a time of segregation. One has to feel respect and admiration for the performers who played in the Club.

A unique feature of this show is that there is no overall story holding it all together. Instead, the audience experiences what someone might have experienced if they had gone to an actual show at the Cotton Club. So the songs and dancing give the show its content.

There is a good variety and a lot of it with 26 songs making up the score. Some are compositions by Duke Ellington and others come from Dorothy Fields, Ted Koehler and Harold Arlen and others as well.

However, even though there isn’t an overall story, there are still a number of smaller stories woven into the individual performances. You are invited to open your minds to what is said and done with songs and the music.

The opening and the closing of the show give one a chance to feel like they are actually arriving at and then leaving the Cotton Club. The stage is neatly set up as it represents the inside of a jazz club. However, it is pleasantly open so the dancers have plenty of room in which to perform.

Music

If you enjoy the era of music featured in the show, then you will be in music heaven. Under the direction of Sean Mayes, the on-stage orchestra plays brilliantly throughout the show.

The exquisite score features such hits as “I Can’t Give You Anything but Love,” “Stormy Weather,” “On the Sunny Side of the Street,” and “It Don’t Mean a Thing (If It Ain’t Got That Swing).” The Exit Music is “Take the ‘A’ Train” which is a great way to end a wonderful show.

And What a Cast this Show Has

An outstanding cast performs in this show. After Midnight stars Angela Birchett, Sasha Hutchings, Joshua Lamar, and James T. Lane. The cast also includes Stanley Martin, Aramie Payton, Destinee Rea, and Awa Sal Secka. Additionally, the cast includes Liv Symone, Harris Matthew Turner, Jasmine Pearl Villaroel, and Anthony Wayne.

The cast includes outstanding singers and dancers. The costumes are lovely including many gowns that sparkle and glow adding glamour to the setting.

Go to See After Midnight

Treat yourself this month and go to the Paper Mill Playhouse to see After Midnight. The show is an absolute joy to see. You will be tapping your feet as you watch the production unfold.

After Midnight runs at the Paper Mill Playhouse through February 25, 2024.

The show is 90 minutes and performed without an intermission.

For more information about the show, visit the Paper Mill’s website. You can locate the link for purchasing tickets on that site.

Visit the Gallery’s Exhibit about the Harlem Renaissance

 Be sure to take some time to visit the Paper Mill’s Gallery to see their exhibit Afrofuturism: 100 Years After the Harlem Renaissance. This exhibit runs concurrently with After Midnight and is a fine way to celebrate Black History Month.

This exhibition is curated by Atim Annette Oton of Calabar Gallery. It features the work of African, African American, and Caribbean artists. The focus is on the way they are using AfroFuturism to center reclamation, black liberation, and revisioning of the past and predictions of the future through a black cultural lens.

The Gallery at Paper Mill is free and open to the public daily 12:00–6:00 PM.

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Applause for Ibsen’s Ghost

The legendary playwright Henrik Ibsen wrote some great stories about women. Were they all his or did someone get in and contribute to the writing? This concept serves as the basis for a new show premiering at George Street Playhouse. Ibsen’s Ghost is billed as “An Irresponsible Biographical Fantasy.” Written by Tony Award nominee Charles Busch, the play provides a story loaded with comedy, interesting characters with actors who are outstanding in their roles. Mr. Busch also stars in the lead role. Carl Andress, who has a long history of working with Mr. Busch directs the show.

Ibsen’s Ghost is enjoying its world premiere at the New Brunswick theater. This play is done in association with Primary Stages at 59E 59 theaters in New York City. It will run at 59E59 Theater March 02 – April 14, 2024. For more information about this New York run, visit their website

This is the final week of performances at George Street Playhouse because the show closes Sunday, Feb. 4. Be prepared to laugh, and also be amazed at the fabulous acting that this show provides. It is very enjoyable to see characters so well developed on stage like you will see in Ibsen’s Ghost.

Now, about the Story

The setting of the play is in Oslo, Norway, June, 1906. We meet Playwright Ibsen’s wife, Suzannah Thoresen Ibsen, the week after he died. After going through her husband‘s state funeral, Suzannah has to deal with a number of situations. Many of them involve the reputation of her husband and his writing.

Someone breaks into Suzannah’s home and steals something that creates concern for her. She also has papers that appear to be letters Ibsen wrote to her. Suddenly, her husband‘s long lost illegitimate son, Wolf, appears. They are instantly attracted to each other making for some funny scenes as they indulge in a May/December romance. Another comical entrance is from Ibsen’s former protégé, Hannah, who is coming through trying to pedal a libelous diary. She claims that the playwright based one of his most important female characters on her.

In addition to some other colorful characters, the plot moves towards trying to determine what is really something Ibsen wrote. Suzannah, who had an early career writing, appears to be able to imitate her husband’s writing style. In fact, the play ends humorously as they realize anything missing from the great playwright’s portfolio can probably be reproduced by one of the women.

Be aware that this is the first run on a show, and there are some rough edges that will undoubted be straightened out. I found the first act to be a little confusing. In fact, it was kind of humorous at intermission. A number of people were standing around talking about what was actually occurring. However, much to the credit of the writer, it does get resolved by the end. In fact, I would call it a happy ending. 

But Oh, the Acting and Character Development

There are a lot of over the top character traits on display making for a totally entertaining show. This is one of the best features of this play.

Charles Busch plays the female part of Suzannah Thoresen Ibsen. This part allows his drag background to be put to good use. He dresses in a very matronly black dress costume significant to the time being right after her husband’s funeral. The interplay between Suzannah and the other characters brings the action into focus especially when dealing with Ibsen’s son, Wolf Dahiquist played by Thomas Gibson. There is a large age gap between the two but they become lovers. If it is supposed to be a case of Suzannah missing her departed husband, well that never really comes through. But it is all done with good humor.

Jen Cody plays Gerda, a servant in the Ibsen household. Gerda’s physical disability is very odd and it isn’t nice to laugh at that. But again, the presentation is set in a light tone with Gerda gathering many laughs. Eventually she is miraculously cured. One of the more balanced characters is Magdalene Kragh Thoresen played by Judy Kaye.

Hanna Solberg is played by Jennifer Van Dyck. Hanna is loud and very active. She was a protegee of Ibsen and claims he modeled one of his most important female characters after her. We are never sure but she certainly talks a good game about it. Finally, Christopher Borg plays two roles. The first is that of George Elstad, a family advisor. But the second one is called the Rat Wife where he plays a woman who comes in to the household to provide extermination services. His demeanor in this part is very amusing from his costume to his lines.

Go to see Ibsen’s Ghost

Ibsen’s Ghost is running now through Sunday, February 4, 2024 at George Street Playhouse.

To get tickets, go to the George Street Playhouse website: https://www.georgestreetplayhouse.org/events/detail/ibsens-ghost.

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‘Fiddler on the Roof’ is Outstanding at Paper Mill Playhouse

Photo provided and used with permission from Paper Mill Playhouse.

Fiddler on the Roof – A Great Family Show

Looking to celebrate the start of the New Year? A good way to do that is for you, your family, and/or friends to enjoy an outing to the theater. Consider going to the Paper Mill Playhouse where you can see an outstanding version of the time honored classic show Fiddler on the Roof. Running now through Sunday, January 7, Fiddler on the Roof is a story about families and their community and how important each part is to the other.

Fiddler on the Roof was the first Broadway musical I ever saw. The family connection to that show is strong for me since my parents took me to see it as a birthday gift. I never forgot the thrill of that experience. And so it was no surprise that as I sat listening to the opening song, “Tradition,” tears rolled down my cheeks. That’s the kind of show this is: A sweet memory builder.

The cast, creatives, and musicians perform on the large Paper Mill stage with gusto and vigor as they tell the story of Tevye, the hard working milkman and his family. Their struggles and victories among themselves and their little Russian village are joyful, sad, and poignant to experience.

Background

Fiddler on the Roof opened at Broadway’s Imperial Theatre in 1964. It was an instant hit and it went on to win the Best Musical Tony Award in 1965. It features a book by Joseph Stein, music by Jerry Bock, and lyrics by Sheldon Harnick.

Paper Mill’s production showcases the original Tony-winning choreography by Jerome Robbins which is reproduced by Parker Esse. Dance is featured at key points as the story unfolds. One of the highlights occurs during the wedding scene. Be sure to watch carefully as this beautiful group of dancers perform this famous scene. And yes, the bottles stay in place on their hats.

Photo provided and used with permission from Paper Mill Playhouse.

Mark S. Hoebee directs this production.

This marks the first time Fiddler on the Roof is on the Paper Mill stage in 40 years.

A Story of Culture, Family, and Love for Each Other

Fiddler on the Roof opens with a Prologue song, “Tradition.” This song sets the ideas and tone of the show. Tradition is what guides the small village, Anatevka, in Russia. The year is 1905 right on the eve of the Russian revolutionary period. Without tradition to guide them, the people of the village feel their lives would be as unstable as say a fiddler who sits up on a roof. Listen carefully to the words of the song and you hear an overview of each person’s role in life in the village. It’s a brilliant way to open the show.

But herein lies the basis for conflict. Traditions followed in the past begin to be questioned as young people look for new ways to live their lives. The next song, “Matchmaker” is a good example of this. The time honored tradition of the village matchmaker selecting a husband or wife is challenged. We see this as a husband is selected for Tevye’s oldest daughter, Tzeitel. The butcher is not who she wants to marry. Her desire is for the tailor. In spite of everything that goes with the match, Tevye’s love for his daughter wins out and he gives his approval for the wedding to the tailor.

The wedding scene brings out some very sentimental moments are Tevye and Golde watch their daughter marry. The song “Sunrise, Sunset” is one of the most beautiful in the show. The couple reminisce about the way children grow up so quickly and then have adult lives of their own. And later, in Act Two, the couple review their lives together as they ask the question, “Do You Love Me?” Despite what happens, the ties that bind this couple and their family together remain strong.

There are several difficult moments towards the end of the show where Tevye has to go against his own beliefs in order to say good bye to a family member. Then the moment arrives when the Russian army comes in and orders the village to move out. We feel their sadness as they leave with their meager worldly goods and wonder where they will end up.

Cast

A superb cast performs in the Paper Mill’s production of Fiddler on the Roof. It stars Jordan Gelber as Tevye and Jill Abramovitz as his wife, Golde. Playing their daughters is Alexandra Socha as Tzeitel, Austen Danielle Bohmer as Hodel, and Maya Jacobson as Chava, 

Etai Benson plays the tailor, Motel. Playing the student revolutionary Perchik is David R. Gordon. Suzanne Grodner plays the village matchmaker Yente.

Playing the village butcher Lazar Wolf is Jeremy Radin. Andrew plays Fyedka, the young Christian.

A large ensemble also is a part of the production.

Photo provided and used with permission from Paper Mill Playhouse.

Fun Things to Do Before the Show

Be sure to stop at the Gift Shop in the lobby before going to your seat. There are some very interesting items for sale related to the show including this unique sign talking about Tradition.

Photo K. Nowosad

Also in the lobby are several wall hangings giving more information about the show and the people of the time.

Photo K. Nowosad

And of course no visit is complete without a little beverage refreshment. The Specialty Cocktails are always fun to have or even just read about. I went with the Miracle of Miracles which was divine!

Photo K. Nowosad

To See Fiddler on the Roof

For tickets and more information about this show, visit the Paper Mill Playhouse’s website.

Parking is available close to the theater entrance and the staff at the lots do a fine job of getting everyone taken care of.

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