‘Pretty Woman: The Musical’ Gets a New Lead

The marquee is up for Pretty Woman: The Musical – Photo by Karen Nowosad

There is a major change to the cast for incoming Broadway show Pretty Woman: The Musical. Exiting the lead role of Edward Lewis is Steve Kazee. Taking on the role is Andy Karl. Mr. Kazee starred in the Chicago staging of the show. According to a press representative, he leaves the production due to family reasons.

Andy Karl is a favorite on Broadway with an impressive resume of shows including Groundhog Day, Rocky, On the Twentieth Century, Jersey Boys, and Wicked. Mr. Karl will be joined by members of the Chicago cast including Samantha Barks as Vivian, Orfeh (Mr. Karl’s real life wife) as Kit, Eric Anderson as Mr. Thompson, Kingsley Leggs as James Morse, and Jason Danieley as Philip Stuckey.

Pretty Woman: The Musical is directed and choreographed by the always fabulous Jerry Mitchell. His choreography and direction credentials most recently include Get on Your Feet!, Kinky Boots, and Catch Me if You Can.

The show is due to have its official opening August 16 with previews beginning July 20.  For the best information about tickets, check the official website for Pretty Woman: The Musical at https://prettywomanthemusical.com/.

Some construction work is taking place outside of the Nederlander Theatre where Pretty Woman: The Musical will perform.

Front of the Nederlander Theatre – Photo by Karen Nowosad

Nederlander Theatre – photo by Karen Nowosad

From a walking past view, it looks like new sidewalks maybe? Or perhaps this was all for load-in?  The entrance doors with the silhouettes are a good idea. How timely this show is coming in as My Fair Lady plays further uptown because is some ways, it is an updated version of the classic.

All in all, there is a lot of activity in the works for this show. Stay tuned!

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‘Molasses in January’ Tells a Sad Piece of Boston’s History

Molasses in January is a new, original musical playing at the Jerry Orbach Theatre at New York’s Theater Center. This Off-Broadway production tells the story of a disaster in Boston in January 1919. An enormous molasses storage tank burst sending a wave of the thick substance through the streets. The wave ran at an estimated 35 mph killing 21 people and injuring 150. This event is a part of Boston’s history and one that has a lure of stories connected with it. Molasses in January attempts to describe the event from the viewpoint of an immigrant Italian family who live and work in the area.

Molasses in January has a book and music by Francine Pellegrino. Whitney Stone directs the story of Anna, her children Vincent and Rosemary, and their extended family and friends. The family is Italian, and discrimination runs rampant through their area of Boston. The discrimination is particularly harsh against Sicilians, so they try to distinguish themselves by explaining they are Northern Italians. Early on, Anna’s husband leaves the family to live in New York and she is left with the responsibility of earning a living for them all. She accomplishes this by working in a sewing factory until eventually her relative, Aunt Maria, brings her into a dress shop she buys. Anna begins to date Joe also from the neighborhood but runs into problems with his mother.

Anie Delgado and Daniel Artuso

As time goes on and the children grow up, Rosemary gets engaged to Tony who works right in the room where the molasses storage tank is at. When the explosion eventually happens, the family is directly involved as Tony is one of the workers killed. Anna’s husband eventually returns to the family and wants to rekindle the relationship. Anna turns him out and asserts her own independent life as do her children. At various points, the progress of the construction then the actual running of the molasses tank are told by a narrator.  Key is the leakage that develops early on.

The story line has a number of different scenes used to develop it. This creates some problems with the show in that it is choppy in parts. In the first part of the show, there are so many scene changes that the cast is continuously moving up and down the side aisles with exits and entrances to the point that it becomes distracting. Although the story is interesting, there is definite work that needs to be done on smoothing out the scene progressions and giving a better coherence to the entire production.

Anie Delgado, Grace Experience, Lianne Gennaco

Michael Wittenburg provides music direction to a score that has some good pieces and some that could be eliminated. The program lists 19 songs. It seemed like more sitting through the show. Act I, with nine songs works well. Act II with the remaining ten had some tedious moments to it. The actors sing very well, and the Ensemble songs are very well done. But in Act II, every single mention of something new brought a song along with it.  You know the storage tank is waiting to explode so some of the songs just distract from the real theme. Some cutting in that section would help. Also needing work is the choreography. The continual holding a partner’s hands and swinging around did not add anything. There is a tap number that is good but seems out of place since tap isn’t used throughout.

Casting for Molasses in January includes Lianne Gennaco, Anie Delgado, Grace Experience, Cali LaSpina, Emily Samuelson, Joe Marx, Joe Redman, Daniel Artuso, Zachary Harris Martin, and Nathan Armstrong. This group does a fine job with their roles and as previously mentioned, their singing as well.

This show has a good story line and clever idea from which to work. It does need some work done on it. Right now, Molasses in January looks more like a workshop piece rather than a finished product.

additional information

Performances are on Wednesdays and Thursdays at 7:30 p.m.and Saturdays at 5:00 p.m..

Molasses in January plays at the Jerry Orbach Theater located on the third floor of The Theater Center. Elevator entrance is located at 210 West 50th Street (1627 Broadway).

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Take a Sweet Trip to the Tropics at the Lobby of ‘Escape to Margaritaville’

Photo by K. Nowosad

The tropics look like they have landed in New York City. It would be a nice change from the cool, damp weather we keep having.  But instead, this is a photo of the lobby of the Marquis Theatre on W. 46th Street where Escape to Margaritaville is playing. Walk inside and there is some great music playing and the atmosphere is very warm feeling. So it might not be the tropics, but it is a darned nice escape!

Escape to Margaritaville is a Broadway show new this season that features the music of the legendary songwriter/singer Jimmy Buffett. It is described on Broadway.com as follows:

Imagine a place where the sun is hot, the ocean’s warm, and the drinks are as cold as they are plentiful. Welcome to Margaritaville, the island paradise where city folk get away from it all and the locals get into the kind of trouble you can almost always sweet talk your way out of.

Featuring both original songs and your most-loved Jimmy Buffett classics, this new musical is the story of a part-time bartender, part-time singer, and full-time charmer named Tully who thinks he’s got life all figured out. Until a beautiful career-minded tourist steals his heart and makes him question/ everything.

More than a musical. It’s a way of life.

I was in the area of the Marquis Theatre last week doing some research for the June 7th launch of my new walking tour The Broadway / Theater District – History, Shows & The Magic. Once I spotted this display, I had to go in. This lobby has to be one of the most unique Broadway lobbies for decoration and display right now. It gets you in the mood of the show before you even enter the theater. Mr. Buffett’s music is playing to add more to the atmosphere. All in all, it was like having an afternoon visit to a vacation spot.

To find out more about the show or tickets, visit their Official Website: escapetomargaritavillemusical.com

To learn more about the Tours I offer, visit BroadwayNeighborhoodTours.com.

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