‘Charley’s Aunt’ is a Delightfully Funny Play

Charley’s Aunt by Brandon Thomas. The Shakespeare Theatre of New Jersey 2018. Directed by Joseph Discher. Pictured (left to right): Isaac Hickox-Young as Charles Wykeham, Erica Knight as Kitty Verdun, Seamus Mulcahy as Lord Fancourt Babberly, Emiley Kiser as Amy Spettigue, and Aaron McDaniel as Jack Chesney. Photo credit: Jerry Dalia.

Charley’s Aunt -A Review

Brandon Thomas wrote Charley’s Aunt back in the 1890s. When it debuted in Victorian England, it was a huge hit. Times have changed and we certainly are not Victorian in our thinking today. However, what worked then, still works now. The Shakespeare Theatre of New Jersey is running a delightful production of Charley’s Aunt. Directed by Joseph Discher, the play incorporates deception, attempts at love, mistaken identity, and finding a long lost love all in one neat package. The package contains many funny moments that gets the audience laughing easily and often.

The story revolves around an attraction that two college chums, Charles  and Jack have for two young ladies, Amy and Kitty. In an attempt to spend some time with them, they realize they have to have a chaperone. Word comes that Charles’ Aunt is due to arrive that very day in their town to visit.  Several problems immediately arise: 1. Charles has never met her or even seen a photo of her. 2. After plans with the ladies are made, word comes through that she will not make it at the appointed time.

But Jack and Charley are too anxious to spend time with their ladies to let this spoil it. So they recruit their friend, Lord Fancourt Babberly to dress like an older woman and play the part of Charley’s aunt. A theater lover he just so happens to have a woman’s dress with him. So he agrees to play Donna Lucia D’Alvadorez, Charlie’s aunt.

The Fun Begins

A series of events begins after “Charley’s Aunt” arrives on the scene.  Not only does she chaperone the ladies, but she is able to act as another woman might with them causing Jack and Charley to become jealous. It’s interesting to watch the batting and swatting that goes on between the three men. It shows signs of early slapstick comedy or even light fare that the Three Stooges would later do.

Pictured (left to right): Seamus Mulcahy as Lord Fancourt Babberly and John Ahlin as Stephen Spettigue. Photo credit: Jerry Dalia.

Jack’s father stops in for an unexpected visit and he decides to make a play for the aunt. Not that she is attractive to him, but the idea of possibly marrying someone with money is. Addtionally, the man who is Amy’s father and Kitty’s guardian also arrives. He, too, gets into the mating action hoping to land Charley’s aunt for himself.

The final twist to the plot occurs when the Charley’s reak Aunt arrives, but she keeps her identity secret. This allows her to reconnect with Jack’s father with whom she had a love interest many years ago.

And so the plot plays out with an ending leading to several engagements and of course, full disclosure of who’s who!

The Acting and Cast

Charley’s Aunt has a humorous plot line and some very funny dialog. But that comes through most aptly through the work of an amazing cast whom Mr. Discher directs superbly. The three younger men include Aaron McDaniel as Jack, Isaac Hickox-Young as Charles (Charley) and Seamus Mulcahy as Lord Fancourt Babberly.  The interactions between these three make the play move along in that humorous way especially with Mr. Mulcahy’s portrayal of Charley’s Aunt. One of the lines that becomes his/her signature introduction is that she is from Brazil, where the nuts come from. This line from Charles comes early on as they begin the deception, and gets laughs every time it is used.

The young ladies are played by Erica Knight as Kitty and Emiley Kiser as Amy.  Their demure but determined behavior gives a sweet picture of what being chaperoned on a date was like. Sally Kingsford as Ela is sweet as the companion to Donna Lucia D’Alvadorez who has a secret crush on Lord Fancourt Babberly.

Erika Rolfsrud plays Charlie’s real aunt Donna Lucia D’Alvadorez. She is lovely on stage with a beautiful demeanor which allows the chaos around her to look even funnier. Her suitor is played by David Andrew Macdonald as Colonel Sir Frances Chesney who is classy as he is smitten with his rediscovered love. John Ahlin is very humorous as he flits across the stage as Stephen Spettigue  in his continued pursuit of the imposter aunt.

A special round of applause goes to Peter Simon Hilton who plays Brassett, a butler to John. His dry delivery of certain lines adds much to some of the funniest moments in the show.

The sets are simple yet elegant and the costumes are done in a variety of colors and styles that add much to the show.  The creative team includes Scenic Designer Brian Prather, Lighting Designer Matthew Adelson, Costume Designer Natalie Loveland, Sound Designer Steven Beckel, and Dialect Coach Julie Foh. The Production Stage Manager is Kathy Snyder.

Additional Information About Charlie’s Aunt

Running Time: Approximately 2 hours 35 minutes with two 10-minute intermissions.

Location: F. M. Kirby Shakespeare Theatre, 36 Madison Avenue, Madison, NJ.

Performances: Now through Nov. 18, 2018 – Tuesdays through Sundays

Contact for Info and Tickets: Call the Box Office at 973-408-5600 or visit www.ShakespeareNJ.org. Go directly to the Box Office at the F. M. Kirby Shakespeare Theatre.

Special Performances: For the same price as a regular ticket, the Symposium Series performances offer a post-show discussion with the cast and artistic staff. For Charley’s Aunt, the symposia follows the Tuesday, October 30 at 7:30 p.m., Saturday, November 3 at 2:00 p.m., and Saturday, November 10 at 2:00 p.m. performances.

The Know the Show pre-show talks are free-of-cost. Prior to the show, an artist from The Shakespeare Theatre presents a pre-performance talk providing background information and an inside perspective on the production. This program is free with the purchase of a performance ticket, and for Charley’s Aunt are on Thursday, November 1 at 7:00 p.m., with the show beginning at 8:00 p.m.

The Audio Described performance is on Sunday, November 4 at 7:30 p.m. with a sensory seminar beginning at 6:00 p.m. For more information, please contact the Box Office.

 

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‘Trial of Donna Caine’ Looks at Military Processes and Issues

A scene from ‘The Trail of Donna Caine’ playing at George Street Playhouse – Photo credit T. Charles Erickson

Review The Trial of Donna Caine

The George Street Playhouse opened their 2018-19 season last week with the world premiere of The Trial of Donna Caine. There was a full house to see the play written by Walter Anderson noted for serving as the editor-in-chief of Parade magazine for 20 years and then being named Chairman and CEO of Parade Publications. David Saint, Artistic Director for George Street Playhouse, addressed the crowd before the play started. He said that this is a fast-moving play and it certainly is. For those who enjoy shows that entail either figuring out who did it or what caused it, this play is for you. You pick up clues along the way but there is a very surprising twist to the events.

The play is inspired on real-life events surrounding the so-called “Ribbon Creek Incident.”  This incident occurred during a 1956 training mishap that resulted in the drowning deaths of six US Marine Corps recruits. The Trial of Donna Caine uses the incident as a basic story but it incorporating concerns with allowing females to now fight in combat and what it does for basic training platoons. Also, there are implications that new technology brings with it that are integral to the plot. These inclusions allow the 1956 incident to be totally up to date with what is happening in 2018 and probably for some years ahead.

The story centers on Donna Caine, a tough female Marine who is a Staff Sergeant who is devoted to her role as a drill instructor. Not only is she tough, but she is regarded as one of the best. Caine is the picture of a perfect Marine in her stance and presentation as well as her dedication to the Marines. In an attempt to provide an added dimension to the training, Caine brings her platoon out on a march through a section of land that is subject to various water levels due to tidal changes. Although she is certain she had checked the tide times correctly, the water level is so high that five in her charge end up dying on the march.

As charges are pressed against her, a high powered and well known activist lawyer is called upon to represent her. Vincent Stone is uncertain of why he is being asked to represent someone in the military. He asks his associate, Emily Ginsberg, to go to meet with Sergeant Caine. Caine is very defensive at this meeting and states that she is willing to accept full blame and punishment for what happened. Ginsberg is not as certain and she sets out to do more discovery. As she does and as the trial begins, some very surprising issues come out. Some of these point to a set up and the unraveling of them is what gives this play a lot of spark and energy.

There is not a slow moment in this show. Every piece of it is filled with character development and incidents that all lead to a surprising conclusion. The playwright, Mr. Anderson, does a marvelous job writing dialog that fits his characters very well. In doing so, they become immediately believable and they draw the attention and in some cases the angst of the viewers.

David Saint directs The Trial of Donna Caine and in doing so, he employs a unique design to the set which permits scenery to change instantly to videos. The inclusion of videos brings the story to a new level. When not used as videos, the pictures are background scenery.  Applause go to James Youmans for his work on the Scenic and Media Design.

The cast includes John Bolger (Roy Gill), Julia Brothers (Lt. Colonel Sandra Eden), Michael Cullen (Sergeant Major Clayton Williams), and Kally Duling (Private First Class Ellen Colessio). Also in the cast are  Peter Frechette (Vincent Stone), Ryan George (Gunnery Sergeant Jacob Jasper Walker), Margarita Levieva (Emily Zola Ginsberg), Melissa Maxwell (Judge Easton), and Flor De Liz Perez (Staff Sergeant Donna Caine).

This play runs until Nov. 11, 2018 which is Veteran’s Day.

Additional Information About The Trial of Donna Caine:

Running Time: Approximately 2 hours including one 15-minute intermission

Location: George Street Playhouse’s temporary home at 103 College Farm Road in New Brunswick, NJ.

Performances: Now through Nov. 11, 2018.

Contact for Info and Tickets: Go to the George Street Playhouse website at www.GeorgeStreetPlayhouse.org, or call the box office at 732-246-7717.

Suggested Audience: Serious playgoers especially those who enjoy suspenseful shows and those who like to figure out what’s really behind what is being seen as the action.

 

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‘Bridges: A New Musical’ to Play at Amas Musical Theatre

The Amas Musical Theatre celebrates their 50th season with a presentation of Bridges: A New Musical. The show has book and lyrics by Cheryl L. Davis and music by Douglas J. Cohen, This is the first of four new musicals in development included in this year’s “Dare to Be Different” series.

Press notes describe the show as follows:

In 1965, a young woman boldly joins a march to fight for her civil rights. Decades later, another young woman faces her own battle for equality. As their stories collide across time and distance, each must come to terms with who she is in the context of a changing and complicated world. Full of soulful melodies, Bridges: A New Musical is an empowering story that explores our country’s past and present – how far we’ve come, how far we have to go, and the bridges we must cross to get there.

Amas Artistic Producer Donna Trinkoff adds: “Bridges” is a unique and highly original musical that juxtaposes two battles for civil rights in this country that take place almost 50 years apart. The struggle among the freedom fighters in 1960s Selma, Alabama and the fight against proposition 12 in Oakland, California in 2008 are told concurrently through the personal struggles of two young women. It is a compelling story told with great artistry through the words and music of Cheryl L. Davis and Douglas J. Cohen. We are very excited to continue to be a part of the development of this important show.”

The creatives include direction by Jeffrey Page with musical direction by Chris Ranney.

The cast features Tyla Collier, Christian Conner, DeMone, Tina Fabrique, Badia Farha, Philip Hoffman, Victoria Lanzillo, Judy McLane, Kevin Morrow, Zal Owen, David Rogue, Raun Ruffin, Cliff Sellers, and Jada Temple.

Tickets for Bridges: A New Musical are FREE, but reservations are required. Please email boxoffice@amasmusical.org or call (212) 563-2565. Seating is limited.

Performances are Thursday, November 15 at 3pm & 7pm and Friday, November 16 at 3pm at A.R.T./New York Theatres located at 502 West 53rd Street – 10th Avenue & 53rd Street.

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