‘A Doll’s House, Part 2’ Questions Answered and New Ones Arise

A Doll’s House, Part 2 GSP 11-18 208 A Doll’s House, Part 2, by Lucas Hnath, directed by Betsy Aidem at George Street Playhouse 11/25/18 Scenic and Media Design: Deb O Costume Design: Olivera Gajic Lighting Design: Rick Fisher Hair and Wig Design: Troy Beard Photo Credit: T Charles Erickson © T Charles Erickson Photography tcepix@comcast.net

A Doll’s House, Part 2 by Lucas Hnath is playing now through December 23rd at New Brunswick’s George Street Playhouse. This play ran on Broadway in 2017 and received eight Tony Awards Nominations and a Tony for Best Leading Actress Laurie Metcalf.  The play is the story of what happened to Nora Helmer of Henrik Ibsen’s classic play A Doll’s House, as she returns to the house she left 15 years earlier. No prior knowledge of the original play is necessary. According to George Street Playhouse’s Artistic Director, David Saint, “This is a contemporary sequel and stands on its own as a fantastic comedy.”

Betsy Aidem directs this show which is a comedy, but there is a good amount of drama as the play unfolds. Ms. Aidem brings with her a strong acting background which may account for the way the play moves at such a fine pace. The well written dialogue helps bring the action to life to tell and develop the story. The show runs approximately 85 minutes with no intermission, but it does not lag at all.

The set is very basic. It is a bare bones room with the famous door Nora goes through when she leaves 15 years before and returns through in this show. The presence of such a sparse room allows the focus to remain on the actors as they move through the achievements and heartaches of their lives.

the play as a barometer of action

A Doll’s House, Part 2 has special appeal for anyone interested in the progress of women over the years. The original Ibsen play caused a sensation because it showed a woman who realized her marriage was a sham. She walks out on her husband and three children. So now, in this new contemporary play, Nora returns to the home she shared with her husband. She is first greeted by Anne Marie who helps take  care of the household. She tells her of the success she has had making her way in the world as a woman alone earning her living as a writer. And as happened to other women who wrote in that time period, she represented herself as being male. Legal issues have come about and she needs to discuss them with Torvald.

Photo Credit: T Charles Erickson © T Charles Erickson Photography tcepix@comcast.net

What occurs in their discussions is surprising. It allows theater goers to see Nora, who is regarded as an early champion of better rights for women, to delve into the price she pays for what she gained. It also gives a good view into Torvald, and the price he did not pay. When information comes out about what he did to protect his own image in town, feelings of resentment arise. As a man in that society, he was able to come out on top and equality for both partners in the marriage does not exist.

With superb acting by Kellie Overbey as Nora and Andrew Garman as Torvald, we see the dynamics of a couple who were in a marriage with all the customs and expectations of that time period, late 1800’s. Without giving away too much, let it suffice to say that Torvald continued a style of behavior that drove Nora out. The resolution of what he did may surprise you and it may not. Casting also includes Ann McDonough as the outspoken Anne Marie and Lily Santiago as one of the couple’s three children who is a lovely and understanding woman.

In the end, we have answers to what Nora did during those 15 years. But we end up with new questions as to what her future will hold for her. Did Nora give in too quickly to Torvald because in the end, she didn’t really believe in herself? This is a question you might find yourself asking when you see this very fine production. A Doll’s House Part 2 gives theater goers something to sink their teeth into besides tasty cookies this holiday season.0000

For more information about the show or to purchase tickets, visit George Street Playhouse’s  website.

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‘The Emperor’s Nightingale’ is Wonderful Children’s Theater

‘The Emperor’s Nightingale’ Pictured (left to right): Ya Han Chang, Brian Kim, Leanne Cabrera.
Photo credit: John Quincy Lee.

A delightful children’s play, The Emperor’s Nightingale, is now running in The Beckett Theatre at Theatre Row. The Pan Asian Repertory Theatre is presenting this play as it launches its 2018 – 2019 season. This presentation marks the beginning of the Theatre’s new educational initiative as it reaches out to elementary grade students and families with children. This is a very fine choice with which to launch their new program because it is a captivating piece of children’s theater.

The Emperor’s Nightingale is by Damon Chua. It is a family- friendly adaptation of Hans Christian Andersen’s story “The Nightingale” set in 1723 in China. Directed by Chongren Fan, it tells the story of two teen-aged brothers who are competing to become the next emperor. One brother, Prince Bao, is favored by a very special Nightingale, who also serves the Emperor. Yes, the Nightingale is a bird and a very wise one.

The other brother, Prince Hongshi, realizes that Nightingale is key to gaining his father, the Emperor’s favor, so he sets out to get her on his side. Hongshi discovers a clever diversion to move Bao away from Nightingale. Nightingale is saddened as she learns of Bao’s interest in a mechanical bird rather than doing good deeds for his people.

Pictured (left to right): Ya Han Chang, Jonathan Frye, Dinh James Doan, Roger Yeh.
Photo credit: John Quincy Lee.

In the end, all situations are peacefully resolved but along the way, there are some interesting characters that children will enjoy seeing. For example, two Pandas open the show. A tiger who is in two pieces, a head and a tail, are also featured. The tiger is a funny character and one which comes down into the audience. Very young children may be a little frightened by this tiger as it advances.  Caution on the part of the accompanying adult is advised!

Speaking of adults, this show will appeal to theater goers of all ages. There are some strong morals that are part of the story and some thoughts that anyone can apply to their life or the lives of those who lead. The concept of working to do the right thing for the people you serve and having their best interests at heart is something that all can deem important to see on stage.

Creatives and Cast

The show opens and closes with songs and some music with an Asian flair is played in parts. The costumes are lovely especially Nightingale’s who gives the illusion of lightness of flight throughout the show. The design of the scenery is very interesting with its cut-out design on stage with important props. The creative design team includes Set by You-Shin Chen and Lights by Leslie Smith. Costumes are by Karen Boyer. Sound is by Joseph Wolfslau. The Stage Management team is Kristine Schlachter and Sabrina Morabito.

The cast gives performances that are light-hearted at times, and when needed, they are more serious. Leanne Cabrera plays Nightingale as a beautiful bird to be treasured. Jonathan Frye brings an innocence of youth with hopes for a good future to Prince Bao. Four of the cast members play multiple roles and they switch between those roles seamlessly. They are Brian Kim and Ya Han Chang as the Emperor/Panda/Mechanical Bird. Roger Yeh is scheming as Prince Hongshi but comical as Tiger Head. Dinh James Doan plays a serious Minister Wu and also a comical Tiger Tail.

The Emperor’s Nightingale continues now through December 16, 2018 at The Beckett Theatre, at New York City’s Theatre Row, 410 W. 42nd Street. This is a special treat to see this show, one that is sure to please the entire family.

Tickets:

Tickets for The Emperor’s Nightingale are $30, plus $2.25 theater restoration fee. The show plays the following performance schedule: Fridays and Saturdays at 7:30 p.m., Saturdays and Sundays at 2:30 p.m.

Tickets may be purchased at www.telecharge.com, (212) 239-6200, or by visiting the box office.

There will be Special Student Matinee performances on Tuesdays, Wednesdays and Thursdays at 11:00 a.m. To bring your school to a performance and more information, please email info@panasianrep.org or call (212) 868-4030.

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Paper Mill Playhouse’s ‘Holiday Inn’ Delightful for the Season – Review

Irving Berlin’s Holiday Inn at Paper Mill Playhouse; Nicholas Rodriguez (Jim) and company; photo by Evan Zimmerman for MurphyMade

The Paper Mill Playhouse truly delights their audiences this season with their production of Holiday Inn. Based on the film of the same name from Universal Pictures with music and lyrics by Irving Berlin, this show has a book by Gordon Greenberg and Chad Hodge.

Holiday Inn is an older style musical that plays well at this time of the year. However, under the very competent direction of Gordon Greenberg, this production has a new life to it. The cast is superb as they sing and dance musical numbers that are classics. Choreography is by Denis Jones and music direction by Shawn Gough.

Irving Berlin’s Holiday Inn at Paper Mill Playhouse; Nicholas Rodriguez (Jim, center) and company; photo by Jerry Dalia

The story remains true to its original roots as it looks at the song and dance team of Ted Hanover and Jim Hardy. They are a part of a show that is ending. Jim proposes to his love, dancer Lila Dixon, and tells her of his excitement to buy a farm in Connecticut. Lila realizes that she is love with him but more in love with the potential to become a star. So when word comes extending the show, Lila eagerly jumps at the chance while remaining engaged to Jim who leaves to go to Connecticut to finalize the sale of the Mason farm. He eagerly waits for Lila to finish the show and come to Connecticut to marry him.

Farm life turns out to be more difficult than Jim imagined. Linda Mason, a family member of the former owners understands his dilemma. She helps him when he decides to turn it into a what we might now call a Bed and Breakfast that runs shows with Broadway performers on holidays only. As the Inn develops, Ted returns to help with a show and bring in badly needed audiences.

Jeff Kready (Ted), Hayley Podschun (Linda), Nicholas Rodriguez (Jim), and company; photo by Jerry Dalia

There is more to the story that involves Jim and Linda falling in love and eventually of course living happily ever after. But before that happens, the audience is treated to some of the most classic songs out of the Irving Berlin collection. “Blue Skies” sung by Nicholas Rodriquez as Jim is a stand out moment. Jeff Kready brings the show to an exciting level as he tap dances in midst of firecrackers going off onstage to  “Let’s Say it with Firecrackers/Song of Freedom.”  “Easter Parade” brings the entire show’s company out is full force as they display some very memorable hats. One of the biggest songs to emerge from this show, “White Christmas” is beautifully performed by Mr. Rodriquez and Haley Podschun as Linda.

The wardrobe is remarkable and many costumes are a part of this show. Scenery is done with attention to color and the front of the stage has an extension which allows the performers to come out even closer to the crowd.

The cast for this show does a fantastic job. Principal cast features Paige Faure as Lila Dixon, Jordon Gelber as Danny, and Ann Harada as Louise. Jeff Kready plays Ted Hanover with Hayley Podschun as Linda Mason. Nicholas Rodriguez is Jim Hardy with Jian Harrell and Aidan Alberto alternating in the role of Charlie Winslow.

Additional cast members include Jordon Beall, Gene Biscontini, Colin Bradbury, Tricia DeSario, and Taylor Fields.  Also in the cast are Kelly Gleason, Juliane Godfrey, Berklea Going, Joshua Israel, Julie Kavanagh, Mallory Nolting. Clifton Samuels, JT Teeling, Karl Skylar Urban, Amy Van Norstrand, Scarlett Walker, Travis Ward-Osborne, and John T. Wolfe.

Holiday Inn is good entertainment for the entire family to come out and enjoy. You just can’t help but smile as you tap your feet to tunes that are a part of our culture. It is a great show to see this time of year.

To see photos of the Curtain Call on Opening Night, go to a previous article on this site: ‘Holiday Inn’ Opening Night Curtain Call.

Additional Information about Holiday Inn

Run Time: Approx. 2 hr. 30 minutes which includes one 15 intermission

Location: Paper Mill Playhouse, 22 Brookside Drive, Millburn, NJ

Performances: Eight times a week, Wednesday through Sunday now through Dec. 30, 2018.

Suggested Audience: Family friendly

Special Performances and Enrichment Offerings:

Audio-described performances are on Saturday, December 29, 2018, at 1:30pm and Sunday, December 30, 2018, at 1:30pm. Prior to these performances at noon, the theater will offer free sensory seminars.

A sign-interpreted and open-captioned performance is on Sunday, December 30, 2018, at 7:00pm.

Conversation Club: Thursday evenings, November 29, December 6, December 13 and December 20 one hour before curtain for an informal, informative gathering.

Q&A with the Cast: After the matinee on Saturday, December 15 with cast members.

 

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