‘A Gentleman’s Guide to Love & Murder’ Tickles a Dark Funny Bone

The opening song of A Gentleman’s Guide to Love & Murder. at Shakespeare Theatre of New Jersey
Photo byAvery Brunkus.

A Gentleman’s Guide to Love & Murder Opens 62nd Season

The Shakespeare Theatre of New Jersey (STNJ) opened their 62nd season last weekend with the show A Gentleman’s Guide to Love & Murder. New Artistic Director Bruce B. Crowe welcomed the audience and explained that this is the first time in a dozen years since a musical was being presented at STNJ. After seeing it performed, I would encourage them not let so many years pass again. In fact, can I put in my order for another one next season?

This show is an outstanding production that has an excellent cast, live musicians, and strong creative work. Best of all, it is funny but as hinted at in the title of this article, it is dark humor. You will need to read on to see what I mean. The musical score includes songs that describe the characters and situations they are in. And speaking of characters, they are integral to making this show funny. Their fates create a story that is definitely over the top; all the better to create laughs.

A Gentleman’s Guide to Love & Murder is based on the comedic novel by Roy Horniman and brought to life by Robert L. Freedman (Book and Lyrics) and Steven Lutvak (Music and Lyrics), It opened on Broadway in October, 2013. It ran for 905 performances picking up the Tony Award for Best Musical in 2014.

The STNJ’s production of A Gentleman’s Guide to Love & Murder is directed by Brian B. Crowe.

An Active Storyline

The basic story revolves around Montague “Monty” Navarro (Miles Jacoby) and his quest to become the Ninth Earl of Highhurst. After his mother’s death, he is told by the mysterious Miss Shingle (Lauren Cohn), that his mother was a member of the aristocratic D’Ysquith family. Isabel D’Ysquith had eloped with a musician who is now also deceased. This caused her her family to disown her. Isabel never told Monty about this in order to avoid any embarrassment for him. As the show opens, he is living a rather poor life.

However, Miss Shingle encourages Monty to seek out his rightful place in the family. She admits its a longshot because he is ninth in line to inherit the earldom of Highhurst. Monty is not convinced to do anything. However, when he finds out the woman he is love with, Sibella Hallward (Claire Leydon), is preparing to look for another more successful man, he moves into action.

Mr. Jacoby does a great job playing Monte as he becomes the straight man of the funny actions. Ms. Cohn puts a funny spin onto the Miss Shingle character; she gets your attention every time she appears.

The Eight Who are Ahead in Succession

Monty decides to meet the Reverend Lord Ezekial D’Ysquith. They tour the ancestral family church. As they stand on edge of the bell tower, a gusty wind causes the Reverend to loose his balance. Rather than trying to save him, Monty lets him fall. Clever staging gives the concept of the fall but we don’t actually see a full body falling allowing humor to enter. So now, this becomes the turning point of the action because Monty realizes this is revenge for the way his mother was treated.

Christopher Sutton as Lord Adalbert D’Ysquith. Photo by Avery Brunkus

And so, he sets out to eliminate the other 7 people ahead of him in the line of succession. The musical takes on the tone of a farce because the events are exaggerated and the characters involved are all over the top. The term dark humor is also appropriate here because it is not normal to laugh as people are getting killed. But the tone and situations that are seen carries out the term well.

Christopher Sutton plays all eight of the ill-fated D’Ysquith heirs. Mr. Sutton does an amazing job taking on all these roles. All the costume changes alone would be enough to say he is amazing, but his humorous takes on the characters are absolutely terrific.

Some of the deaths are directly because of Monty but a few have other factors involved especially at the end when there is a death from poisoning.

Miles Jacoby as Montague “Monty” Navarro and Eryn LeCroy as Phoebe D’Ysquith. -Photo by Avery Brunkus

Love Enters Several Different Ways

Monte’s relationship with Sibella continues even though she marries another gentleman of higher status, Lionel Holland. But along the way as members of the D’Ysquith family are dying, he spends time with Phoebe D’Ysquith (Eryn LeCroy). He comforts her as she morns the deaths. And he grows very fond of her but remains in love with Sibella. Eventually, Phoebe announces her intentions in a rather humorous tune, “I’ve Decided to Marry You.”

There are other events which occur concerning Monte and the two women that cause some conflict. However, the concluding actions of the tale involve both of the women assisting Monte in a surprising manner.

A final word about Eryn Le Croy and Claire Leyden: they are both very fine singers and produce some of the best moments of song in the show.

When I write these reviews, I try not to give away the ending, so I will just say there is a little surprising twist at the end. After you have seen the action played out, you are bound to find it an amusing way to end.

Cast and Creatives

In addition to the five cast members mentioned above, the production also includes Javier Alfonso Castellanos, Bobby Cook Gallagher, Francesca Mehrotra, James Conrad Smith, Kayla Ryan Walsh, and Katie Zaffrann. All told, this cast is excellent to watch and listen to.

The creative team includes Doug Oberhamer (music director), Dick Block (set design), Austin Blake Conlee (costume design), Matt Weisgable (lighting design), Steve Beckel (sound design). Additionally, there is Jeffrey Marc Alkins (choreography), Julie Foh (dialect consultant), and Carolyn Fast (Production Stage Manager)

Go See A Gentleman’s Guide to Love & Murder

The timing for this show works well as the holiday weekend is upon us. If you are looking for a fun event out to attend, this should be one to consider.

Performances will run from May 15th through June 9th at FM Kirby Shakespeare Theatre on the campus of Drew University in Madison, NJ. Parking is free and conveniently located near the venue.

NOTE: Performances use haze, the sound of gunshots, brief strobe flashes and other effects. See the show page on STNJ’s website for more details.

Single tickets and subscription packages are available for purchase online at shakespearenj.org or by calling 973-408-5600.

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New Bell Theater Opens with ‘East Carson Street’

05-03-2024 – East Carson Street at Bell Theater – Photo credit John Cavanaugh

East Carson Street – A New Musical Premieres at Bell Theater

New Jersey has a new professional theater that is now open and active. The Bell Theater is located in Holmdel’s Bell Works complex. it is a part of the Axelrod Performing Arts Center.

The first performance at the Bell Theater was on May 3 when East Carson Street premiered. An enthusiastic crowd filled the seats in this beautiful new venue. Axelrod’s Artistic Director, Andrew DePrisco, welcome everyone and proceeded to say that the production only had about 11 days to rehearse. He said that a few people might have scripts in their hands since this was still a work in progress. And some did but there appeared to be no glitches in the evening’s performance. All went off very well.

East Carson Street is an exciting new rock musical. It features music and lyrics by Joe Grushecky, This iconic musician is well known for his work with the Iron City Houserockers and his collaborations with Bruce Springsteen. In fact, a few of the songs in the musical were co-written with Springsteen. A superb cast sings 20 songs led by the strong vocals of Broadway veterans Constantine Maroulis and Teal Wicks.

The book for this show is by Jonathan Rosenberg and Direction is by Daniel Kutner. Music Director is Charles Santoro and Choreography is by Michele Mossay.

The show is presented in a modified workshop / concert style. However, it has a good, functional set and enough elements of a fully produced musical to give you a chance to see a new production that has a lot of promise.

Background

According to press notes, Grushecky grew up in a coal mining town on the city’s outskirts and has seen Pittsburgh go through multiple transformations over the years.

“There were coal miners on both sides of my family,” Grushecky said. “My dad dropped out of school at 12 years old to work in the coal mines. It was hard work.”

In the 1970s, Grushecky lived just off East Carson Street and remembers when the gritty bars were packed with guys getting off their factory shifts. However, by the ‘90s, the area had transformed into a hub of live music and nightlife with Grushecky playing a major role in the city’s music scene.

Today in Pittsburgh, the mills, mines, and pollution are all but gone, replaced by parks, clean water, and thriving communities. The actual East Carson Street is now a national historic district, lined with popular bars, restaurants, pubs, and nightclubs.

This ability to change and transform is what the show is all about. It follows a family over a period of about 40 years as they deal with the loss of jobs and a way of life with which they were most familiar. The music guides us through this difficult journey and it brings us to a celebration of a new way of life in a most entertaining and pleasing manner.

A Story of Family and Friends

The story centers around Jimmy (Constantine Maroulis), a man in his twenties, who receives word that he is losing his job at the steel mill. He shows his father, Geroge (Alex Paez), the notice and tells him he is going to go get work in a mine for a short time. His father objects saying he was never planning to stay in the mines 30 years ago. He is hooked to an oxygen machine indicating lung disease.

Jimmy heads for his favorite watering hole, Junior’s, where he meets up with his friends Rick (Izzy Figueroa) and Tank (Matt Wolpe).

05-03-2024 East Carson Street at Bell Theater – Photo credit John Cavanaugh

And it is here that he meets and hooks up with Julie (Bre Cade), a beautiful, but very young woman. She is employed at the local supermarket and remarks that she could get him work there. He takes her up on the offer.

05-03-2024 – East Carson Street at Bell Theater – Photo credit John Cavanaugh

The two become involved and Julie becomes pregnant with his child. She leaves town without a trace causing Jimmy to wonder for many years what happened to her.

To help pull Jimmy out of his sadness at losing Julie, Tank suggests he meet his sister, Angie (Teal Wicks). They meet and eventually marry and start a family. However, Act 1 ends on a sad note as George dies.

05-03-2024 – East Carson Street at Bell Theater – Photo credit John Cavanaugh

Act 2 – Many Events Occur

Act 2 brings the story years forward. Jimmy has gone back to school and earned a business degree. He worked his way up into management at the supermarket and now owns his own business.

What happens over the 30+ years shows many changes to all the characters. There are some sad moments, but also moments of hope.

Although I love telling a story, I will stop now. When you see the show, you will see all the pieces that fit into this act bringing the show to a satisfying ending.

05-03-2024 – East Carson Street at Bell Theater – Photo credit John Cavanaugh

The Music Tells the Stories

The music in East Carson Street provides a center focus for the show. The songs come from Grushecky’s musical catalog with 2 co-written with Bruce Springsteen.

A full band is right in view on stage and they do an outstanding job providing the music. The band is led by Conductor Charles Santoro who also plays piano. Gordon Brown, Mick Gaffney, and Burt Conrad play guitars. Joe Bellia is on drums with Frank Canino is on bass.

All of the songs are important to the show but there were a few that really stood out for me:

Grushecky’s 1980’s “We’re Not Dead Yet” provides a spirited beginning to the show already hinting at what is to come.

One of the most poignant moments is at the end of Act 1 when Junior (Tommy McDonnell III) and Jimmy sing “Down River.” This is a tribute to George, who has just passed away. Maroulis and McDonnell sing with emotion fitting to the sadness of the event.

The transition to Act 2 begins with “I Still Look Good (For 60) performed by Jimmy, Angie, Tiffany, Tank, and the Company. It’s a great way to update the time setting.

A stirring moment in Act 2 is when Angie sings “Rainy Day in Pittsburgh.” Wick’s vocals are very powerful on this song as she laments what is happening.

The show ends on a upbeat note with “I Will not let My Spirit Fall” and a final segment of “East Carson Street” performed by the entire company.

East Carson Street Needs to Continue On

The musical East Carson Street needs to continue on its journey and be seen by many people. The production and especially the music are very well done. It provides a most enjoyable visit to the theater. But it’s more than that.

East Carson Street serves as a type of historic document to educate and inspire The topics shown in this musical provide that look back at the past not only for Pittsburgh, but American workers as well. The changes in the steel industry created major rippling effects that affected thousands of people. They lost jobs that were not coming back. They had to look for a new way to make a living. The story told in East Carson Street gives an important look at the resiliency people need to have when faced with these kinds of tremendous changes. The ability to make those changes was needed in Pittsburgh to have it become the successful city it is today.

Most of all, it is a tribute to the people who were willing to make those changes. We need to celebrate these things. And we need to leave this as a record for both the current generation and those to come.

Go See East Carson Street at Bell Theater

The Bell Theater is located inside BellWorks, 101 Crawfords Corner Rd., Holmdel. Tickets start at $35 and are available at Belltheater.org or 732-531-9106, ext. 14.

For more information, visit the show’s website  . East Carson Street will only run until May 12. Performances continue this week on Friday, May 10 at 7:00 p.m. and Saturday, May 11 at 8:00 p.m. Two afternoon performance run on May 11 at 2:00 p.m. and May 12 at 3:00 p.m.

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‘The Two Hander’ Delves into Psychology and More

A scene from The Two Hander starring Jill Eikenberry and Ella Dershowitz – Photo credit Andrea Phox

‘The Two Hander’ – A Review

A new play titled The Two Hander is playing at the New Jersey Repertory Company in Long Branch. Written by Julia Blauvelt, this play unfolds layers of plot and character development very carefully. This unfolding examines the story of two women. Diana, played by Jill Eikenberry, is a psychotherapist who has seen better days. Claire, played by Ella Dershowitz plays a person trying out psychotherapy for the first time.

Very effective staging helps the audience gain a better understanding of the plot and characters. Director SuzAnne Barabas makes sure that the use of special effects carry out the theme of the play in a most interesting way. Audiences can watch the mental deterioration of one of the characters as it progresses through the use of wall hangings and books as they slip and slide.

Additionally, the script is well written. Playwright Blauvelt incorporates powerfully written dialog for both of the characters. It takes a little for the unfolding of the characters to take root. But once it does, the audience gets a unique look at what is going on below the surface.

There is no doubt that this play will hold your interest as you watch two women interact with high emotional stakes involved.

Meeting the Therapist

All scenes for this play take place on set designed to look like a comfortable therapist’s office. Diana has been a resident of her Manhattan office for a number of years but she continues to have problems with a noisy heater. She makes numerous calls to “Gary” to try to get it solved but it never does happen. The office has comfortable seating, a number of books on shelves, and numerous pictures and artworks are on the walls.

Watch as Diana makes her first phone call to Gary and notice that she has two different names that she tries out. At first, it is hard to figure why she can’t recall Gary’s name immediately if she has been calling him numerous times. That becomes clear later on.

Enter Claire who decides to accept services from Diana. She is very hesitant to take on therapy sessions. But she realizes her own life has reached a point where it might be something that will help her move forward in her life. She is impressed with the amount of books and the subjects they cover in Diana’s office. The surroundings seem to reassure her except maybe for that malfunctioning heater that no one seems to be able to fix.

The Acting Brings the Real Issues to Light

As the sessions continue, an interesting dynamic begins. Jill Eikenberry turns in a strong performance as she wrestles with the inner demons haunting her. However, she does it in a such a manner that we don’t realize what it is really happening until later in the play. And that allows her client, Claire, to continue with the therapy much longer than she might have if she had a better sense of her own self. Some of the most forceful moments of the play occur when therapist Diana inflicts her own pain onto her client, Claire. And as she does so, movement occurs on the walls with the books and pictures.

Ella Dershowitz’s portrayal of Claire is that of a young woman who is not able to move forward with her life. She is a writer who has to take a job as a ticket seller rather than practice her own trade. Dershowitz does an excellent job of showing Claire bouncing back and forth between moments of progress then moments of moving backwards. She has a certain affection towards Diana. But that turns into other emotions as the true nature of the therapist presents itself.

Final Thoughts

This play is both interesting and surprising to see. It starts out a little slow but once it picks up, the audience gets caught up in the prison that Diana is in.

It would ruin it for anyone coming to see the show to say more than I have. I will say that the ending is dynamic and unexpected.

I would be remiss in not recognizing all of the creatives for The Two Hander. Their contributions add much to the strength of the script and acting. In particular, a special shout out goes to those who set up the walls and remount them after every show. Bravo!!

Tickets for The Two Hander

The Two Hander runs until May 19, 2024. Running time for the play is 1 hour 45 minutes with a 15 minute intermission.

Recommended age for theater goers is 13 +.

Tickets are on sale at NJ Rep.org or by calling 732.229.3166. 

The NJRep is located at 179 Broadway, Long Branch, New Jersey, 07740. 

The Two Hander begins promptly at 7:30 on Thursdays, Fridays, and Saturdays. Additional matinees are on Fridays, Saturdays, and Sundays at 2 PM. 

Parking is available off of Liberty on the left side. The main door to enter is off of this parking area.

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