Heart Warming and Melodic: ‘Last Days of Summer’

Last Days of Summer GSP 10-19 078 Last Days of Summer, book and lyrics by Steve Kluger, direction and musical staging, Jeff Calhoun George Street Playhouse 10/17/19 Scenic Design: Beowulf Boritt Lighting Design: Ken Billington Costume Design: Loren Shaw Hair, Wig and Makeup Design: J.Jared Janas Photo Credit: T Charles Erickson © T Charles Erickson Photography tcepix@comcast.net

A Review

George Street Playhouse opens its new season and their new home venue with a new musical titled Last Days of Summer. This show is a total heart warmer and one that is sure to be an audience favorite. It is a well told story with appealing characters, some familiar moments in time and fabulous music that reflects the era. The story centers around the idea that the bonds which people lovingly develop between each other stay with them throughout their lifetime and even after death.

Last Days of Summer is based on a bestselling novel of the same name by Steve Kluger. Mr. Kluger also contributes his writing to the song lyrics which uses music by Grammy winner Jason Howland. Tony nominee Jeff Calhoun directs and provides musical staging. Set design is by award winning Beowulf Boritt.

A Touching Story

The story opens in modern day when young Chuck Margolis (Gilberto Moretti-Hamilton) innocently opens a box in the attic to find letters and memorabilia of his father’s days growing up. The question of why his father, sportswriter Joe Margolis (Danny Binstock), isn’t covering Charlie Banks Day leads him to a discovery inside the box that his father finds. Joe begins to reflect back to his days as a 12-year-old child. He recalls when he and his friend Craig (Parker Weathersbee) wrote letters to one of the Brooklyn NY Giants, Charlie Banks, in attempts to meet him.

At this point, the scene shifts back to 1940s Brooklyn and remains mainly in that time period as grown up Joe Margolis remains on the side of the stage and watches. There is a feeling that he is lamenting the past as the young Joey Margolis (Julian Emile Lerner) writes letter after letter to meet Charlie Banks (Bobby Conte Thornton). He comes up with lots of illnesses to try to work his way into Charlie’s heart. Charlie stands his ground and sees this as a crazy kid trying to get to meet him. It’s only after Joey contacts Charlie’s girlfriend, Hazel (Teal Wicks) that Charlie consents to meet him.

Last Days of Summer – Shown in a tender scene is Bobbby Conte Thornton as Charlie Bankds and young Joey played by Julian Elile Jerner
© T Charles Erickson Photography tcepix@comcast.net

It turns out that Joey is dealing with a rejection from his own father. The father left the family and now he tells his son Joey that he will not be at his upcoming bar mitzvah.  As Charlies eventually learns why Joey has been seeking him out, he softens and the two become attached. He becomes a father figure to the young boy. Joey learns that Charlie is holding back on a lot of sentimental attachments. He also finds out Charlie had a brother who died at an early age. The reasons for the death and the effect on Charlie become clearer towards the end of the play.

As the connection between the Joey and Charlie develops, signs of the start of World War II appear. Joey’s friend Craig leaves Brooklyn with his family to live out west and later turns up in an internment camp for Japanese Americans. The sadness of this moment brings the war closer to home for all.

Charlie and Hazel are married as he is sent off to the war. His friend Stuke (Will Burton) from the baseball team is in his platoon and their connection is solid. But Stuke is sent out on active fighting duty as Charlie is assigned to desk duties. Charlie performs heroic actions and he pays with his life.

As the scene shifts back to present day, Joe Margolis as a grown up learns to make peace with his feelings of loss when a letter written by Charlie is found in the box. As he reads the contents, he is comforted when he realized the bond he and Charlie formed years ago still exists.

Songs Enhance the Show

Last Days of Summer is beautifully enhanced by the songs and musical numbers. The melodies are absolutely delicious in this show as they take on the sounds and feel of jazz and the big band era. Listen closely to the lyrics as they bring out important pieces of the emotions being portrayed.

Last Days of Summer – Shown is Teal Wicks as Hazel. Photo Credit: T Charles Erickson © T Charles Erickson Photography tcepix@comcast.net

There are several songs where dancing takes center stage and they are a joy to watch. One of the standouts of the show is in the second act where “You’ve Got To Be Real” is performed by Stuke and Joey and back up dancers. It is here where Stuke, who never has a girlfriend but instead relies on pinup girls to suffice, gives evidence that he is gay. But in keeping with that 1940’s time period, that point is made in this subtle way. “You’ll Never Have to Say Good-bye” is introduced in the first act by Charlie and then brought back as a reprise to close the show featuring Charlie and Joe with the entire ensemble. Teal Wicks is a standout in fine voice as she plays a singer. She sings several songs that knock your socks off especially her solo in “Don’t Believe in Romance.”

A Show that has Good Appeal

At times you find a show that appeals to you for a number reasons. This is one of those shows. It is a new production and with that comes things that still need changing. They are few and far between because the basic story is solid and very appealing. The music is catchy. You won’t be sitting still; you’ll want to get up at times and do a little ballroom style dancing.

The characters are people you would want to meet. And the actors do a phenomenal job. Can’t close without mentioning the amazing performances of young Julian Emile Lerner as Joey or Bobby Conte Thornton as Charlie Banks and all that they bring to the appeal of this show. All of the young actors are just superb in their roles. This is a big cast, but one that plays their parts so well.

This show is bound to have a future after it leaves George Street Playhouse. It will have a life either on regional stages or dare to say it, Broadway? In any case, don’t miss it while it is still conveniently at the New Brunswick Performing Arts Center, 11 Livingston Avenue. Last Days of Summer runs a little over 2 hours with one intermission and it plays through Nov. 10, 2019.

For tickets or more information, contact George Street Playhouse on their website at https://georgestreetplayhouse.org

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An Exuberant Opening Night at George Street Playhouse

Photo of New Brunswick Performing Arts Center courtesy of their Facebook Page.

George Street Playhouse opened their 2019 – 2020 season on Friday, Oct. 25th. This was more than the normal start with the excitement of a new season. After a two year residency in a theater on College Farm Road, George Street Playhouse is now in their new home in the New Brunswick Performing Arts Center. Located at 11 Livingston Avenue, New Brunswick, NJ, George Street is one of four major arts groups to take residence in the new facility. The new building is a triumph in planning, design, and completion. In addition to toasting the new location, it was also a night to celebrate the premiere of a new musical, Last Days of Summer.

For me, the evening started by finding good parking in the new NBPAC parking garage at 60 Bayard Street. By using the elevator closest to the buildings, I was able to walk down an inside corridor to another door that opened right onto Livingston Avenue. This is a very short walk from the front door of the New Brunswick Performing Arts building. Upon entering, a large lobby area served as the gathering place for theater goers to chat and renew acquaintances. A nicely set up bar area was available for refreshments including Signature Cocktails. Some seating was available at small tables throughout the lobby.

Photo comes from George Street Playhouse’s account on Instagram and shows the Elizabeth Ross Johnson Theater on Opening Night of Last Days of Summer

When it was time to get seated, theater goers entered the Elizabeth Ross Johnson Theater, one of two major theaters in the complex. It has 463 seats and is designed to accommodate musical theater, dance, opera, and dramatic theater. An orchestra pit seats the musicians. State of the art theatrical systems are available and the sound in the theater is fantastic. The blue seating is comfortable and well spaced to allow good legroom. Many people remarked that it doesn’t look like there is a bad seat in the house.

Friday night’s Opening Night show was sold out and the crowd was enthusiastic as George Street Playhouse’s Artistic Director, David Saint, took the stage to provide opening remarks. His heartfelt speech demonstrated the depths of gratitude he has for the successful completion of this project. He praised the development of the new PAC. He also praised regional theater on the whole saying that it is very much needed in order to keep new works coming. He continued by saying “You build a great new home, you need to fill it with artists.” And thus the commitment of George Street Playhouse to the arts was reinforced as they begin this new chapter in their history.

As he concluded his remarks, Mr. Saint said something that made a deep impression on me: “The birth of a new theater is something you’ll never forget. . . Relish it.” And with that, the show began.

https://www.youtube.com/watch?v=meNZ8cGjlwE

At the conclusion of the evening’s performance, the audience was treated to champagne, coffee, and marvelous desserts. The lobby was again filled with people enjoying the event and discussing the show they had just seen.

I grew up in Middlesex County and continued to live there for a number of years. Although I now reside in North Jersey, Middlesex still feels like home. I was very proud to be able to attend this event. Seeing the support for the arts makes me happy to be a small part of what it does for people and the culture it develops. I will be doing a separate article on Last Days of Summer. But for now, I wanted to share the excitement and joy of the evening I spent at Opening Night. It is one I will always relish.

Be sure to see the keyboard and musical clef painted on Livingston Ave.just outside of the NBPAC. Photo by K. Nowosad
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Shakespeare Theatre of NJ Takes a Fresh Look at ‘Romeo and Juliet’

Romeo and Juliet . By William Shakespeare. The Shakespeare Theatre of New Jersey. Directed by Ian Belknap. Pictured (from left to right): Keshav Moodliar as Romeo and Miranda Rizzolo as Juliet.
Photo credit: Joe Guerin.

For many people, their first and possibly only exposure to Shakespeare is in high school when the play Romeo and Juliet is assigned. Ian Belknap, Director of Romeo and Juliet currently running at Shakespeare Theatre of New Jersey, had a similar experience when he was young. In his Director’s Notes, he says he got the textbook and then, “My friends Kelly and Caitlin took the mildewed textbook and memorized Juliet’s balcony speech . . . and tried to get me to play Romeo. ‘No Way,’ I said. . . . They tried to sell me on its status. ‘It is a classic.’ . . .They were embarrassed that their friend failed to connect to Shakespeare. I preferred musicals.” Happily, for theater goers, Belknap reports that Shakespeare is now a constant companion. His enthusiasm shows in this production which plays on the Madison stage through Nov. 17, 2019.

Romeo and Juliet probably has one of the most famous stories in all of literature. It centers around two families, the Montagues and the Capulets, who have been fighting each other for years. Why they fight is never made clear. Romeo Montague and Juliet Capulet fall in love with each other. But they have a problem: their families will never accept their relationship. Street fighting leads to the deaths of Mercutio and Tybalt. When Tybalt dies at the hand of Romeo, he is sentenced to banishment. Friar Lawrence comes up with a plan to help the couple that involves Juliet drinking a potion which simulates death, but Romeo does not receive word in time of what has happened. Thinking she is dead, he kills himself and when she awakes and sees Romeo dead, she kills herself. It is a lot of deaths of young people for a cause that no one knows or understands. The tragedy is enough to move the parents and heads of the households to agree to live in peace.

This is a very fine production of Romeo and Juliet which is something The Shakespeare Theatre of New Jersey is known for. They have taken a classic and given it a fresh look. This fresh look is accomplished through superb acting by the cast, amazing fight scenes, and detailed staging which allows select moments famous from the play to shine through.

The Acting

 The cast in Romeo and Juliet play their parts in the tradition of the play however there are unique touches which shine through. Keshav Moodliar plays Romeo in a manner that shows the giddiness of youth in the beginning when he is fresh off of his rejection from Rosaline. His lack of responsibilities allows him to mope around expressing his unrequited love for her. Even after he meets Juliet, he still shows that very youthful side. However, once he encounters Tybalt in the sword fighting scene where he kills him, his character changes. Mr. Moodliar does a fine job showing both sides of the Romeo character as he shows a maturity necessary to handle his banishment and desire to do what has to be done to get back to Juliet. Miranda Rizzolo plays Juliet. Ms. Rizzolo depicts a very forthright and determined Juliet. She uses great expressiveness as she looks out into the crowd and as she declares her love for Romeo. She is the image of today’s strong woman knowing what she wants and stopping at nothing until she gets it.

 Joshua David Robinson gives a strong performance as Mercutio. Along side of him is Isaac Hickox-Young as Benvolio who stands with Romeo in moments of fun at the beginning but then moments of sadness in act II. Torsten Johnson plays Tybalt as a fierce adversary of Romeo, annoyed that his enemy came to the masked ball and stood in the house of Capulet. Aedin Moloney plays the Nurse in a uniquely provocative manner. The well meaning Friar Lawrence is played by Matt Sullivan. Mark Elliot Wilson plays Lord Capulet and Erin Partin plays Lady Capulet.

Other cast members include: Jason C. Brown as Prince Escalus, Michael Dale as Lord Montague, Lucas Iverson as Peter, Ryan Woods as Paris. Jeffrey Marc Alkins, Lèna Chilingerian, Christian Frost, and Landon Hawkins appear in a number of ensemble roles. 

Amazing Fight Scenes

The street fight scenes are so well choreographed in this production. Sitting as an audience member, one gets the sense of how they are performed with a great deal of force. Watching people battling on a live stage can be both exciting and frightening all at the same time. Especially exciting to watch are the sword fighting scenes. The ones where deaths occur are very realistic looking. Fight Director Rick Sordelet does an amazing job with these scenes and they definitely add a full range of action for audience members to see and at times, feel a part of as well.

Detailed Staging

Although the set is simple, it is versatile and open enough to allow action to be easily seen. Impressive is the way the balcony in the Capulet home stands out with sheer style curtains that easily move aside as Juliet speaks with Romeo during their famous balcony scene. At one point, the set shows the masked ball taking place at the Capulets’ home where people dance and mingle. The lighting brightly shines on the festive events taking place. That same set transforms into the inside of monastery as the lights dim and the monks walk through the area chanting while holding candles. Additionally, the center of stage allows the street fighting scenes to have ample room to take place. You can almost picture that you are seeing a square in the middle of a town as the young men come in and take up positions for their fights.

A simple, movable low bench designed to look like stone provides the area where Juliet is laid as she takes rest waiting for Friar Lawrence’s potion to release her from sleep. When it is first seen on stage, it signals the beginning of the worst part of the tragedy that is set to unfold. This bench is positioned in the center of the stage away from any of the scenery indicating Juliet is no longer at her home. The concept of being in a burial crypt becomes very real as the scenes progresses. It continues to use the bench to give support to Romeo as he kills himself to join Juliet and then as she joins him in the final scene.

If you have never seen Romeo and Juliet live on stage, this is a production you want to see. If you have seen it before, go again. You’ll see things in the play you may not have noticed before and it might just give you an entirely new viewpoint of the star crossed lovers and the world they lived in.

Additional Information

Running Time: 2 hours 20 minutes with an addition 15-minute intermission

Location: The Shakespeare Theatre of New Jersey, Main Stage: The F.M. Kirby Shakespeare Theatre, 36 Madison Avenue (at Lancaster Road), Madison, New Jersey (located on Drew University’s campus)

Performances: Now through Nov. 17, 2019 – Tuesdays through Sundays

Contact for Info and Tickets: Call 973-408-5600 or visit ShakespeareNJ.org. Note: The Theatre is proud to continue its 30 UNDER 30 program which provides patrons age 30 and under with tickets for only $30 with a valid ID

Audience Enhancements:

For the same price as a regular ticket, the Symposium Series performances offer a post-show discussion with the cast and a member of the artistic staff. For this production, symposia will be held following the performances on Saturday, October 26 at 2:00 p.m., Tuesday, October 29 at 7:30 p.m and Saturday, November 2 at 2:00 p.m.

The Know the Show pre-show talks are offered free-of-cost. Prior to the show, an artist from The Shakespeare Theatre presents a pre-performance talk providing background information and an inside perspective on the production. This program is free with the purchase of a performance ticket and will be held on Thursday, October 24 at 7:00 p.m., with the show beginning at 8:00 p.m.

The Captioned Performance for Romeo and Juliet will be held on Thursday, October 24 at 8:00 p.m. Captions are transmitted to the patrons’ web-enabled smart device via the Internet. Staff will be available prior to the beginning of the show and during the intermission to assist patrons.

Patrons with visual challenges can hear live descriptions of the action by attending the Audio-Described performance of Romeo and Juliet on Thursday, November 7 at 8:00 p.m. Pre-performance sensory webinars are available upon request and allow patrons to handle props, costumes, and set pieces prior to the show.

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