Review: ‘Benny & Joon’ Enchanting on Stage

Benny & Joon at Paper Mill Playhouse; Hannah Elless (Joon) and Claybourne Elder (Benny); photo by Matthew Murphy for MurphyMade

A new musical is playing at Paper Mill Playhouse. Benny & Joon is the adaption to stage of the movie released in 1993. With a book by Kristen Guenther, music by Nolan Gasser, and lyrics by Mindi Dickstein, it provides audiences with a fresh look at the story and characters.

Under the direction of Jack Cummings III, this musical stays pretty true to the story told in the movie. However, some scenes just can’t be the same on stage. That’s where a clever set design and unique use of props comes in. The result is a show with an outstanding cast who bring their characters to life through acting and song which gives this musical its own personality. The story is realistic and hopeful. This all adds up to an enchanting experience seeing Benny & Joon the musical.

The Story

Benny & Joon is about a brother and sister who live together in a house where they were raised by their now deceased parents who were tragically killed in a car accident in town. Benny takes great care of Joon who is a diagnosed schizophrenic. When she stays on her meds, things are fairly good. But when she goes off, there are problems.

Benny is very protective of Joon so when Sam enters their home, he keeps a watchful eye over everyone. Sam is a unique character who isn’t very comfortable in the world himself. He and Joon develop feelings for each other much to Benny’s displeasure. At the same time, Benny finds himself attracted to Ruthie, a new arrival in town. But he won’t allow himself to truly enter a relationship with her because of his continued concerns and ties to Joon. The struggle for each person to make changes becomes the focus of the story. The trauma it brings is sad at times to watch. The ending allows all the main characters to enter a new phase of their lives. Hope prevails as there is a realization that life is not perfect, but still must be lived to the best of one’s ability.

Clever Touches Add to Characterizations

The show has a nice pace to it. Major characters are introduced within the first few minutes allowing action to begin immediately. The opening notes of the music have a little fantasy sound to them. As they play, Sam, played by Bryce Pinkham, enters sitting on top of a small train. He indicates that he is coming to Spokane, Washington. Spokane appears on a 3D map that one might see on a close up of a Google Map Satellite View. This entrance gives an immediate sense of his unique personality which is vitally important to both the story and development of the other characters.

Benny & Joon at Paper Mill Playhouse; Bryce Pinkham (Sam); photo by Jerry Dalia

Mr. Pinkham gives an outstanding performance as the strange man who continually gives movie quotes to explain things. His clothing shows his devotion to Buster Keaton. He is limber and very comfortable as he skates cleaning the house. He also swings on a rope as he tries to see Joon through a window when she is hosptialized. Sam is one heck of a role to play and Bryce Pinkham is totally up to the task. Theater goers should note that actor Conor Ryan is slated to play this role at some performances. I didn’t get to see him, but some of my friends did and they said he did a marvelous job.

Benny & Joon at Paper Mill Playhouse; Hannah Elless (Joon); photo by Matthew Murphy for MurphyMade

Joon enters the stage with a painting she is working on. As Hannah Elless plays the role, she turns in a performance that vividly shows the many sides of a person with schizophrenia. Singing songs with her gorgeous voice, she shows a Joon who is capable at times. But then, she shows the side of the character who falls apart when too many changes occur too quickly.

A very funny but touching scene occurs when she feels the need to direct cars at a corner in town when the traffic light goes out. This corner happens to be the one where her parents were killed in a car accident. As small cars are pushed by sticks by cast members, she wears a snorkeling mask. So there is some realism but it is softened by the clever use of props to simulate an actual street scene.

Benny & Joon at Paper Mill Playhouse; Claybourne Elder (Benny); photo by Matthew Murphy for MurphyMade

When Joon’s brother Benny enters, he prepares to work in the garage/car repair shop that he owns and runs. Claybourne Elder plays Benny and he turns in first class acting and singing in this very difficult part. Benny has so many responsibilities in his life that he is on overload but doesn’t realize it for awhile. He gives an excellent look at the life of caregivers in this show as he forsakes his own enjoyment in life for his sister’s.

The other major character is Ruthie beautifully played by Tatiana Wechsler. Ruthie falls for Benny and wants to have a relationship with him. Her job at the local eating shop allows her to meet Joon and Sam when they stop in for Joon’s favorite dessert, Tapioca. Ruthie’s part is very instrumental in the eventual outcome of the story. She is patient and hopeful that Benny will eventually come and be with her. She also becomes attached to Joon and helps her with a life changing moment.

The set design with its moving walk way is used to give a sense of walking a distance. Lights display on the background map as new locations come into play. Small sized cars are pushed around on long sticks by cast members. Furniture and set pieces move easily on wheels and are put quickly into place by the cast. This allows a new scene to come to life right before your eyes.

Benny & Joon at Paper Mill Playhouse; LEFT TO RIGHT: Paolo Montalban (Larry), Jacob Keith Watson (Waldo), Colin Hanlon (Mike), Bryce Pinkham (Sam), Tatiana Wechsler (Ruthie), and Natalie Toro (Dr. Cortez); photo by Jerry Dalia PHOTO

Enchanting

In addition to the outstanding cast and clever staging, Benny & Joon is enchanting because of the relationships in the story. There are the two romantic relationships. But the most important one explored is the brother/sister one. That doesn’t happen too often. Benny is always watching out for Joon. She realizes it but eventually, as her feelings for Sam develop, she feels smothered by it. And here is where the music comes in to add great value to what is going on.

The music is traditional show tune style with lyrics that hold a beautiful level of understanding of the human spirit. The title song “Benny and Joon” is a joyous look at that brother/sister relationship. Benny laments losing his parents and the life he now has in a very touching “One Good Day.” The Finale, “This” sings about living life. A bit of realism, with some enchanting moments – that’s Benny & Joon.

In addition to the principal cast players, other actors include Colin Hanlon as Mike, Paolo Montalban as Larry, Natalie Toro as Dr. Cortez/Mrs. Smail, Jacob Keith Watson as Waldo/Video Store Owner and Belinda Allyn.

The production team includes scenic and costume design by Dane Laffrey and lighting design by R. Lee Kennedy. Sound design is by Kai Harada, flying by Foy, movement coordinator Lorenzo Pisoni, and orchestrations by Michael Starobin.  The production stage manager is Victoria Navarro. Casting is by Nora Brennan, CSA.

Additional Information

Benny & Joon performs at Paper Mill Playhouse eight times a week, Wednesday through Sunday. Performance schedule: Wednesday at 7:30pm, Thursday at 1:30pm and 7:30pm, Friday at 8:00pm, Saturday at 1:30pm and 8:00pm and Sunday at 1:30pm and 7:00pm.

Purchase tickets by calling 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org.

Students may order $23-$28 rush tickets over the phone or in person at the Paper Mill Playhouse Box Office on the day of the performance.

Accessibility Performances

Audio-described performances for Benny & Joon are on Sunday, April 28, 2019, at 1:30pm and Saturday, May 4, 2019, at 1:30pm. Prior to these performances at noon, the theater will offer free sensory seminars. Sensory seminars offer an opportunity for patrons with vision loss to hear a live, in-depth description of the production elements of the show and hands-on interaction with key sets, props, and costumes. 

There will be a sign-interpreted and open-captioned performance on Sunday, May 5, 2019, at 7:00pm.

Free Audience Enrichment Activities

The Conversation Club meets on Thursday evenings, April 4, 11, 16, and 25 one hour before curtain for an informal, informative gathering. You’ll learn more about the performance you’re about to see.

Q&A with the Cast is after the matinee on Saturday, May 4. Stick around for a lively Q&A with cast members directly following the performance.

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‘Kinky Boots’ and ‘The Band’s Visit’ Close Today

‘Kinky Boots’ and ‘The Band’s Visit’ both close today on Broadway – photos by K. Nowosad

Two very popular shows that both won Tony Awards as Best Musical close today, April 7, on Broadway. Kinky Boots and The Band’s Visit both won Tony Awards as Best Musical for their respective years of eligibility (2013 and 2018).

Kinky Boots first opened at the Al Hirschfeld Theatre in March 2013. As it closes, there have been over 2,500 performances. The Band’s Visit at the Ethel Barrymore Theatre opened October 2017. There have been over 550 performances.

Enjoyed seeing both shows

I was fortunate in getting to see both shows and I enjoyed them a lot. When I saw The Bands Visit last month, I was very impressed by the simplicity of the production. The story line had a well developed but simple edge to it. The characters were not one dimensional. They had multiple parts to them but they weren’t so complex that one had to pour over them to see what was occurring. The joy of music and how it unites all peoples was a great theme. I also liked the mix of music and was especially impressed with the Middle Eastern sounds that made up a lot of the score. Katrina Lenk as Dina and Sasson Gabay as Tewfig did a fabulous job along with the entire cast.

My first time seeing Kinky Boots was early in the run when Tony Award Winner Billy Porter played the lead as Lola. Stark Sands played Charlie with Annaleigh Ashford as Lauren and Lena Hall as Nicola. The entire cast was fabulous as they acted out the story written by Harvey Fierstein and performed songs written by Cyndi Lauper. They were filled with energy and enthusiasm and I left the show on a positive high very certain that Broadway had a new hit. And it did.

Wanting to see it one more time, I was able to get a last minute ticket this weekend. This time I saw J. Harrison Ghee as Lola and Andy Kelso as Charlie. Carrie St. Louis played Lauren and Caroline Bowman played Nicola. It was a nice surprise to see many of the original cast still in it like Daniel Stewart Sherman as Don, Adinah Alexander as the Milan Stage Manager, and Joey Taranto as the Angel who also belts out “In this Corner.” I enjoyed the show just as much maybe even more this time. When you have some familiarity with the story, you can sit back and take it all in. And I did and said “This is perfection.” Everything about this show just shines and I don’t mean just the costumes. It was a total joy to see again.

As a theater writer and tour guide in the area, I get asked a lot for what shows I might recommend seeing. Kinky Boots was one of those I recommended many times over the past few years. Sure, there are some higher ideas at work there like accepting people for who they are. And I know that loads of people who saw this show got that too. But it is also a lot of fun to see. You leave the theater with a positive and happy glow! I was starting to include The Band’s Visit on my suggested see list too. If it wasn’t closing, it would have been a big one on my list to suggest this summer.

What no one really knows is how often over the past six years I walked past the Hirschfeld Theatre. Even if I had no reason to be on that street, there was just something so appealing about that Kinky Boots sign hanging over the entrance that would draw me down W. 44th St. I often stopped to look at the banners that hung outside the theater. It was fun to see the faces of the cast changing and equally fun to think back to how much I enjoyed the show.

Photos by K Nowosad

Shows open and close on Broadway all the time, but when two of this caliber close on the same day it is a loss to the Broadway Neighborhood. Both have themes that are very relevant to the times we live in. Both are well done productions with music that has you humming as you come out.

Thanks for so many great performances Kinky Boots and The Band’s Visit!

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To learn more about Touring Services for the Broadway Neighborhood, click the Tab for Tours. Links are available there for signing up or more information.

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‘Benny & Joon’ a Musical Comes to Paper Mill Playhouse

The cast of Benny & Joon playing April 4 – May 5, 2019 at Paper Mill Playhouse – photo credit K.Nowosad

In 1993, the movie “Benny & Joon” made its way to theaters. Starring Johnny Depp and Mary Stuart Masterson, the movie was well received. It continues to attract audiences through steaming services like Amazon Prime. According to the movie’s page on Rotten Tomatoes, it is about “Benny who runs a small car repair shop. He must also take care of his mentally ill sister Juniper, better known as Joon. After losing a bet, Benny is forced to bring another eccentric into his house: Sam, the cousin of a friend. Not inclined to conversation, Sam expresses himself by performing Charlie Chaplin and Buster Keaton routines . . . Not surprisingly, he immediately hits it off with Joon. . . . ”

The movie is now adapted for the stage and it is a musical aptly named Benny & Joon. After premiering at the Old Globe Theatre in San Diego in the Fall, 2017, the show now has its East Coast premiere beginning April 4 at New Jersey’s Paper Mill Playhouse. With the addition of some new songs and a few cast changes, Benny & Joon is preparing to win hearts in New Jersey.

Mark S. Hoebee, Producing Artistic Director for The Paper Mill Playhouse saw a reading of the show awhile ago and was very interested in bringing it to New Jersey. Although there were a few years in between the run at The Old Globe and now, the team from Benny & Joon wanted to work with the Paper Mill.

There are some unique aspects to this show as described by Mr. Hoebee.  He explained that it celebrates a brother and sister relationship which you don’t see very often. Also, it is a story of a family dealing with mental illness. There are some very poignant components as the family aspect is explored.

At a recent Press/Media Day, it was evident that the cast, creatives, and crew of this show are hard at work to provide theater goers a fine experience. There are some new songs and a few cast changes from San Diego, but basically, the story is remaining true to how it started out there and as a film. However, it still faces the challenges any show has when a movie has been around for a long time and it has a loyal following.

Movie to Stage Conversion

Years ago, the formula was frequently seen the other way around. Shows from the stage were converted to movies. The success of show to movies like “Oklahoma” and “The Sound of Music” are classic examples. More recently, “Chicago” and “Into the Woods” and others continue the tradition. But then, Disney brought several of their movies to stage like “The Lion King” and “Mary Poppins” with tremendous success. And now this spring, Broadway has new shows from the popular movies Pretty Woman and Tootsie.  So Benny & Joon has its work cut out for it.

Adaptation to the stage takes some of the most critical and poignant moments from the movie and brings songs in for those moments. For example, when Sam tells Joon he loves her, there is a song. Spoiler alert: it was very a very touching moment hearing it. It is a special moment in the show and the song enhances that moment even more.

Benny & Joon has a book by Kirsten Guenther, music by Nolan Gasser, and music lyrics by Mindi Dickstein. They spoke about getting the show to this point including one of the most important aspects: how are songs developed. There is a good deal of thought and development that goes into this including spending a long time examining scenes in the film especially close ups on a face. Then, they had to imagine what the character would think or do. From that stepping off point, songs are developed. Some are tried and some changed but all with the goal of enhancing critical moments in the show. In a movie, some things work better visually. On stage, with a musical, those moments can explored in more depth including emotion that comes through a song.

For fans of the movie, this musical will give you a chance to learn more about the characters. The idea that everyone has things that they use to get through in their life is one of the ideas in the show. As these concepts unfold, Benny & Joon promises to be a show that will touch many in some very unique ways.

Production Details

Benny & Joon is directed by Jack Cummings III, with choreography by Scott Rink and music direction by J. Oconor Navarro.

The principal cast features Claybourne Elder (Sunday in the Park with George) as Benny, Hannah Elless (Paper Mill’s The Other Josh Cohen) as Joon, Bryce Pinkham (A Gentleman’s Guide to Love and Murder) as Sam, Conor Ryan as Sam at certain performances, (Paper Mill’s My Very Own British Invasion). Tatiana Wechsler (Oklahoma) plays Ruthie, with Colin Hanlon (Falsettos) as Mike, Paolo Montalban (Paper Mill’s The King and I) as Larry, Natalie Toro (A Tale of Two Cities) as Dr. Cortez/Mrs. Smail, Jacob Keith Watson (Carousel) as Waldo/Video Store Owner and Belinda Allyn (Paper Mill’s West Side Story).

The production team includes scenic and costume design by Dane Laffrey and lighting design by R. Lee Kennedy. Sound design is by Kai Harada, flying by Foy, movement coordinator Lorenzo Pisoni, and orchestrations by Michael Starobin.  The production stage manager is Victoria Navarro. Casting is by Nora Brennan, CSA.

Performance Schedule

Benny & Joon performs at Paper Mill Playhouse eight times a week, Wednesday through Sunday. Performance schedule: Wednesday at 7:30pm, Thursday at 1:30pm and 7:30pm, Friday at 8:00pm, Saturday at 1:30pm and 8:00pm and Sunday at 1:30pm and 7:00pm. Tickets are on sale and can be obtained by calling 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org.

Students may order $23-$28 rush tickets over the phone or in person at the Paper Mill Playhouse Box Office on the day of the performance.

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