“The Shot” – A Stunning Theatrical Experience

Sharon Lawrence in “The Shot” at New Jersey Repertory Company production

Review of “The Shot”

The New Jersey Repertory Company produces many new plays some of which enjoy a world premiere and then go on to other theaters. Although this show is not a world premiere, it appears they have again struck gold with their current offering, The Shot. This show should be one that is seen in other theaters and by many people. It is that good.

The play, written by Robin Gerber is directed by Michelle Joyner. It tells the story of the early life of Washington Post Publisher Katherine Graham. It is a one person play with the role of Graham brilliantly portrayed by popular award winning actress Sharon Lawrence. The Shot is a look back at the woman who achieves great heights with the Post but who suffers abuse at the hands of her husband culminating in his suicide.

But what makes the play that good? Look for how the story is told, the staging, and Sharon Lawrence’s performance as the storyteller.

Background

The Shot received its first public reading in Los Angeles in March of 2020. But then COVID hit, shutting down the performance. Over a period of months, the creative team continued working on the script and produced a video reading of The Shot which also stared Sharon Lawrence. This reading raised over $25K for participating domestic violence non-profits.

In October 2021 it received a developmental workshop at Santa Barbara’s Center Stage Theater. This past June, The Shot premiered at Great Barrington Public Theatre receiving critical praise.

How the Story is Told

The story in this play is about the early life of Katherine Graham. As we hear about how she grew up, we start to see the beginnings of a very traditional background for women of that era. However, her interest in journalism and her studies in college start to dispel that traditional mindset. She has an interest in covering stories that make an impact such as covering a strike. But her father who now is the owner of the Washington Post does not see it the same way. He is more pleased to see his daughter do less important roles on a newspaper.

A significant event occurs when she meets the man who becomes her husband, Philip Graham.The fine writing of this script comes into play as Katherine describes the moment she met Philip and how impressive he was. Many glowing adjectives explain the wonderful feelings she experienced. However, those wonderful feelings are not present when she and Philip have their first sexual encounter. Her description of that painful event shows the early signs of a man who is self centered. But being a woman of that time, she accepts it and thinks that’s the way it is.

After she and Philip marry, her father hands over the role of publisher of the Washington Post to his new son-in-law. Not a mention is made of Katherine taking it on even though she has a journalism background compared to Philip’s background as a lawyer. Would that fly today? Probably not. But in that post World War II time period, it was the custom of the day. Thus begins her life as a housewife soon to become a mother to four children. She also has the task and a very large one of taking care of her husband whose alcoholism and lack of confidence make her life difficult. This gives way to some very tragic parts of The Shot eventually leading to Philip’s suicide.

The Staging

The Shot was not on the official season listing for The NJ Rep. They were planning to be in production for their next show Our Shrinking, Shrinking World. However, when the opportunity became available for them to produce The Shot, they took it. In order to accommodate both shows, the lobby is now a studio theater. This smaller, more intimate seating and stage area add a special intimacy to the play.

The set is a basic desk and chair which allows the scene to change quickly and without scenery changes. A warning is in the playbill and announced before the show begins that there is a gun representation in the show. The gun is not real. Instead it is a stage prop specifically made to look like a rifle. Wisely, it is behind a wall on one side of the stage until it is used in the play.

Sharon Lawrence as Katherine Graham

One person plays are not easy to perform. All the action and dialog rests on the one performer. Sharon Lawrence is that one performer as she becomes the storyteller. Her transformation into Katherine Graham is very well done. She wears a wig to represent hairstyles of the time and one dress serves as the costume throughout the play.

Outstanding is the actual verbal delivery and the pacing needed to emphasize emotions of the scenes. Her explanations of how she tried to take care of her husband and bolster his confidence are heartbreaking at time. The reflections of the abuse, both mental and physical, are difficult moments in the show.

The experience of handling guns and hearing the fatal shot that kills Philip climaxes the show to a tragic level. Ms. Lawrence does a superb performance of a woman who must accept what has happened and try to move on from there.

Tickets for The Shot

This show runs through April 23.

Performances are Thursdays and Fridays at 8 pm, Saturdays at 3 pm and 8pm, and Sundays at 2 pm. To purchase tickets, call 732-229-3166 or visit the NJ Rep website.

NJ Repertory Company is located at 179 Broadway, Long Branch, NJ.

The running time is 75 minutes with no intermission.

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There’s a Bee at George Street Playhouse

(L to R) Angel Lin; Lila Coogan; Jordan Matthew Brown; Sumi Yu; & Sammy Pignalosa in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Photo by T. Charles Erickson.

The 25th Annual Putnam County Spelling Bee

Yes, there’s a bee on the loose at New Brunswick’s George Street Playhouse. Not to worry; it won’t sting you. But it will get you laughing out loud, a lot. The wonderfully funny musical, The 25th Annual Putnam County Spelling Bee, is a show guaranteed to give you a ton of laughs. It is a well produced production that features a fabulous cast and even a few extras from the audience.

The 25th Annual Putnam Country Spelling Bee opened on Broadway in 2005 and ran for nearly three years. Along the way, it picked up a number of prestigious awards including a Tony Award for Best Book of a Musical. It continues to be a popular show seen around the country in theaters and school productions. This production at George Street has to be one of the best to be seen as the Playhouse goes all out for this show.

Cover of the official program of The 25th Annual Putnam County Spelling Bee at George Street Playhouse. Photo by K. Nowosad

The large stage in the Arthur Laurents Theater is set up to be a school gymnasium complete with those less than comfortable bleachers and few table to hold materials needed to run the Spelling Bee. Directed by Colin Hanlon, with a book by Rachel Sheinkin and additional material by Jay Reiss, the play delves into the world of young adult competition in one of the most popular nonathletic events – a spelling bee.

(L to R) Sumi Yu; Sammy Pignalosa; Jordan Matthew Brown; Angel Lin; Coleman Cummings; & Lila Coogan in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Photo by T. Charles Erickson.

The show features music and lyrics by Tony Award winner William Finn. Mat Eisenstein provides Musical Direction of songs designed to tell the audience more about the characters in the Bee. Nancy Renee Braun’s design for the choreography adds a lot of interest to the songs and in some of them, it becomes a little chaotic like in the song “Pandemonium.” It does fit because for those involved in a spelling bee, their lives are focused on remembering many words and trying to outlast and in some cases outwit their fellow competitors.

Many Funny Lines

Introductions to the students are given by adult Rona Lisa Perretti (Ally Bonino). Shown here in the photo, she occupies the main control desk with Vice Principal Douglas Panch (Kitty Reidy) who gives the words, definitions, and uses in sentences. There are so many funny ones that come out. If it isn’t in the definition, then count on it being in the sentence.

(L to R) Kilty Reidy & Ally Bonino in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Photo by T. Charles Erickson.

Sometimes referred to as six middle school “misfits” in Putnam County, these students bring a charm all their own as they bravely attempt to win the top prize. Background stories come out about each student with expectations of how they can do. Shown here is Sammy Pignalosa playing the role of Leaf Coneybear. Although he does not win, he does come to realize that there is more to himself than he thought.

Sammy Pignalosa in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Photo by T. Charles Erickson

Coleman Cummings plays contestant Chip Tolentino. In an attempt to stick around after elimination, he poses as a food vendor. Chip moves through the audience tossing wrapped candies. And the audience eats it up!

Coleman Cummings in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Photo by T. Charles Erickson.

Aaron Michael Ray plays a “comfort counselor” who helps get people out of the Bee area when they don’t want to leave. He also gives a soothing box of juice to help ease the transition. He shown here with contestant Marcy Park played by Sumi Yu.

(L to R) Sumi Yu & Aaron Michael Ray in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Photo by T. Charles Erickson.

The other student contestants are Jordan Matthew Brown as William Barfee,  Lila Coogan as Olive Ostrovsky, and Angel Lin plays Logainne Schwartzandgrubeniere,.

Ticket Information

The show plays through April 9, 2023. For tickets and more information, go to the George Street Playhouse website.

See this show and have a great time doing it. There are plenty of laughs and good natured materials and songs. You can’t miss!

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“Becomes a Woman” Brings a Hidden Gem to Life


Emma Pfitzer Price in Becomes A Woman by Betty Smith. Photo Credit Todd Cerveris

In the circle of the arts, hearing the name Betty Smith usually brings the book A Tree Grows in Brooklyn to mind. This classic novel captures the life story of Francie Nolan’s coming of age as a woman in working class Brooklyn in the early 1900’s. However, Smith had another part of her writing life that is seldom mentioned. That part is her keen interest in play writing and the theater.

The Mint Theater Company provides a World Premiere of one of their most exciting discoveries ever which is this unpublished and unproduced play by Betty Smith. Smith’s 1930 never-before-seen drama, Becomes a Woman, runs at NYC City Center through March 18th only. Perhaps by coincidence or design, the main character of this play is also named Francie Nolan. Although there could be some comparisons made between the two characters, this one displays a strong desire for social climbing as she is embarrassed with her family and her working class situation.

This need for Francie to climb socially sets the entire action of the play in motion. And with, comes a group of characters who either help her or hurt her in the quest. However, the quest ends when Francie realizes she has obligations that are important to her. Her final decisions end the play on a rather high note in terms of character development.

The Story Focuses on Characters in Becomes a Woman

The play is divided into three acts. Each act features new characters in addition to Francie Nolan (Emma Pfitzer Price).

Act 1

The set for the first act shows the Kress Department store where Francie is employed. High marks go to Vicki Davis for her set design which includes a variety of color on the selected items. The part of the set where the sheet music is displayed is especially enjoyable to see.

Becomes a Woman is the story of Francie, a 19-year-old living with her family in Brooklyn and working at a five and dime store as a singer at the sheet music counter. Her co-workers describe her as “afraid of her family, afraid of the boss, afraid to make a date.” Co-worker Florry (Pearl Rhien) plays the piano as Francie sings. The music is enjoyable to hear and adds a delightful touch to the show. Credit goes to Emma Weiss, Music Director.

Pearl Rhein an Emma Pfitzer Price in Becomes A Woman by Betty Smith. Photo Credit Todd Cerveris

Florrie talks to Francie about the need to find a man and she has a number of opportunities which she turns down. That is until Leonard Kress Jr. (Peterson Townsend) appears. As the son of the owner of the store, Lenny brings with him the status that Francie desires especially as he gives her a salary raise. She accepts a date with him.

Peterson Townsend and Emma Pfitzer Price in Becomes A Woman by Betty Smith. Photo Credit Todd Cerveris

Credit to the writer, Betty Smith, for her initial depictions of these characters. They hold many changes in store but they don’t show here.

Act 2

The set for this act is the Nolan home in the kitchen. The family is preparing for a visit from Leonard Kress Jr. to meet Francie’s father, Pa Nolan (Jeb Brown), Ma Nolan (Antonette LaVecchia) and brothers Frankie (Tim Webb) and Johnny (Jack Mastrianni). Francie is tense, concerned that the working class kitchen is not good enough for Leonard. She worries if he sees how they live, he will not like her.

Jeb Brown and Antoinette LaVecchia in Becomes A Woman by Betty Smith. Photo Credit Todd Cerveris

Some of the most impressive dialog of the play is in this act. Lines dissecting the education of the brothers and Francie show the low value education has in the household that Francie has exaggerated to Leonard. Pa Nolan is a police officer for New York City and he provides some colorful conversation which is also embarrassing to Francie.

But the big news is when Francie tells the family that Lenny is going to marry her very soon. He looks distressed as she tells the news and especially when the family learns she is pregnant. Lenny did not expect all of this news to be announced. Her parents are furious and they throw her out of the house. The lack of conviction of his character appears.

One person comes forward to help Francie and that is Tessie (Gina Daniels).

Gina Daniels and Emma Pfitzer Price in Becomes A Woman by Betty Smith. Photo Credit Todd Cerveris

Without a doubt, Tessie is one of the most genuine and admirable characters in the play. She had also been pregnant and not married at one time. However, she lost her baby. She also works at the Kress Department Store with Francie and Florry so she understands the situations going on. Tessie helps Francie move forward.

Act 3

The final act also takes place in the Nolan kitchen, however, the family has moved out leaving Francie and Tessie there on their own. Francie and Leonard are not together as the baby is born. Arriving one day to try to settle the problems comes Leonard Kress Sr. (Duane Boutte).

Duane Boutte and Emma Pfitzer Price in Becomes A Woman by Betty Smith. Photo Credit Todd Cerveris

The scene with Leonard Kress Sr. and Francie is one of the most interesting in the show. Mr. Kress has respectability on his mind. The changes in Francie display as she realizes what she must do for her child.

The Ending

The ending to the story needs to be seen as some will find it unexpected and others will say they saw it coming all along. It depends upon your viewpoint.

No matter what, seeing Becomes a Woman is a good production; one that will remind you of how enjoyable going to see a play can be. The Mint Theater Company’s staging of the play deserves recognition for bringing a woman’s work back to the public eye. The venue provides an intimate atmosphere allowing the audience to feel a part of the action taking place.

Tickets for Becomes a Woman

Tickets are on sale now, start at $38 (including $3 facility fee) and may be purchased online at https://www.nycitycenter.org/events-tickets, by calling 212/581-1212, or in person at the New York City Center box office located at 131 West 55th Street (between 6th & 7th Avenues). Phone and online orders incur an additional $7 handling fee.

Performance Schedule

Performances are Tuesday through Saturday evenings at 7:30pm, with matinees Wednesdays, Saturdays and Sundays at 2:30pm.  Please note: no evening performances on February 28th, March 1st, 8th, and 28th. 

NEW COVID PROTOCOLS:  Masks are required for Tuesday evening and Sunday matinee performances. At all other performances, masks are optional but strongly encouraged.

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