‘The Rose Tattoo’ Onstage in Madison

Pictured: Antoinette LaVecchia and Anthony Marble. Photo by: Sarah Haley

The Shakespeare Theatre of New Jersey opens their 2003 season with a classic from Tennessee Williams titled The Rose Tattoo. The production is an outstanding play to see due to several factors and the direction by Bonnie Monte. In her Director’s Notes, Monte writes that she was fortunate to have an opportunity to work with Tennessee Williams in 1981 and 1982 shortly before he died. She writes, ” He has influenced my life in the theatre more than any other playwright besides Shakespeare. The Rose Tattoo is Tennessee’s homage to love and life, and this production is my grateful homage to him.”

The story is well told with good pacing so there is not a slow moment in the 2,5 hour show. A strong group of actors give superb performances. The set helps to develop the story and allows the characters to show their various states of emotions. Overall, this is a wonderful way to begin the 2023 series at The Shakespeare Theatre of New Jersey.

Background about The Rose Tattoo

Tennessee Williams wrote The Rose Tattoo in 1949 – 1950. It was first presented in Chicago in 1950 with Maureen Stapleton playing the lead role.

The play opened on Broadway at the Martin Beck Theatre on February 3, 1951 where it ran until October 27, 1951 after 306 performances. The Rose Tattoo received six Tony Awards including Best Play, Set Design, Author of a Play, Featured Actor (Eli Wallach) and Featured Actress (Maureen Stapleton). It has been revived on Broadway three times: 1966, 1995, and 2019.

In 1955, a film adaptation was produced starring Burt Lancaster and Anna Magnani who won an Academy Award for Best Actress.

The Story of The Rose Tattoo

The story centers on Italian/American Serafina Delle Rose who is deeply in love with her husband Rosario. She married him when she was a very young teenager (approx. 14) and they have one child, Rosa, who is 12 years old. There appears to be a lusty relationship between the two and Serafina is pregnant with her second child as the play begins. Rosario has a tattoo of a rose on his chest and Serafina claims that she knows she has conceived because the tattoo appears on her as well.

Rosario has an accident and is killed causing Serafina to miscarry her child. The tattoo also disappears. Rosario’s death pushes Serafina into unbearable grief.

The next part of the play is three years later and Serafina is still in deep mourning for her husband, Although she continues to be a seamstress, she wears the same night clothes and a robe day after day. Her daughter, now 15, is preparing to graduate from high school and she has a sailor boyfriend., Jack. Her mother does not want her to see this man. Many of Serafina’s customers arrive to pick up dresses she made for their graduation. She agrees to go to see her daughter graduate.

Enter next Alvaro, a charismatic man who also works driving a truck like Rosario did. Perhaps that connection is what makes them click instantly and very quickly they become involved. Serafina invites him to come for dinner, Suddenly, Serafina is able to dress in pretty clothing as Alvaro arrives also sporting a rose tattoo. They spend the night together. When Rosa returns from her evening out with Jack, the sailor, Alvaro mistakes her for Serafina and a near disaster is averted.

As the play ends, Rosa leaves the house to go to meet Jack and marry him before he ships out to sea. Serafina forgives Alvaro. She announces she is with child again and mentions another appearance of a rose tattoo on her. She feels certain she has again conceived a child.

A Strong Group of Actors

There are 16 actors who deliver performances in The Rose Tattoo. Some are in groups outside of Serafina’s house and others are the customers who use her sewing services. All of the players are marvelous and at times cluster together to show themselves as a community.

However, the major parts include:

Antoinette LaVecchia who gives a stunning performance as Serafina. She does a remarkable job of portraying a woman who suffers from extreme grief to a woman who longs for the company of a man. Her suffering and grief are heartfelt but sad to see that it is only having a man in her life to make it worthwhile. She places her grief onto her daughter not allowing her the joys of growing up.

Billie Wyatt plays daughter Rosa. She does an outstanding job of bringing out the longing this young girl would experience first losing her father and then in many ways also losing her mother as she grieves. Her desire to live her own life is well portrayed and we root for her as she leaves the house to go to her boyfriend, Jack. She is only shown as being 15 in this play and in many ways this is sad to see how young she is and the limited life she seeks out.

Anthony Marble plays Alvaro Mangiacavallo who is quite a character in the midst of this grief. Perhaps it takes a personality like Alvaro to bring someone back from their grief. Marble plays it show, but makes it clear that he desires Serafina. Why does she fall so quickly for him? Perhaps its because of the similarity he has to her late husband. Serafina’s ties to her old ideas and old ways of life will only allow someone like this character to penetrate her strong hold on the past.

Setting

The setting for this play is Serafina’s house. The Shakespeare Theatre always does a good job designing their sets and this one is no exception. Audiences will see most of the house except the bedroom. And that ties well into the privacy involved with the intimacy shared by the man and woman.

One very prominent area is in the living/dining room where a statue of the Blessed Mother is on display. Lighting shines on it throughout the show making it a center piece of the house.

NOTE: Photo comes from The Shakespeare Theatre of New Jersey’s website.

The location of the house is on the edge of the Gulf Coast somewhere between New Orleans and Mobile – 1951 – 1954. It is an Italian/Sicilian colony. The bond between people who live here which comes through in the play.

Going to See The Rose Tattoo

The Rose Tattoo runs now through June 18, 2023 at the F.M. Kirby Shakespeare Theatre in Madison, NJ. Tickets are available through the Theatre’s website or directly in person at the Box Office. You may also call the Box Office at 973-408-5600.

Cost saving options are available including $15 student rush tickets which are available 30 minutes prior to each performance with a valid Student ID. There are a limited number of Pay What You Can tickets available on a first-come, first-serve basis. The 30 under 30 option offers $30 tickets for patrons under age 30 with a valid ID. 10% discounts for available for members of PBS/Thirteen and AAA.

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‘Cellino v. Barnes’ A Legal Story

This is called catching up on posts I have not finished. This is a little late, but the show was enjoyable enough that I felt it deserved to get finished and posted. In May, I had an opportunity to see the play Cellino v. Barnes. It is about the building and break-up of a legal firm. Yes, it is based on a true story. But for those who remember Cellino and Barnes, the jingle created to advertise the firm stands out. Take a listen:

Cellino and Barnes – Injury Attorneys – (800) 888-8888.

Years ago, advertising for lawyers who wanted to represent clients with cases involving accidents might be called ambulance chasers. But that little jingle changed how the legal field viewed advertising. So the play is about how the two lawyers came together to form their firm, how different they were, and how the jingle/advertising came to be. It also shows the expansion they enjoined for many years and eventually their break up.

The play is written and performed by Mike B. Breen (Ross Cellino) and David Rafailedes (Steve Barnes). Both of these actors do an outstanding job of portraying their characters and giving the audience a look at some of the behind the scenes thinking that went into their working together.

Cellino v. Barnes Development as a Play

The play Cellino v. Barnes premiered in the basement theater at Union Hall, July 2018. It ran at the same time as the firm’s prinicples, Cellino and Barnes were actually dissolving the firm. From there, performances were at locations in Brooklyn, Buffalo, and Los Angeles. This run, which ran from April 13 – May 7, 2023 classified as Off-Off Broadway which is always fun to go to.

Very impressive was the crowd attending the show. It appeared to be sold out. It was a 5:00 show just perfect for a little something to do before going to dinner. The make shift bar set up on the side of the room was doing a brisk business and people enjoyed a little something during the traditional happy hour while watching the show.

A Very Cool Location and Venue

A chance to see Cellino v. Barnes reminded me that one of the exciting parts of theater in New York City is the variety of venues. There is an element of hidden excitement that awaits one when attending an Off-Off Broadway production. You never quite know what kind of venue you will get. And this one turned out to be a very pleasant surprise.

Front door to enter the area in front of the actual theater – Photo = K. Nowosad

W. 23rd Street in a Commercial Building

I come in from New Jersey so after coming out of the Port Authority Bus Terminal, I took the M011 bus down to W. 23rd Street and strolled down the street. Nothing really signaled to me where the show was at. And not being the best at following numbers on some city blocks, I had to stop to ask where the address was. It was right across the street from the residential building I had stopped at. As i got closer I saw this sign posted outside and there was a friendly person opening the door for people to enter.

When I got word about this show being in an office building, I was impressed. Post CoVid shutdown, there are a lot of reports of how many NYC office buildings are not fully in use. From the first time I heard about this, I though why not convert some of that space into theaters space. And finally it was here.

The entrance was bright and clean. It also was a storefront for selling clothing.

There were some nice looking items hanging in the store. A person was sitting there looking to provide help as needed.

But I’m not a very active shopper so I didn’t really pause that long in the entrance area. Besides, I was intrigued with the way that this theater space was set up so I wanted to get into the actual venue portion.

There were a few restrooms to pass by first and then a small concession stand was available.

Clever Stage Setting

The stage – Photo by K. Nowosad

These photos give you an idea of how the stage was set. It was on the same level as the seating so the audience feels like they are right in the offices of the lawyers.

Another view of the stage – K. Nowosad

As the play ran, the entire office space was utilized. Modern office equipment for that time period was on stage. It was interesting to watch in the play as the interaction between the two partners grew to see how different they were. These differences might have been a good reason why the firm broke apart. Good chance there was more to it than that. This play focuses more on the early years and how the firm grew to become quite large.

Follow Where Cellino v. Barnes is Next

Cellino v. Barnes is more than just a legal story. Instead it looks at the personalities of the partners and how their work together influenced the legal field.

Good chance this show will appear somewhere again. For more details about the show, visit the website.

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Tales from the Guttenberg Bible Premieres at George Street Playhouse

Steve Guttenberg in Tales From the Guttenberg Bible T Charles Erickson Photography Photograph © T Charles Erickson

Tales from the Guttenberg Bible is the final offering in what has been a fabulous season at the George Street Playhouse. The show is the autobiographical story of Steve Guttenberg‘s life as an actor. It is cleverly performed on a set that allows four actors to play 90 different roles. The rapid change of time periods and characters helps this show move quickly yet tell a story that is fun to watch with an underlying poignant theme.

On Opening Night, George Street’s Artistic Director, David Saint, told the audience that several years ago, producer Julian Schlossberg approached him to see if he had an interest in working on a new stage script by Steve Guttenberg. He was intrigued about the project so work began. What started as a 320 page manuscript is now approximately 62 pages. It certainly seems like the right length as the show runs just about 90 minutes with no intermission.

Mr. Saint is also the Director of this production. He graciously shared some information about the star, Steve Guttenberg, who he said is a regular, nice guy. And that down to earth attitude makes this show so enjoyable to watch. Guttenberg’s stage presence is warm and welcoming as he tells his story. There’s a sincerity that shine through from him to the audience that makes you feel like he’s telling his story directly to you. Using the term professional life is limiting here because he really does go into more than that. It’s a portrait of how important family is to him as well.

From Long Island to Hollywood

The story begins when Steve graduates high school in his Long Island hometown and decides to fulfill his dream of becoming an actor. So two days after graduation he’s on a plane, flying out to Hollywood with somewhat of a blessing from his parents.

A scene showing Steve Guttenberg and actors playing his parents. T Charles Erickson Photography Photograph © T Charles Erickson

The blessing is in the form of giving him two weeks to make it out there. He’s agreeable to that concept until at the end of two weeks, he is just getting started so the two weeks gets extended to two months and it goes on and on from there. 

Upon arriving in Hollywood, Steve stays with a family friend who arranges for him to meet an agent. He immediately lands work in commercials. This allows the calls to his parents to be a bit more reassuring. Yes, he has work, yes it is acting. Maybe not big work but work that leads to some small acting parts. Was he just at the right place at the right time? It appears to be a lot more than that. He’s definitely a talent and the talent is seen and developed. He is encouraged and his work continues.  

Steve tells some funny stories about the early times in his career. One story is about how he figured a way to break into the Paramount Studios Lot. Once in, he locates a vacant office space and he claims it as his own. Then there is the first time he was on the Merv Griffin show – he was tense and perspired a lot. This reference to the tension comes up quite a bit in the early years and it is done with a grain of humor to it.

Many Agents, Managers, and Hollywood Life

As the story progresses, we learn that Steve had a number of agents and managers at various points in his career. He also meets some very interesting Hollywood characters along the way. To help illustrate that, the other three cast members play a variety of roles. The notes from the show indicate 90 characters are in this show. I didn’t try to count them as they were running through but there were an amazing amount of small costume changes that took place. These numerous roles are delightfully played by Arnie Burton, Dan Domingues, and Carine Montbertrand.

Some characters are only on for one quick walk on and then they go off, but others remain throughout the entire show, including, Mr. Guttenberg‘s mother and father. They are consistent throughout the production. In many ways, Tales from the Guttenberg Bible is a love letter to his family particularly to his father. It is extremely touching at the end, when he pays tribute to his father, who passed away  a few years ago. The closeness between father and son is evident. This is one of the most touching scenes in the show.

Major Success Arrives

We see when Steve made it into a major motion picture, The Boys From Brazil with Laurence Olivier and Gregory Peck. From that recognition, he attracted a variety of leading roles including the film classic Diner (1983). Next came Police Academy (1984) which turned into a series of sequels and continues to be one of the highest earning film franchises ever.

Another major moment came in 1985 Guttenberg appeared in the heart warming story, Cocoon. Agents are still coming and going but by 1987, the Disney film Three Men and a Baby sees Steve as one of the three leads.

If it seems like he was a busy actor, you are right. In fact, Guttenberg has the record for most original films to go to franchises in film history, and appearing in the most films in The Screen Actors Guild from 1980-1990. This is reflected in the play by this scurry of constant activity and people in and out. Eventually, he decides that he has to go home for awhile and reunite with his family.

Set Design for Tales from the Guttenberg Bible

The set is cleverly designed so that there are two prominent pieces of scenery that form an upside down type triangle. Behind it is the screen that displays scenes from some of the movies that Guttenberg has made.

Oddly, though there is a type of gauze material that hangs in front of that screen, and it kind of defers some of the ability to see some of the pictures. However one of the most clever parts of the set are small windows that open on each of these side pieces.

This allows the actors to poke their heads out and present moments from his life.  This is another device that plays uses to allow the action to continue at a very good pace. There’s not a sluggish moment in the show at all. It moves at a very fast pace and keeps the audience interested.

Final Thoughts on Tales from the Guttenberg Bible

For anyone who is a fan of Steve Guttenberg, this is a must see. You will learn a lot about him and how he views his work and his life. It is a pleasure to see how important family is to him. Although he is a megastar, he remains true to himself and his ideals. This is a joy to see.

For people who are interested in what happens to actors and all they go through then this is a definite must see for you also. The highs, the lows, they are all shown in Tales from the Guttenberg Bible.

This show runs now through May 21, 2023.

Tickets begin at $25 and  are now on sale.  For subscriptions and group discount information visit www.GeorgeStreetPlayhouse.org or call 732-246-7717. 

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