‘Rock & Roll Man’ Final Show is Sept. 1

Constantine Maroulis as Alan Freed in Rock & Roll Man – photo by Joan Marcus

If you are looking for a good show to see to finish your summer viewing, consider going to The New World Stages for Rock & Roll Man. This musical journey tells the story of the beginnings of rock and roll. It focuses on the legendary DJ Alan Freed. Freed brought the music of black artists to the mainstream at a time when segregation was in full swing in the U.S. He is also credited with popularizing the term Rock and Roll to the emerging genre.

The musical is based on a book by Gary Kupper, Larry Marshak and Rose Caiola. it is directed by Randal Myler with Choreography by Stephanie Klemons.

According to a recent press release, the show will play its final performance on Friday, September 1 ahead of a national tour. As of that date, Rock & Roll Man will have played 18 previews and 82 regular performances.

Playbill from Rock & Roll Man – Photo K. Nowosad

Rock & Roll Man Goes Back to the Early Days of Rock

Rock & Roll Man shows events connected with the rise and fall of Alan Freed. The story is cleverly told through a dream that Freed has the supposed last day of his life. He enters the Court of Public Opinion where rock legend Little Richard takes on the role of his defender.

Joey Pantoliano as Leo Mintz and Constantine Maroulis as Alan Freed in Rock & Roll Man – photo by Joan Marcus

The story moves on to a meeting between Leo Mintz, the owner of Record Rendezvous, a record shop in Cleveland, and Alan Freed, who is working as a DJ at a Cleveland radio station. This shop breaks all the rules of the day as records by black artists are selling well with both white and black teenagers. They also mingle and dance with each and have a great time doing so. Freed makes an agreement to play some of these black artist records on his radio show. And so it begins.

Rodrick Covington as Little Richard singing at his piano with back up ensemble group – photo by Joan Marcus

As the story unfolds, audiences are treated to a number of classic 50’s rock songs as well as new songs written for this production. Some of the songs from this time period include “Good Golly Miss Molly,” “Tutti Frutti,” “See See Rider,” “Smoke Gets in Your Eyes,” “Great Balls of Fire,” and many more.

New songs progress the story including “King of the World,” “Be Good to Morris,” and “Rock and Roll Lullaby.”

Eventually, the establishment of the day, led by FBI head J. Edgar Hoover, steps in to put an end to what they view as an insult to good morality. Audiences might be surprised to see what is done to bring Freed down. Unfortunately, there is truth behind what you will see. Freed tries to fight, but it becomes too much as alcoholism leads to his early death.

A Fabulous Cast Rocks the House

New Jersey’s talent bank is well represented in this show. Constantine Maroulis plays the lead as Alan Freed. He is in strong voice as he sings and creates his role. He brings the house down when he sings “King of the World.” His performance astutely shows what Freed went through especially the very sad lows that closed out his life. But a very enjoyable moment ends the show when he and the entire cast sing Chuck Berry’s “Rock and Roll Music.” Not only does it get the audience on their feet clapping and singing along, but it also reminds us of the love Alan Freed had for his Rock and Roll and the artists who were a part of it.

Hoboken born Joe Pantalioni (Aka Joey Pants) plays two parts: Leo Mintz and Morris Levy. It’s not easy to switch between two parts that are so different in a show but Pantalioni pulls it off easily. Fans will enjoy seeing him singing and bringing in some funny comic lines.

Rodrick Covington brings a first rate performance to the role of Little Richard. You might feel like you are seeing the actual Richard Wayne Penniman on stage at times. Bob Ari plays the show’s villain, J. Edgar Hoover. Ari’s portrayal is spot on even when he plays a few other “morality” type characters. Valisia LeKae plays the legendary LaVern Baker. Her strong singing along with audience appeal is one of the show’s many highlights.

Valisia LeKae sings the songs of LaVern Baker with her back up group. Photo by Joan Marcus

A Round of Applause for the Ensemble

The ensemble does a superb job as they each sing, dance, and play a number of different parts. This group brings an energy to the songs of the era that reflects the sounds of early rock, but somehow they manage to make them sound new.

The amazing ensemble includes Joe Barbara, Andy Christopher, Natalie Kaye Clater, and Richard Crandle. Also playing in the show are Lawrence Dandridge, AJ Davis, Autumn Guzzardi, Anna Hertel, and Jamonté.

Additional ensemble members include Darren Lorenzo, Matthew S. Morgan, Chase Peacock, Dominque Scott, Bronwyn Tarboton, and Eric B Turner.

Why See this Show?

If you enjoy rock and roll, this is a must see show. It gives a lot of history about the early days of the genre and how influential that time was to its development.

Bear in mind that this is a true story. And that makes it even more interesting to see.

The history is one thing, but a big reason to see Rock & Roll Man is to go and have a good time. The music and the spirit of the cast as they perform will have you singing along and perhaps even dancing. One of my favorite numbers is the classic song by The Coasters, “Yakety Yak.” As the actors perform this song, they are close to the edge of the stage and they look out to the audience as they sing the famous line, “Yakety Yak.” The audience easily responds, “Don’t talk back.”

You don’t know the song? You will after hearing 1 -2 verses. Pure fun!

How to Get Tickets for Rock & Roll Man

Tickets to Rock & Roll Man are on sale through the show’s official website, rockandrollmanthemusical.com, Telecharge.com, or by calling (800) 447-7400. Group sales (10 or more) available through Broadway Inbound or by calling 866-302-0995.

Entries for the Rock & Roll Man digital lottery start at 12am, 1 day before the performance, and winners are drawn the same day at 10am and 3pm. Winners may buy up to 2 tickets at $25 each.

Digital rush begins at 11am the day of the performance. More tickets may become available throughout the day. Rush ends 30 minutes before curtain. One person may buy up to 2 tickets at $35 each, and are available at rush.telecharge.com.

This show plays at New World Stages, 340 W. 50th Street in New York City.

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Classics for Kids! Begins at Shakespeare Theatre NJ

The Little Prince Begins Classics for Kids! Series

The Shakespeare Theatre of New Jersey (STNJ) launched a new offering, Classics for Kids! This series is made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts, along with additional funding provided by Stark D. Kirby, Jr.

The launch of the new series was on Saturday, August 12, with a beautiful and heart warming production of the The Little Prince by Antonine de Saint-Exupéry. It was a staged reading done with scenery, props, music, and lighting. A superb cast brought the story to life.

This stage version is by Rick Cummins and John Scoullar, based on the original novella. STNJ’s Artistic Director Bonnie J. Monte directed the reading.

I Love Children’s Theater

I attended this reading because of my love of children’s theater. Also, I have heard a lot about The Little Prince but never got into reading the entire piece. So this seemed like a nice way to learn more about the much talked about novella.

Fully expecting to be the only adult attending without a child, it was a nice surprise at the 2:00 show to see that I was not the only one! In fact, the audience was a testament to how theater brings people together because there were families, grandparents with children, and groups of adults of all ages in the audience.

The story of The Little Prince begins with an Aviator on the ground trying to repair his plane. The Little Prince approaches him and tells him tales of his travels on earth and other planets he has visited and what he saw. Imagination abounds as flowers come to life along with tales of people he has met both on earth and other planets. The characters described each bring a lesson to examine. Even when The Snake arrives, there are things to consider.

This was a staged reading. However, it was so well put together that one could easily count it as a play. The only thing making it look like a staged reading were the loose-leaf notebooks the cast held to use for their notes. Many skillful techniques were utilized so that you could hardly tell that a script was in their hands..

The Little Prince appeals to children but adults as well. Many of the lessons shared by the little prince are things that adults struggle with. The innocence of a child allows adults to view these issues in a different light.

The Cast

Jon Barker leads the cast as the Aviator along with David Mattle as the Little Prince. Barker gave a fine performance as he struggles to understand this young person who finds him with his broken down aircraft. This was a first time performance for David Mattle at STNJ but he carried it off very well. His performance was sweet but well polished with his stage presence and delivery.

The cast also includes Dino Curia (The King, The Businessman, and The Geographer), and Greg Jackson (The Fox). Also in the reading were Carolyne Leys (The Desert Flower, Echo, and a Pink Rose) and Isaac Hickox-Young (The Conceited Man and The Lamplighter). Billie Wyatt played the role of The Snake

Peri Gilpin joined the cast as The Rose. She is well known for her role as Roz Doyle in the NBC sitcom Frasier.

Creative Touches Add Much to the Staged Reading

The Little Prince features production design and projected drawings by Bonnie J. Monte; inspired by the original drawings by Antoine de St. Exupéry. Lighting Design is by Steven Beckel and Jenna Gregson served as the Production Stage Manager.

Upcoming Classics for Kids! Shows

The Dragon King | A Tanglewood Marionettes Production

The Dragon King | A Tanglewood Marionettes Production

November 4th —  11:00 a.m.

Description of the show:

A terrible drought has overtaken the land, and all the world has turned brown and lifeless. The Dragon King is the ruler of the waters, and the people are beginning to wonder why he has not brought the precious rains in such a very long time. An underwater fantasy based on Chinese folklore, Tanglewood Marionettes’ latest production tells the tale of a wise Grandmother who journeys to the bottom of the sea to seek the Dragon King, and the answers to why he has forsaken the land above. With colorful sea creatures, an exciting adventure, and all the visual splendor that audiences have come to expect from a Tanglewood Marionettes production, The Dragon King is a heart-warming tale that will thrill young and old alike.

Founded in 1993 by Anne Ware and Peter Schaefer, Tanglewood Marionettes is a nationally touring marionette theater based in New England.

– STNJ Press Notes

Staged Reading of The Snow Queen by Hans Christian Andersen

December 16th — 11:00 a.m.

Description of the show:

This classic is one of Andersen’s most acclaimed fairy tales. It is the story of two best friends, Gerda and Kai, who grow apart when their world is overcome by dark forces. Kai is influenced by the Snow Queen, whose intentions are evil, and Kai quickly betrays the bond between him and Gerda. With the help of a slew of characters, Gerda reunites with her friend, and the audience is left to reflect on an all too familiar theme – one’s circumstances may shape who one becomes, but with love and compassion, good can overcome evil.

– STNJ Press Notes

How to Go to Classics for Kids! Performances

Tickets are $15 for patrons 17 and under. Adult tickets are $20. 

For more information about The Shakespeare Theatre’s Classics for Kids performances, please call the Box Office at (973) 408-5600 or visit the website, shakespearenj.org.

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‘And a Nightingale Sang’ Looks at War Affecting Family Life

The cast of And a Nightingale Sang… Photo by Sarah Haley

Now playing at the Shakespeare Theatre Of New Jersey (STNJ) is the play And a Nightingale Sang. Written in 1977 by British playwright C.P. Taylor, it has been seen both as a play and a film. The play is about a family living in Newcastle-upon-Tyne, England during World War II. It has some humor to help balance out some very intense scenes about the war and what it is doing to the Scott family. This production includes songs from that era played by a family member on the home piano.

Bonnie J. Monte provides direction of a fine cast and outstanding staging. Monte writes in her Director’s Notes, that this play had been on her list of shows she wanted to do for quite awhile. As this is her last season as the STNJ’s Artistic Director, she knew that time arrived. Audiences will be pleased with the results of her efforts. This production provides a rare look at how war affects everyday people rather than the military as they take action or even politicians. I agree with what Monte wrote in those Notes that the larger powers have the power to bring horrific events to the world. Strength is needed to cope with these actions and it falls to the every day person trying to live their own lives to deal with that the best they can.

A Story of Survival and Growth

By design, And a Nightingale Sings provides a microcosm of personalities in one family representative of a society of the time. The characters in the play are a part of the Scott family who live in the Newcastle, England area.

The story is told in two acts starting with Scene 1 in September 1939 and additional scenes at key times during the war from 1940, 1942, 1944, and finally 1945 as the war ends. Significant events such as D-Day and VE Day are mentioned.

The play has a narrator who is one of the Scott daughters, Helen (Monette Macgrath), She is the older of the two sisters and she walks with limp This slight imperfection leaves a mark on her in that she does not feel any man would want her. So when she meets an officer in the British armed forces, Norman (Benjamin Eakeley), she enters into a love affair and eventually leaves the family home to go to live with him. Her persona is gentle and warm and she wins the audience over immediately.

However, it is a little different with the other sister, Joyce (Sarah Deaver). Initially, she turns one off by the nature of her selfish and somewhat reckless behavior. Looking to have a good time, she meets soldier Eric (Christian Frost). After a great deal of pondering, she accepts his proposal of marriage and some of the difficulties of a couple not being able to see other come through in their relationship.

Both of these sisters’ relationships say volumes about wartime romances. Some survive, some do not. And in this play, that is exactly what happens. However, the sisters learn and grow from all of these experiences and come out different people at the War’s end.

Three Generations of the Scott Family

Anchoring the household are the elder members including the grandfather, Andie (Sam Tsoutsouvas). His role adds some humor to the play especially as he seeks out a room and he recounts some of experiences in finding one.

Finally, Peggy Scott (Marion Adler) is the mother. Hard to determine her level of stability because she is constantly dashing off to the local church for comforting and to check on the safety of the pastor. George Scott (John Little) offers a settled image as he plays the piano with songs of the era. In many ways, the music becomes a grounding source of comfort for all.

Special Effects and Staging Assist the Story Being Told

Major cities in England were constant targets of Nazi bombing raids so this is written into the play. Civilians needed to deal with air raid warning sirens, staying in bomb shelters, and finally hearing the all clear sound. Also shown are the gas masks needed at various times which members of the family have and use at times. These were difficult times and the play brings that out.

George serves as a volunteer in the Civil Defence Service helping people as needed especially when air raid sirens go off. The sound is frightening and the reactions of the players takes different forms. STNJ does an excellent job with the sounds of the sirens and bombs dropping. One can feel the fear hearing the overhead planes coming in and bombs dropping all around them. It is distressing to watch people hoping they will come out alive.

The stage is designed to be a two story house but also some steps down for the bomb shelter. Lighting is also used to enhance some events taking place.

Highly Recommend Going to see And a Nightingale Sang

This play by C.P. Taylor is well written and the STNJ does a superb job presenting it on stage. You will experience some of the anxiety people of this time felt while they lived through it. Additionally, these are characters who represent the every day people who lived in English at the time.

I have purposely left out the full description of who ends up with whom and what happens to the characters because some of it needs to unfold to you, as an audience member. Some might surprise. But if you are a student of history of World War II, some will not. However, the experience seeing this play is well worth it.

And a Nightingale Sang Tickets and Special Offerings

Ticket prices range from $34 to $65. The Theatre offers various cost-saving opportunities:

  • $15 student rush tickets, which are available 30 minutes prior to each performance, with a valid student ID.
  • A limited number of Pay What You Can tickets for every performance on a first-come, first-serve basis.
  • $30 Under 30 ticket option, which offers $30 tickets for patrons aged 30 and under, with valid ID. 
  • Other discounts are available including subscription discounts, a 10% discount for members of PBS/Thirteen and AAA members. 
  • For tickets, call the Box Office at 973-408-5600 or visit ShakespeareNJ.org.

And a Nightingale Sang Audience Enrichment & Accessible Performances

For the same price as a regular ticket, the Symposium Series performances offer a post-show discussion with the cast and artistic staff. For And a Nightingale Sang…, Symposium performances are on Tuesday, July 18 at 7:30 PM, Saturday, July 22  at 2:00 PM, and Saturday, July 29 at 2:00 PM.

The Know-the-Show pre-show talks are available free of cost with the purchase of a performance ticket. Prior to the Thursday, July 20th performance, at 7:00 PM, Ms. Monte will conduct a pre-show talk and Q&A for interested patrons. The performance that night follows at 8:00 PM.

The Shakespeare Theatre also offers Closed-Caption performances and Audio-Described performances throughout the season. The captioned performance for And a Nightingale Sang… will be on Thursday, July 20th at 8:00 PM. The Audio-Described performance will be on Thursday, July 27th at 8:00 PM. For more information, please contact the Box Office.

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