Premiere Stages Brings New Relevancy to ‘Selling Kabul’

Afsheen Misaghi and Atra Asdou. Premiere Stages 2023 production of Selling Kabul. Photo by Mike Peters.

Premiere Stages at Kean is now running the New Jersey Premiere of Selling Kabul. Written by Sylvia Khoury, the play runs through September 24 at the Bauer Boucher Theatre Center on the campus of Kean University, Union, NJ. With direction by Taylor Reynolds, the show is intense and thought provoking and it is one that will stay with you for a long time. If you are a person who values family, you may feel sadness as you watch what is going on to people and how it is splitting the citizens of Kabul apart. But this is one that should not be missed.

A big round of applause goes out to Premiere Stages as they provide several things which will help you gain even more from the experience of seeing the play. Their approach to including information and materials to theater goers helps add to the relevancy this play brings.

First, See the Display Boards in the Lobby

I suggest stopping first in the Boucher Theatre Lobby before you go in to see the show. There you will find beautifully constructed display boards which will give important background about the subject matter of the play. Here is one example with a very current quote (Aug. 2023) from the Associated Press about how many applicants are still waiting in the special immigrants visa program.

Photo by K. Nowosad

There are several other boards which have good information to read before you see the show.

Next, go in to See Selling Kabul

Basically, Selling Kabul is about people trying to survive in an environment they did not choose to be in. The characters and events in Selling Kabul are fictional. However, the major elements of the story are rooted in truth. This story takes place in 2013 when the U.S. troops had withdrawn. However, there was a promise made to those Afghan citizens who worked with the U.S. that they would be taken care of. Some were. However, others, like Taroon, have not and they are still waiting.

Taroon (Zaven Ovian) lives in fear for his life. The Taliban are hunting for him as they consider him to be an enemy of their regime. His crime: he worked as an interpreter for the United States military in Afghanistan. While he is waiting for proper paper and arrangements to be made, he hides in his sister, Afya (Atra Asdou), and brother-in-law Jawid’s (Afsheen Misaghi) apartment. He must stay hidden from the windows and cannot even play the large screen television set for fear the light will be seen out the window. Meanwhile, Afiya and Jawid made the difficult decision to work with the Taliban by supplying them with uniforms.

A neighbor down the hall, Leyla (Anat Cogan) keeps dropping in unexpectedly. Even though they are friends, the family has kept Taroon hidden from her.

Zaven Ovian. plays Taroon, Photo by Mike Peters.

The play opens on the night that Taroon’s wife has given birth to their son. She is in the hospital and he is determined to get to see her. Thus develops the major conflict that eventually leads to his leaving Kabul for an uncertain future.

More Information Provides Another Aspect of Relevance

After seeing this play, you may wonder what you can do to help out. Premiere Stages at Kean provides an impressive list of sources to help answer that question. So take time to look inside the program/playbill provided. On page 6 you will find some resources that will help you learn about ways you can help people around the world as they seek refuge.

Post Show Community Connections

Audience members can engage more deeply with this deeply moving play by attending the free Community Connections following select matinee performances. Two have already been held but one remains after the Saturday, September 23 matinee. This presentation will have the cast of Selling Kabul as the speakers. Previous post-show presentations featured Director Taylor Reynolds and representatives from non-profit organizations that assist Afghan refugees in New Jersey.

Tickets and More Information about Selling Kabul

This is a must see show for anyone who recognizes the need to gain more understanding of tense situations in our world. It might not be a good selection for very young children, but other than that, this is a relevant play for everyone.

Selling Kabul runs September 7 – September 24 in the Bauer Boucher Theatre Center. This is located on the Kean University main campus, Union, NJ.

Performances take place Thursdays and Fridays at 8:00 p.m., Saturdays at 3:00 p.m. and 8:00 p.m. and Sundays at 3:00 p.m.

Reasonable rates for tickets are available through calling the Box Office at 908-737-7469 or going to the Premiere Stages website at premierestagesatkean.com.

Posted in New Jersey Theater | Tagged , , , , | Leave a comment

“A Tailor Near Me” at New Jersey Repertory Company

James Pickens Jr. and Richard Kind in A Tailor Near Me Photo by Andrea Phox

By Mary Ann Bourbeau

LONG BRANCH – Small regional theaters have always struggled to stay afloat, and that struggle became even greater when the Covid pandemic shuttered them, often for a year or more. Many nonprofit theaters are running at a loss, with audiences dwindling and government aid slashed, forcing some venues to reduce the number of shows produced each season, shorten the length of a show’s run or lay off staff members. In the most drastic cases, theaters have shut down completely. 

Yet the New Jersey Repertory Company in Long Branch, which develops and produces six new plays each year, has managed not only to survive for more than a quarter century, but is being hailed as a crucial part of the planned redevelopment and cultural renaissance of Long Branch’s lower Broadway area. 

“It’s been very challenging,” said Gabor Barabas, who along with his wife SuzAnne, founded the company in 1997. “Running a nonprofit theater is not for the faint of heart. So many theaters are faltering and closing. It’s been coming for a long time, and Covid just accelerated it. The business model for a regional theater is no longer tenable. American theater is imploding before our eyes. Yet we have a play that is selling out.” That play is “A Tailor Near Me.” Not only is it selling out, but due to popular demand, the run has been extended an additional week through September 3.

“A Tailor Near Me” – A World Premiere Comedy

“A Tailor Near Me” stars Richard Kind (Curb Your Enthusiasm, Mad About You, Spin City) and James Pickens Jr. (Grey’s Anatomy, The X-Files, Roseanne).

In this world premiere comedy, written by Michael Tucker (L.A. Law), a man goes to a tailor to have his suit pants let out. The tailor convinces him that he needs a new suit, which leads to not only the making of a new suit but alterations in both of their lives. Direction of “A Tailor Near Me” is by James Glossman.

“The thought of doing a two-character play was intriguing to me,” said Pickens. “I hadn’t done it before, and it was a real challenge. When I read Michael Tucker’s script, it was a delightful examination of men and relationships, of love and commonality. The play is about the things we share more than the things that keep us apart. It’s got a lot of heart and introspection.”

Pickens was also drawn in by the chance to work with Richard Kind. 

“I’ve been a fan of his for a long time,” he said. “He’s a real piece of work; totally committed to his craft. You can just tell that he loves what he does. He knows theater and what it takes to make a play successful. It’s a real learning experience watching him work.”

Kind was familiar with NJRep because of his friendship with actor Dan Lauria, who has performed at the theater numerous times over the years.

“I admire Dan for his love of regional theater and original plays, two things that I support,” said Kind.

Kind went on to explain his admiration for regional theaters such as NJRep and why it’s important for the community to support these venues.

“My dad was a jeweler,” he said. “I know that some people look for the crown jewels, the biggest and flashiest ones, but often the prettiest gems are small and perfect, simple and beautiful, not in an in-your-face kind of way. NJRep is a gem that people should be coming to. You never know when something great is going to be created in this unassuming theater. Some plays will be good, some great and some astounding. It’s like going to a restaurant – sometimes the food is really good and sometimes it’s not as good, but it’s tasty and full of nourishment. Theater is a wonderful place to go and sit for a short while and be uplifted. It elevates you and enlightens the community.”

NJRep Continues its Mission to Develop and Produce New Plays

Over the years, NJRep has produced three of Michael Tucker’s plays. Tucker and his wife, Emmy nominated actress Jill Eikenberry (L.A. Law), have appeared separately and together in Tucker’s plays at the theater. The Barabas’ are thrilled that the theater’s stature has grown to the point of having actors such as Pickens and Kind not only perform Tucker’s work but offer to extend the run.

“It’s remarkable that two actors of their caliber are at our theater bringing this wonderful play to life,” said Gabor.

Gabor and SuzAnne Barabas met as teenagers and married at a young age in Brooklyn. She was pursuing a career in theater, and when they moved to Cincinnati, where he entered medical school, she opened a theater there. They later moved to Philadelphia, where they started another theater. In 1997, the couple had the opportunity to relocate to an old industrial building in Long Branch where they would be part of an effort to revitalize the community. 

“The original donors who gave us the building wanted to better the community,” said Gabor. “In our neighborhood 25 years ago, we were the only business open at night. There were 30 buildings around us boarded up and no foot traffic.”

The couple decided to produce only new plays to distinguish the theater’s focus from what others were presenting.

“We both love theater, and living in New York inspired us,” said Gabor. “We are enthusiastic and enamored with established plays, but we want to contribute to the repertoire of the American stage and produce the classics of tomorrow.”

NJRep’s Growth

Their very first play was called “Ends” written by David Alex.

“We didn’t fully realize the irony of that,” said Barabas. “Our first three or four years were highly challenging. It could have spelled the end for us. But 300 of the plays we gave birth to have been done all around the country and overseas. Theater is bigger than our walls.”

Those walls now include a 65-seat main stage and a 50-seat studio theater on lower Broadway along with the nearby West End Arts Center, which has an art gallery and four small theaters including a flexible 100-seat venue. In the past year, they have hosted stand-up comedy events, jazz concerts and poetry readings there. They plan to add additional venues as well as a cultural center.

“It’s going to be a large transformation of the community around us,” said Gabor. “We intend to run both locations and expand programming for children and families, essentially inspiring the next generation of theatergoers.”

Gabor Barabas, now retired after a 30-year career as a pediatric neurologist, has devoted himself entirely to developing theater and is excited to be part of the renaissance of the up-and-coming Long Branch arts district.

Next Up: “Welcome to Matteson!”

Next up at the New Jersey Repertory Company is “Welcome to Matteson!” a dark comedy by Inda Craig-Galván. The plot involves two African American couples and their journey through the social constraints of classism, economics and discrimination as they host a welcome-to-the-neighborhood dinner party for their new neighbors who have relocated from Chicago’s roughest housing project. The play exposes reverse gentrification and how people deal with the “other” when the other looks just like them. 

“It’s a beautiful, four-character play and a remarkable exploration of what happens to these people under those circumstances,” said Gabor.

“Welcome to Matteson!” runs from September 28 to October 29. Tickets are $45 for students and $65 (or $60 early bird) for adults. For more information visit www.njrep.org

_____________________________________________________

Thanks to Mary Ann Bourbeau for this article. Mary Ann has won multiple awards from the New Jersey Press Association. She spent 14 years writing for daily newspapers and for the past decade has been an arts and entertainment freelancer for various publications.

Posted in New Jersey Theater | Tagged , , , , | Leave a comment

‘Rock & Roll Man’ Final Show is Sept. 1

Constantine Maroulis as Alan Freed in Rock & Roll Man – photo by Joan Marcus

If you are looking for a good show to see to finish your summer viewing, consider going to The New World Stages for Rock & Roll Man. This musical journey tells the story of the beginnings of rock and roll. It focuses on the legendary DJ Alan Freed. Freed brought the music of black artists to the mainstream at a time when segregation was in full swing in the U.S. He is also credited with popularizing the term Rock and Roll to the emerging genre.

The musical is based on a book by Gary Kupper, Larry Marshak and Rose Caiola. it is directed by Randal Myler with Choreography by Stephanie Klemons.

According to a recent press release, the show will play its final performance on Friday, September 1 ahead of a national tour. As of that date, Rock & Roll Man will have played 18 previews and 82 regular performances.

Playbill from Rock & Roll Man – Photo K. Nowosad

Rock & Roll Man Goes Back to the Early Days of Rock

Rock & Roll Man shows events connected with the rise and fall of Alan Freed. The story is cleverly told through a dream that Freed has the supposed last day of his life. He enters the Court of Public Opinion where rock legend Little Richard takes on the role of his defender.

Joey Pantoliano as Leo Mintz and Constantine Maroulis as Alan Freed in Rock & Roll Man – photo by Joan Marcus

The story moves on to a meeting between Leo Mintz, the owner of Record Rendezvous, a record shop in Cleveland, and Alan Freed, who is working as a DJ at a Cleveland radio station. This shop breaks all the rules of the day as records by black artists are selling well with both white and black teenagers. They also mingle and dance with each and have a great time doing so. Freed makes an agreement to play some of these black artist records on his radio show. And so it begins.

Rodrick Covington as Little Richard singing at his piano with back up ensemble group – photo by Joan Marcus

As the story unfolds, audiences are treated to a number of classic 50’s rock songs as well as new songs written for this production. Some of the songs from this time period include “Good Golly Miss Molly,” “Tutti Frutti,” “See See Rider,” “Smoke Gets in Your Eyes,” “Great Balls of Fire,” and many more.

New songs progress the story including “King of the World,” “Be Good to Morris,” and “Rock and Roll Lullaby.”

Eventually, the establishment of the day, led by FBI head J. Edgar Hoover, steps in to put an end to what they view as an insult to good morality. Audiences might be surprised to see what is done to bring Freed down. Unfortunately, there is truth behind what you will see. Freed tries to fight, but it becomes too much as alcoholism leads to his early death.

A Fabulous Cast Rocks the House

New Jersey’s talent bank is well represented in this show. Constantine Maroulis plays the lead as Alan Freed. He is in strong voice as he sings and creates his role. He brings the house down when he sings “King of the World.” His performance astutely shows what Freed went through especially the very sad lows that closed out his life. But a very enjoyable moment ends the show when he and the entire cast sing Chuck Berry’s “Rock and Roll Music.” Not only does it get the audience on their feet clapping and singing along, but it also reminds us of the love Alan Freed had for his Rock and Roll and the artists who were a part of it.

Hoboken born Joe Pantalioni (Aka Joey Pants) plays two parts: Leo Mintz and Morris Levy. It’s not easy to switch between two parts that are so different in a show but Pantalioni pulls it off easily. Fans will enjoy seeing him singing and bringing in some funny comic lines.

Rodrick Covington brings a first rate performance to the role of Little Richard. You might feel like you are seeing the actual Richard Wayne Penniman on stage at times. Bob Ari plays the show’s villain, J. Edgar Hoover. Ari’s portrayal is spot on even when he plays a few other “morality” type characters. Valisia LeKae plays the legendary LaVern Baker. Her strong singing along with audience appeal is one of the show’s many highlights.

Valisia LeKae sings the songs of LaVern Baker with her back up group. Photo by Joan Marcus

A Round of Applause for the Ensemble

The ensemble does a superb job as they each sing, dance, and play a number of different parts. This group brings an energy to the songs of the era that reflects the sounds of early rock, but somehow they manage to make them sound new.

The amazing ensemble includes Joe Barbara, Andy Christopher, Natalie Kaye Clater, and Richard Crandle. Also playing in the show are Lawrence Dandridge, AJ Davis, Autumn Guzzardi, Anna Hertel, and Jamonté.

Additional ensemble members include Darren Lorenzo, Matthew S. Morgan, Chase Peacock, Dominque Scott, Bronwyn Tarboton, and Eric B Turner.

Why See this Show?

If you enjoy rock and roll, this is a must see show. It gives a lot of history about the early days of the genre and how influential that time was to its development.

Bear in mind that this is a true story. And that makes it even more interesting to see.

The history is one thing, but a big reason to see Rock & Roll Man is to go and have a good time. The music and the spirit of the cast as they perform will have you singing along and perhaps even dancing. One of my favorite numbers is the classic song by The Coasters, “Yakety Yak.” As the actors perform this song, they are close to the edge of the stage and they look out to the audience as they sing the famous line, “Yakety Yak.” The audience easily responds, “Don’t talk back.”

You don’t know the song? You will after hearing 1 -2 verses. Pure fun!

How to Get Tickets for Rock & Roll Man

Tickets to Rock & Roll Man are on sale through the show’s official website, rockandrollmanthemusical.com, Telecharge.com, or by calling (800) 447-7400. Group sales (10 or more) available through Broadway Inbound or by calling 866-302-0995.

Entries for the Rock & Roll Man digital lottery start at 12am, 1 day before the performance, and winners are drawn the same day at 10am and 3pm. Winners may buy up to 2 tickets at $25 each.

Digital rush begins at 11am the day of the performance. More tickets may become available throughout the day. Rush ends 30 minutes before curtain. One person may buy up to 2 tickets at $35 each, and are available at rush.telecharge.com.

This show plays at New World Stages, 340 W. 50th Street in New York City.

Posted in Off-Broadway | Tagged , , , , , , , , , , , , | Leave a comment