‘The Two Hander’ Delves into Psychology and More

A scene from The Two Hander starring Jill Eikenberry and Ella Dershowitz – Photo credit Andrea Phox

‘The Two Hander’ – A Review

A new play titled The Two Hander is playing at the New Jersey Repertory Company in Long Branch. Written by Julia Blauvelt, this play unfolds layers of plot and character development very carefully. This unfolding examines the story of two women. Diana, played by Jill Eikenberry, is a psychotherapist who has seen better days. Claire, played by Ella Dershowitz plays a person trying out psychotherapy for the first time.

Very effective staging helps the audience gain a better understanding of the plot and characters. Director SuzAnne Barabas makes sure that the use of special effects carry out the theme of the play in a most interesting way. Audiences can watch the mental deterioration of one of the characters as it progresses through the use of wall hangings and books as they slip and slide.

Additionally, the script is well written. Playwright Blauvelt incorporates powerfully written dialog for both of the characters. It takes a little for the unfolding of the characters to take root. But once it does, the audience gets a unique look at what is going on below the surface.

There is no doubt that this play will hold your interest as you watch two women interact with high emotional stakes involved.

Meeting the Therapist

All scenes for this play take place on set designed to look like a comfortable therapist’s office. Diana has been a resident of her Manhattan office for a number of years but she continues to have problems with a noisy heater. She makes numerous calls to “Gary” to try to get it solved but it never does happen. The office has comfortable seating, a number of books on shelves, and numerous pictures and artworks are on the walls.

Watch as Diana makes her first phone call to Gary and notice that she has two different names that she tries out. At first, it is hard to figure why she can’t recall Gary’s name immediately if she has been calling him numerous times. That becomes clear later on.

Enter Claire who decides to accept services from Diana. She is very hesitant to take on therapy sessions. But she realizes her own life has reached a point where it might be something that will help her move forward in her life. She is impressed with the amount of books and the subjects they cover in Diana’s office. The surroundings seem to reassure her except maybe for that malfunctioning heater that no one seems to be able to fix.

The Acting Brings the Real Issues to Light

As the sessions continue, an interesting dynamic begins. Jill Eikenberry turns in a strong performance as she wrestles with the inner demons haunting her. However, she does it in a such a manner that we don’t realize what it is really happening until later in the play. And that allows her client, Claire, to continue with the therapy much longer than she might have if she had a better sense of her own self. Some of the most forceful moments of the play occur when therapist Diana inflicts her own pain onto her client, Claire. And as she does so, movement occurs on the walls with the books and pictures.

Ella Dershowitz’s portrayal of Claire is that of a young woman who is not able to move forward with her life. She is a writer who has to take a job as a ticket seller rather than practice her own trade. Dershowitz does an excellent job of showing Claire bouncing back and forth between moments of progress then moments of moving backwards. She has a certain affection towards Diana. But that turns into other emotions as the true nature of the therapist presents itself.

Final Thoughts

This play is both interesting and surprising to see. It starts out a little slow but once it picks up, the audience gets caught up in the prison that Diana is in.

It would ruin it for anyone coming to see the show to say more than I have. I will say that the ending is dynamic and unexpected.

I would be remiss in not recognizing all of the creatives for The Two Hander. Their contributions add much to the strength of the script and acting. In particular, a special shout out goes to those who set up the walls and remount them after every show. Bravo!!

Tickets for The Two Hander

The Two Hander runs until May 19, 2024. Running time for the play is 1 hour 45 minutes with a 15 minute intermission.

Recommended age for theater goers is 13 +.

Tickets are on sale at NJ Rep.org or by calling 732.229.3166. 

The NJRep is located at 179 Broadway, Long Branch, New Jersey, 07740. 

The Two Hander begins promptly at 7:30 on Thursdays, Fridays, and Saturdays. Additional matinees are on Fridays, Saturdays, and Sundays at 2 PM. 

Parking is available off of Liberty on the left side. The main door to enter is off of this parking area.

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‘Gun & Powder’ is an Outstanding Musical

NOTE: Photos used in this article for Gun & Powder are provided by Paper Mill Playhouse. Photo Credit goes to Evan Zimmerman and Jeremy Daniel except for one in this article as noted under the photo.

Gun & Powder officially opened this week at the Paper Mill Playhouse. Opening Night was a joyous evening where the audience was dazzled by the new musical. Tremendous applause and standing ovations echoed throughout the night. There was a feeling of celebration in the air as Gun & Powder appears right on track to become a theater classic. It defines the struggles, triumphs, and the importance of family to black women. It shows them in humble beginnings as they set forth with strength and strive to make their way in a difficult world and establish a better life for themselves.

The book and lyrics for Gun & Powder are by Angelica Chéri. Music is by Ross Baum. Stevie Walker-Webb is the Director.

The story is well developed with twists and turns which are poignant and at times heartbreaking. Good balance is present because at times, there are comical touches.

This production at the Paper Mill Playhouse brings together an outstanding cast who will leave you breathless at times. The story is told through an original, dynamic musical score with songs eloquently sung. There are also a number of well thought out staging techniques which add to the delivery of a show which is one that can be enjoyed by many.

How Gun & Powder Came to Be

The background story of how this musical came to be is interesting. If you go to the @GunandPowderMusical site on Instagram, there is a video of Book and Lyrics writer Angelica Chéri talking about the show. She was a graduate student at NYU along with Music Composer Ross Baum. They were paired as thesis partners. In its early format, this show became their thesis musical for the Graduate Musical Theater Writing Program at NYU.

The two talked about historic figures and Chéri mentioned that her family has a photo album filled with pictures of relatives, all of whom are African American. However, in the midst of this album were pictures of two white women. When she inquired as to who they were, the answer was that they were her great-great aunts Mary and Martha Clarke. They were also African American women who passed for white. She heard a variety of stories about what they supposedly had done. Stories described as outlaws – robbing trains and banks and more. But no one knew for certain.

This information piece hangs on the wall in the area right before you enter the theater. Take a moment to check it out and learn more about Angelica Cheri’s real life great-great aunts, Mary and Martha Clarke. Photo by K. Nowosad

Chéri felt she had a story that would work well as musical. Baum agreed and they set off to work on their thesis musical.

Later, Gun & Powder made its world premiere at Virginia’s Signature Theatre in 2020. They were able to get the full run in before the CoVid shutdown. Therefore, this presentation at the Paper Mill Playhouse has been eagerly anticipated.

The Story Begins in Texas

The show opens with an percussion solo and Prologue by the group referred to in the show as Kinfolk. Their role is important because they help to fill in pieces of the narrative which they sing to the audience. It is a good technique because it keeps the show moving along smoothly.

We meet Mary and Martha Clarke along with their mother Tallulah Clarke in 1893 as they are expressing concern about the news they received. Tallulah is a former slave who was freed by the Emancipation. She now is a sharecropper and life is difficult. Her two daughters were fathered by a white man who left her with the children.

The Clarkes farm a piece of land on a plantation where they must produce a certain amount of cotton. If they fail to meet the weight requirement, they must pay cash to make up the difference. In this case, they owe $400 which they do not have.

To solve their problem, Mary and Martha decide they must leave their home and go out to find a way to earn the money. In those years, it would be difficult for any woman to make it on her own, most especially a black woman. But they are light skinned so as they prepare to leave, they feel they can pass for white which they know will help them. The use of powder helps them to keep a lighter look on their faces.

Before they leave for the train station, Tallulah gives them two things: a gun and a locket with a picture of herself in it.

The Train Ride

As Mary and Martha arrive at the train station, two men try to take advantage of them. Martha takes out the gun. Without firing a shot, the men leave and drop money. The Clarke girls are amazed at the power they realize they have in their hands. Money in hand, they board the train with a new sense of confidence.

The song “The Train” is cleverly shown on stage as the Clarke sisters make their way through the crowds. The choreography of this scene is fun to watch and it also gives an indication that the sisters can pass for white.

The Heists Continue On Until . . .

The Clarke sisters make their way through the Old West doing robberies and hold ups and collecting the money they seek. They finally land in a town with an elaborate saloon owned by Jesse Whitewater.

He offers to put them up in a fine hotel he owns in town and promptly falls in love with Mary. She falls in love with him. And, as they prepare to marry, Caucasian Jesse does not realize Mary is not a white woman.

When he sees the locket with Tallulah’s picture in it, Mary tells him it is her Mammy. Martha shows outrage at her sister’s denial of their mother. This is one of the saddest scenes in the show. Although we are rooting for the Clarke sisters to make good, denial of their true selves becomes a central focus in the show. Additionally, it creates a split between the two sisters leading to much greater action.

However, people who work at Jesse’s saloon and hotel realize what is really going on with the two sisters. Their contributions to the show include some of humorous moments. Also aware of the situation is Elijah who works directly for Jesse. Elijah falls in love with Martha. She does love him but does not wish to follow him to New York which is where he is planning to go to.

More to the Story

There is more to the story but I don’t want to ruin it for those who will see this show. There are surprising twists especially the action that closes Act. 1. There is a final song, “All of Me,” which brings it all to a satisfying close.

Gun & Powder’s Cast is Fantastic

Leading this fantastic cast are Liisi LaFontaine  as Martha Clarke and Ciara Renée as Mary Clarke. Their acting and singing are absolutely superb. Their connection is so strong that you will believe they really are sisters.

Jeannette Bayandelle plays their mother, Tallulah Clarke. Her voice is captivating and she brings a sense of sadness mixed with cautious hope to the role.

Aaron James McKenzie is a standout as Elijah. His portrayal of the song “Invisible” is an important moment of truth in the story.

Hunter Parrish plays Jesse Whitewater. His solo song, “Outlaw’s Serenade,” is a strong vocal moment in the show.

Additional cast includes:

Rickens Anantua, Jisel Soleil Ayon, Reed Campbell, Carrie Compere, Meghan Olivia Corbett, Joann Gilliam, Francesca Granell, Aaron Arnell Harrington, Mary Claire King, Malik Shabazz Kitchen, Rayshun LaMarr, Zonya Love, Tiffany Mann, Tony Perry, Adam Roberts, Hank Santos, Christine Shepard, Katie Thompson, Aurelia Williams, Jason SweetTooth Williams

Music – Original Score 

One of the best parts of Gun & Powder is the music. It is an original score with songs that tell the story. There are also several ballads which are important to the development of the characters. There are 28 songs in the show. 

Music is by Ross Baum with arrangements by him and Austin Cook. Orchestrations are by John Clancy with additional ones by Scott Wasserman.

Directing the live orchestra is Austin Cook with Ben Covello serving as Associate Conductor.

Going to See Gun & Powder

Gun & Powder runs at the Paper Mill Playhouse until May 5, 2024. To get more information or to purchase tickets, go to their website. This link will take you directly to the Gun & Powder page.

Take a moment to review the Content and Effects Warnings on the website.

Suggested Age Range for Gun & Powder is 13+.

Run Time for the show is 2 hours and 30 minutes with one intermission.

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‘East Carson Street’ Premiering at Bell Theater

A 2008 view of a section of East Carson Street, Pittsburgh, PA – File is licensed in Creative Commons

The World Premiere of a new musical, East Carson Street, will open the new Bell Theater in Holmdel, NJ. The play has music by Joe Grushecky with a book by Jonathan Rosenberg.

Long regarded as one of rock & roll’s most talented singer-songwriters, Joe Grushecky grew up in Pittsburgh, PA. With his band Iron City Houserockers, he produced several albums which received rave reviews. In 1995, Joe began his collaboration with Bruce Springsteen. In 2009, he recorded the album “East Carson Street” with the current incarnation of the Houserockers.  It includes a duet with Bruce Springsteen on “Another Thin Line” which the two co-wrote.

East Carson Street is About Three Generations of a Pittsburgh Family

Daniel Kutner directs this show which follows the story of three generations of a Pittsburgh family over a period of four decades. It goes back to the 1980s when the city experienced the demise of the steel and coal industries. As the economy fell apart, residents had to find new ways to support themselves. Families were torn apart as they sought work opportunities elsewhere. Those who remained had to deal with the rising levels of crime and substance abuse.

The musical eventually moves to the 2020s and shows a new Pittsburgh; one which focuses on innovation, medicine, and technology. The city also reclaims its spot as one of America’s great cities.

East Carson Street stars Broadway’s Constantine Maroulis (Rock of Ages, Jekyll and Hyde) and Teal Wicks (Wicked, Jekyll and Hyde).

Notes about the show say this: “Set to Grushecky’s iconic music of the era, East Carson Street is a true testament to the greatness of the American people.”

Bell Theater

East Carson Street is the first entertainment offering at the new Bell Theater. It is located in the Bell Works complex, 101 Crawfords Corner Road, Holmdel, NJ. Bell Theater connects with Axelrod Performing Arts Center based in Deal, NJ.

Posted on the website of Bell Theater is their mission statement: “to provide exceptional cultural programming to the community in a state-of-the-art facility. We believe in the transformative power of the arts and are committed to making it accessible to all.”

Wheelchair access and assistive listening devices are available. A range of amenities including a cafe and bar will also be available.

Tickets and More Information

Performances for East Carson Street begin on May 3, 2024. The show runs for nine performances with the following schedule: May 3 (8PM), May 4 (2PM & 8PM) May 5 (3PM), May 9 (7PM), May 10 (7PM) May 11 (2PM & 8PM) May 12 (3PM).

To purchase tickets or for more information, visit the Axelrod Performing Arts Center website and select Bell Theater from the menu. Or, go directly to the Bell Theater website and click on Events.

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