‘A Christmas Carol’ is Festive and Fun at Shakespeare Theatre NJ

A scene from A Christmas Carol at Shakespeare Theatre of New Jersey

A Christmas Carol at Shakespeare Theatre of New Jersey – A Review

The Shakespeare Theatre of New Jersey (STNJ) enjoys a reputation of producing outstanding shows during the holiday season. This year brings another offering to that fine reputation with Charles Dickens’ A Christmas Carol. This is one of the best productions you will see of old Scrooge’s journey from being a miser of a man into one who knows how to keep Christmas well.

Paul Mullins directs this production which includes many touches that add both interest and fun to the story. Add to that a well written script from Neil Bartlett delivered by a superb cast as well as excellent staging, lighting, sound, and costumes and you get a play that you will long remember.

A Time Honored Classic Story

England’s great writer Charles Dickens wrote the text of “A Christmas Carol.” It was published on December 19, 1843. According to information found on arts.gov, it was written in in just six weeks, under financial pressure. It has been reported that Dickens wrote the story while taking hours-long nighttime walks around London. No doubt, those evening walks helped to set the mood of the tale.

The characters in A Christmas Carol all revolve around the actions of one man: Ebeneezer Scrooge. He’s very tight with his wealth of money and not a joy to be around. He scrimps on supplying the coal needed for heat in his office, and his workers are always cold during the winter. He begrudges having to give them off on Christmas Day. Included in this group of three is the kind man Bob Cratchit, played with distinction by Andy Paterson.

Anthony Marble plays the role of Scrooge. He delivers a performance that captures the essence of a man who has neglected his own personal life in order to be successful. He is cold-hearted and not interested in warming up to people. However, that all changes after he meets the three ghosts on Christmas Eve led by his deceased business partner Jacob Marley.

The arrivals of the Ghosts of Christmas Past, Christmas Present, and Christmas Future all bring out incidents related directly to Scrooge. There are some very fine staging effects used as each arrive. For example, the Ghost of Christmas Past appears to come up from the floor through the bed. And the arrival of the ghost of Christmas Future brings a very tall frightening figure to the stage.

Scrooge’s Transformation

If you know the story, you will recall when Scrooge awakens on Christmas morning, he is very thankful that he has survived. He becomes a changed man. He goes out to visit his nephew and his wife and spends Christmas with them. The next day at the office, he gives Bob Cratchit a raise. Scrooge learns about the health of Cratchit’s son, Tiny Tim, and his time with the ghosts convinces him he has to help. And he also starts to donate money to causes that he had turned away before.

The play ends, assuring those listening that Scrooge became a man who honored Christmas from that day forward.

The Multi-role Playing Cast

Helping to get to that wonderful ending, is an outstanding cast. With the exception of Anthony Marble who plays Scrooge, the other seven actors play one role listed in the program but then have et al next to their names. This means they play more than one role in the play. In the After Talk held last week, they disclosed that there are some quick costume changes that take place backstage in order to cover all parts. Yet they look delightfully prepared for their parts.

Ghost of Christmas Present, et al – Jeffery M. Bender

Ghost of Christmas Past, et al – Emily S. Chang

Marley, et al – Celeste Ciulla

Mrs. Cratchit, et al – Gina Lamparella

Fred, et al – Ty Lane

Bob Cratchit – et al – Andy Paterson

Belle – et al – Fiona Robberson

Clever Stage Techniques

A Christmas Carol can be a rather dark play. But here at the STNJ, there are numerous stage techniques incorporated into the play to overcome that darkness.

For example, there is a light on a table close to where Scrooge is at. Every time it goes on, an actor is seen holding it and he gives out a singing type sound.

One of the favorites of the night is in the opening scene when Scrooge and his employees are seen in the office. Every time the door opens, one actor throws snow in through the door opening. Yes, it does represent a snow storm outside but it got everyone laughing in the audience.

There are many other clever stage techniques that audiences can enjoy in this play.

To Go to the Show

To learn more about A Christmas Carol or to buy tickets, visit the Shakespeare Theatre of New Jersey website at this location.

The show is running now through December 29, 2024.

A Christmas Carol runs a little over 2 hours with one 15 intermission.

Posted in New Jersey Theater | Tagged , , , , , | Leave a comment

‘Gene & Gilda’ is a Love Letter to Them

Jordan Kai Burnett as Gilda and Jonathan Randell Silver as Gene – Photo Credit T. Charles Erickson

The George Street Playhouse presents Gene & Gilda in a limited run through December 22, 2024. The show is written by Cary Gitter and directed by Joe Brancato.

There are only two people in the cast: Jordan Kai Burnett who plays Gilda Radner
and Jonathan Randell Silver who plays Gene Wilder. Both of these players turn in performances that are warm and realistic. The best part of these two is the on stage chemistry that they have. This chemistry projects a strong sense of the identities that both of these people had. Additionally, it allows an audience to feel completely enveloped in their story.

Sets are basic and functionally used to tell the story. There is well written dialog which is well presented throughout the show to tell the story and allow the characters to develop.

George Street Playhouse’s Managing Director, Edward Herrera, wrote the following in the opening notes of the Program which sums up what this play brings:

In a time when our world is marked by division and discord, the love between Gene Wilder and Gilda Radner stands as a testament to connection, resilience, and humor in the face of life’s trials.

The Story Covers the Couple’s Time Together

The show opens with Gene Wilder doing an interview where he is asked to reflect back on Gilda. He is a little hesitant at first but as he speaks, Gilda, in spirit concept, comes on stage. The show becomes an exchange that they have about their lives together.

The dialog brings out the love between the two, but there are humorous moments as well. The entire production holds your interest as the years they are together are described.

We hear about how they met on the 1982 set of the movie of “Hanky Panky.” Gilda admits she was a bit scared meeting Gene as he was already a big star by then. He had already starred in some movie classics including The Producers, Willy Wonka & the Chocolate Factory, and the 1974 hit Young Frankenstein.

She certainly had nothing to be shy about as her own success was also riding high. That amazing work she did as a female comic was very apparent when she joined the first cast of Saturday Night Live. Here she created such memorable characters as Emily Litella, Roseannadanna, and her take off on Barbara Walters going by the name Baba Wawa. By the time she met Wilder, she had been on Saturday Night Live for more than 5 years, won an Emmy for her work there, and performed in a one woman show on Broadway.

Gilda was impressed with Gene when they met and he was intrigued with her innovative comedic style that people loved.

Although the film “Hanky Panky” was not a real success for either one, their relationship was established as they fell in love.

Marriage and Continued Work

Gene and Gilda were married in 1984 in the South of France. They developed a special love for this area of the world. The conversations that continue in the play bring out all of these aspects in addition to the encouragement each gave to the other.

In 1986, they began work on the movie Haunted Honeymoon. Gene wrote, directed, and acted in the film. Sadly, Gilda is diagnosed with ovarian cancer and it becomes the last screen appearance she has.

Gilda’s Death

Gilda’s death is well handled in this show. There could probably have been included about the gallant fight she made. Her decline becomes more evident. Eventually the scene on stage becomes that of the couple’s beloved location in France where it symbolically represents her death at age 42.

But what continues to come through in this show is the love and respect these two people had for each other. It is fair to say this is a type of love letter to both Gene and Gilda about their love and lives together.

To Go to the Show

Tickets to Gene & Gilda are now on sale at www.georgestreetplayhouse.org. Groups of 10 or more save 20 percent.

Live Stream Opportunity

You might be busy at this time of year or live out of the New Brunswick area. Here’s an opportunity see a live presentation of this play.

George Street Playhouse and The League of Live Theater will offer
two live streamed performances of Gene & Gilda. The simulcast performances
will air on Friday December 13 at 7:30pm ET and Saturday December 14 at
2:00pm and 7:30pm ET.

Additionally, George Street Playhouse and The League of Live
Stream Theater will also offer closed captioning for the final simulcast live
performance on Saturday December 14.

Tickets for these live streamed performances begin at $39 and are available for purchase at
www.lolst.org/geneandgilda.http://www.lolst.org/geneandgilda


Posted in New Jersey Theater | Tagged , , , , , , , | Leave a comment

‘White Christmas’ at Paper Mill Playhouse is a Holiday Classic

The time honored classic movie White Christmas comes to life this month at Paper Mill Playhouse. Irving Berlin’s White Christmas the Musical is an enjoyable show for the entire family. The production, which is based off of the movie, uses music and lyrics by the great American songwriter Irving Berlin and a book David Ives and Paul Blake. This holiday favorite is a delight to see.

Paper Mill Playhouse’s Producing Artistic Director, Mark S. Hoebee, does a remarkable job directing this show. This 2 1/2 hour musical has a first rate cast who sing and dance and tell a story that is both heartwarming and enjoyable to see. This production features original Broadway choreography from Randy Skinner reproduced by Kristyn Pope. Original scenic design by Anna Louizos is coordinated by and with additional design for the production by Kelly James Tighe.

The beautiful original costume design by Carrie Robbins is coordinated by and with additional design by Antonio Consuegra. Sound design is by Matt Kraus. The hair, wig, and makeup design is by The Wig Associates (Krystal Belleza & Will Vicari). The Music Director is Cynthia Meng.

It Begins on Christmas Eve in 1944

It is always difficult to be away from home for the holiday season but especially when you are at war. The show opens with a troop of service men gather together “somewhere on the Western Front of World War II.” Among them are Bob Wallace (Max Clayton) and Phil Davis (Casey Garvin) who team up to put on a show for their fellow buddies. Clayton and Garvin turn in outstanding performances throughout the entire show. Joining them as the organizer of this World War II show is Ralph Sheldrake played by Reagan Pender who adds good humorous touches throughout the show.

HappyHolidays -Max Clayton (Bob Wallace) and Casey Garvin (Phil Davis) Photo Credit Jeremy Daniel

The show is dedicated to give a farewell to General Henry Waverly (Lance Roberts) before leaving the group. He is a well respected office whom the men look up to. Roberts plays his character as a stern man on the outside but with a heart of concern for his troops. His men respect him greatly as heard in the song “The Old Man.”

This is one of the most poignant scenes in the show as the song “White Christmas” plays. I remember watching the movie with my father. He was stationed in England during World War II. Hearing that title song got him emotional. It reminded him of how it felt to be so far away from home at the holidays. Irving Berlin wrote this song in 1942 during World War II when many people were away from home for the holidays. So there is nostalgia which lives on in this scene of the show.

Ten Years Later – A Lot Goes On

After World War II ends, Wallace and Davis continue their song and dance act and achieve great success. We are treated to a visit to the Ed Sullivan stage where old army buddy Ralph Sheldrake has also achieved success working for the Sullivan show. Wallace and Davis perform “Let Yourself Go” on the show.

“Let Yourself Go” – Casey Garvin (Phil Davis), Max Clayton (Bob Wallace), and the Cast of White Christmas – Photo credit Jeremy Daniel

Later, they meet the Haynes sisters. Judy (Keely Beirne) and Betty (Ashley Blanchet). This sister teams wows Wallace and Davis with their performance of “Sister.” Beirne and Blanchet turn in strong performances throughout the entire show.

“Sisters” Ashley Blanchet (Betty Haynes) and Keely Beirne(Judy Haynes)
Photo Credit Jeremy Daniel

Romantic sparks fly for Betty and Bob. Additionally, Judy and Phil show interest in each other in “The Best Things Happen When You’re Dancing.” Romance is in the air.

They all end up in Vermont where the sisters will be doing holiday shows. Low and behold, they come to a sweet Vermont inn owned by none other than General Waverly who they have not seen since that Christmas Eve in 1944.

When they find out he owns the inn, they also learn that there is no snow and that business is really bad. They learn all this from Martha who works at the inn. Later, Martha (Stacia Fernandez) gives a knock out rendition of “Let Me Sing and I’m Happy.”

The Show Within the Show

After learning about the General’s need for business, Wallace and Davis decide to bring the cast of the show they are producing up to stay and rehearse at the inn. This brings the performance of some of the most spectacular songs of the show. “Count Your Blessings and “Blue Skies” close out Act One.

Opening Act Two is “I Love a Piano.” This is a blockbuster moment in the show as the Paper Mill’s large stage is filled with tap dancing and singing.

I Love A Piano – Keely Beirne (Judy Haynes), Casey Garvin (Phil Davis), and the Cast of White Christmas – Photo Credit Jeremy Daniel

A secret plan is hatched to reunite the old army regiment that General Waverly led. The plan involves coming to the inn on Christmas Eve for a show. The hope is enough people will come to fill the inn and make up for cancellations due to the lack of snow.

Unfortunately, there are misunderstandings and the romances suffer. Betty leaves the show and goes solo in New York City. Bob attends her show and her performance of “Love You Didn’t Do Right By Me” provides one of the most thrilling performances in the show.

The Finale

This is a show that has a happy ending. All misunderstandings are cleared up. Romances are back on. The former army regiment members arrive and fill the inn. All is well.

Final songs include “The Old Man” which is a reprise of the version heard at the 1944 Christmas Eve show. As tribute is paid to General Waverly, he finally feels like things will work out.

The Old Man – Reagan Pender (Ralph Sheldrake), Casey Garvin (Phil Davis), Max Clayton (Bob Wallace), and Lance Roberts (General Henry Waverly) – Photo Credit Jeremy Daniel

The end of the show brings the entire cast onstage to sing “White Christmas” one last time. Be sure to watch as the illusion of snow falling appears.

Finale – The Cast of White Christmas – Photo Credit Jeremy Daniel

Additional Cast Members

In addition to the cast members mentioned above, there others who also deserve a round of applause for their fine performances in this show. They include:

Savannah Austin  and Annie Piper Braverman who share the role of Susan Waverly.

Ensemble members include: Claire Avakian, Lincoln Belford, Allison Blanchard, Lamont Brown, Sabrina Brush, Rhagan Carter, Sydney Chow, Kelly Gleason, Candice Hatakeyama, Drew King, Ryan Lambert, Cory Lingner, Alex Llorca, Carina-Kay Louchiey, Brady Miller, Larkin Reilly, Buzz Roddy, and Grace Marie Rusnica.

Go to See Irving Berlin’s White Christmas The Musical

Performances run now through Sunday, December 29 at Paper Mill Playhouse, 22 Brookside Drive, Millburn, NJ. Visit the Paper Mill’s website for show times and ticket purchases.

Accessibility performances are available through the run.

AUDIO-DESCRIBED PERFORMANCES – Scheduled for Sunday, December 22 at 1:30pm and Saturday, December 28 at 1:30pm.


OPEN-CAPTIONED & ASL- INTERPRETED PERFORMANCES – Scheduled for Saturday, December 28 at 1:30pm and Sunday, December 29 at 7:00pm.

Posted in New Jersey Theater | Tagged , , , , , , , , , , , | Leave a comment