‘The Brothers Paranormal’ A Startling Story

A scene from ‘The Brothers Paranormal’ at the Beckett Theatre. (l. to r.) Roy Vongtama , Vin Kridakorn , Dawn L. Troupe, and Brian D. Coats – Photo credit John Quincy Lee

Review – The Brothers Paranormal

The Brothers Paranormal is in its World Premiere at New York City’s Theatre Row. It is part of the Pan Asian Repertory’s 42nd Season. It is a ghost story with some tense scenes where an actor plays an apparition who does mean things. But the play has a lot more to it than a paranormal story. It probes into some issues that are often overlooked in today’s world. This review discusses only a few of those issues. Certain pieces of these issues need to be seen as they are revealed in the play to get the full impact.

The story is well thought out and written by playwright Prince Gomolvilas. He creates a story that is both appealing and surprising all in one show. He develops the characters slowly so that the role they play in the story comes out a step at a time. But as this happens, a light of recognition of the significance of their characterization brings in new understanding of what is taking place.

I’m one of those people who closes their eyes while watching a scary movie either on television or in a movie house when something frightening happens! But I always am assured that the screen is between me and the action. However that was not the case with The Brothers Paranormal. This show makes you feel like you are actually involved with apparitions and the spirit world beyond. It was only as the real story was revealed in the second act that I started to feel relaxed in my seat which was very close to the side curtain. I was on my guard that something might jump out there that I wasn’t expecting. What would have happened? Nothing except that my own sense of control might get loosened. And that is a good result of what this play does; it allows you to be open to issues that are “haunting” our society today. It won’t hurt you, it will let you look at them and gain some knowledge of their existence.

The Story

With direction by Jeff Liu, a strong cast of characters bring this impactful story to life. The cast includes Brian D. Coats as Felix, Natsuko Hirano as Jai, Vin Kridakorn as Max, Emily Kuroda as Tasanee, Dawn L.Troupe as Delia, and Roy Vongtama as Visarut.

The Brothers Paranormal begins with an appearance by a crazed “ghost” or apparition appearing on the stage which creates a stir right from the start. When the lights come on, the first brother, Max, is speaking to Delia. Max is from a family with a Thai background and Delia is African American woman. She has come to him to seek relief from a ghost who is haunting her in her home. Max is the salesperson for a business he and his brother Visarut run designed to investigate paranormal incidents.

Max tells Delia that he was friends with a boy at a summer camp who it turned out died 2 years before in the camp’s pool. He tells her this to get her thinking he has the ability to see the dead. She is reluctant so he tells her his job is to debunk ghost ideas. But he tells her this to prepare her for the truth. He next says there is something in her eyes that tells him this is real. She decides to hire him. She doesn’t want to be run out of her house. She and husband left their home because of Katrina and she doesn’t want to have to leave this home now too.

After Delia leaves, brother Visarut tells Max his story about the boy is from a Thai movie. He says that he conned her to which Max explains he had to do it to make his first sale in 6 months. They need the money.

The brothers arrive at the home of Delia and Felix, her husband, equipped with light sensitive camera equipment and audio taping methods. They set up the equipment and wait for an appearance. The ghost appears and but only Delia sees her. The scene is treacherous as the spirit unleashes her fury. As things settle down, Felix says he wants to speak with Max as he has some information he needs to know because they may be in danger. That conversation never takes place as Felix is hurt by the ghost and the first act ends.

Running along side of the story of Delia and Felix and the ghost is the story about Max and his family. His mother, Tasanee, is seen at several points during the show. She has conversations with Max trying to help him gain a better understanding of the Thai culture. Max is a child of Asian born parents who was born in the United States. His brother was born in Thailand and suffers the same feelings of being an outsider as his mother does. Although Max has the advantages of a fine college education, he lives with his mother and brother; both of whom had difficulties the previous year. There is no doubt that he cares deeply about both of them.

As discussions continue, Tasanee explains to Max that moving to U.S. was hard for her. Eventually Max realizes that she has been suffering from depression. He says Asian American women have the highest suicide rates. And from that, he is able to process some difficult concepts.

The play ends on a most unexpected note. A connection forms during the show between Max and Delia and it is furthered at the end. But there are many revelations before that happens. You need to see this show to find out what they are.

Themes Underlying the Story

Playwright Gomolvilas explains that the play has disparate themes: “the trauma of displacement (from one’s country of origin, from post-Katrina New Orleans, from the corporeal world); the high incidence of mental health issues among Asian immigrants; and the different ways in which people cope with incredible loss.”  All of these are covered throughout the story and they weave all together.

Press notes include this quote from Director Jeff Liu about his thoughts on the play. “It is also a drama about how we deal with grief, complicated by family legacies of mental illness and depression.  It‘s about two unlikely heroes, both members of embattled minorities in this country, who find a way to connect and support each other through the worst that life has to offer.”

The Brothers Paranormal gives an intense visit to the theater. It explores the horror genre involving ghosts and the supernatural But it also is an insightful look at how people deal with loss particularly that of their home. This show is a good one to see.

Additional Information About the Show

Running Time: Approx. 2 hours with one 10 minute intermission

Location: Beckett Theatre at Theatre Row, 410 W. 42nd Street, New York City

Performance Schedule: Tuesday – Friday at 7:30pm, Saturday at 2:30 p.m. & 7:30 p.m., and Sunday at 2:30 p.m. The show runs through May 19, 2019.

To Get Tickets and More Information: Tickets may be purchased at www.telecharge.com, (212) 239-6200, or by visiting the box office.  Group, senior and college discounts are available at www.TelechargeOffers.com.

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‘Too Heavy for Your Pocket’ a Moving Drama

Too Heavy for Your Pocket GSP 4-19 050Too Heavy for Your Pocket, by JirÈh Breon Holder, directed by LA WilliamsGeorge Street Playhouse 4/21/19Set: Wilson ChinCostumes Asa BenallyLights Jason LyonsSound: Chris Lane Photo Credit: T Charles Erickson© T Charles Erickson Photographytcepix@comcast.net

Now playing at New Brunswick’s George Street Playhouse is the drama Too Heavy for Your Pocket. The play by Jiréh Breon Holder runs though May 19 and also marks the final show at the interim location at Rutgers’ Cook Campus.

Under the direction of LA Williams, Too Heavy for Your Pocket follows two couples who live in Nashville, Tennessee in the Summer of 1961. Both couples are hard working and striving to improve their lives. The play opens as Sally-Mae Carter, played by Joniece Abbott-Pratt, is graduating from a beauty school. Landon G. Woodson plays her husband, Tony Carter. He is very proud of his wife’s accomplishment and makes sure to let her know this.

Also coming to the graduation are the Carter’s friends Bowzie and Evelyn Brandon. As Donnell E. Smith plays Bowzie, the first signs of his discontent become apparent as the play has several solo scenes where he is outside thinking and then showing strong reaction. This discontent is an important feature of the first act because it leads to his leaving a promising college career with scholarships funding his way. Felicia Boswell plays Evelyn Brandon, who works as a singer. She is proud of all the accomplishments around around her but still looks for her place in life.

The first part of the play is light-hearted and fun to watch as the two couples interact and prepare to go to Sally-Mae’s graduation. Little secrets begin to reveal as Tony brings out a box from under the refrigerator and gives Bowzie some money and Bowzie’s outdoor thinking scenes. So between these pieces, the scene is set for the major concentration of the action.

As the play progresses, more comes out about each person and each couple. The Carters have gone through marital infidelity from Tony and Sally-Mae is reluctant to trust him. Evelyn wants to believe in Bowzie but when she becomes pregnant, she doesn’t tell him widening the gap between the two.

The Underlying Issue

The play is a commentary on how the Civil Rights issues of the day were affecting people of color at that time. The chance for Bowzie to go to college tuition free is celebrated. However, one stumbling block comes in immediately: he must pay for a remedial summer course he must take in the summer before he enters the school. Money is tight and that point is not given much emphasis. But, he appears make it into school and then decides to leave it all and join The Freedom Riders.

Bowzie joins them and is arrested and put in jail. In the second act, the focus comes to rest on his letters that he reads aloud as they are sent to Sally-Mae. The letters are rough to hear as the conditions the arrested are living under are terrible. It is through those letters that the audience learns more about that time period, so critical in the history of Civil Rights.

Eventually, Bowzie learns that Evelyn is expecting a child and he makes a decision that might surprise some. That decision shows a very humanistic side that people who were involved with the movement faced. Decisions about how to live one’s life while fighting for the causes of freedom underlies all the action of the play. The Freedom Ride movement affects all of the characters of the story and this is well played out in the second act.

Strengths of the Play

Too Heavy for Your Pocket is well staged with a strong cast. The acting of the four characters is powerful including many times that is heartbreaking. The references to the needs of the couples and the effects of the bigotry of the day on them is crucial to all of their lives. This comes through very well. Lighting is well used to allow movement between scenes to happen very easily. The play has all the important ingredients needed for a moving drama. The only criticism might be that the first act gets a little slow in the middle. But then, as Bowzie makes his decision to go out with the Freedom Riders, the pace picks up. However, that might be viewed as how life really does move along.

Historic Views of The Freedom Riders

The Freedom Riders were Civil Rights activists who rode interstate buses into segregated states in the south beginning in 1961. Their goal was to challenge the non-enforcement of the Supreme Court decisions about busing. George Street Playhouse does an outstanding job of providing the audience with materials to read about the Freedom Ride Movement. I highly encourage anyone going to see this show to go to the cafe area and see the display created for this show. Seeing this first helps give a better understanding of the underlying issue upon which this play is based.

Additional Information

Too Heavy for Your Pocket runs now though May 19, 2019 at George Street Playhouse. The location is on Rutgers’ Cook Campus, 103 College Farm Road, New Brunswick, NJ.

The running time for the show is about 2 hours with one 15 minute intermission.

The show is especially recommended for those who like plays with historic basis and dramas.

For tickets, call 732-246-7717 or visit georgestreetplayhouse.org.

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Review: ‘Benny & Joon’ Enchanting on Stage

Benny & Joon at Paper Mill Playhouse; Hannah Elless (Joon) and Claybourne Elder (Benny); photo by Matthew Murphy for MurphyMade

A new musical is playing at Paper Mill Playhouse. Benny & Joon is the adaption to stage of the movie released in 1993. With a book by Kristen Guenther, music by Nolan Gasser, and lyrics by Mindi Dickstein, it provides audiences with a fresh look at the story and characters.

Under the direction of Jack Cummings III, this musical stays pretty true to the story told in the movie. However, some scenes just can’t be the same on stage. That’s where a clever set design and unique use of props comes in. The result is a show with an outstanding cast who bring their characters to life through acting and song which gives this musical its own personality. The story is realistic and hopeful. This all adds up to an enchanting experience seeing Benny & Joon the musical.

The Story

Benny & Joon is about a brother and sister who live together in a house where they were raised by their now deceased parents who were tragically killed in a car accident in town. Benny takes great care of Joon who is a diagnosed schizophrenic. When she stays on her meds, things are fairly good. But when she goes off, there are problems.

Benny is very protective of Joon so when Sam enters their home, he keeps a watchful eye over everyone. Sam is a unique character who isn’t very comfortable in the world himself. He and Joon develop feelings for each other much to Benny’s displeasure. At the same time, Benny finds himself attracted to Ruthie, a new arrival in town. But he won’t allow himself to truly enter a relationship with her because of his continued concerns and ties to Joon. The struggle for each person to make changes becomes the focus of the story. The trauma it brings is sad at times to watch. The ending allows all the main characters to enter a new phase of their lives. Hope prevails as there is a realization that life is not perfect, but still must be lived to the best of one’s ability.

Clever Touches Add to Characterizations

The show has a nice pace to it. Major characters are introduced within the first few minutes allowing action to begin immediately. The opening notes of the music have a little fantasy sound to them. As they play, Sam, played by Bryce Pinkham, enters sitting on top of a small train. He indicates that he is coming to Spokane, Washington. Spokane appears on a 3D map that one might see on a close up of a Google Map Satellite View. This entrance gives an immediate sense of his unique personality which is vitally important to both the story and development of the other characters.

Benny & Joon at Paper Mill Playhouse; Bryce Pinkham (Sam); photo by Jerry Dalia

Mr. Pinkham gives an outstanding performance as the strange man who continually gives movie quotes to explain things. His clothing shows his devotion to Buster Keaton. He is limber and very comfortable as he skates cleaning the house. He also swings on a rope as he tries to see Joon through a window when she is hosptialized. Sam is one heck of a role to play and Bryce Pinkham is totally up to the task. Theater goers should note that actor Conor Ryan is slated to play this role at some performances. I didn’t get to see him, but some of my friends did and they said he did a marvelous job.

Benny & Joon at Paper Mill Playhouse; Hannah Elless (Joon); photo by Matthew Murphy for MurphyMade

Joon enters the stage with a painting she is working on. As Hannah Elless plays the role, she turns in a performance that vividly shows the many sides of a person with schizophrenia. Singing songs with her gorgeous voice, she shows a Joon who is capable at times. But then, she shows the side of the character who falls apart when too many changes occur too quickly.

A very funny but touching scene occurs when she feels the need to direct cars at a corner in town when the traffic light goes out. This corner happens to be the one where her parents were killed in a car accident. As small cars are pushed by sticks by cast members, she wears a snorkeling mask. So there is some realism but it is softened by the clever use of props to simulate an actual street scene.

Benny & Joon at Paper Mill Playhouse; Claybourne Elder (Benny); photo by Matthew Murphy for MurphyMade

When Joon’s brother Benny enters, he prepares to work in the garage/car repair shop that he owns and runs. Claybourne Elder plays Benny and he turns in first class acting and singing in this very difficult part. Benny has so many responsibilities in his life that he is on overload but doesn’t realize it for awhile. He gives an excellent look at the life of caregivers in this show as he forsakes his own enjoyment in life for his sister’s.

The other major character is Ruthie beautifully played by Tatiana Wechsler. Ruthie falls for Benny and wants to have a relationship with him. Her job at the local eating shop allows her to meet Joon and Sam when they stop in for Joon’s favorite dessert, Tapioca. Ruthie’s part is very instrumental in the eventual outcome of the story. She is patient and hopeful that Benny will eventually come and be with her. She also becomes attached to Joon and helps her with a life changing moment.

The set design with its moving walk way is used to give a sense of walking a distance. Lights display on the background map as new locations come into play. Small sized cars are pushed around on long sticks by cast members. Furniture and set pieces move easily on wheels and are put quickly into place by the cast. This allows a new scene to come to life right before your eyes.

Benny & Joon at Paper Mill Playhouse; LEFT TO RIGHT: Paolo Montalban (Larry), Jacob Keith Watson (Waldo), Colin Hanlon (Mike), Bryce Pinkham (Sam), Tatiana Wechsler (Ruthie), and Natalie Toro (Dr. Cortez); photo by Jerry Dalia PHOTO

Enchanting

In addition to the outstanding cast and clever staging, Benny & Joon is enchanting because of the relationships in the story. There are the two romantic relationships. But the most important one explored is the brother/sister one. That doesn’t happen too often. Benny is always watching out for Joon. She realizes it but eventually, as her feelings for Sam develop, she feels smothered by it. And here is where the music comes in to add great value to what is going on.

The music is traditional show tune style with lyrics that hold a beautiful level of understanding of the human spirit. The title song “Benny and Joon” is a joyous look at that brother/sister relationship. Benny laments losing his parents and the life he now has in a very touching “One Good Day.” The Finale, “This” sings about living life. A bit of realism, with some enchanting moments – that’s Benny & Joon.

In addition to the principal cast players, other actors include Colin Hanlon as Mike, Paolo Montalban as Larry, Natalie Toro as Dr. Cortez/Mrs. Smail, Jacob Keith Watson as Waldo/Video Store Owner and Belinda Allyn.

The production team includes scenic and costume design by Dane Laffrey and lighting design by R. Lee Kennedy. Sound design is by Kai Harada, flying by Foy, movement coordinator Lorenzo Pisoni, and orchestrations by Michael Starobin.  The production stage manager is Victoria Navarro. Casting is by Nora Brennan, CSA.

Additional Information

Benny & Joon performs at Paper Mill Playhouse eight times a week, Wednesday through Sunday. Performance schedule: Wednesday at 7:30pm, Thursday at 1:30pm and 7:30pm, Friday at 8:00pm, Saturday at 1:30pm and 8:00pm and Sunday at 1:30pm and 7:00pm.

Purchase tickets by calling 973.376.4343, at the Paper Mill Playhouse Box Office at 22 Brookside Drive in Millburn, or online at www.PaperMill.org.

Students may order $23-$28 rush tickets over the phone or in person at the Paper Mill Playhouse Box Office on the day of the performance.

Accessibility Performances

Audio-described performances for Benny & Joon are on Sunday, April 28, 2019, at 1:30pm and Saturday, May 4, 2019, at 1:30pm. Prior to these performances at noon, the theater will offer free sensory seminars. Sensory seminars offer an opportunity for patrons with vision loss to hear a live, in-depth description of the production elements of the show and hands-on interaction with key sets, props, and costumes. 

There will be a sign-interpreted and open-captioned performance on Sunday, May 5, 2019, at 7:00pm.

Free Audience Enrichment Activities

The Conversation Club meets on Thursday evenings, April 4, 11, 16, and 25 one hour before curtain for an informal, informative gathering. You’ll learn more about the performance you’re about to see.

Q&A with the Cast is after the matinee on Saturday, May 4. Stick around for a lively Q&A with cast members directly following the performance.

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